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3.63 AVERAGE
3.63 AVERAGE
Contrived, full of white saviour tropes, and does not live up to the book jacket hype in any way.
Parts of this story were so painful and tragic, but others were so beautifully human. Chris Cleave's writing and his character's voices throughout were so concrete that I felt immersed within them. There were a few times later in the book where the actions of the characters seemed to contradict the earlier established morals. Overall a thought-provoking and well-researched book that left me thinking about its characters long after I had put it down.
I was expecting to be a little more blown away since people really built this up for me. It was still a great book - very different than a lot of the stories I have read. I don't want to say anything else because the back cover of the book is right - I don't want to spoil it by revealing the plot.
Compelling page turner. Two women's lives overlap twice, each time w life altering results: a Nigerian runaway and a white Western journalist. Didn't like the word-for-word West Indian accent--a secondary character. Technically sharp.
challenging
dark
emotional
sad
tense
fast-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Heartbreaking and enlightening
Content Warnings
Graphic: Child death, Racism, Suicide, Violence, Death of parent, Murder, War
Moderate: Rape, Torture, Police brutality, Grief
Little Bee was such a powerful story ... The kind that makes all sit back and think about how grateful we are for what we have. I loved the imagery Cleave uses describing Little Bee and Sarah's lives. It is so powerful it made me almost feel what the characters were feeling. The one downside was that the book did not really have a happy ending. I did like that it ended in a realistic way, but I'm always a sucker for happy endings.
Beautifully written, memorable characters, and it made me weep.
I liked it, but I didn't love it. It left me feeling a bit limp. Definitely a thought provoking book, but it was a bit lacking.
I liked this book, but at times, I felt the writing was super self-indulgent. Beautiful, yes, but also just very contrived and unrealistic under the circumstances. So I was kept outside the story because of how implausible the observations and thought processes were for both Sarah and Little Bee, but more so for Little Bee. She is an extraordinary person, yes, but to put that much on a young Nigerian refugee girl seemed a little hyperbolic. No doubt beautiful writing and observations, overall, but still. Maybe I am just envious, hah.
And also, how much is sort of just made up by a white man to put onto a white woman and a girl of color? I know research was done, but I want to be like, "Is it really his story to tell?" But he did, after all, tell it, and he told it in a striking way, so it was indeed his story, but the word "appropriation" also comes up for me. Just my feelings.
"On the girl's brown legs there were many small white scars. I was thinking, Do those scars cover the whole of you, like the stars and the moons on your dress? I thought that would be pretty too, and I ask you right here please to agree with me that a scar is never ugly. That is what the scar makers want us to think. But you and I, we must make an agreement to defy them. We must see all scars as beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, I survived." pg. 9 !!!
"She was whispering into it in some language that sounded like butterflies drowning in honey." pg. 13
"The only souvenir I have of that first meeting is an absence where the middle finger of my left hand used to be. The amputation is quite clean. In place of my finger is a stump, a phantom digit that used to be responsible for the E, D, and C, keys on my laptop. I can't rely on E, D, and C anymore. They go missing when I need them most. Pleased becomes please. Ecstasies becomes stasis." pg. 25
"Everything was happiness and singing when I was a little girl. There was plenty of time for it. We did not have hurry. We did not have electricity or fresh water or sadness either, because none of these had been connected to our village yet." pg. 78
"I do not know why the small puddle of urine made me start to cry. I do not know why the mind chooses these small things to break itself on." pg. 79
"In the quiet of the garden then the robin shook his worm, and swallowed its life from the light into darkness with the quick indifference of a god. I felt nothing at all." pg. 94
"Still shaking, in the pew, I understood that it isn't the dead we cry for. We cry for ourselves, and I didn't deserve my own pity." pg. 96
"I was in a daze. I remember on the flight home to London that it vaguely surprised me, just as it had at the end of my childhood, that such a big story could simply continue without me. But that is the way it is with killers, I suppose. What is the end of all innocence for you is just another Tuesday morning for them, and they walk off back to their planet of death giving no more thought to the world of the living than we would give to any other tourist destination: a place to be briefly visited and returned from with souvenirs and a haunting sensation what we could have paid less for them." pg. 124-125
"It is not because anyone wants to keep my continent in ignorance. It is because nobody has the time to sit down and explain the first world from first principles. Or maybe you would like to, but you can't. Your culture has become sophisticated, like a computer, or a drug that you take for a headache. You can use it, but you cannot explain how it works. Certainly not to girls who stack up their firewood against the side of the house." pg. 128
"Three weeks and five thousand miles on a tea ship--maybe if you scratched me you would still find that my skin smells of it. When they put me in the immigration detention center, they gave me a brown blanket and a white plastic cup of tea. And when I tasted it, all I wanted to do was to get back into the boat and go home again, to my country. Tea is the taste of my land: it is bitter and warm, strong, and sharp with memory. It tastes of longing. It tastes of the distance between where you are and where you come from. Also it vanishes--the taste of it vanishes from your tongue while your lips are still hot from the cup. It disappears, like plantations stretching up into the mist. I have heard that your country drinks more tea than any other. How sad that must make you--like children who long for absent mothers. I am sorry." pg. 129
"I felt adrenaline aching in my chest. This thing that was happening, then, it had apparently slipped quite subtly over some line. It had become something acknowledged, albeit in a relatively controlled form that both of us could still step back from. Here it was, if we wanted it, hanging from a taut umbilicus between us: an affair between adults, minute yet fully formed, with all its forbidden trysts and muffled paroxysms and shattering betrayals already present, like the buds of fingers and toes." pg. 156
"The gasoline flowing through the pump made a high-pitched sound, as if the screaming of my family was still dissolved in it. The nozzle of the gasoline hose went right inside the fuel tank of Sarah's car, so that the transfer of the fluid was hidden. I still do not know what gasoline truly looks like. If it looks the way it smells on a rainy morning, then I suppose it must flash like the most brilliant happiness, so intense that you would go blind or crazy if you even looked at it. Maybe that is why they do not let us see gasoline." pg. 181
"An aching panic took me over. The sophisticated parts of my mind shut down, the parts that might be capable of thought. I suppose the blood supply to them had been summarily turned off, and diverted to the eyes, the legs, the lungs. I looked, I ran, I screamed. And all the time in my heart it was growing: the unspeakable certainty that someone had taken Charlie." pg. 235
Book: borrowed from the SSF Main Library.
And also, how much is sort of just made up by a white man to put onto a white woman and a girl of color? I know research was done, but I want to be like, "Is it really his story to tell?" But he did, after all, tell it, and he told it in a striking way, so it was indeed his story, but the word "appropriation" also comes up for me. Just my feelings.
"On the girl's brown legs there were many small white scars. I was thinking, Do those scars cover the whole of you, like the stars and the moons on your dress? I thought that would be pretty too, and I ask you right here please to agree with me that a scar is never ugly. That is what the scar makers want us to think. But you and I, we must make an agreement to defy them. We must see all scars as beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, I survived." pg. 9 !!!
"She was whispering into it in some language that sounded like butterflies drowning in honey." pg. 13
"The only souvenir I have of that first meeting is an absence where the middle finger of my left hand used to be. The amputation is quite clean. In place of my finger is a stump, a phantom digit that used to be responsible for the E, D, and C, keys on my laptop. I can't rely on E, D, and C anymore. They go missing when I need them most. Pleased becomes please. Ecstasies becomes stasis." pg. 25
"Everything was happiness and singing when I was a little girl. There was plenty of time for it. We did not have hurry. We did not have electricity or fresh water or sadness either, because none of these had been connected to our village yet." pg. 78
"I do not know why the small puddle of urine made me start to cry. I do not know why the mind chooses these small things to break itself on." pg. 79
"In the quiet of the garden then the robin shook his worm, and swallowed its life from the light into darkness with the quick indifference of a god. I felt nothing at all." pg. 94
"Still shaking, in the pew, I understood that it isn't the dead we cry for. We cry for ourselves, and I didn't deserve my own pity." pg. 96
"I was in a daze. I remember on the flight home to London that it vaguely surprised me, just as it had at the end of my childhood, that such a big story could simply continue without me. But that is the way it is with killers, I suppose. What is the end of all innocence for you is just another Tuesday morning for them, and they walk off back to their planet of death giving no more thought to the world of the living than we would give to any other tourist destination: a place to be briefly visited and returned from with souvenirs and a haunting sensation what we could have paid less for them." pg. 124-125
"It is not because anyone wants to keep my continent in ignorance. It is because nobody has the time to sit down and explain the first world from first principles. Or maybe you would like to, but you can't. Your culture has become sophisticated, like a computer, or a drug that you take for a headache. You can use it, but you cannot explain how it works. Certainly not to girls who stack up their firewood against the side of the house." pg. 128
"Three weeks and five thousand miles on a tea ship--maybe if you scratched me you would still find that my skin smells of it. When they put me in the immigration detention center, they gave me a brown blanket and a white plastic cup of tea. And when I tasted it, all I wanted to do was to get back into the boat and go home again, to my country. Tea is the taste of my land: it is bitter and warm, strong, and sharp with memory. It tastes of longing. It tastes of the distance between where you are and where you come from. Also it vanishes--the taste of it vanishes from your tongue while your lips are still hot from the cup. It disappears, like plantations stretching up into the mist. I have heard that your country drinks more tea than any other. How sad that must make you--like children who long for absent mothers. I am sorry." pg. 129
"I felt adrenaline aching in my chest. This thing that was happening, then, it had apparently slipped quite subtly over some line. It had become something acknowledged, albeit in a relatively controlled form that both of us could still step back from. Here it was, if we wanted it, hanging from a taut umbilicus between us: an affair between adults, minute yet fully formed, with all its forbidden trysts and muffled paroxysms and shattering betrayals already present, like the buds of fingers and toes." pg. 156
"The gasoline flowing through the pump made a high-pitched sound, as if the screaming of my family was still dissolved in it. The nozzle of the gasoline hose went right inside the fuel tank of Sarah's car, so that the transfer of the fluid was hidden. I still do not know what gasoline truly looks like. If it looks the way it smells on a rainy morning, then I suppose it must flash like the most brilliant happiness, so intense that you would go blind or crazy if you even looked at it. Maybe that is why they do not let us see gasoline." pg. 181
"An aching panic took me over. The sophisticated parts of my mind shut down, the parts that might be capable of thought. I suppose the blood supply to them had been summarily turned off, and diverted to the eyes, the legs, the lungs. I looked, I ran, I screamed. And all the time in my heart it was growing: the unspeakable certainty that someone had taken Charlie." pg. 235
Book: borrowed from the SSF Main Library.
I picked this up at a thrift store and wasn’t expecting to like it as much as I did. This read is shocking, disconcerting and unforgettable. It would be a real eye opener for anyone who does not understand why so many immigrants seek asylum outside the borders of their native country. Although this is set against a background of violence, I commend Cleave for the keeping the goriness of things to an absolute minimum.
Two lives unexpectedly intersect on a beach in Nigeria and are forever changed. Sarah Summers of Britain is a magazine executive. She and her husband’s (Andrew O’Rourke) relationship unraveled after the birth of their son, Charlie. In an attempt to save it, they travel to an out of the way location, but what happens there further divides them.
Udo, is a young Nigerian woman who fled her village in the jungle with her sister, Nkiruka when militia commissioned by a foreign oil company destroyed it after it was discovered to be located above an oil rich deposit. She was lucky to escape with her life, hid herself on a cargo ship and arrived in Britain. She was immediately sent to British immigration center where she was detained for two years. Cleave brings her to life on these pages and gives her an unforgettable character. She is honest, outspoken, bright, and wise far beyond her years. I was in awe of her strength, fortitude and attitude.
Charlie is the perfect balance to the gravitas of the matter. I smiled at his batman antics and words.
Two lives unexpectedly intersect on a beach in Nigeria and are forever changed. Sarah Summers of Britain is a magazine executive. She and her husband’s (Andrew O’Rourke) relationship unraveled after the birth of their son, Charlie. In an attempt to save it, they travel to an out of the way location, but what happens there further divides them.
Udo, is a young Nigerian woman who fled her village in the jungle with her sister, Nkiruka when militia commissioned by a foreign oil company destroyed it after it was discovered to be located above an oil rich deposit. She was lucky to escape with her life, hid herself on a cargo ship and arrived in Britain. She was immediately sent to British immigration center where she was detained for two years. Cleave brings her to life on these pages and gives her an unforgettable character. She is honest, outspoken, bright, and wise far beyond her years. I was in awe of her strength, fortitude and attitude.
Charlie is the perfect balance to the gravitas of the matter. I smiled at his batman antics and words.