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crybabybea's review against another edition
challenging
dark
informative
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.0
Well, I'm disappointed.
First of all, the dark academia aspect was done very well. It felt atmospheric, grand, with a hint of mystery. It felt gloomy in a really fun way. The settings outside of the tower itself were less immersive, but the majority of the story takes place inside the tower anyway so it wasn't too distracting. The dark academia vibe was a genius way to explore a story about decolonization and racism. The magic system was inventive and interesting, and I liked how it stood as a metaphor for the industrial revolution.
The characters were just okay. We get to see Robin, the main character, the most, and I felt really attached to him by the end. The other characters had interesting stories that I felt didn't get explored enough. I understand this book leans in to its literary side, and the characters and arguably the entire plot are just allegories for bigger issues, but I think this made the character work suffer and it made the explosive ending pack less of a punch. Don't get me wrong, I loved the ending, and I still cried, but some of the other moments that were meant to be heavy-hitting fell flat because I didn't feel the connection to the characters. The found family aspect didn't feel fleshed out enough because of this as well.
I think the character work is a side effect of Kuang's tendency to overexplain things rather than actually have things happen. Some of the messaging was so on the nose that it felt pedantic and almost condescending at times. I wanted to read this book to challenge my thinking, and I hoped it would leave me with lots of thoughts to reflect on afterward, but everything gets explained to you so plainly that it completely ruins the amazing research and work Kuang put into telling the story of racism and colonization in academia. I mean, there were literally times when something racist or sexist would happen, then the narrator would have a whole paragraph to say something like "Robin wonders if this white person realized how racist they were being". It got irritating... I felt like I was on Sesame Street. I will say the writing itself was done very well, the prose was accessible despite the scientific, historical, and literary references used, and I appreciated a lot of R.F. Kuang's comments and her sarcastic footnotes.
The last issue is the pacing, which I think is also a side effect of this "telling not showing" issue. This book only gets good around the 60-70% mark. It had an extremely slow start with very little intrigue. We spent a long time in lectures and I felt not enough time was dedicated to furthering either the charcters OR the plot. It was a lot of sitting around and waiting. I don't mind books that have a hill into a snowball second half, but I almost put this book down multiple times because nothing was happening, then one minor action would happen and I would finally think we were going somewhere, just for it to slow down again.
All these issues made for a really weird reading experience where I absolutely dreaded picking the book back up, then when I started reading it was just fine and I wanted to know more, then it would get boring and the cycle repeated. I expected more from the rave reviews but left feeling like its potential got wasted. I still do think it's a good read overall, but it could have been better.
First of all, the dark academia aspect was done very well. It felt atmospheric, grand, with a hint of mystery. It felt gloomy in a really fun way. The settings outside of the tower itself were less immersive, but the majority of the story takes place inside the tower anyway so it wasn't too distracting. The dark academia vibe was a genius way to explore a story about decolonization and racism. The magic system was inventive and interesting, and I liked how it stood as a metaphor for the industrial revolution.
The characters were just okay. We get to see Robin, the main character, the most, and I felt really attached to him by the end. The other characters had interesting stories that I felt didn't get explored enough. I understand this book leans in to its literary side, and the characters and arguably the entire plot are just allegories for bigger issues, but I think this made the character work suffer and it made the explosive ending pack less of a punch. Don't get me wrong, I loved the ending, and I still cried, but some of the other moments that were meant to be heavy-hitting fell flat because I didn't feel the connection to the characters. The found family aspect didn't feel fleshed out enough because of this as well.
I think the character work is a side effect of Kuang's tendency to overexplain things rather than actually have things happen. Some of the messaging was so on the nose that it felt pedantic and almost condescending at times. I wanted to read this book to challenge my thinking, and I hoped it would leave me with lots of thoughts to reflect on afterward, but everything gets explained to you so plainly that it completely ruins the amazing research and work Kuang put into telling the story of racism and colonization in academia. I mean, there were literally times when something racist or sexist would happen, then the narrator would have a whole paragraph to say something like "Robin wonders if this white person realized how racist they were being". It got irritating... I felt like I was on Sesame Street. I will say the writing itself was done very well, the prose was accessible despite the scientific, historical, and literary references used, and I appreciated a lot of R.F. Kuang's comments and her sarcastic footnotes.
The last issue is the pacing, which I think is also a side effect of this "telling not showing" issue. This book only gets good around the 60-70% mark. It had an extremely slow start with very little intrigue. We spent a long time in lectures and I felt not enough time was dedicated to furthering either the charcters OR the plot. It was a lot of sitting around and waiting. I don't mind books that have a hill into a snowball second half, but I almost put this book down multiple times because nothing was happening, then one minor action would happen and I would finally think we were going somewhere, just for it to slow down again.
All these issues made for a really weird reading experience where I absolutely dreaded picking the book back up, then when I started reading it was just fine and I wanted to know more, then it would get boring and the cycle repeated. I expected more from the rave reviews but left feeling like its potential got wasted. I still do think it's a good read overall, but it could have been better.
Content Warnings
Graphic: Grief, Bullying, Child death, Classism, Colonisation, Addiction, Misogyny, Fire/Fire injury, Toxic friendship, Emotional abuse, Violence, Torture, Gun violence, Injury/Injury detail, Medical trauma, Physical abuse, Racism, Slavery, Domestic abuse, Gore, Kidnapping, War, Xenophobia, Death, Vomit, Murder, Drug abuse, Sexism, Alcoholism, Child abuse, Gaslighting, Police brutality, Blood, Death of parent, Drug use, and Genocide
stephhaigreads's review against another edition
challenging
dark
emotional
informative
inspiring
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Racism, Xenophobia, Racial slurs, Hate crime, Classism, Suicidal thoughts, Sexism, Grief, Domestic abuse, Death of parent, Bullying, Torture, Murder, Death, Child abuse, and Violence
Moderate: Suicide attempt, Toxic friendship, and Trafficking
keltaklo's review against another edition
challenging
dark
emotional
hopeful
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Murder, Physical abuse, Slavery, Emotional abuse, Colonisation, Sexism, Death of parent, Grief, Racism, Racial slurs, Classism, Death, and Child abuse
Moderate: Emotional abuse, Religious bigotry, Bullying, Abandonment, Alcoholism, Alcohol, Pandemic/Epidemic, Drug use, Drug abuse, and War
Minor: Torture, Sexual harassment, Suicidal thoughts, and Deportation
taracloudclark's review against another edition
adventurous
challenging
dark
informative
mysterious
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This book has a lot of juicy nerdy stuff in it. The tagline I’ve been considering is “This is the college Heroine Granger wishes she could go to,” and I think those who love the idea of magic school and love reading would agree. Kuang’s magical realism, alternate early Victorian setting reveals a lot about the power and nuance of language as well as historically-based realities of colonialism. I imagine she is very interested in the two subjects, and instead of writing two nonfiction books, she finds a more palatable vehicle for getting the ideas to readers.
I really enjoyed it. I am recommending it to people who I think will like it. But I also give warning.
It can be dense and dry at times. And it’s way longer than it needed to be.
A review from a book influencer I follow noted the author talks down to the reader. I disagree, strongly, but I can see how someone may come to that conclusion. There are a lot of facts provided through exposition (tho creative devises are employed) and footnotes.
I believe that, instead of the author showing the reader she’s smarter than them, she’s just indulging her own interests. And I’m here for that. Because she does know more about this stuff than I do, and I’m honored she’d share it with me.
And there isn’t a lot of action. In the total book there is, but most of it is exposition loaded up front and action at the end.
Also, if characters are a big deal to you, be aware that this book is not for that. The friendships and warmth we see in other magical school stories isn’t accomplished here. The characters don’t change much IMO and their relationships aren’t developed enough for me to care when there are divisions and worse. Unfortunately this hurts the author’s attempt to bring marginalized perspectives to the reader’s understanding and becomes more of a telling than showing situation. I still appreciate the telling, because it’s helping me see what I’ve learned about marginalized peoples experiences in a different light, but it’s not done through character growth and rich “found family” presentations. But the characters and relationships aren’t terrible. It’s still yet readable and enjoyable. Just not as delicious as I’d like.
The narrators were very good. The main reader, Chris Lew Kum Hoi, has a rich tone and switches accents well. The footnote narrator being female, Billie Fulford-Brown, was an excellent choice to help delineate. I do get a bit annoyed when female authors have male narrators (tho the main character is male, so I’ll allow it 😉), and white people narrate for authors of color. But the main narrator is, at least, Asian. Both gave nuance to foreign words that made them feel authentic and added to the intricacies on the emphasis of language in the story, though I’ve no idea if they are accurate.
I would like to add a special note about my personal experience. Because of the way Libby delivered by holds to me, I read Yellowface by the same author and then this. And half way through I read a scathing review of Babel that sounded a little more like white fragility than true criticism. The landscape within which I read this, therefore, was fascinating. I imagine this book to be much like the stolen novel in Yellowface, a passion project for the author with cultural ties to the subject matter. And the review similar to some of those mentioned in Yellowface. The juxtaposition of the two in two different time periods was super fun, as well. It was a much richer experience because of that, and I wish it was read this way in a classroom setting so I could indulge with other readers.
I really enjoyed it. I am recommending it to people who I think will like it. But I also give warning.
It can be dense and dry at times. And it’s way longer than it needed to be.
A review from a book influencer I follow noted the author talks down to the reader. I disagree, strongly, but I can see how someone may come to that conclusion. There are a lot of facts provided through exposition (tho creative devises are employed) and footnotes.
I believe that, instead of the author showing the reader she’s smarter than them, she’s just indulging her own interests. And I’m here for that. Because she does know more about this stuff than I do, and I’m honored she’d share it with me.
And there isn’t a lot of action. In the total book there is, but most of it is exposition loaded up front and action at the end.
Also, if characters are a big deal to you, be aware that this book is not for that. The friendships and warmth we see in other magical school stories isn’t accomplished here. The characters don’t change much IMO and their relationships aren’t developed enough for me to care when there are divisions and worse. Unfortunately this hurts the author’s attempt to bring marginalized perspectives to the reader’s understanding and becomes more of a telling than showing situation. I still appreciate the telling, because it’s helping me see what I’ve learned about marginalized peoples experiences in a different light, but it’s not done through character growth and rich “found family” presentations. But the characters and relationships aren’t terrible. It’s still yet readable and enjoyable. Just not as delicious as I’d like.
The narrators were very good. The main reader, Chris Lew Kum Hoi, has a rich tone and switches accents well. The footnote narrator being female, Billie Fulford-Brown, was an excellent choice to help delineate. I do get a bit annoyed when female authors have male narrators (tho the main character is male, so I’ll allow it 😉), and white people narrate for authors of color. But the main narrator is, at least, Asian. Both gave nuance to foreign words that made them feel authentic and added to the intricacies on the emphasis of language in the story, though I’ve no idea if they are accurate.
I would like to add a special note about my personal experience. Because of the way Libby delivered by holds to me, I read Yellowface by the same author and then this. And half way through I read a scathing review of Babel that sounded a little more like white fragility than true criticism. The landscape within which I read this, therefore, was fascinating. I imagine this book to be much like the stolen novel in Yellowface, a passion project for the author with cultural ties to the subject matter. And the review similar to some of those mentioned in Yellowface. The juxtaposition of the two in two different time periods was super fun, as well. It was a much richer experience because of that, and I wish it was read this way in a classroom setting so I could indulge with other readers.
Content Warnings
Graphic: Drug use, Violence, Trafficking, Grief, War, Colonisation, Gaslighting, Classism, Xenophobia, Cultural appropriation, Racism, Toxic friendship, Death, and Child abuse
Moderate: Bullying
Minor: Rape
celery's review against another edition
adventurous
dark
emotional
funny
hopeful
informative
inspiring
reflective
sad
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
Content Warnings
Graphic: Death, Medical content, Misogyny, Genocide, Grief, Gun violence, Trafficking, Vomit, Infidelity, Injury/Injury detail, Child death, Religious bigotry, Sexual harassment, Torture, Xenophobia, Kidnapping, Sexual violence, Slavery, Drug abuse, Gore, Stalking, Toxic relationship, Violence, Blood, Bullying, Terminal illness, Mass/school shootings, Antisemitism, Hate crime, Physical abuse, Racial slurs, Suicide, Alcohol, Child abuse, Cultural appropriation, Colonisation, Cursing, Fire/Fire injury, Gaslighting, Islamophobia, Police brutality, Self harm, Abandonment, Addiction, Suicidal thoughts, Classism, Sexual assault, Death of parent, Deportation, Medical trauma, Drug use, Emotional abuse, War, Murder, Racism, Sexism, Toxic friendship, and Confinement
azariamckay's review against another edition
adventurous
challenging
dark
emotional
hopeful
informative
inspiring
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Babel Review
Wow! R. F. Kuang does it again!! I literally cried at the end! Babel is such a long and treacherous ride. The journey we go on through the main character’s internal battle of living within the privileges he holds or joining a revolution for the greater good of his people is just crazy. Kuang really throws this struggle with self in our face, holding a mirror to us as we go on this adventure that feels destined for failure and disappointment. The use of footnotes throughout the book is also very brilliant, Kuang has such a way with words and world building!
I’ll absolutely pick up Babel again for a reread, I’m excited to see what the audiobook has to offer. All in all, I would highly recommend Babel to fantasy lovers and lovers of nonfiction looking to sink their teeth in fictional works. She weaves together a beautiful epic fantasy that leaves you wanting more in the end. Also making this a standalone was very smart, there’s so much left to be desired but in a way where you can’t really pin a beautiful bow on this book in the end. A perfect ending would’ve left me knocking off a star, she knows how to pack a punch in the end.
Content Warnings
Graphic: Xenophobia, Classism, Death of parent, Colonisation, Death, Murder, Racism, Violence, Child abuse, and Racial slurs
Moderate: Slavery, Sexism, Bullying, Suicide, Drug abuse, War, Hate crime, and Drug use
tarasoraptor's review against another edition
adventurous
challenging
dark
emotional
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Bullying, Child abuse, Colonisation, Death of parent, Emotional abuse, Gaslighting, Blood, Classism, Racial slurs, Xenophobia, Misogyny, Racism, Torture, Violence, Drug use, Islamophobia, Physical abuse, Sexism, Toxic friendship, Confinement, Death, Sexual harassment, Slavery, Addiction, Grief, Gun violence, and Murder
monicalaurette's review
adventurous
dark
emotional
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
I knew from the beginning that I was going to like this book, I just didn’t know how much - and isn’t that a lovely feeling?
Part of me wanted to make this review short and almost like a joke by saying “5 stars, made me feel bad for being white” but truly I never felt bad for being white while reading the book so I also didn’t want to be false in my review. I took more time to look at my privileges as a white woman in the USA and what that meant for me and all those around me.
So many people say that books should not be political or talk about controversial topics, but I think having books like that only enhance a person, even if the book is escapism. If a book helps you to understand your place in the real world, but still offers you a haven from it - I think that makes it an absolutely wonderful book and I don’t know why others don’t see it or refuse to allow themselves that sentiment.
But now back to the book because I’ve gone a slight tangent - sorry!
I loved following Robin and seeing things through his eyes and also the fact that he would acknowledge the challenges of all his cohort as the years went on. I also enjoyed the way that Kuang wrote the divide in Robin’s mind about his feelings for Hermes vs Babel. The struggle he went through was so vivid that at times I was feeling conflicted while reading. I was also feeling stressed out while the cohort was preparing for their exams, so much so that I had to not read those parts at work so I could focus better!
"Translation means doing violence upon the original, means warping and distorting it for foreign, unintended eyes."
Certain parts of this book happened and I said to myself - this is not a middle of the book event, what else is going to happen now that this has come to pass? - and was just taken on a wild ride for the last like 40% of this book. And that 40% had so much emotions swirling in my head that I rarely took breaks unless necessary.
Very happy that this was my first book by R.F. Kuang and looking forward to my other book of hers on my shelf. And I know that the message and characters of this book will stay with me longer than normal while I move on to other books. The way this book ended I feel was such a testament to the characters and what they all stood for in their hearts and how they knew they could change the world both as a group and individually.
"A mind was not meant to feel this much. Only death would silence the chorus."
Content Warnings
Graphic: Body horror, Blood, Grief, Violence, War, Classism, Hate crime, Racism, Colonisation, Death, Death of parent, and Gore
Moderate: Abandonment, Blood, Violence, Slavery, Emotional abuse, Murder, Injury/Injury detail, Racial slurs, Child abuse, Death, Drug use, Drug abuse, Torture, Sexism, Alcohol, Fire/Fire injury, Medical content, and Suicidal thoughts
Minor: Bullying and Confinement
xx_salem's review against another edition
adventurous
emotional
hopeful
informative
inspiring
mysterious
reflective
sad
slow-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
The first 200 pages of this book where incredibly difficult to get through, I would put it down for weeks and only get through a couple pages. Reading it made me feel good and intelligent and yet I don’t think I picked up nor absorbed much of the content or the message for the first while. The last 200 pages though were intense and interesting and I couldn’t put it down. The ending was satisfying and made me want a second book so I could watch the fallout, it felt realistic. But I never loved the characters, their deaths meant nothing and I simply couldn’t be attached to any of them. They felt so lackluster and unfeeling, it was really the plot and the intrigue and what thoughts it provoked that made this book good.
Content Warnings
Graphic: Classism, Grief, Panic attacks/disorders, Addiction, Blood, Violence, Child abuse, Sexual harassment, Murder, Mass/school shootings, Toxic relationship, Gaslighting, Hate crime, Misogyny, Bullying, Suicidal thoughts, War, Xenophobia, Emotional abuse, Gore, Infidelity, Injury/Injury detail, Racism, Abandonment, Cursing, Drug use, Racial slurs, Slavery, Gun violence, Body horror, Car accident, Colonisation, Cultural appropriation, Death, Death of parent, Alcohol, Sexism, and Toxic friendship
ericius's review against another edition
adventurous
challenging
informative
inspiring
reflective
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
Double review Italian-English
ITA:
Un Fantasy non Fantasy
ITA:
Un Fantasy non Fantasy
Questo libro mi suscita sentimenti contrastanti.
Iniziando con aspetti positivi, il libro è scritto veramente bene scorrevole e non particolarmente pesante nonostante sia la mole non indifferente di pagine (600 nella versione italiana) con una moltitudine di note a piè di pagina e lezioni di etimologia continue per tutto il libro.
Si nota tantissimo la ricerca su questi fronti e la cura maniacale di questa materia.
Tuttavia non tutto in questo libro gode della stessa cura nella ricerca, ed è qui che iniziano le note dolenti;
Come dico nel titolo questo libro è un fantasy, è infatti quello il motivo principale che mi aveva portato a leggere, tuttavia, nonostante è abbastanza chiaro che ci siano elementi magici questo libro non sembra un fantasy e non trasmette assolutamente niente di quello che ti aspetteresti da questo genere, se all’inizio non capivo perché, con il tempo ho capito: tutto quello che fa la magia infatti è essere un espediente per traino e giustificazione della storia costruita dall’autrice;
Manca infatti un effetto nel mondo circostante,
Il mondo è una replica quasi fedele del 1800 inglese e non si capisce fino a che estensione la magia modifica il mondo intorno (si parla ma non si mostra per lo più) in più l’intero funzionamento della magia è talmente giustificato e costruito a tavolino che taglia di netto la sensazione di incredulità che genera normalmente la magia,
Il risultato è un mondo noioso in cui la costruzione del “Magico” non modifica in nessun modo quello che conosciamo.
Che l’autrice si fosse data la zappa sui piedi sulla costruzione del mondo magico lo si capisce da subito aprendo il libro, quando con una nota iniziale mette le mani avanti su tutte le libertà che si è presa nella Oxford storica per aggiustarla per il proprio progetto, quasi come se non fosse autorizzata a modificare il mondo per una narrazione fantasy, o come se i lettori non avessero l’elasticità mentale necessaria per accettare un qualcosa di troppo distante dalla realtà (forse mi viene da ipotizzare questa elasticità mentale manca proprio all’autrice).
Ho letto diverse recensioni che alzano problemi anche con la modalità linguistica con cui l’autrice tratta il razzismo, ma mi rifiuto di addentrarmi nella materia in quanto non sono abbastanza preparata per esprimermi.
Per concludere: Non è quello che mi aspettavo di leggere e non sono soddisfatta, ma non è un cattivo libro; il finale è alcune scelte di trama non sono il mio genere ma su quelle posso tranquillamente sorvolare.
ENG:
A non-fantasy fantasy
This book gives me mixed feelings.
Starting with positive aspects, the book is really well written, it is smooth and not particularly heavy to read, despite the considerable amount of pages (600 in the Italian version) with a multitude of footnotes and etymology lessons that continue for the whole book.
The research in these areas and the obsessive attention to this subject are very noticeable.
However, not everything in this book enjoys the same attention to research, and this is where the sore points begin;
As I say in the title, this book is a fantasy, that is in fact the main reason that led me to read it, however, although it is absolutely quite clear that there are magical elements, this book does not feel like a fantasy and does not convey anything of what you expect from this genre, if at the beginning I didn't understand why, over time I understood: in fact, all that magic does is to be an expedient to drive and justify the story constructed by the author;
In fact, the effect that magic should bring to the surrounding world is missing,
The world is an almost faithful replica of England in the 1800s and it is not clear to what extent magic modifies the world around (it is mostly talked about but not shown) plus the entire functioning of magic is so justified and planned almost arbitrarily that cuts off the feeling of disbelief that magic normally generates,
The result is a boring world in which the construction of the "Magic" does not change in any way what we know.
That the author had shot herself in the foot with the construction of the magical world can be understood immediately upon opening the book, when with an initial note she lays out all the liberties she has taken in historic Oxford to adjust it for her own project, almost as if she were not authorized to modify the world for a fantasy narrative, or as if readers do not have the mental elasticity necessary to accept something too distant from reality (perhaps I am hypothesizing that this mental elasticity is precisely lacking to the author).
I have read several reviews that also raise problems with the linguistic modality with which the author deals with racism, but I refuse to delve into the matter as I am not prepared enough to express myself.
To conclude: It's not what I expected to read and I'm not satisfied, but it's not a bad book; the ending and some plot choices aren't my thing but I can easily overlook those.
ENG:
A non-fantasy fantasy
This book gives me mixed feelings.
Starting with positive aspects, the book is really well written, it is smooth and not particularly heavy to read, despite the considerable amount of pages (600 in the Italian version) with a multitude of footnotes and etymology lessons that continue for the whole book.
The research in these areas and the obsessive attention to this subject are very noticeable.
However, not everything in this book enjoys the same attention to research, and this is where the sore points begin;
As I say in the title, this book is a fantasy, that is in fact the main reason that led me to read it, however, although it is absolutely quite clear that there are magical elements, this book does not feel like a fantasy and does not convey anything of what you expect from this genre, if at the beginning I didn't understand why, over time I understood: in fact, all that magic does is to be an expedient to drive and justify the story constructed by the author;
In fact, the effect that magic should bring to the surrounding world is missing,
The world is an almost faithful replica of England in the 1800s and it is not clear to what extent magic modifies the world around (it is mostly talked about but not shown) plus the entire functioning of magic is so justified and planned almost arbitrarily that cuts off the feeling of disbelief that magic normally generates,
The result is a boring world in which the construction of the "Magic" does not change in any way what we know.
That the author had shot herself in the foot with the construction of the magical world can be understood immediately upon opening the book, when with an initial note she lays out all the liberties she has taken in historic Oxford to adjust it for her own project, almost as if she were not authorized to modify the world for a fantasy narrative, or as if readers do not have the mental elasticity necessary to accept something too distant from reality (perhaps I am hypothesizing that this mental elasticity is precisely lacking to the author).
I have read several reviews that also raise problems with the linguistic modality with which the author deals with racism, but I refuse to delve into the matter as I am not prepared enough to express myself.
To conclude: It's not what I expected to read and I'm not satisfied, but it's not a bad book; the ending and some plot choices aren't my thing but I can easily overlook those.
Content Warnings
Graphic: Death, Hate crime, Racial slurs, Cultural appropriation, Grief, Gun violence, Murder, Racism, Colonisation, Death of parent, Classism, and Emotional abuse
Moderate: War, Confinement, Sexual harassment, Bullying, Alcohol, Domestic abuse, Grief, Slavery, Suicidal thoughts, Emotional abuse, Torture, Toxic friendship, Hate crime, and Suicide