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bookishbrenbren's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
The writing has no subtlety or subterfuge (and what is there is more like a tongue in cheek between her and the reader). There is this element of metafiction to it - the narrator constantly breaks the fourth wall to address the reader directly and you exist as a second level consumer of the story, always questioning what's real and what isn't. Which, idk, sometimes I thought it was brilliant but most times it was just too casual for me and kept calling attention away from the story, back to this idea of the book as metafiction, like 'don't forget!' - more like the princess bride movie than If An Egyptian.
The author also brought up lots of great little aside ideas but a lot of the times she throws a line out and then dismisses it as boring or banal or cliche or whatever and that started to irritate me. We get it, you're not writing about immigrants or race or class, you're just writing about immigrants and race and class. Allllso the main character is kind of unlikeable 😂 but her friendship with Naima was the sparkling star of the story (can you tell I like character-driven novels?) they support and disappoint each other like humans and I froth for that. But again with the meta, their conversation about there HAS to be a Desi wedding scene for "those guys" nudge nudge wink wink... it was cute ngl but did it add? Did it add?
Now that I've complained, lol, the plot is excellent, the pacing is excellent, the suspense is suspensing and the ending is a lovely little cherry on top. The author's humor is also sprinkled as a nice little bonus throughout the book.
CW one of the characters is mentioned as being from Israel and having learned "mind hacking" in the IOF. Um ok, who was he mind hacking on occupied land...
Graphic: Cannibalism, Classism, Islamophobia, and Sexual harassment
lavaly_1's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
Moderate: Cannibalism
Minor: Classism, Misogyny, and Gaslighting
spess's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.75
Graphic: Racial slurs, Sexual content, and Classism
Moderate: Racism, Misogyny, Islamophobia, Cannibalism, and Colonisation
Minor: Animal death and Hate crime
aed2655's review against another edition
- Plot- or character-driven? Character
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
Graphic: Toxic friendship
Moderate: Cannibalism, Sexual content, Racism, and Classism
albernikolauras's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
The Centre follows Anisa as she finds out about a language school that allows you to master the language in 10 days (for quite a price) and how Anisa's life changes because of it. This book is rich in character study as you follow Anisa into her obsession of becoming a renowned translator. This book drips with discussions on colonialism and its affects on language, people, and their families. I think it handles this discussion on a level that I wished Babel had (disclaimer - I DNFed Babel 30% in so maybe it changed).
Such a fun book with such a complicated character.
Graphic: Death, Cannibalism, Colonisation, and Sexual assault
Moderate: Xenophobia, Classism, and Misogyny
book_buddy_rob's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
It’s truly one of the most unique thrillers I’ve ever read and I love a book where there’s lots to analyze and interpret, and this definitely delivers.
I will say in the middle, the pacing does drag a little bit but I still was invested in the story. But the twist at the end made it totally worth it and this becomes one of those books where you’re not quite sure what you read in a very satisfying way.
Graphic: Sexual assault, Death, Cannibalism, and Classism
trivialcve's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
anisa also gets very unlikable after a while. personally, i don’t mind unlikable narrator but man her classists comments really gets on my nerves at some points.
in terms of the mystery, i kiiinda figured vaguely what was happening early on and
also props to the narrator of the audio book version bc i adore how she voiced anisa and her narration in general
Graphic: Classism, Cannibalism, and Racism
luckythenoun's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Graphic: Classism
Moderate: Cannibalism
Minor: Misogyny
lizzym126's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Colonisation, Cannibalism, Body horror, Racial slurs, Death, Hate crime, Islamophobia, Confinement, Racism, and Classism
Moderate: Gore, Medical content, Vomit, Sexual content, and Cultural appropriation
btaylorb's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I thought the use of different languages throughout, in particular Urdu, the MC's first language, was really well executed. I listened to the audio version where the Urdu dialogue is read by the narrator, but as far as I can tell they're not always translated for the listener. Apparently, these sections are also not delineated by italics in the physical or ebook editions. I think this is such a clever way to create a sense of intimacy with the characters and reinforce some of what the book is exploring around language and communication. I don't feel at all like I lost anything by not understanding those few sections. In the final section of the audiobook, the author gives an interview where she talks about the idea that if you don't understand something, it might just not be meant for you, and that's okay - and this is sometimes a central point of the story.
Also noteworthy: There's one passage toward the end where a racial slur gets bleeped in the narration of the audio. I'm going to glance at the physical copy at my library, because I'm curious if it's similarly censored in some way in the text. I would love to know if this was an authorial choice or an editorial one for the audio edition; I'm hopeful it's the former because, given the premise, I think that's an interesting and powerful detail.
Graphic: Racism and Sexism
Moderate: Body horror, Classism, Xenophobia, and Cannibalism
Minor: Islamophobia, Sexual content, Racial slurs, and Gore