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rainbowsandbookshelves's review against another edition
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? N/A
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Moderate: Animal death, Animal cruelty, Blood, Bullying, Death, Violence, Torture, Self harm, Racism, and Gore
Minor: Death of parent
forthesanityof1's review against another edition
adventurous
challenging
dark
emotional
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
2.5
I don't know what it is about this book, but I was not able to get into it at all. I was so excited to read it and hears a lot of praising words about it (nothing in detail) for a debut so I picked it up ASAP and started it.
I honestly think it might be me with this one, but I could not bond with the characters at all. That's not usually an issue, but I was so apathetic and downright irritated at some points that it took me well over a month to finish this. The MC was...complicated, the pacing was strange to me, the love interest was not interesting outside of the religious/moral division (which was one part of the book extremely well-done), the plot was not what I expected and at times did not make any sense, and the antagonist needed some developing to really fulfill how terrifying he could have been. There were some plot points that went over my head and sometimes the MC brought up issues at very odd times, especially with Katalin (spelling??). I would like to think this was all intentional, but some of it I think was more a by-product of poor writing and editing. I'll be checking out her other works, but I would not recommend this unless religious divide being central to the story is your thing.
One major positive: the author has a beautiful way with prose! A little too much sometimes (trying to draw a scene into a specific emotion when the actual content doesn't reflect it) but nice nonetheless!
I honestly think it might be me with this one, but I could not bond with the characters at all. That's not usually an issue, but I was so apathetic and downright irritated at some points that it took me well over a month to finish this. The MC was...complicated, the pacing was strange to me, the love interest was not interesting outside of the religious/moral division (which was one part of the book extremely well-done), the plot was not what I expected and at times did not make any sense, and the antagonist needed some developing to really fulfill how terrifying he could have been. There were some plot points that went over my head and sometimes the MC brought up issues at very odd times, especially with Katalin (spelling??). I would like to think this was all intentional, but some of it I think was more a by-product of poor writing and editing. I'll be checking out her other works, but I would not recommend this unless religious divide being central to the story is your thing.
One major positive: the author has a beautiful way with prose! A little too much sometimes (trying to draw a scene into a specific emotion when the actual content doesn't reflect it) but nice nonetheless!
Content Warnings
Graphic: Antisemitism, Blood, Bullying, Child abuse, Colonisation, Confinement, Emotional abuse, Hate crime, Kidnapping, Racism, Religious bigotry, and Violence
thehappylittleelf's review against another edition
adventurous
dark
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
An entrancing adventure filled with unique lore and desperate internal struggles. If you like the enemies-to-lovers trope with a strong-willed female lead, you'll love this book.
Content Warnings
Graphic: Blood, Bullying, Genocide, Animal death, Death, Emotional abuse, Medical trauma, Murder, Body horror, Child abuse, Racism, Self harm, Violence, Xenophobia, Gore, Physical abuse, and Religious bigotry
Moderate: Sexual content, War, and Death of parent
oliverreeds's review against another edition
dark
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
this book was fine. i don't understand what all of the hype is about around its release because, while the characters and their relationships are well-written, the magic and world-building seemed a little scant. i have no doubt the author spent a ridiculous amount of time building lore and that is evident, but i didn't understand a lot of the lore. it felt like when a super smart professor is explaining a very detailed and advanced concept and just kind of expects you to know it. the history of the the world just didn't make much sense and wasn't explained as well as i wanted it to be. most of the book is spent looking for this creature called the tulur? and maybe i just didn't read super carefully, but i had no idea what the tulur actually meant to the world until it died. and even then nothing seemed to have changed. there was still magic. the trees seemed to still be alive. so why was there such a thing about killing this bird. i didn't understand it . i also didn't understand the way magic works in this story. the wolf-girls are (mostly) all born with magic- all except evike. great. that makes sense. but then evike wants magic so she cuts of her finger as a sacrifice to one of the gods and he just... gives her magic? i didn't understand this. it didn't make any sense. and then without practicing using her magic, evike fully shatters an axe in the royal court without really knowing what the perameters of her magic or the cost of her magic. the rules seemed flimsy. especially when she saves Gaspar after they're attacked by the witch. how did she save him?? she can't heal people?? . i also thought it was interesting that there are so many religions (only three) but they all have their own magic given from their own god which seems to imply that all of the gods actually exist in this universe. this then begs the question: why is there so much hate? the hate the woodsmen feel towards the pagans never is fully explained. i kind of understand the metaphor the author was working with, but in general, it felt forced sometimes. like... why? the pacing of this book was also pretty slow. in the climax moments, i didn't feel like there was much of a climax. like when evike has just been stabbed. i was like oh sh*t! but then she just like gets up? and walks to gaspars room and then she rests for like ten minutes and then she's just like fine. like she's having a full conversation when she was just on the brink of death. this also happens in the pagan battle at the very end. nandor has just pulled out evike's molars (by all means a traumatic and painful experience) and then after the whole gaspar nandor fight, she's just fine? she kisses gaspar but like she just had like buckets of blood in her mouth??? the severity of wounds was definitely something that didn't make much sense to me because a character would be seriously wounded (often to the brink of death) and then like have full on coherent conversations and then get up and walk around. the first part of this book also read a lot like fanficiton (which i honestly didn't have a problem with. it was my favorite part of the book no cap) because it's all about the slow romance between evike and gaspar so evike will like almost freeze to death or pass out or something and then gaspar (shocker) will save her or help her. like the amount of times evike ~almost~ died on the way up to find the tulur the first time was honestly wild. but overall, the characters were interesting and i liked the in depth analysis of how religious bigotry effects people, romance, and governing states. i thought it was a good first book.
Content Warnings
Graphic: Abandonment, Animal cruelty, Animal death, Blood, Body horror, Bullying, Child abuse, Child death, Confinement, Death, Death of parent, Domestic abuse, Fire/Fire injury, Gore, Grief, Kidnapping, Murder, Physical abuse, Racism, Religious bigotry, Sexual content, Torture, and Violence
sarahdh's review against another edition
adventurous
challenging
dark
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
A really interesting read! Very new for me but I enjoyed the characters and the storytelling. It did drag a little for me and I do think it could have been condensed a little. However, the last portion of the book picked up and I liked the ending. Could have done without some of the more gory aspects though. Overall it was an interesting enemies to lovers fantasy standalone and contained some really fascinating mythology.
Content Warnings
Graphic: Animal death, Antisemitism, Blood, Death, Gore, Murder, Racism, Violence, and Xenophobia
Moderate: Abandonment and Child abuse
howl's review against another edition
adventurous
dark
medium-paced
- Strong character development? Yes
- Diverse cast of characters? Yes
3.5
i was disappointed to discover that this book is young adult in wolf’s clothing: a supposed adult fantasy novel that reads like innumerable young adult science fiction/fantasy novels i’ve encountered before, with heavy-handed first-person narration, an isolated heroine besieged by mean girls (even though they’re all supposed to be 25), and a scary magic man (who turns out to be a prince, of course) with whom she goes on an adventure while they grudgingly fall in love. once i got over my initial irritation i did start to enjoy it quite a bit, enough that i actually looked forward to reading more. the combination of first-person and present tense was still rough, and this book contains an astonishing number of similes (a near-constant distraction), but overall i enjoyed the dangerous traipse through the countryside and the snare of politics at the capital. i also didn’t really mind the romance, formulaic as it was; unrealistic romance can be fun to read, and i can definitely see why certain tropes therein are so popular. i’m often put off by m/f enemies-to-lovers if the man is too much of an asshole, but i didn’t think this was too bad compared to some other examples i’ve encountered. ultimately, however, i thought the best part of the novel may have been the heroine’s reconnection with her jewish heritage; it was so lovingly described and it imparted the most positive emotion i felt while reading. other aspects i found effective were some of the more gruesome surprises this book had in store (perhaps the only way it really asserted itself as adult besides the characters’ ages) and the integration of folktales that prefigured certain events. the latter reminded me of the bear and the nightingale, a comparison made by the publisher which otherwise fell a little short for me, besides the mystical eastern european setting and the fact that there is one character who seemed to have been very heavily inspired by bear’s konstantin: nandor, a blue-eyed, stunningly beautiful, and charismatic zealot buoyed by a larger supernatural power. overall it was a decent reading experience despite the flaws in the writing.
Content Warnings
Graphic: Antisemitism, Blood, Body horror, Child abuse, Cultural appropriation, Death of parent, Genocide, Physical abuse, Racism, Religious bigotry, Self harm, Violence, and Xenophobia
Moderate: Sexual content
bi_n_large's review against another edition
adventurous
dark
emotional
hopeful
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Graphic: Violence, Animal death, Death, Death of parent, Child death, Murder, Antisemitism, Vomit, and Self harm
Moderate: Racism and Fire/Fire injury
Minor: Sexual assault
sabrinz's review against another edition
dark
hopeful
reflective
sad
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.5
It's not really easy to say what I though about this book.
I loved the premise and the beginning where we meet Evike and her village, where most women and girls can perform some sort of magic (forging, healing or clairvoyance). But every few years, the Woodsmen come and take one girl with them to the capital and to the king.
This year, the king wants a seer, but the village can't spare one - so they send Evike who has no magic of her own.
As I said - the premise is amazing. Add to that old fairy tales and it should have been one of my new favourite books.
For me, unfortunately, the story did not deliver completely in that regard. Large parts of the story feel like the reader is just being dragged along from one point to the other. However, those stops along the story line do make sense at the end when everything comes full circle. Still, some of the characters are a bit flat (unfortunatley, I really wanted to love Gaspar (or his fellow Woodsmen we meet at first - until their untimely demise) or hate the king but also see that he's not just evil). While that came through in the story, it was more like an offhand remark rather than consuming me and the story.
Still, a very well-written story (I do like the style!) as a first book. It just did not grab me all the way.
I loved the premise and the beginning where we meet Evike and her village, where most women and girls can perform some sort of magic (forging, healing or clairvoyance). But every few years, the Woodsmen come and take one girl with them to the capital and to the king.
This year, the king wants a seer, but the village can't spare one - so they send Evike who has no magic of her own.
As I said - the premise is amazing. Add to that old fairy tales and it should have been one of my new favourite books.
For me, unfortunately, the story did not deliver completely in that regard. Large parts of the story feel like the reader is just being dragged along from one point to the other. However, those stops along the story line do make sense at the end when everything comes full circle. Still, some of the characters are a bit flat (unfortunatley, I really wanted to love Gaspar (or his fellow Woodsmen we meet at first - until their untimely demise) or hate the king but also see that he's not just evil). While that came through in the story, it was more like an offhand remark rather than consuming me and the story.
Still, a very well-written story (I do like the style!) as a first book. It just did not grab me all the way.
Content Warnings
Graphic: Animal death, Death, Xenophobia, and Racism
Minor: Physical abuse
kiaras's review against another edition
The looooooongest, slooooooowest slog I think I've ever encountered. 52% of the book and they had just gotten to where they'd been going since page 10. OTOH, if you like a slow burn enemies to (maybe, I didn't finish it) lovers thing, then this might be for you.
Content Warnings
Graphic: Death, Xenophobia, Violence, and Murder
Moderate: Religious bigotry, Racism, and Antisemitism
booksthatburn's review against another edition
adventurous
dark
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
THE WOLF AND THE WOODSMAN is an enemies-to-lovers tale filled with bickering and tender moments of wound-care. It luxuriates in tense conversation, short back-and-forth dialogues punctuated by stony silence and snow. The MC’s narrative ruminations on her traveling companion deftly show what she thinks of him while leaving room for something more in his body language that an interested reader might puzzle out. They fill the silence in a way that ensures the reader is never left alone, even while the MC is trapped in her head, relentlessly pondering the meaning of every word, silence, and gesture from the Woodsman. They are drawn together by a strangely aligned goals that have, at minimum, a destination in common for both of them. Once at this destination, the narrative opens somewhat while still keeping focus on the weight of words and the way they can twist in an instant from toying to cruel, from mild interest to genuine warmth. Its slowly widening scope introduces the political tightrope the MC must traverse. Here it becomes apparent that amid all that travel, banter, and attempts to not fall in love was a lot of very important information about the power structure and current state of the kingdom and its leader. I really like political structures in fantasy, and therefore was very interested in this one, but it isn’t a politically dense book. It conveyed really well essential social information in a seemingly inconsequential manner before the MC arrived in locations where she needed to use that knowledge, and I appreciate how well it was worked in.
One of the strengths of this as an enemies-to-lovers story was that the MC and the eventual love interest had pretty good reasons to dislike each other as kinds of people, but not to already hate each other specifically, which made the transformation from ire to romance feel believable but not rushed. A lot of really excellent emotional groundwork and world-building was laid in the first half of the book, which meant that the second half could carefully subvert some (but not all) of those expectations and play with their implications in some really great ways. I feel a little as though that’s just how good books work, but the first and second half feel so distinct to me. Each had their own unique flavor which made the whole book sing. The world building is really good. I like the way that there were canonically several paths to magic, all of which are different in their particulars but involve some combination of access, mastery, and sacrifice. The MC begins the book thinking that she is unable to use the path that everyone has been expecting her to have. she finds her way into the path that’s good for her; not wholly new ground, something recognizable to those around her even if her specific blend is a bit strange.
One of the strengths of this as an enemies-to-lovers story was that the MC and the eventual love interest had pretty good reasons to dislike each other as kinds of people, but not to already hate each other specifically, which made the transformation from ire to romance feel believable but not rushed. A lot of really excellent emotional groundwork and world-building was laid in the first half of the book, which meant that the second half could carefully subvert some (but not all) of those expectations and play with their implications in some really great ways. I feel a little as though that’s just how good books work, but the first and second half feel so distinct to me. Each had their own unique flavor which made the whole book sing. The world building is really good. I like the way that there were canonically several paths to magic, all of which are different in their particulars but involve some combination of access, mastery, and sacrifice. The MC begins the book thinking that she is unable to use the path that everyone has been expecting her to have. she finds her way into the path that’s good for her; not wholly new ground, something recognizable to those around her even if her specific blend is a bit strange.
Content Warnings
Graphic: Blood, Gore, Murder, Death, and Death of parent
Moderate: Bullying, Kidnapping, Racism, Antisemitism, Religious bigotry, Vomit, Sexual content, Physical abuse, Emotional abuse, Self harm, Torture, Animal death, and Child death
Minor: Ableism, Homophobia, Domestic abuse, and Cannibalism
CW for ableism (minor), bullying, kidnapping, homophobia (minor), racism, antisemitism, religious bigotry, blood, gore, vomit, sexual content, physical abuse, domestic abuse (backstory), emotional abuse, self harm, murder, torture, cannibalism (not depicted), animal death, parental death, child death, death (graphic).
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