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quechl's review against another edition
dark
emotional
mysterious
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
I want to start by saying I really enjoyed this book. the writing is absolutely stunning. im fairly certain the most common thing i annotated while reading is something about the prose. Effy as our pov character is interesting and really does make you root for her. the setting was atmospheric and moody, the struggles raw and emotional; reid as an author is most definitely talented and intentional with her craft.
that being said i definitely have a few nitpicks. preston could have been more fleshed out; i wanted more of him, his thoughts and perspective and we just dont see that. i really liked him as a character, but we dont ever really get to see what hes thinking, which i found to be a real shame. the same can be said about the worldbuilding; i LOVE that stuff, and what we do get is really interesting!!! the different saints, local traditions, cultural differences, all of it really tickles me, and its a real shame that the audience (and by that i mean me) wasnt given much chance to read more about it. i want to know about this world, and i felt like it could have been used to further prestons background as well! we had snippets of him telling us sayings, but that was it!! hes supposed to be a passionate lit major!! let him dump info on us!!! i get why it was done, considering the pacing of the book, but its a real shame nonetheless.
and finally, my most major gripe is that the 'twist' was just... predictable. i thought it was going to be a red herring, but no, that was the actual twist, which i found frustrating, especially because effy thinks about the obvious answer like partially once, and then never again. it felt like these clever characters kept missing the clearest answer, and that annoyed me, because the rest of this book really is great. its moody and enticing and tense, and the blurring lines between real and fake is really engaging.
honestly i almost wish she left the reality of the fairy king remain a mystery. part of whats enjoyable is that you dont know how much of the story is truely happening. i understand why reid did, but personally i felt like keeping that mystery and dichotomy between the cynic preston and spiritual effy more potent because we the readers dont know the 'objective truth' as preston puts it.
that being said i definitely have a few nitpicks. preston could have been more fleshed out; i wanted more of him, his thoughts and perspective and we just dont see that. i really liked him as a character, but we dont ever really get to see what hes thinking, which i found to be a real shame. the same can be said about the worldbuilding; i LOVE that stuff, and what we do get is really interesting!!! the different saints, local traditions, cultural differences, all of it really tickles me, and its a real shame that the audience (and by that i mean me) wasnt given much chance to read more about it. i want to know about this world, and i felt like it could have been used to further prestons background as well! we had snippets of him telling us sayings, but that was it!! hes supposed to be a passionate lit major!! let him dump info on us!!! i get why it was done, considering the pacing of the book, but its a real shame nonetheless.
and finally, my most major gripe is that the 'twist' was just... predictable. i thought it was going to be a red herring, but no, that was the actual twist, which i found frustrating, especially because effy thinks about the obvious answer like partially once, and then never again. it felt like these clever characters kept missing the clearest answer, and that annoyed me, because the rest of this book really is great. its moody and enticing and tense, and the blurring lines between real and fake is really engaging.
Content Warnings
Graphic: Mental illness and Misogyny
Moderate: Panic attacks/disorders, Rape, and Sexual assault
Minor: Animal death, Pedophilia, and Death of parent
chelbawamba's review against another edition
dark
emotional
mysterious
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.75
This is my second attempt with this author and sadly I don’t think I can be convinced to try again. Ava Reid relies heavily on simile and metaphor, to a point of excessiveness, does a lot of telling instead of showing, and everything happens to this main character “suddenly” or “for some reason.” Even when the reason was obvious to me as a reader, it happened “for some reason.”
Overall, the concept of the story was interesting, but the way it was executed was extremely predictable. I knew early on what most of the reveals at the end were going to be. In my opinion, there is a fine line between good foreshadowing and offering too much too early on.
A personal pet peeve of mine is when characters speak about each other as if they’ve known each other for a long time when it’s only been a few days, for example: saying things like “he’s always been kind to me,” or “I had never seen him this flustered” when the character only knew the other person for maybe a collective three hours. This happened frequently in the first half of the book.
I didn’t not enjoy it, but I also didn’t enjoy it. Would not necessarily recommend it, but it had its moments and kept me engaged through the end.
Overall, the concept of the story was interesting, but the way it was executed was extremely predictable. I knew early on what most of the reveals at the end were going to be. In my opinion, there is a fine line between good foreshadowing and offering too much too early on.
A personal pet peeve of mine is when characters speak about each other as if they’ve known each other for a long time when it’s only been a few days, for example: saying things like “he’s always been kind to me,” or “I had never seen him this flustered” when the character only knew the other person for maybe a collective three hours. This happened frequently in the first half of the book.
I didn’t not enjoy it, but I also didn’t enjoy it. Would not necessarily recommend it, but it had its moments and kept me engaged through the end.
Content Warnings
Graphic: Addiction, Adult/minor relationship, Child abuse, Death, Drug abuse, Emotional abuse, Mental illness, Misogyny, Panic attacks/disorders, Pedophilia, Physical abuse, Racism, Rape, Sexism, Sexual assault, Sexual content, Sexual violence, Violence, Xenophobia, Blood, Kidnapping, Car accident, Death of parent, Murder, Schizophrenia/Psychosis , Gaslighting, Alcohol, Sexual harassment, Colonisation, and Classism
paolaspov's review against another edition
adventurous
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
5.0
For lovers of half a soul, emily wilde’s encyclopedia of faeries and howl’s moving castle.
Content Warnings
Graphic: Adult/minor relationship, Misogyny, Pedophilia, Xenophobia, and Sexual harassment
Moderate: Sexual assault
akevaa's review against another edition
dark
emotional
hopeful
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Adult/minor relationship, Death, Misogyny, Pedophilia, Rape, Sexism, Sexual assault, Sexual content, Toxic relationship, and Grief
Moderate: Violence, Blood, and Injury/Injury detail
chrisnotfromorlando's review against another edition
dark
emotional
hopeful
inspiring
mysterious
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
5.0
I’ll be thinking about this book for a while, I think. It touches on so many things at once, despite it being a story that feels very small for a fantasy, no dragons or great quests.
It touches on the way men wield their power over women, the way grief and trauma takes hold and slowly etches away at you, what it’s like to live your life in survival mode and feel alone in the world, and much more.
It also has absolutely beautiful prose without ever feeling purple, and some of the most tactile descriptions I’ve ever read. You’ll find yourself lost in the dark academia, gothic setting as if you too were walking through the slowly decaying mansion, wondering if the Fairy King is lurking around the corner.
Oh, and the romance is the cherry on top. A sweet, slow burn that adds just enough warmth to the story.
It touches on the way men wield their power over women, the way grief and trauma takes hold and slowly etches away at you, what it’s like to live your life in survival mode and feel alone in the world, and much more.
It also has absolutely beautiful prose without ever feeling purple, and some of the most tactile descriptions I’ve ever read. You’ll find yourself lost in the dark academia, gothic setting as if you too were walking through the slowly decaying mansion, wondering if the Fairy King is lurking around the corner.
Oh, and the romance is the cherry on top. A sweet, slow burn that adds just enough warmth to the story.
Content Warnings
Graphic: Sexism and Sexual harassment
Moderate: Adult/minor relationship, Child abuse, Mental illness, Panic attacks/disorders, Pedophilia, Sexual assault, Schizophrenia/Psychosis , and Gaslighting
Minor: Body horror, Terminal illness, Death of parent, and Injury/Injury detail
goldenjoy's review against another edition
dark
emotional
inspiring
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Adult/minor relationship, Misogyny, Pedophilia, Rape, Sexism, Sexual assault, Terminal illness, Toxic relationship, Forced institutionalization, Death of parent, and Gaslighting
Moderate: Sexual harassment
beefthedwarf's review against another edition
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.75
No Spoilers:
"A Study In Drowning" was captivating, magical, and mysterious. I typically am not drawn to romances, but the relationship between the main love interests was compelling and sweet. I often see the book marketed as Enemies to Lovers or Rivals to Lovers, but I'd moreso call it Disagreement to Lovers or perhaps simply Opposites Attract.
Act 1 is quite slow to pick up, Act 2 does a good job building the tension, and Act 3 is exhilarating -- until it's not. It seems like the author lost some confidence that her work would speak for itself and added 30-ish pages of exposition that essentially explained the whole book and then some. A lot of it would have been more rewarding sprinkled through the earlier parts of the book. Nonetheless, it is very well structured.
Overall, the book was an amazing read and extremely rich in both prose, world building, and themes surrounding misogyny and sexual assault (both literal and metaphorical).
Spoilers:
Something I thought was interesting about the book was that Reid created this entirely new world of fantasy realism just as the backdrop for her academic mystery. It could have just as easily been set in the irl 20th century United Kingdom. This isn't a gripe -- it's a fascinating choice that I found myself enjoying immensely. The faintly magical history, the cultural views of the characters, the fake excerpts from fake scholarly critiques and essays, the vague implication that this is a post apocalyptic fantasy future following the impact of irl climate disaster... -chefs kiss-
Act 1 was slow to start, as if the author wasn't quite sure where to begin. In her effort to avoid giving away Effy's character and history too quickly, the beginning was just too vague and I found myself almost DNF-ing. I just didn't feel compelled to care about any of the characters yet.
Ava Reid did an excellent job finding ways to push her characters to engage with the plot. This was especially important considering Effy as a character is described as an escape artist -- always running away from difficult problems. The plot really starts when Effy has no way to go back to college OR go back home. While her psychosis ends up just being the "Magical Psychosis" trope (booooo), I feel like her other mental illness is very real. The splitting, the assumptions, the black and white thinking, the urge to escape, the lack of identity colliding with the urge to know how other people view her, etc. All very common for folks with C-PTSD (or, if I were to armchair diagnose her, BPD). I feel like the author was very well versed in Effy's style of trauma response and handled it well.
I don't know how many times Effy was described swallowing her pills dry. Folks -- DO NOT DO THIS. I don't know how this poor girl did not develop an ulcer.
The book glosses over a lot of the characters' bodily functions. As far as we can tell, Effy's guesthouse has no bathroom, and the only bathroom we see in Hiraeth Manor is dilapidated and Ianto doesn't allow Effy to use it. Where does she piss?! Where does anyone piss?! No one ever seemed to eat breakfast or dinner either, except the one time at Blackmar's mansion. While there is a degree in which an author shouldn't be expected to elaborate each and every human maintenance, this was a very noticeable exclusion.
I loved the artificial history and scholarship surrounding Myrddin and literature as a whole in Llyr. It really made the world feel big and real, even if it was just a backdrop for the mystery. It made the characters feel big and real -- the world matters to them. However, I was disappointed that there was a brief descent into the politics of the warring countries, their respective settler colonial history, and which of them could actually be considered the aggressor, only to have it dropped entirely without a single additional mention.
I often see the book marketed as Enemies to Lovers or Rivals to Lovers, but I'd moreso call it Disagreement to Lovers or perhaps simply Opposites Attract. Effy got annoyed at Preston for petty reasons and Preston was more or less minding his business. There was a moment of conflict upon Effy discovering the truth of Preston's thesis, but an alliance formed quickly. It was well done and great to read, but not exactly what I'd call Enemies/Rivals to Lovers.
The changeling reveal for Effy was a bit sloppy, in my opinion. While the book was clear there was a secret to Effy, it would have been more interesting and rewarding if the concept of changelings and their naming conventions had come up earlier in the book.
The book deals heavily with Effy's sexual assault trauma and her responses -- escaping, escapism, anxiety, lying, splitting, emotional responses, etc. I also feel like the book was not-so-subtly hinting at the affects of childhood sexual trauma as well, thought less explicitly described. This can be seen in the way Effy both admires and vilifies Angharad (the character), and fears and fantasizes about the Fairy King. It makes sense -- even if the Fairy King did not touch her the same way her human assailant did, knowing that an adult wants to take you as a child bride is incredibly distressing.
Act 2 does a good job building the tension, and Act 3 is exhilarating -- until it's not. It seems like the author lost some confidence that her work would speak for itself and added 30-ish pages of exposition that essentially explained the whole book and then some. A lot of it would have been more rewarding sprinkled through the earlier parts of the book. It was incredibly boring sitting and reading Angharad reveal the answers to all the mysteries to our protagonists who'd almost died trying to solve them. Most of the evidence they managed to uncover was lost entirely, which was disappointing -- but I suppose they needed that information as the big push to go into the basement and find the box, which did survive. Given that Reid gave an acknowledgment to Zelda (presumably Fitzgerald) at the end of the book, I suppose Angharad's long winded exposition was the spirit of every female writer whose work secretly bolstered a man's career. Still, it was just not very fun to read after the excitement of the climax.
Speaking of the climax -- at some point, I totally lost track of how Ianto was doing anything. How was he grabbing Preston AND shackling him to chains AND hammering a stake into a wall AND holding a musket to his chest? Totally took me out of the scene trying to figure it out.
Overall, the book was an amazing read and extremely rich in both prose, world building, and themes surrounding misogyny and sexual assault (both literal and metaphorical). The Fairy King as a stand in for sexual trauma and grooming, paired with the recurring symbol of green representing victimhood, was very gratifying.
"A Study In Drowning" was captivating, magical, and mysterious. I typically am not drawn to romances, but the relationship between the main love interests was compelling and sweet. I often see the book marketed as Enemies to Lovers or Rivals to Lovers, but I'd moreso call it Disagreement to Lovers or perhaps simply Opposites Attract.
Act 1 is quite slow to pick up, Act 2 does a good job building the tension, and Act 3 is exhilarating -- until it's not. It seems like the author lost some confidence that her work would speak for itself and added 30-ish pages of exposition that essentially explained the whole book and then some. A lot of it would have been more rewarding sprinkled through the earlier parts of the book. Nonetheless, it is very well structured.
Overall, the book was an amazing read and extremely rich in both prose, world building, and themes surrounding misogyny and sexual assault (both literal and metaphorical).
Spoilers:
Act 1 was slow to start, as if the author wasn't quite sure where to begin. In her effort to avoid giving away Effy's character and history too quickly, the beginning was just too vague and I found myself almost DNF-ing. I just didn't feel compelled to care about any of the characters yet.
Ava Reid did an excellent job finding ways to push her characters to engage with the plot. This was especially important considering Effy as a character is described as an escape artist -- always running away from difficult problems. The plot really starts when Effy has no way to go back to college OR go back home. While her psychosis ends up just being the "Magical Psychosis" trope (booooo), I feel like her other mental illness is very real. The splitting, the assumptions, the black and white thinking, the urge to escape, the lack of identity colliding with the urge to know how other people view her, etc. All very common for folks with C-PTSD (or, if I were to armchair diagnose her, BPD). I feel like the author was very well versed in Effy's style of trauma response and handled it well.
I don't know how many times Effy was described swallowing her pills dry. Folks -- DO NOT DO THIS. I don't know how this poor girl did not develop an ulcer.
The book glosses over a lot of the characters' bodily functions. As far as we can tell, Effy's guesthouse has no bathroom, and the only bathroom we see in Hiraeth Manor is dilapidated and Ianto doesn't allow Effy to use it. Where does she piss?! Where does anyone piss?! No one ever seemed to eat breakfast or dinner either, except the one time at Blackmar's mansion. While there is a degree in which an author shouldn't be expected to elaborate each and every human maintenance, this was a very noticeable exclusion.
I loved the artificial history and scholarship surrounding Myrddin and literature as a whole in Llyr. It really made the world feel big and real, even if it was just a backdrop for the mystery. It made the characters feel big and real -- the world matters to them. However, I was disappointed that there was a brief descent into the politics of the warring countries, their respective settler colonial history, and which of them could actually be considered the aggressor, only to have it dropped entirely without a single additional mention.
I often see the book marketed as Enemies to Lovers or Rivals to Lovers, but I'd moreso call it Disagreement to Lovers or perhaps simply Opposites Attract. Effy got annoyed at Preston for petty reasons and Preston was more or less minding his business. There was a moment of conflict upon Effy discovering the truth of Preston's thesis, but an alliance formed quickly. It was well done and great to read, but not exactly what I'd call Enemies/Rivals to Lovers.
The changeling reveal for Effy was a bit sloppy, in my opinion. While the book was clear there was a secret to Effy, it would have been more interesting and rewarding if the concept of changelings and their naming conventions had come up earlier in the book.
The book deals heavily with Effy's sexual assault trauma and her responses -- escaping, escapism, anxiety, lying, splitting, emotional responses, etc. I also feel like the book was not-so-subtly hinting at the affects of childhood sexual trauma as well, thought less explicitly described. This can be seen in the way Effy both admires and vilifies Angharad (the character), and fears and fantasizes about the Fairy King. It makes sense -- even if the Fairy King did not touch her the same way her human assailant did, knowing that an adult wants to take you as a child bride is incredibly distressing.
Act 2 does a good job building the tension, and Act 3 is exhilarating -- until it's not. It seems like the author lost some confidence that her work would speak for itself and added 30-ish pages of exposition that essentially explained the whole book and then some. A lot of it would have been more rewarding sprinkled through the earlier parts of the book. It was incredibly boring sitting and reading Angharad reveal the answers to all the mysteries to our protagonists who'd almost died trying to solve them. Most of the evidence they managed to uncover was lost entirely, which was disappointing -- but I suppose they needed that information as the big push to go into the basement and find the box, which did survive. Given that Reid gave an acknowledgment to Zelda (presumably Fitzgerald) at the end of the book, I suppose Angharad's long winded exposition was the spirit of every female writer whose work secretly bolstered a man's career. Still, it was just not very fun to read after the excitement of the climax.
Speaking of the climax -- at some point, I totally lost track of how Ianto was doing anything. How was he grabbing Preston AND shackling him to chains AND hammering a stake into a wall AND holding a musket to his chest? Totally took me out of the scene trying to figure it out.
Overall, the book was an amazing read and extremely rich in both prose, world building, and themes surrounding misogyny and sexual assault (both literal and metaphorical). The Fairy King as a stand in for sexual trauma and grooming, paired with the recurring symbol of green representing victimhood, was very gratifying.
Content Warnings
Graphic: Misogyny, Sexual assault, and Schizophrenia/Psychosis
Moderate: Alcoholism, Pedophilia, and Xenophobia
Minor: Sexual content, Toxic relationship, and Violence
ghostlyprince's review against another edition
emotional
mysterious
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Adult/minor relationship, Misogyny, Pedophilia, Rape, Sexism, Sexual assault, Sexual violence, Car accident, Death of parent, Abandonment, and Sexual harassment
Moderate: Addiction, Alcoholism, Animal death, Body shaming, Bullying, Child abuse, Confinement, Death, Emotional abuse, Physical abuse, Racism, Sexual content, and Schizophrenia/Psychosis
Minor: Domestic abuse, Forced institutionalization, Kidnapping, Gaslighting, and War
jillie's review against another edition
dark
mysterious
3.5
Pros:
- beautiful writing (some of the best i’ve read all year)
- gloomy, well-crafted atmosphere
- sweet love story
Cons
- too short for all of the world building it had - things felt muddled or should have been more in depth
- the “twist” (?) wasn’t really a twist & was fairly predictable
I enjoyed Reid’s writing but wish I had known what this book was actually about before reading it.
November 2023
Content Warnings
Graphic: Misogyny, Panic attacks/disorders, Sexism, and Sexual assault
Moderate: Child abuse, Pedophilia, and Xenophobia
agentlywildrebellion's review against another edition
dark
emotional
mysterious
reflective
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Graphic: Ableism, Adult/minor relationship, Mental illness, Misogyny, Panic attacks/disorders, Pedophilia, Sexism, Sexual assault, Sexual content, Violence, Xenophobia, Gaslighting, and Sexual harassment
Moderate: Child abuse
Minor: Death of parent