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Graphic: Body horror, Child abuse, Child death, Chronic illness, Confinement, Cursing, Death, Drug use, Emotional abuse, Gore, Misogyny, Physical abuse, Rape, Sexual assault, Sexual violence, Terminal illness, Torture, Violence, Blood, Medical content, Kidnapping, Grief, Medical trauma, Murder, Gaslighting, Abandonment, Alcohol, Sexual harassment, War, Injury/Injury detail, Pandemic/Epidemic
Graphic: Death, Gore, Torture, Violence, Injury/Injury detail
Moderate: Sexual violence, Terminal illness, Abandonment
Minor: Child abuse, Fire/Fire injury
Graphic: Violence, Abandonment
Moderate: Child abuse, Death, Gore, Sexual assault, Blood, Grief, Murder, Injury/Injury detail
Minor: Bullying, Child death, Confinement, Sexism, Torture, Alcohol
Minor: Bullying, Child abuse, Chronic illness, Confinement, Cursing, Death, Domestic abuse, Emotional abuse, Mental illness, Physical abuse, Rape, Sexual assault, Sexual violence, Medical trauma, Death of parent, Murder, Gaslighting, Sexual harassment, Injury/Injury detail
Graphic: Child abuse, Misogyny, Violence, Blood
Moderate: Sexual assault
The major critiques of the book (that there isn't a lot of chemistry between the main characters and that the FMC reads really young) would be accurate, but I don't think it really takes away from the enjoyment of reading.
Graphic: Animal cruelty, Blood, Murder
Moderate: Child abuse, Sexual violence
Bien que ce livre porte sur un « vilain », le lecteur découvre très rapidement qu’il a plus de subtilité qu’il n’y paraît grâce au point de vue d’Evangelina.
Ce personnage féminin qui devient son assistante est le moteur de l’histoire. Cependant, je l’ai trouvée très agaçante bien qu’elle soit présentée de manière plutôt bienveillante et sympathique.
Elle tente de nombreuses blagues qui lui donnent à mon sens un air un peu idiot.
Avoir lu le roman en français n’a pas du aider. En effet, je pense que l’humour omniprésent était difficilement traduisible.
Par moment, cela me donnait même l’impression de lire une parodie.
Il y avait également beaucoup trop de dialogues à mon goût. L’histoire m’aurait plus captivée avec plus de description des intrigues qui sont nombreuses et parfois bâclées.
Je pense que l’élément qui m’a le plus gêné est que ce livre semble être destiné à un public plutôt jeune / adolescent, or il y a de nombreux sous-entendus sexuels et des sujets qui peuvent être assez sensibles (voir trigger warning)
Graphic: Bullying, Child abuse, Death, Sexual assault, Torture, Violence, Grief, Death of parent, Sexual harassment
Moderate: Child abuse, Blood, Abandonment
Minor: Gore, Violence, Kidnapping, Grief, Fire/Fire injury, Sexual harassment, Injury/Injury detail
Make no mistake, I recognize that this isn't supposed to be high art. What I was looking for was a light, easy read that blends a cute office romance with a fantasy setting. I read the description, I've seen her TikTok's, I know the author is kind of going for that millennial New Girl Zoeey Deschanel thing and I was prepared to put up with it for the length of the novel. What I wasn't prepared for was just how one-dimensional even the most fleshed out characters are, how uneven, predictable, and boring the plot was, and just how poorly written it is. I cannot believe the target audience is supposed to be adult.
The sad thing is, I think the story would be salvageable if handled by a more experienced writer. The concept is good. The skeleton of a good work is here, somewhere. I could see this being a cute animated miniseries if handled by a competent writer's room.
Immediately upon reading the prologue I was struck by how clunky these character's names are- a bad omen of what was to come. Evangelina Sage? Evie for short? I didn't mind that The Villain called her Sage, but it made me wonder why that wasn't her first name instead- it was by and large preferable to Evangelina or Evie. Becky felt too on-the-nose for the office bully archetype. Tatianna felt like she could have benefitted by a slight fantastical altering of her name. I wasn't thrilled about the name Trystan either, although I found it preferable to most of the other names of characters in this book, save for maybe Griffin or Blade.
The narrative reeks of subversion for subversion's sake without any substance for it to ground itself. Frankly, it hardly accomplishes the subversions it sets out to- in trying to be empowering by showing the misogyny that Evie has struggled with in her life, the author takes two steps forward and five steps back. "Girl Power" only means so much to me when the main character cannot maintain control of her own life without the help of her romantic interest- and frankly, this wouldn't bother me so much if the narrative weren't trying to push this image of Evie as a modest but hardworking careerwoman happy to finally have more equality in the workplace. What is subversive about a woman being a man's PA? Or having a man lash out at her abuser because she's too weak to do so? It is annoying at best and problematic at worst, and I wish we would stop pretending something is progressive because someone declares it so.
Narratively, though, the biggest fuck-you to its audience was its ending. It sets up this mystery as to who might be betraying The Villain- and then lets you down by revealing the traitor as someone impossible to deduce by evidence alone. Now, this reveal is a bit of an obvious one- I had it pegged from the beginning. It was predictable. But up until the last couple of chapters, any evidence pointing to that person being the traitor was near non-existent. I would call the behavior of the individual from the betrayal onward to be character assassination if there were any character to assassinate. Wildly out of left field and written for cheap shock value alone. Worst still, we have to go over the same information again immediately after it happens because the author cannot help but repeat herself constantly.
I did not find the author funny. She is not good at humor. Evie is clearly a Renaissance Faire self-insert of the author and as such, I did not find Evie very funny. If you like She-Hulk and Thor: Love and Thunder-style quippiness with some classic 2010's style twee, maybe you would like it more than I did. I hated it.
The worldbuilding, magic system, and setting of everywhere other than the Manor was vague at best. It made keeping track of locations difficult and the sense of stakes was skewed considering the audience can't fully comprehend the consequences of the magic system in this universe.
Also, a shocking lack of romance in a book where the romance IS the main appeal.
Despite all of my qualms with the narrative, I will say that the dynamic between Evie and the Villain is a cute one. I found myself rooting for them to fall into a relationship with one another and eager to see how they progress. I did not like Evie, but I did like seeing the Villain squirm in situations where he didn't understand how to convey his romantic feelings. Seeing an anti-hero or a villainous character get butterflies is, unfortunately, one of my many weaknesses and I felt endeared to his character because of it.
I would say pick this up with no expectations but frankly, my expectations were low to begin with and I was still disappointed.
Moderate: Animal cruelty, Child abuse, Child death, Death, Emotional abuse, Misogyny, Physical abuse, Sexism, Sexual assault, Sexual violence, Violence, Blood, Kidnapping, Death of parent, Murder, Sexual harassment, Injury/Injury detail
Minor: Gore, Torture
It includes queer characters, without that being the defining part of who they are (which I love.)
The book isn't poetry or a masterclass in literary writing, but it doesn't try to be. It succeeds monumentally at being not only a funny and cute romance, but also a light fantasty which addresses trauma, relationships, and what it means to be 'good' and 'evil'.
On a personal level I relate to Evie, the main character, and love FMCs who are smart, ditsy, grade-A yappers who manage to endear everyone to them.
This might not be for you if you're looking for a book with technical and poetic prose, or if you dislike characters being a bit of a Mary-Sue. While Evie isn't perfect and her flaws are certainly addressed prominently, things do seem to just work out for her, and she seems to have pretty heavy plot armour.
Moderate: Emotional abuse, Physical abuse, Sexual harassment
Minor: Child abuse