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erebus53's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Raised as a child with Orisha blood, Sloane has been suppressed all her life. She has the power to make flames with her body and when it first got loose she caused a village fire that killed people, and that was very hard on her as she was only 4. She has been raised personally oppressed, and also culturally has been on a cusp, with her mother both attempting to hide who she is to avoid the colonists' genocide of their people, and also to raise her with pride and self-worth. This should have had me hooked as it is a very real and relatable struggle.
With my personal Neurodiversity perspective, I couldn't help but feel that the medicine that Sloane takes to suppress her àṣẹ (ashe) feels a bit like an analogy for Ritalin/Adderall, especially the way that she describes how it makes the background noise in her head go away. One of my dear friends has described her first experiences of having A.D.D. medicated in almost the exact same terms. My personal opinion on this (at this stage in my understandings of neurological difference) is that people who have difficulty regulating their own power, or mind, in ways that interfere with their ability to function can gain much from having the access to <b>many different tools</B> for externally regulating the problematic influences of their difference. Sloane learns to let her powers loose in ways that she wants to use them rather than just continually trying to repress her urges, along with other methods of tamping herself down with medication and ritual.
I was a little frustrated by the way that the main characters seemed to miss what was going on a lot of the time - there was a lot of misdirection caused by the main players jumping to conclusions. As a reader I could see where the plot was angling, which probably added to my frustration because it took AAAges for the characters to cotton on. The way that love was dealt with was a little stifled by the brutal indignities of the military regimen. Tropes abound, as the children drafted into war are trained in HungerGames-esque Kill or Be Killed style. How many times do you need to traumatise a person to get them to comply with brainwashing? And does it even work? I remain unconvinced.
As a self-confessed sucker for prophesy, I did enjoy the seer glimpses into the future provided by the Orisha early in the story. Only one part of the prophecy was really clear, but a couple of clues that were in it left me unshocked by revelations at the end of the book. There were some fun twists that I didn't really see coming, but I think due to the obvious mortality of the characters introduced and killed off earlier in the story, I had perhaps not invested enough in any of them to feel like it was really resonant? Perhaps that was the main problem for me. When the going is really hard, I just switch off and refuse to empathise with the characters, because they might be dead in a minute.
Graphic: Violence, Death of parent, Colonisation, Grief, Blood, Cultural appropriation, Death, Forced institutionalization, Gore, Gun violence, Injury/Injury detail, Torture, Xenophobia, Physical abuse, Bullying, Child abuse, Child death, Hate crime, Kidnapping, Murder, War, Racism, Racial slurs, Sexual assault, and Sexual violence
Moderate: Classism
aklovekorn's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Cultural appropriation, Death, Physical abuse, Torture, Toxic relationship, Violence, Child abuse, Blood, Classism, Toxic friendship, Racism, Sexual assault, Slavery, Hate crime, Racial slurs, Injury/Injury detail, Child death, Gun violence, Forced institutionalization, Genocide, Gore, Grief, Murder, and War
marareading's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Sloane is a Scion. She was given power as a descent of the ancient Orisha Gods. She is now a child soldier and hiding among the enemy. She wants information, and she is just trying to survive. The plot thickens as she learns more and more about this enemy from within. She learns more about this world she is fighting to protect, and the lives of those she is fighting with and is pitted against at the same time.
This book is absolutely brutal, and also amazing. I will be waiting for the sequel. It is an amazing story.
Graphic: Child death, Fire/Fire injury, Forced institutionalization, Genocide, Grief, Gun violence, Bullying, Child abuse, Cultural appropriation, Murder, Physical abuse, Rape, Blood, Colonisation, Death, Death of parent, Gore, Sexual assault, Torture, Violence, and War
sunrae_booknook's review
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? N/A
- Flaws of characters a main focus? No
3.25
Graphic: Child abuse, Child death, Classism, Colonisation, Emotional abuse, Gun violence, Misogyny, Death, Death of parent, Fire/Fire injury, Forced institutionalization, Grief, Injury/Injury detail, Kidnapping, Murder, Rape, Torture, War, Blood, Bullying, Gaslighting, Genocide, Police brutality, Sexual harassment, Slavery, Gore, and Hate crime
lennie_reads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Child death, Death, Blood, War, Violence, Gun violence, Grief, Death of parent, Xenophobia, Racism, Murder, Injury/Injury detail, Fire/Fire injury, Genocide, Forced institutionalization, and Colonisation
Moderate: Rape, Sexual assault, and Self harm