4.36 AVERAGE

dark emotional funny hopeful mysterious reflective sad fast-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

Having given the first volume five stars, I now have no room to indicate how much more extraordinary this continuation is. So much of it is so surprisingly moving, occasionally deeply sad, finally joy giving. The art in the final issue is absolutely dazzling. Wonderful. WONDERFUL. 
dark reflective medium-paced

Saga of the Swamp Thing, Book Two is simply outstanding. Building on the dark, eerie beauty of the first volume, this installment takes everything to a new level. The storytelling here is incredibly balanced, moving seamlessly between moments of horror, romance, and introspection—even with that surreal ending.

While some stories stand out more than others, the artistry throughout is stunning. Alan Moore, Stephen Bissette, and John Totleben deliver something truly special here. The combination of haunting visuals and compelling narrative makes this volume an unforgettable experience.
dark emotional mysterious medium-paced
dark reflective medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes

I think Swamp Thing is one of my favorite comic characters now? Also, I need to buy an individual copy of issue #34. That was so wild. I love this series so far. Kind of weird, but in a good way.

The last issue in this volume: Wow. One can feel the passion.
dark reflective tense slow-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: Complicated
Flaws of characters a main focus: Yes
dark mysterious tense medium-paced
Plot or Character Driven: Plot
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: Complicated
Flaws of characters a main focus: Complicated

I am so tired of Alan Moore's ostentatious language.