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Graphic: Animal death, Body horror, Child abuse, Death, Infidelity, Physical abuse, Sexism, Blood, Death of parent
Moderate: Fatphobia, Infertility, Rape, Sexual assault, Sexual content, Murder, Pregnancy, Colonisation
It felt too fragmented, mainly the last third. The family was exhausting, and I know it's a faithful representation of how families were back then, but damn.
I liked Tita's recipes and how her emotions affected the dishes, but she had barely any development
The writing was fine, the parts of magic realism felt too conventional in the sense that I forgot about it because it only showed up after something important to support Tita's actions instead of being always around.
Overall, I'll either forget it instantly, or remember it with anger.
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SPA:
Se sintió demasiado fragmentado, sobre todo el último tercio. La familia era agotadora, y sé que es una representación fiel de cómo eran las familias de entonces, pero ufff.
Me gustaron las recetas de Tita y cómo sus emociones afectaban los platillos, pero apenas tuvo desarrollo
Esta bien escrito, las partes de realismo mágico se sintieron demasiado oportunas, en el sentido de que olvidé que era realismo mágico porque solo aparecía la "magia" después de algo importante para apoyar las acciones de Tita, en lugar de estar siempre presente.
En resumen, o lo olvido inmediatamente o lo recuerdo con rabia.
Graphic: Animal death, Rape, Sexual assault, Blood
Moderate: Body shaming, Child death, Death, Emotional abuse, Physical abuse, Sexual content, Toxic relationship, Vomit, Pregnancy
Minor: War
Graphic: Child abuse, Sexual content, Death of parent
Moderate: Adult/minor relationship, Animal death, Child death, Physical abuse, Schizophrenia/Psychosis , Pregnancy, War
Minor: Fatphobia, Gun violence, Racism, Sexual assault, War
I have such conflicted feelings about this novel. When I first read it a little over 30 years ago. I was young. This was my Mexican Wuthering Heights - I thought this was a tragic love story and that Tita and Pedro were meant to be together. Now I know better. Pedro was a coward. Mama Elena was an abusive mother. Tita had so much childhood trauma that she had unregulated emotions and could not see that John was a much better choice of a spouse, because she was convinced that passion = love. Also problematic was the portrayal of the barely mentioned Black characters. When Gertrudis (who we find out is the daughter of Mama Elena and a mulatto man, hence is 1/4 Black) runs off with the revolutionaries she joins a brothel. To paraphrase Gertrudis, she had to go through a ton of men to get rid of all the pent up sexual energy. Um, racist stereotype much? Then much later in the novel, we meet her dark-skinned son for just a hot minute, who remains unnamed. Did he not deserved to be named something other than Gertrudis' "mulatto" son? Racism/colorism has always been alive and well in Latino culture, but this felt more like the author's lack of awareness of her own cultural bias than a reflection of the story/characters.
What I did love - the recipes, the love between Nacha and Tita, the magical realism, the blurred lines between the dead and the living, and just seeing Tita finally stand up to her mom, even if was just the ghost of Mama Elena.
Graphic: Animal death, Body shaming, Death, Misogyny, Sexism, Toxic relationship, Death of parent, Pregnancy, Fire/Fire injury
Moderate: Rape, Sexual content
Minor: Child death, War
Moderate: Animal cruelty, Animal death, Sexual content, Sexual violence, Vomit, Death of parent, War
Graphic: Animal death, Emotional abuse
Moderate: Rape
Moderate: Animal death, Death, Emotional abuse, Fatphobia, Death of parent
Minor: Racial slurs, Racism, Rape
Moderate: Animal cruelty, Animal death, Emotional abuse, Infidelity, Sexual content, Toxic relationship, Pregnancy
Minor: Child death
There were some plot lines and points I didn’t love, but overall I loved the style and narrative voice the most.
Graphic: Animal death, Emotional abuse, Fatphobia, Infidelity, Physical abuse, Racism, Rape, Sexual content, Toxic relationship, Blood, Vomit, Pregnancy, Fire/Fire injury
Moderate: Child death, Death
Tita bajó la cabeza y con la misma fuerza con que sus lágrimas cayeron sobre la mesa, así cayó sobre ella su destino. Y desde ese momento supieron ella y la mesa que no podían modificar ni tantito la dirección de esas fuerzas desconocidas que la obligaban, a la una, a compartir con Tita su sino, recibiendo sus amargas lágrimas desde el momento en que nació, y a la otra a asumir esa absurda determinación.
Tita está perdidamente enamorada de Pedro, el cual la corresponde con la misma intensidad y deseo. Solo hay un problema, la suerte de Tita ha estado echada desde el momento de su nacimiento, al ser la hija menor es su deber cuidar de su madre hasta que esta muera. Mamá Elena, una mujer terca y tradicionalista, se niega a perder a su cuidadora y hace todo lo posible para no solo evitar ese matrimonio sino también quebrar el espíritu de su hija, pero el amor puede más que las tradiciones y el juicio de la sociedad. Contada a través de recetas Como agua para chocolate es una lectura amena cargada de mucho realismo mágico y sazón.
Escuché el audiolibro y me parece el mejor formato para esta lectura porque parece que te estuvieran contando un chisme familiar. Es esa sensación de llegar a la adultez y poder, al fin, sentarte en la misma mesa que tu mamá y tus tías a tomar un cafecito y chismear. Me entretuvo mucho este libro, aun cuando no estaba de acuerdo, o a gusto, con lo que pasaba ni con los personajes.
En resumen: nunca esperen por un hombre que eso no sirve.
Graphic: Animal cruelty, Animal death, Emotional abuse, Infidelity, Rape, Sexual assault, Sexual violence, Toxic relationship, Death of parent, Pregnancy, Fire/Fire injury
Moderate: Child death, Misogyny