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av0universe's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? N/A
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.5
Lo que me encanta de este libro es el desarrollo de personaje de la protagonista, Effy. Pasa de ser una "niña llorona y asustada" a una mujer empoderada con sus miedos y angustias (no me gusta ponerlo de esta manera, pero creo que se entiende la idea). Ese viaje que sigue Effy para encontrarse a sí misma y sobre todo aceptarse tal como y finalmente verse como Preston la ve, fuerte, inteligente y valiente. También adoro el mundo en el que se desarrolla la trama, me parece muy rico y creo que la autora lo conoce perfectamente (aspiro a lo mismo como future autore).
La única razón por la que no es 5 estrellas es precisamente porque a veces, especialmente al inicio del libro que no entendía ni mierdas, Effy me parecía demasiado redundante en sus miedos, que aunque reales y bienfundados, me desconcertaba bastante. Ahora, creo que es extremadamente realista, todo el mundo tiene miedos y me parece maravilloso que la autora haya elegido una persona así como protagonista, no lo cambiaría por nada.
Graphic: Misogyny, Sexism, Gaslighting, Abandonment, and Sexual harassment
Moderate: Addiction, Alcoholism, Child abuse, Domestic abuse, Emotional abuse, Blood, and Death of parent
Minor: Sexual content, Toxic relationship, Alcohol, and War
cadimy's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
2.25
I get what the author was trying to do with the heavy misogyny and how it affects the MC deeply, so I did appreciate that at times. Unfortunately I had no connection to any of the characters- they fell so flat and there was no chemistry to be found.
Also, little to no backstory on the fairy king?? Why was he hanging around? He was apparently “stuck” on the estate because of the trees and berries everywhere but that doesn’t explain how he escaped to almost steal the MC? She said she saw him all of the time, but how? Not much story building, and the backstory of the north vs south seemed unnecessary other than to sprinkle in some racism for the characters.
I listened to the audiobook on a road trip, and the fact that I finished it gives it 2 stars, maybe 2.5. I was kind of hoping for a dark ending where her love interest was over taken by the fairy king.
Graphic: Misogyny, Sexism, Sexual assault, Sexual content, Sexual violence, and Sexual harassment
Moderate: Alcoholism, Animal death, Bullying, Death, Mental illness, Panic attacks/disorders, Racism, Violence, Car accident, Death of parent, Gaslighting, Abandonment, Alcohol, and Injury/Injury detail
Minor: Suicidal thoughts, Toxic relationship, and Religious bigotry
codyemma's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
5.0
Graphic: Adult/minor relationship, Emotional abuse, Mental illness, Panic attacks/disorders, Sexism, Sexual assault, Toxic relationship, and Gaslighting
reddeddy's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.75
Graphic: Adult/minor relationship, Body shaming, Child abuse, Confinement, Domestic abuse, Emotional abuse, Mental illness, Misogyny, Panic attacks/disorders, Sexism, Sexual assault, Sexual content, Sexual violence, Toxic relationship, Violence, Xenophobia, Kidnapping, Stalking, Death of parent, Schizophrenia/Psychosis , Gaslighting, Abandonment, Sexual harassment, and Classism
Moderate: Animal death, Body horror, Bullying, Chronic illness, Death, Drug use, Pedophilia, Physical abuse, Rape, Suicidal thoughts, Terminal illness, Torture, Blood, Grief, Religious bigotry, Medical trauma, Car accident, Alcohol, Colonisation, Dysphoria, War, Injury/Injury detail, and Deportation
misslav20's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Graphic: Domestic abuse, Sexual content, and Toxic relationship
midgereads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Misogyny, Sexism, Toxic relationship, Medical trauma, and Gaslighting
Moderate: Adult/minor relationship and Sexual harassment
emilywemily6's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
Graphic: Misogyny, Sexism, Sexual assault, Toxic relationship, Kidnapping, Grief, and Injury/Injury detail
Moderate: Child abuse, Emotional abuse, Sexual content, and Schizophrenia/Psychosis
Minor: War
justnicole's review against another edition
4.75
Graphic: Alcoholism, Emotional abuse, Misogyny, Panic attacks/disorders, Sexism, Sexual assault, Sexual violence, Toxic relationship, Xenophobia, Medical trauma, Death of parent, Sexual harassment, and War
daydaybookbay's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.75
Ava Reid writes beautiful phrases and sprinkles them throughout the chapters. Her artistic metaphors rest on the boundry of remaining applicable. The wording captures the reader, but any further, the intention would be lost. She uses imagery to convey emotion and the characters' mindsets.
The characters fell a bit flat for me. Each character was one dimensional and served only one purpose throughout the book. Preston exists to be an on-paper protective love interest. Effy is constantly reminding you how misogyny, sexism, and her beauty overshadow her genius. Every other character means nothing to me.
Effy's low-key racist. Her xenophobia is front and center, but we are
overlooking that? Why?! Time and time again, she shows her
academic rivalry" is really just her prejudice against Argantians.
I wanted more from the fairy-tale.
Is Effy a reliable narrator? Honestly, I'm left thinking the fantasy aspect is really part of Effy's imagination. She experienced great trauma from her mother, and her obsession with Myrddin's novel plays a role in her coping. I'm left to feel she really has mental health issues, and maybe the pink pills are good for her.
I wish there had been more development in the setting and the characters. The countries, the North and South, the school, the house, the land... I could never picture them. The only thing I was able to imagine was the door to the basement. There is this whole world Reid introduced in this book, but we never get a clear picture of what it's like.
I really wanted to love this book. Part of me feels I would have enjoyed it more as a physical book because I would get bored listening to it. I never got the feeling of being immersed in the story.
I love the moody vibes Reid is able to create. The feel and the way she conveys emotion is beautiful. I wish the attention to the setting had matched. I want to visualize where the characters are and how the North/South/Bottom Hundred look and compare to each other. I wanted to pull more from the text.
Moderate: Addiction, Bullying, Child abuse, Cursing, Drug use, Emotional abuse, Mental illness, Misogyny, Panic attacks/disorders, Racism, Sexism, Sexual content, Toxic relationship, Violence, Xenophobia, Abandonment, Alcohol, Sexual harassment, and Classism
Minor: Child death, Death, Sexual assault, Blood, Car accident, Death of parent, War, and Injury/Injury detail
ceruleanshelves's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.5
"i will love you to ruination."
"yours or mine?"
ava reid is just one of those authors where i feel like i'm falling slowly into the book, enveloped by my own senses as the her masterful imagery illustrates her story. it's a slow lull that draws you in, like waves rising on the shore that before you know it, you've reached high tide.
"it began as all things did: a girl on the shore, terrified and desirous."
effy sayre is timid, unassuming, and afraid. she desperately wants to break out of her shell, to spill out the words and dreams inside her, but is paralyzed by fear. she yearns to be a writer, but is resigned as a woman to study architecture instead (as the only woman in her college, it was enough of a fight for that alone). reid cleverly likens the dissociation one may experience post-trauma to being underwater - effy struggles to swim, and her anxiety comes in waves.
the story is about her finding her voice again and breaking to surface, learning to not let herself drown.
the only enemy is the sea.
"it's terrifying."
"most beautiful things are."
reid's use of the sea as a supernatural force, an ever-present threat, a means of escape, and, later, a symbol of peace is poetic and powerful. the storms make for an ominous atmosphere, with saltwater's ability to erode land, ships, and man. but there is also a mystical element, a way of cocooning or stepping out of reality when effy disconnects. the idea of drowning - how one can suffer, silently. "it can take 10 minutes to drown" ianto tells her. that sometimes people pass away weeks later from the aftereffects of drowning. but some people drown for a whole lifetime.
i didn't know how to do anything but wait and drown.
she wondered if you could love something out of ruination, reverse that drowning process, make it all new again.
perhaps a romance is a story with no end at all; where the end is but a wardrobe with a false back, leading to stranger and more merciful worlds.
the romance between effy and preston was a delightful surprise for me. i went into this book as blind as i could be, though i had some preconceived notions about the tone and vibes from art and just seeing posts around. but i hadn't realized there would be such friction between the two of them from the start, effy rebuffed at being stuck in proximity with a literature student (and the envy she felt, only doubled by the fact he borrowed all the books she wanted lol). their banter was delightful, the small seeds and buds of effy effortlessly blooming back into herself. she's never afraid to speak up around him, and the gentleness preston provides her lets her continue to grow and build trust with him. he's the only character who really sees her.
"you'd be surprised how much cognitive dissonance people are capable of."
he hadn't touched her, but saints, she wanted him to.
"you took away all other wanting from me."
ava loves motif and imagery. preston and his glasses, the indents. his cigarettes. the fairy king's dark hair, echoed on master corbenic's arms, as well as ianto's. corbenic's large hands to preston's slim, smooth fingers. angharad's blond hair mixing into the fairy king's dark locks. clear eyes, murky eyes. and water, the ever-present sea. the ceilings leak. the water rises. effy's stomach churns like a violent riptide. reid leaves breadcrumbs for you to trail and mull over. the wavering connection between reality and fable keeps you guessing at what is the truth - and what exactly is truth.
i was a woman when it was convenient to blame me, and a girl when they wanted to use me.
it's very hard to believe something when it feels like the whole world is trying to convince you otherwise.
at the heart of this story is a feminist commentary on academics, literature, and society as a whole. women are expected to be meek and unassuming, they are thought to be too capricious and silly for deep thinking, philosophizing, and even storytelling. they are not listened to and when they are, not believed. they are thought to be too childish, but also too tempting. this is a fantasy piece that follows in the footsteps of the #MeToo movement and its lasting effects during the years since.
effy and her story is one that resonated greatly with me. after ASID and lady macbeth, reid is well on their way to securing themselves as a spot as one of my favorite authors.
but if fairies and monsters were real, so were the women who defeated them.
Graphic: Misogyny
Moderate: Injury/Injury detail
Minor: Death, Gun violence, Sexual assault, Toxic relationship, Blood, Death of parent, Alcohol, and Sexual harassment