Reviews with content warning for Death of parent - A Study in Drowning

I was really excited to read this book because I saw a glowing review on it. To be honest I was a bit disappointed by the quality of writing, even though the world and characters were well-developed I felt like I was being hit over the head with the same point. I loved the sea imagery and many of the lines were quite beautiful.

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daydaybookbay's review against another edition

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dark emotional mysterious sad slow-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

2.75

I rated this book a 5.5 out of 10. There are many elements to this novel I enjoy, but I wish each had been explored more. By dropping the adolescent romance, more effort could be dedicated to expanding the settings and main plotlines.

Ava Reid writes beautiful phrases and sprinkles them throughout the chapters. Her artistic metaphors rest on the boundry of remaining applicable. The wording captures the reader, but any further, the intention would be lost. She uses imagery to convey emotion and the characters' mindsets.

The characters fell a bit flat for me. Each character was one dimensional and served only one purpose throughout the book. Preston exists to be an on-paper protective love interest. Effy is constantly reminding you how misogyny, sexism, and her beauty overshadow her genius. Every other character means nothing to me.

Effy's low-key racist. Her xenophobia is front and center, but we are
overlooking that? Why?! Time and time again, she shows her
academic rivalry" is really just her prejudice against Argantians.

I wanted more from the fairy-tale.

We are to believe the Fairy King is real, so why are there literally ZERO other elements involved? Everything points to Effy actually having mental health issues where she has "episodes." If Angharad was a ghost/spirit or if Effy would have seen an alternate reality through the hagstones, these would be easy places to incorporate fantasy aspects.

Is Effy a reliable narrator? Honestly, I'm left thinking the fantasy aspect is really part of Effy's imagination. She experienced great trauma from her mother, and her obsession with Myrddin's novel plays a role in her coping. I'm left to feel she really has mental health issues, and maybe the pink pills are good for her.

I know that's not the conclusion I'm "supposed" to reach, but...

I wish there had been more development in the setting and the characters. The countries, the North and South, the school, the house, the land... I could never picture them. The only thing I was able to imagine was the door to the basement. There is this whole world Reid introduced in this book, but we never get a clear picture of what it's like.

I really wanted to love this book. Part of me feels I would have enjoyed it more as a physical book because I would get bored listening to it. I never got the feeling of being immersed in the story.

I love the moody vibes Reid is able to create. The feel and the way she conveys emotion is beautiful. I wish the attention to the setting had matched. I want to visualize where the characters are and how the North/South/Bottom Hundred look and compare to each other. I wanted to pull more from the text.

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mynameisrebecca's review against another edition

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adventurous dark emotional mysterious reflective sad tense

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

This book could have benefitted so much from a prologue or map of sorts. The world building is kind of choppy and it's really hard to figure out the geography and customs of the various people. The time frame is confusing to me as well - it's clearly meant to be a fantasy world, but it's around 150-200AD yet they have modern conveniences... Almost wish that was left out entirely. Also Effy's character is middling, and it rests a lot on her mental illness as a plot device rather than part of her character which sits weirdly with me. The story however is rich and the rest of the characters are well done.

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fkshg8465's review against another edition

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adventurous emotional hopeful mysterious medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

1.75

I’ve been steadily chipping away at NPR’s 2023 favorite books list. Starting to wonder why. There seem to be more I dislike than like, including this one. Yeah, heroine is great, but a lot of it is too contrived for me, and most of the characters are really despicable.

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rachelblair's review against another edition

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adventurous dark emotional mysterious tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.0

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aprilyang1's review against another edition

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adventurous dark mysterious tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

3.5

“You don’t have to take up a sword. Survival is bravery, too.”

I didn’t love this book, but the overall development and journey left a really strong impact on me. I especially liked how the plot kind of mirrored Effy's inner struggles. Ava Reid does a good job of insinuating what was happening through her details and plot choices, although I do think it made the plot somewhat predictable because I knew what was going to happen pretty early on.

Character wise, I didn’t really love Effy. But, while she initially seems selfish and whiny, she does go through character growth. Understandably though it is/was difficult for her to process certain emotions because of various traumatic experiences. So, while I do understand why she reacts anxiously or insecurely to a lot of the situations I don’t see those experiences as an excuse for the racial animosity she held towards Argantian’s in the beginning (yes, I know there is a war and everyone else also shared her similar sentiments but still?). I think that there would have been an even greater character arc had Effy mentioned or discussed her prejudices. She did say sorry one time (as far as I can remember), but I don’t think it’s necessarily enough to say “sorry” one and done and move on without more discussion. Especially, when I felt that she as a character constantly kept using negative remarks about being Argantian when she she was upset AND seemed to feel that it was wrong to do that in the same thought.

Past the first 30% the story picks up with the magic and suspense. While there's a bit of romance (albeit not the strongest most developed romance), the heart of the story is really Effy's determination to overcome her traumas and find her voice in a society that constantly tells her and other women no.

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lila_still_reads's review against another edition

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dark emotional mysterious reflective slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.5

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folkofthebook's review against another edition

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challenging emotional hopeful mysterious reflective tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

4.5

"i will love you to ruination."
"yours or mine?"

ava reid is just one of those authors where i feel like i'm falling slowly into the book, enveloped by my own senses as the her masterful imagery illustrates her story. it's a slow lull that draws you in, like waves rising on the shore that before you know it, you've reached high tide.

"it began as all things did: a girl on the shore, terrified and desirous."

effy sayre is timid, unassuming, and afraid. she desperately wants to break out of her shell, to spill out the words and dreams inside her, but is paralyzed by fear. she yearns to be a writer, but is resigned as a woman to study architecture instead (as the only woman in her college, it was enough of a fight for that alone). reid cleverly likens the dissociation one may experience post-trauma to being underwater - effy struggles to swim, and her anxiety comes in waves.

the story is about her finding her voice again and breaking to surface, learning to not let herself drown.

the only enemy is the sea.

"it's terrifying."
"most beautiful things are."

reid's use of the sea as a supernatural force, an ever-present threat, a means of escape, and, later, a symbol of peace is poetic and powerful. the storms make for an ominous atmosphere, with saltwater's ability to erode land, ships, and man. but there is also a mystical element, a way of cocooning or stepping out of reality when effy disconnects. the idea of drowning - how one can suffer, silently. "it can take 10 minutes to drown" ianto tells her. that sometimes people pass away weeks later from the aftereffects of drowning. but some people drown for a whole lifetime.

i didn't know how to do anything but wait and drown.

she wondered if you could love something out of ruination, reverse that drowning process, make it all new again.

perhaps a romance is a story with no end at all; where the end is but a wardrobe with a false back, leading to stranger and more merciful worlds.

the romance between effy and preston was a delightful surprise for me. i went into this book as blind as i could be, though i had some preconceived notions about the tone and vibes from art and just seeing posts around. but i hadn't realized there would be such friction between the two of them from the start, effy rebuffed at being stuck in proximity with a literature student (and the envy she felt, only doubled by the fact he borrowed all the books she wanted lol). their banter was delightful, the small seeds and buds of effy effortlessly blooming back into herself. she's never afraid to speak up around him, and the gentleness preston provides her lets her continue to grow and build trust with him. he's the only character who really sees her.

"you'd be surprised how much cognitive dissonance people are capable of."

he hadn't touched her, but saints, she wanted him to.

"you took away all other wanting from me."

ava loves motif and imagery. preston and his glasses, the indents. his cigarettes. the fairy king's dark hair, echoed on master corbenic's arms, as well as ianto's. corbenic's large hands to preston's slim, smooth fingers. angharad's blond hair mixing into the fairy king's dark locks. clear eyes, murky eyes. and water, the ever-present sea. the ceilings leak. the water rises. effy's stomach churns like a violent riptide. reid leaves breadcrumbs for you to trail and mull over. the wavering connection between reality and fable keeps you guessing at what is the truth - and what exactly is truth.

i was a woman when it was convenient to blame me, and a girl when they wanted to use me.

it's very hard to believe something when it feels like the whole world is trying to convince you otherwise.

at the heart of this story is a feminist commentary on academics, literature, and society as a whole. women are expected to be meek and unassuming, they are thought to be too capricious and silly for deep thinking, philosophizing, and even storytelling. they are not listened to and when they are, not believed. they are thought to be too childish, but also too tempting. this is a fantasy piece that follows in the footsteps of the #MeToo movement and its lasting effects during the years since.

effy and her story is one that resonated greatly with me. after ASID and lady macbeth, reid is well on their way to securing themselves as a spot as one of my favorite authors.

but if fairies and monsters were real, so were the women who defeated them.

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