Reviews tagging 'Misogyny'

How the One-Armed Sister Sweeps Her House by Cherie Jones

37 reviews

lattelibrarian's review against another edition

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emotional medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.75

I picked this book for my discussion group and I'm excited to see what they have to say about it. It's unlike much of what we've read: it features multiple perspectives, the characters are complicated in an obvious way, and there's no easy resolution. Then again, it is also similar to what we've read in that it discusses difficult themes such as abuse, intergenerational trauma, and grief. 

This book is a small slice of life after Adan kills a wealthy white man and his own daughter (though he won't admit to the latter). Lala, his wife and main character, must reckon with this while also understanding that she can no longer lay low or suffer his abuse. Her story is framed by that of the one-armed sister, who went into a tunnel when she wasn't supposed to and came out with one arm. Lala wonders why this tale is cautionary: the one-armed sister can still cook and clean, though it might be more difficult. Her grandmother Wilma retorts, how is she going to sweep her house? Well, this story explains how.

Lala went into her own tunnel and married Adan. Though he does physically harm her, but not to the extent of her losing her arm, she is totally restrained. He steals her money, he silences her, he traumatizes her. She is no longer, metaphorically speaking, a complete woman. Something about her has been lost along the way, and it's all thanks to Adan. And, of course, it's Adan who goes into the tunnels and he, until the end, remains unharmed.

We are also privy to their history: how Lala and Adan grew up, how Adan doesn't know that Lala and his best friend Tone know each other from childhood, how Lala's mother died. The stories weave together to create a scenic yet terrifying backdrop of how they came to be.

I so wished for Adan to be punished. I wanted the police officer to solve the case. I wanted Mira to have her justice. But books like these don't give us a neat ending. Instead, they give us a new beginning.

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mangopanels's review against another edition

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adventurous dark sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0


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littlepepperguy's review against another edition

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challenging dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75

Definitely sad, for sure be ready for something heavy and real. A really intricately weaved story of  interconnecting people with seemingly little in common other than a man making a victim of them (specifically one man but also men in general). Deals with the struggles of patriarchy and the fact that no one thrives within the suffocating environment of white supremacist western colonial patriarchy, not even the men, especially not the men of color in 1970's Barbados within the novel. Although it is set in the past and a window to how that specific time and place and those specific women were affected, it is a great allegory for how women are deeply affected by gender roles and abuse. Very intersectional and again super depressing. I'm white and was socialized as a woman and I think it is of utmost importance to read novels that show the difference in treatment between white woman and women of color. Intersectionality bb.  

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friendlypoet's review against another edition

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dark sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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kate_can's review against another edition

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adventurous challenging dark emotional sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? N/A
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

The title refers to a cautionary tale parents tell their daughters not to be willful, as the child in the narrative loses an arm due to curiosity when she enters a tunnel despite dire warnings. The message misfires when Lala (she who is told the tale by her grandmother, Wilma) wonders whether the girl could cope without the limb, swapped for following passion. She is cautioned, ‘but how will she sweep the house with only one arm’? She questions whether a woman’s worth is judged by her housekeeping, and maybe she would rather lead an adventurous life. 

Unfortunately, her adventures do not lead to happiness. The novel is set in Barbados on a beach straight from the brochures of paradise. White folk live in tall, gated houses, while violence, prostitution, drug smuggling, murder and other criminal activities exist beyond their gardens, and everyone carries a gun. The police turn a blind eye to the abuse (particularly of women) until it enters those houses of those who go to embassies and ruin the tourist trade. 

The community is steeped in intergenerational violence and abuse. Mothers beat their children because they do not want them to go bad and need to whip the devil out of them; they fear that sparing the rod is the cause of the child’s failings. Lala marries Adan, who regularly beats and rapes her, even while she is recovering from a traumatic birth. He commits robberies to pay for his lifestyle, which escalate to drug smuggling and murder in a sort of subplot to the novel. His cruelty leads to a tug of war with their newborn (known only as Baby because they have not yet decided on a name), which results in the death of the child as she is dropped on the floor. 
 
Girls are routinely raped by their male relatives: Lala is the child of her mother, Esme, and her grandfather, Carter. The young women are sent away to remove the temptation, while the man is not considered to be at fault. Lala is made to sleep in the outhouse to avoid her grandfather’s attentions, or how else can he resist? Women are pursued by men. The policeman who investigates the Baby’s death pursues Sheba and refuses to accept that she doesn’t want his protection; Adan fixates on his ‘outside woman’ despite being married to Lala.
 
A grown man cannot help himself, she explains, in the presence of a young Wilkinson girl. This is the way it has been for generations. It is not the man’s fault, says Wilma, there is nothing he can do about it. It was this way with her mother before her, her daughter and granddaughter after her. It was this way with her. 

In some ways, the novel, full of descriptive scenes and local patois, is reminiscent of those by Alice Walker, Toni Morrison or Alan Duff. Characters struggle to connect with community and lash out at those who seek to reinforce their culture without understanding the roots of reggae or Rasta, merely turning gangsta. When Wilma holds a funeral for Baby, Adan does not attend because he is wary of her connection to culture, although he tells his friends that she is a bitch and “he not going anywhere around her or her house.” He is alone and left behind in the world where he has lost his local bonds. 

Even Lala is infused in her beliefs, although they may not support her – her grief, trauma and post-partum depression are explained in superstition. “She is convinced also that supernatural beings are conspiring on her daughter’s behalf to make her understand that she will pay for her part in her death.” She fears a “wicked duppy” is playing tricks on her, putting cans of formula in the cupboard, although she knows she has thrown them all out, sprinkling the scent of baby powder in the house, and “It is this duppy, or another, equally malevolent, who infuses the peculiar sound the paper bag of flour makes when she is making dumplings and it hits the floor with the same sound she heard when Baby was dropped.” 

Reviewers have called the book unflinching, claustrophobic, pitiless, and relentless. Focussing on murder, abuse, a violent marriage and the death of a baby, it is certainly no light-hearted tale, but there is a slight glimmer of hope towards the end, and it is ultimately compelling. It is exquisitely constructed, with flashbacks to flesh out the characters and the pathways that have led them to this Barbadian beach, and it is a great achievement for a debut novel. 

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abbie_'s review against another edition

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challenging dark emotional sad medium-paced

3.25

How the One-Armed Sister Sweeps her House is a novel about the violence inflicted on women by the men in their lives. You know going in that it’s going to be a tough read, but boy does Jones throw everything she’s got at you. The sheer, unending misery of the lives of these women was what made me struggle through it, but at the same time what makes it an important read. Jones states in her afterword that she wrote it to highlight the situation lots of women in Barbados find themselves in, trapped in cycles of violence, unable to see another option for themselves but to stay by the side of their abuser. The story is so driven by acts of violence (literally every bad thing you could think of that could happen to a woman) that I trudged through it, wary of whatever horror lay in the next chapter.
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I did love the way the story stripped back the layers of Barbados - to white western tourists, the name evokes a tropical paradise, but Jones depicts the everyday lives and cruelties of the folks who live there. If you enjoyed that aspect of Eve Out of Her Ruins (I prefer that one to this), then you might appreciate this one too!
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A tough read that I’m glad I read for its exposé of violence against women in Barbados, but it will leave you exhausted. 

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dianakamau's review against another edition

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dark emotional sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.5


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hootreads's review against another edition

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dark emotional medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0


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saara_ilona_muu's review against another edition

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challenging dark hopeful reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

Danielle Vitalis narrated this book in an incredibly monotonous tone. The story, itself, is very good.

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boba_n_books's review against another edition

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challenging dark emotional mysterious reflective tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

I am absolutely blown away by Cherie Jones’ novel. I can’t believe this is a debut! 

The way the characters’ stories weaved together seamlessly keeps the reader wanting more. 

Some books I find the need to keep a pen nearby because so many phrases strike me as beautiful—this was one of those books. I’d describe much of the prose as poetic. And this flow made me fly through the pages. 

The mystery, intrigue, suspicions, and relationships really make this story come to life. You get to know each character deeply through their backstories and similar traumas. Jones brings the past and present together with ease showing the reader how we’re all connected at the end of the day. 

I highly recommend this book. But definitely check the content warnings since many heavy topics are explored. 

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