teaforazathoth's review against another edition

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dark mysterious tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.75

I love cosmic horror but this writer is such horrible person  and it shows in his stories. So I can't give full 5 stars no matter how much I enjoy mythos.

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stiegosaur's review against another edition

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adventurous dark slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.0


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ninjasunknown's review against another edition

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adventurous dark slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

2.5


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anime_cthulhu's review against another edition

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dark mysterious slow-paced

5.0

I would give Lovecraft higher than a five star rating if I could. He is one of the few authors where the story actually feels like it is wholly focused on the horror.
On the downside, if you like novels focusing on character development, you should look elsewhere. In Lovecraft's stories, the characters are essentially just vehicles for the reader to experience the horror at hand.

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tylawrencium's review against another edition

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challenging dark mysterious slow-paced
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.0

Lovecraft's writing varies pretty widely in quality, although I'd say in general that his later stuff is more interesting and developed than a lot (though not all) of his earlier stories. Character development isn't really a strength of his--you're reading this for the interesting worldbuilding and thought that's gone into his universe. As such, many of the stories are heavy on world and light on plot or character. There's a few exceptions that actually build up to a semi-dramatic revelation--The Rats in the Walls and The Shadow Out of Innsmouth come to mind. All in all, I'd say read the highlights and then if you like what you find, keep going. Other "bests" include The Temple, At the Mountains of Madness, The Color Out of Space, and The Music of Erich Zann.

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