Reviews tagging 'Sexual assault'

Bluebeard's Castle by Anna Biller

23 reviews

quickspells's review

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dark mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

0.75


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glamatcha's review

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dark emotional mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

There's so many moments where the author latches on to some compelling bit of character psychology, but those little glimmers of interest are drowned out by storytelling that is tediously drawn out and a protagonist who is unlikeable from quite early on.

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1goodkaren's review

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adventurous dark informative tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.0

I was so eager and excited to read this book. I love feminist reimaginings of classic tales, but this is not that. This is a regurgitation of men's violence against women, a few statistics about the dangers of strangulation, and a sorry ending. What a disappointment. 

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aliceemmett's review

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sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

0.5


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s_armstrong's review

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dark sad tense slow-paced
  • Plot- or character-driven? N/A
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.25

good god what was that

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brettashleyyy's review

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dark mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.5

….Manderfield? Really?
This did not work. At all. Should’ve stayed as a screenplay. It read like bad fanfiction and made my eyeballs hurt from how much I was rolling them. The FMC sucks.  The constant references to its source material was beating me over the head to a bloody pulp. The overexplaining/telling not showing of basic feminist concepts, overuse of blatantly bland similes, and the overuse of the word “lugubrious” reeks of amateur writing. I could tell Anna Biller wanted to capture the melodrama and camp of the giallo, Hitchcock, pulp fiction of the 60s/70s wrapped in this not-at-all feminist retelling of the classic fairytale. The thing is, trying to capture that essence on the page is not possible, and trying to make a pastiche of someone as iconic as Hitchcock was going to inevitably be a failure. Even Pitbull knew that. I’ve never tried to power through an audiobook so quickly in my life for the sheer joy of being done with this book.

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blondefairy's review

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dark emotional mysterious medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Flaws of characters a main focus? Yes

3.25


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kiwisnyds's review

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While I liked Biller's The Love Witch, this novel is not very well written or edited. While reading I felt as if Biller was attempting to use her amazing skill with visual media, but in novel form it fell flat and just made me feel like it badly needed another round of edits to pare it down. The simplistic and unbelievable dialogue, while in her movies lends to a sense of unease, just did not translate well to the written format. I wanted to love this novel. The presentation of it is stunning. But the disconnect between the main character's supposed knowledge of abuse and how she reacted to it in real life was just so unbelievable. The manipulation of the abuser wa so surface-level and obvious that it makes me wonder how the protagonist couldn't see through it. This novel could have been a great commentary on the insidiousness of abusers and how easy it is to become entrapped, which I feel the author was attempting, but it was done poorly enough that it seemed like a parody of those themes. The novel also didn't actually feel gothic or horror to me. You can describe an old mansion and nightgowns for 12 pages but doing so does not make the work actually gothic. Maybe I'm being harsh, but I just wanted to skim until the end, so instead I put it down. I hope someone else will love and appreciate it. All that said, if Biller decides to write another novel I still might check it out. It can be really hard to get a debut right, and like I said the pieces were there but just didn't quite make it to the final work.

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beccaand's review against another edition

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dark mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.25


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kerishma's review

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I just couldn't finish this. I got about a fifth of the way through and just had to put it down. I'm sorry to say that the writing feels a bit amateurish—it's all telling and no showing. The prose feels straight out of online fanfiction, which is not in itself a bad thing (I was raised on FanFiction.net, Livejournal, and Quizilla!), but when Gavin's eyes are non-ironically described as "orbs" I had to put the book down and close my own orbs. It doesn't help that Judith, the protagonist, is both dull and irritating (it's entirely possible that she undergoes a dramatic character change in beyond what I read, but I don't know that I would count on that). It's clear that Biller loves the Gothic horror and pulp romance genres, but every cultural reference is so painstakingly spelled out to the readers that it feels like she didn't know how to weave in those references more organically. It didn't feel polished enough to be "serious" (for lack of a better term) fiction, nor was it sufficiently exaggerated or sensational enough to call it camp.

Still, I would love to see how Biller would adapt this to film. I think she's one of the few filmmakers today who really understands how to use visual aesthetics to tell a dimensional and engrossing story—in her films, style is a huge part of substance, which isn't easy to do successfully. Here's hoping!

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