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thereadinghammock's reviews
577 reviews
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Harper Hollingsworth is a witch struggling with clinical depression, in the throes of grieving her father, and uprooted back to her mother's hometown of Cambric Creek. Feeling lost in the depths of her grief, Harper struggles to find any reason to get out of bed or off the couch until a spark of a conversation with her younger sister gives her a nudge to try to be present enough for her, even if it's just sometimes. After a Goldilocks trip through town (the library was closed; Black Sheep Beanery is too loud; Viol, Violet, and Vine is a retail shop), Harper finds Azathé is just right to settle down and read a book somewhere that's not her couch.
With the encouragement from a surprise "free agent" familiar and the shadowy proprietor of the tea shop, Harper begins to find herself again, as a woman and as a witch. She begins those first tentative and terrifying steps toward "finding her new normal," as trite as that saying becomes after a loss so profound. Harper's healing path is full of new faces who understand the profoundness of her grief and never try to diminish it. They support her and share their own grief experiences in ways that demonstrate for her that the hurt never ends, but becomes a part of you, not what defines you.
Harper's role in the shake up heading for Cambric Creek is going to be an important one and I can't wait to see the new coven emerge from the ashes of the old.
Graphic: Grief and Sexual content
Moderate: Emotional abuse, Mental illness, and Death of parent
Minor: Suicidal thoughts
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Moderate: Gun violence, Kidnapping, Violence, and Drug use
Minor: Addiction and Injury/Injury detail
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
I appreciated the efforts Marie made toward inclusion and diversity. From Richard's auditory processing issues, Eddie's history of addiction, and the various nonbinary and queer characters peppered throughout the rest of the worldbuilding.
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
I don't know if I've ever been go glad to have listened to an audiobook of a book than read it. I would never have been able to do justice to the Mexican and Mayan names within the book, and would have lost so much depth of the character that those played in the novel. Xibalba herself felt as important a character as Casiopea, Hun-Kamé, and Vucub-Kamé. I also appreciated the narrator infusing more humanity into Hun-Kamé as the story progressed. It was subtle, but by the end quite a noticeable change from where he started.
Moderate: Suicide and Bullying
Minor: Death of parent and Grief
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I loved watching them figure each other out as they found their groove at the B&B together. Jacob noticing more of the neurodiverse impulses and habits Eve had that were similar and yet so opposite to his own. Eve learning more about herself and gaining the confidence she never thought she'd find simply because she had people around her who got it and let her thrive because of those routines and habits she used to cope.
Still not a fan of the third act break ups, but Talia has a way of throwing them at readers at the 11th hour and then letting her protagonists realize the error of their ways within a chapter and come rushing back together with perfectly crafted apologies for each other and bringing them to their HEA just in time.
Graphic: Abandonment and Sexual content
Moderate: Injury/Injury detail and Ableism
Minor: Classism
4.75
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Enter James Evanston Sinclair. Titled and landed gentry, move freely among the fellow exhibitors due to his title and gender enough to get his foot in the door and then let his whiskey speak for itself. After running into each other three times in just a few days, Luz Alana a favor turns into a mutually beneficial plan. Turns out, his connections and her tenaciousness they're quite the team. And a marriage of convenience would give them both exactly what they need to access the inheritance they've both been locked out of because of a marriage clause.
But what happens when this marriage of convenience turns into more than just convenience? Luz Alana and Evan dance around their feelings for each other like professional dancers. The fact that they both spend so much of the book lying to themselves that "It's just until we both get what we need, then we divorce and go our separate ways." Like they both aren't completely obsessed with each other. There were a few twists here and there that were a delightful surprise and kept the story from feeling too "tropey" in the unduly predictable way that historicals can go. And I'm looking forward to seeing the rest of Las Leonas get their HEA's!
Graphic: Sexual content and Misogyny
Minor: Classism, Emotional abuse, Sexism, Gaslighting, and Racism
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Once Clara got shaken out of her east coast prudish ways she was so much more fun to read. I did want to shake them both through about 2/3 of the book and just say "TALK TO EACH OTHER!!!" so they could stop pussy-footing around their obvious feelings for each other. The "She's too good for me/I'm nothing like the kind of woman he'd want forever" schtick was real old, real fast. And while I'm not a fan of third act break-ups on the whole, seeing Clara drive out to what-his-nuts last tour stop only to realize she only liked the idea of him and told him that to his face, and for him to take the ego hit and let her go gracefully was a nice just desserts.
I did love the ultimate resolution, with the DA coming around, sticking it to the creeper porn industry guy, and the absolutely ADORABLE epilogue
Graphic: Sexual content
Minor: Classism
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Have you ever read a passage in a book, but your brain doesn't process it as words written on a page, but as a movie in your brain? Abigail delivers that on multiple occasions in Vital, just absolutely blowing my mind with vivid imagery, poignant storytelling, and such care for detail that I can't NOT find myself falling into the world of the NPU. True to Abigail's "No Break Ups, Only Peril" motto, Josephine and Otto's story will break AND mend your heart, culminating in one of the best fictional art exhibitions I'm so sad I'll never get to see in real life.
Graphic: Confinement, Emotional abuse, Forced institutionalization, and Medical trauma
Moderate: Emotional abuse, Injury/Injury detail, War, Violence, Sexual content, Physical abuse, Torture, and Medical content
Minor: Death and Death of parent
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
There's also so much social commentary packed into a very contained story. What does it mean to be a person? The autonomy or lack thereof of the constructs, despite being fully sentient AI systems. The constructs being ACTUAL AI systems and not whatever knockoff theft software we're trying to pass off as AI these days. Exploring the concepts of morality and autonomy when free choice is a conceptual gray area. So, so, so much in such short, digestible, and delightfully sarcastic and relatable packages.
Moderate: Violence and Injury/Injury detail