Reviews

I found the premise of Butter: A Novel of Food and Murder by Asako Yuzuki (translated by Polly Barton) to be truly intriguing. The plot revolves around Rika Machida, a thirty-three-year-old journalist who pursues a story on the suspected serial killer, Manako Kajii who enticed men she met on dating sites with her lavish cooking and extracted huge sums of money from them. After three of her suitors were found dead under mysterious circumstances, the now thirty-five-year-old Kajii was found guilty and is currently awaiting her second trial after appeal while being held in a detention facility. Initially reluctant to talk to Rika, she agrees to meet her after Rika expresses her interest in Kajii’s cooking. Though Kajii refuses to talk about the case, she is more than eager to share her views on food (butter being an integral ingredient in her recipes) and as the narrative progresses, we follow how Rika’s approach to life, her worldview, and of course, her relationship with food changes and beliefs about body image change as she is drawn into Kajii’s world.

Inspired by true events (the 2012 case of the 'Konkatsu Killer' Kanae Kijima), this is a slow-moving lengthy character-driven novel that touches upon themes of friendship, food and culture, family, misogyny, societal expectations, feminism, body image and self-acceptance.

The story primarily revolves around how Rika’s life is impacted as a result of her association with Kajii and her obsession with Kajii as a person which often derails her from her investigative intentions before she begins to see Kajii for exactly who she is. Kajii is an interesting character- straightforward, unapologetic and shrewdly manipulative. All the characters are well thought out and the descriptions of the food and Kajii’s recipes make for interesting reading. I particularly enjoyed how the author incorporates folklore into the narrative and found how the parallels between the same and the events in the novel are drawn fascinating.

Please note that the “murder” element is not a central theme of this novel, which I did find a bit disappointing. Several sub-plots are woven into the story and I did feel that the narrative digressed often and lost momentum as it progressed. The author has touched upon several relevant themes in this novel and the author is brutally honest in her depiction of the unpleasantness that women have to deal with in terms of body image and how the same affects one's sense of self-worth. Despite the slow pace and digressions, the story is engaging and kept me invested as details from both Rika’s and Kajii’s lives were gradually revealed with several twists and surprises along the way. Though I didn’t enjoy the novel as much as I had hoped (which I believe was partly because I expected a bit more focus on the criminal aspect), I certainly found it to be an interesting read.

Many thanks to Ecco for the digital review copy via NetGalley. All opinions expressed in this review are my own.

hanbi3's review against another edition

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mysterious reflective slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? N/A
Flaws of characters a main focus? N/A

4.75

justwannareadbooks's review against another edition

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dark emotional slow-paced

2.5

mrscbsbooks's review against another edition

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I gave this the best effort and I just could not get into it, or find enjoyment within it

oscarmilde's review against another edition

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hopeful reflective slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

5.0

picked this one up because i saw a stranger reading it in a café and thought the cover was impossibly cool, just to see it in the bookshop a week later. really really glad i did. judge books by their covers sometimes.

this thing made me hungry. really lovely introspective look into womanhood, loneliness, and eating in japan (strange as it may seem from the marketing).

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