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chellyfishing's review
emotional
hopeful
lighthearted
mysterious
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.5
Content Warnings
Moderate: Death, Transphobia, Death of parent, and Grief
Minor: Murder and Car accident
srishtij's review against another edition
emotional
reflective
sad
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? No
3.75
Read this on the first trip with my girlfriends to Uttarakhand. Kinda sombre for a travel read but quite memorable. Love the way grief has been described in this book. Though it did get sort of clichéd in the second half and with the abrupt end. Still enjoyed my first Yoshimoto and can't wait to dive into some more!
Content Warnings
Graphic: Death of parent, Grief, and Death
Moderate: Murder
Minor: Self harm
clovetra's review against another edition
emotional
hopeful
inspiring
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.0
i went into this thinking i'd love this. but sadly i didn't :(
i have such varying thoughts on both of the novellas included inside this book, so i'm going to separate my thoughts;
kitchen was.. alright! i got quite bored and felt there was no underlying story or message. none of the characters appeared interesting to me except eriko. i understood there was supposed to be a message or theme to grasp, but i couldn't. sure grief was there, but it felt almost secondary, and there was just no overarching purpose to the story, and i found it such a slog. i enjoyed some parts, such as when mikage is at work or as she converses with eriko, but other than that, i did not enjoy this story. on its own this story is a strong 1/5 for me.
i loved moonlight shadow. i would've much preferred if this was the longer one out of the two novellas. it felt like everyone was character was well-written, and i thoroughly enjoyed the story and the voice employed. the theme of grief and holding on was very prominent here, and written wonderfully. the ending was sweet, and i enjoyed how grief was portrayed here. i also love the presence of urara, she was a great addition to this story, as well as hiiragi. solid 3/5
honestly, even though i quite enjoyed moonlight shadow, it's only 40 pages out of a 150 page book. kitchen took up way too much of this novel to rate this book highly.
overall i think my issue was how kitchen felt lacklustre, vague, and said nothing about the themes i could see it was trying to portray. moonlight shadow came and brought my overall opinion of the book up, but because it was less than half of the book, i still would say i didn't enjoy myself here, which is a shame because i was looking forward to this read. oh well! lets hope the next banana yoshimoto book i read is one i enjoy </3
i have such varying thoughts on both of the novellas included inside this book, so i'm going to separate my thoughts;
kitchen was.. alright! i got quite bored and felt there was no underlying story or message. none of the characters appeared interesting to me except eriko. i understood there was supposed to be a message or theme to grasp, but i couldn't. sure grief was there, but it felt almost secondary, and there was just no overarching purpose to the story, and i found it such a slog. i enjoyed some parts, such as when mikage is at work or as she converses with eriko, but other than that, i did not enjoy this story. on its own this story is a strong 1/5 for me.
i loved moonlight shadow. i would've much preferred if this was the longer one out of the two novellas. it felt like everyone was character was well-written, and i thoroughly enjoyed the story and the voice employed. the theme of grief and holding on was very prominent here, and written wonderfully. the ending was sweet, and i enjoyed how grief was portrayed here. i also love the presence of urara, she was a great addition to this story, as well as hiiragi. solid 3/5
honestly, even though i quite enjoyed moonlight shadow, it's only 40 pages out of a 150 page book. kitchen took up way too much of this novel to rate this book highly.
overall i think my issue was how kitchen felt lacklustre, vague, and said nothing about the themes i could see it was trying to portray. moonlight shadow came and brought my overall opinion of the book up, but because it was less than half of the book, i still would say i didn't enjoy myself here, which is a shame because i was looking forward to this read. oh well! lets hope the next banana yoshimoto book i read is one i enjoy </3
Content Warnings
Graphic: Murder, Grief, Hate crime, Death, and Transphobia
Moderate: Death of parent
Minor: Blood, Stalking, Animal death, and Injury/Injury detail
charlieeee's review against another edition
lighthearted
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.25
Content Warnings
Graphic: Deadnaming and Outing
Moderate: Murder, Grief, Death of parent, and Death
thomasina's review against another edition
emotional
hopeful
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
2.0
Content Warnings
Graphic: Grief, Death of parent, Mental illness, Transphobia, and Death
Minor: Murder
mattnid's review against another edition
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Moderate: Transphobia
Minor: Murder and Violence
vaekay's review against another edition
emotional
hopeful
lighthearted
reflective
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Graphic: Grief, Violence, Deadnaming, Murder, Stalking, Death of parent, Death, Hate crime, Medical content, and Transphobia
Moderate: Cancer and Alcohol
adawada's review against another edition
dark
emotional
mysterious
sad
fast-paced
2.75
The first story in this book has started off very strong for me. I loved the main character’s relationship with kitchens but thought that it wasn’t developed far enough.
The themes of grief in this book have been written very well, especially in the second story. What I couldn’t believe wasMikage’s grief for Eriko being much deeper than for her recently deceased grandmother, despite only knowing Eriko for a very short amount of time.
I thought that the ways of grieving, both alone and collectively were interesting.
What I didn’t like was that most of these characters, in both stories, felt very one dimensional and just blended into each other too much.
Now, what I absolutely hated about this book is the transphobia. There was so much misgendering in the first story which was also at the heart of jokes between the main characters. There was trans shaming in the second story. The idea that both characters just seemed to decide on a whim to either “become women” or “cross-dress” is so appalling. I get that the book was first published in the 80s and that was predominantly the thinking of the time (one could argue that it still is in some cases) but what I don’t get then is that the book still gets so much praise despite the transphobic language.
It wasn’t the worst book. It was my first time reading Yoshimoto’s work and I must say that it didn’t inspire me enough to pick up anything else by her.
The themes of grief in this book have been written very well, especially in the second story. What I couldn’t believe was
I thought that the ways of grieving, both alone and collectively were interesting.
What I didn’t like was that most of these characters, in both stories, felt very one dimensional and just blended into each other too much.
Now, what I absolutely hated about this book is the transphobia. There was so much misgendering in the first story which was also at the heart of jokes between the main characters. There was trans shaming in the second story. The idea that both characters just seemed to decide on a whim to either “become women” or “cross-dress” is so appalling. I get that the book was first published in the 80s and that was predominantly the thinking of the time (one could argue that it still is in some cases) but what I don’t get then is that the book still gets so much praise despite the transphobic language.
It wasn’t the worst book. It was my first time reading Yoshimoto’s work and I must say that it didn’t inspire me enough to pick up anything else by her.
Content Warnings
Graphic: Grief, Murder, Deadnaming, Death, Death of parent, Outing, and Transphobia
Minor: Self harm
lesbihane's review against another edition
dark
emotional
hopeful
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
there is so much warmth in this book. i adore it. the writing style is simple but poignant and beautiful with depth. the characters are characterized in a warm, graceful way and they feel real with their own inner lives.
i appreciate that there were trans characters and that they were depicted and treated with respect, especially considering that it was written in the 80s. the story was sad and the language not completely correct, but their characterisation was respectful overall. the exploration of transness was also interesting.
Trigger warning for transmisogyny, murder of trans woman as a hate crime
i appreciate that there were trans characters and that they were depicted and treated with respect, especially considering that it was written in the 80s. the story was sad and the language not completely correct, but their characterisation was respectful overall. the exploration of transness was also interesting.
Trigger warning for transmisogyny, murder of trans woman as a hate crime
Content Warnings
Graphic: Hate crime, Death, Transphobia, and Murder
lidia7's review against another edition
hopeful
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
Spoilers throughout:
This book was a mixed bag for me.
I can see that the author had good intentions but parts of this book did not age well, one of the main characters who is trans is othered, misgendered and her deadname is shared. Her coworker gets a similar treatment. Given that in the second novella (Moonlight Shadow) there's a similar character who is a man grieving for his girlfriend and wearing her clothes, the fact that Eriko transitioned after her wife's death strikes me as odd because it's almost as if it's suggested that Eriko is still a woman because she couldn't let go of her dead wife while Hiiragi stops wearing his girlfriend's clothes once he gets the chance to say goodbye and it's implied he moves on. There's also Eriko's murder, how lgbt characters's lives are often portrayed as tragic and are brutalized in order to move the plot forward? Still, violence against trans women is a real societal issue and it's good to bring awareness to it. I just don't think Banana Yoshimoto was educated enough on trans issues and possibly didn't even know the difference between a trans woman and a drag queen...
Everything I mentioned before *really* took me out of the story so I couldn't connect. I wish the story would be revised at least a little.
The message overall is hopeful even though we follow grieving and lonely characters who are understandably depressed. Kind of reminded me of James Baldwin's Giovanni's Room or Kafka's Metamorphosis - both books and authors that I love but I couldn't love this book. I haven't read a lot of Japanese books but there's a recognizable style. Very hard-hitting, getting to the core of feelings but from a somewhat detached perspective and at times "cheesy".
This book was a mixed bag for me.
I can see that the author had good intentions but parts of this book did not age well, one of the main characters who is trans is othered, misgendered and her deadname is shared. Her coworker gets a similar treatment. Given that in the second novella (Moonlight Shadow) there's a similar character who is a man grieving for his girlfriend and wearing her clothes, the fact that Eriko transitioned after her wife's death strikes me as odd because it's almost as if it's suggested that Eriko is still a woman because she couldn't let go of her dead wife while Hiiragi stops wearing his girlfriend's clothes once he gets the chance to say goodbye and it's implied he moves on. There's also Eriko's murder, how lgbt characters's lives are often portrayed as tragic and are brutalized in order to move the plot forward? Still, violence against trans women is a real societal issue and it's good to bring awareness to it. I just don't think Banana Yoshimoto was educated enough on trans issues and possibly didn't even know the difference between a trans woman and a drag queen...
Everything I mentioned before *really* took me out of the story so I couldn't connect. I wish the story would be revised at least a little.
The message overall is hopeful even though we follow grieving and lonely characters who are understandably depressed. Kind of reminded me of James Baldwin's Giovanni's Room or Kafka's Metamorphosis - both books and authors that I love but I couldn't love this book. I haven't read a lot of Japanese books but there's a recognizable style. Very hard-hitting, getting to the core of feelings but from a somewhat detached perspective and at times "cheesy".
Content Warnings
Graphic: Grief, Transphobia, Death, and Death of parent
Moderate: Deadnaming
Minor: Stalking, Murder, Car accident, and Alcohol