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dustghosts's review against another edition
adventurous
challenging
dark
emotional
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
+ Beautiful turns of phrase, figurative language, the kind of writing that makes me want to also sit down and write
+ Satisfyingly cyclical, repetitive but full of just the right twists and turns that you want to keep reading to figure out what the exact same scene and setup looks like through a different set of eyes
+ Super exciting exploration and expansion of how to use POV to invoke emotion, tell a thrilling story, and string everything together
+ A very charming cast of absolutely unbearable little bastards; feels like you gain an evolving and empathetic understanding of each character with each new day
+ Despite the author’s sort of muddled/overly neutral comments in his own commentary, I find the book to be a pretty compelling allegory for and argument against the carceral state. The text itself feels distinctly poised against both the current prison system and the future potential for “mental imprisonment”.
- Some really egregious fatphobia that feels uncomfortable and gross to read, especially for a contemporary book. Not really skippable, either— while this character has other values to the narrative, fatness is treated as a debilitating moral failing reflective of character.
- So extremely British—
- Near the end, starts to feel as though things are being wrapped up too quickly, not quite as immersive as the rest of the book.For example, I think we’re supposed to interpret Annabelle before Blackheath as as heinous as Daniel, whose villainy we’ve watched develop and worsen throughout the week. But whoever she was before feels too simply and vaguely summarized in comparison to the blunt relaying of Daniels crimes throughout the rest of the book. I wish we could spend a little more time remembering WITH Aiden, though I suppose the pacing might suffer for that.
+ Satisfyingly cyclical, repetitive but full of just the right twists and turns that you want to keep reading to figure out what the exact same scene and setup looks like through a different set of eyes
+ Super exciting exploration and expansion of how to use POV to invoke emotion, tell a thrilling story, and string everything together
+ A very charming cast of absolutely unbearable little bastards; feels like you gain an evolving and empathetic understanding of each character with each new day
- Some really egregious fatphobia that feels uncomfortable and gross to read, especially for a contemporary book. Not really skippable, either— while this character has other values to the narrative, fatness is treated as a debilitating moral failing reflective of character.
- So extremely British—
- Near the end, starts to feel as though things are being wrapped up too quickly, not quite as immersive as the rest of the book.
Content Warnings
Graphic: Child death, Confinement, Death, Fatphobia, Injury/Injury detail, Murder, Suicide attempt, Violence, Animal death, Blood, Gun violence, Gaslighting, Gore, Grief, Suicide, and Torture
Moderate: Alcohol, Sexual violence, Alcoholism, Body horror, Addiction, Classism, and Sexual assault
Minor: Infidelity, Medical content, Mental illness, Self harm, Sexism, Rape, Vomit, Body shaming, Child abuse, Drug abuse, Drug use, and Fire/Fire injury
claudiamacpherson's review against another edition
challenging
dark
funny
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Flaws of characters a main focus? Yes
2.5
When Dr. Bell wakes, he is in a forest, with no memories—not the previous day, not his family, not even his own name—just the name Anna. He hears a woman calling for help and then a gunshot, and then a mysterious person (a murderer?) hands him a compass and tells him to go east. Following these dubious directions, he arrives at Blackheath, a crumbling estate currently hosting a reunion of sorts. On the following day, Bell wakes up as the Butler, and learns that he is not Bell, and it is not the following day. He is someone else entirely, but he will be trapped in a new body every day for eight days—but really just the same day, re-lived eight times from eight different perspectives. The only way to escape: he must solve the murder of Evelyn Hardcastle, who dies every evening like clockwork. But there are others in the house also trying to solve the murder—and only one can escape. There are many secrets in Blackheath, and Evelyn’s is not the only murder.
I could barely keep track of all the characters, let alone the twists and turns of the plot. Everything was a red herring, but also nothing was, because there were so many details and so many awful deeds and characters up to no good. This book reminded me a bit of <i>The Guest List</i> because both books consist of a group of unbearable characters trapped in one place. Both have dark, twisting plots and new details (and crimes), both past and present, are slowly revealed as the story progresses.I The ending really threw me off though, because it felt totally different from the rest of the book. The worldbuilding was half-baked at best, and so few details were given about the world outside of Blackheath that I thought there was little point in giving any at all. Why introduce Anna/Annabell and Aidan’s backstories and then barely use them? I did appreciate the anti-prison stance the story took, as well as the themes of forgiveness and the ability of people to change for the better.
I think I’ve mentioned this in other reviews, but I’ll say it again: while it’s not a bad thing to have a male author, it is a red flag for me if I can tell that the author is a man from the writing alone. This was one of those books. I mean seriously, you’re going to have your protagonist jump between eight different bodies and not one of them is going to be a woman? I can’t put my finger on it exactly, but I could also tell from the way Turton described his female characters...so yeah, that rubbed me the wrong way on occasion. There was also some fatphobia in his descriptions of Ravencourt, so if that’s a trigger for you, I’d avoid this book.
Happy ending meter (no specific spoilers, just the vibe of the ending):Like… sort of happy? I guess? I liked the message of the ending, but it wasn’t exactly satisfying.
I could barely keep track of all the characters, let alone the twists and turns of the plot. Everything was a red herring, but also nothing was, because there were so many details and so many awful deeds and characters up to no good. This book reminded me a bit of <i>The Guest List</i> because both books consist of a group of unbearable characters trapped in one place. Both have dark, twisting plots and new details (and crimes), both past and present, are slowly revealed as the story progresses.
I think I’ve mentioned this in other reviews, but I’ll say it again: while it’s not a bad thing to have a male author, it is a red flag for me if I can tell that the author is a man from the writing alone. This was one of those books. I mean seriously, you’re going to have your protagonist jump between eight different bodies and not one of them is going to be a woman? I can’t put my finger on it exactly, but I could also tell from the way Turton described his female characters...so yeah, that rubbed me the wrong way on occasion. There was also some fatphobia in his descriptions of Ravencourt, so if that’s a trigger for you, I’d avoid this book.
Happy ending meter (no specific spoilers, just the vibe of the ending):
Content Warnings
Graphic: Blood, Body horror, Murder, and Violence
Moderate: Addiction, Alcohol, Alcoholism, Child death, Death, Death of parent, Drug abuse, Fatphobia, Gaslighting, Gore, Gun violence, Medical trauma, Panic attacks/disorders, Rape, Stalking, Suicidal thoughts, Suicide, Suicide attempt, Torture, and Vomit
Minor: Abandonment, Animal death, Fire/Fire injury, Forced institutionalization, Self harm, Sexual assault, Sexual harassment, and Sexual violence
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