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sea_sea's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Cursing, Death, Emotional abuse, Gun violence, Kidnapping, Toxic friendship, Injury/Injury detail, Grief, Murder, Suicide, Blood, Mental illness, Gaslighting, Violence, and Sexual content
Moderate: Alcohol, Death of parent, Addiction, Abandonment, and Terminal illness
I really loved Nicos and Libbys relationship, it was so funny xD. (I hope it goes the enemies to friends route) Secondly quick appreciation for all the women in the book 💗 (Except Eilif, leave Gideon alone ò-ó, he just wants to be happy with Nico.) Libby was amazing! Parisa too, she was epic!!! I also loved Reina, I just wish she had more chapters ;-;. Her povs were always so interesting. It was always just so cool to read about what was going on in their minds, because the are so insanely smart. >u< (Also Parisas povs could tell us what other people were thinking too xD)pitchblackkoi's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Alcohol, Murder, and Violence
Moderate: Sexual content
mad_ds's review against another edition
4.0
Graphic: Cursing and Sexual content
danaegg's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Suicidal thoughts, Violence, Sexual content, Death, Injury/Injury detail, and Gun violence
Moderate: Alcohol and Emotional abuse
bergha1998's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
Dark Academia, Secret Society, Magic, 1 🔥
“A uniquely upsetting curse, really, how little he knew how to exist when she wasn’t there.”
Graphic: Death, Grief, Murder, Suicidal thoughts, Death of parent, Child death, Sexual content, Suicide attempt, and Violence
isabella_sans_merci's review against another edition
Lets start with the characters, shall we?
She is a fiercely powerful upstart from a non-magical family, he is a nepo baby from a very wealthy magical family who is her academic rival. His friends include a guy who changes into a dog, and another guy whose magical family is a pain in the ass, who he uses all of his resources to try and help. Sound familiar? I never really got into Marauders fanfic, but even I can recognize the origins of it in here. Anyway both of these characters are tolerable. Like, if the story had just focussed on them I might have been able to get through it. I also thought the description of how their powers are blended together was very compelling. But it gets worse.
Next we have Reyna. Whose thing is that she doesn't care. So why, god, should I care? Her apathy was too infectious, and as much as the author was trying to use her to talk a little bit about the elitism in academia, the way that she went about it was just so surface level and bad, it was all buzzwords with very little understanding of the nuance or the actual issue. As someone who works a lot in the space of critique of academia, this "discussion" of it, was simplistic enough to be borderline insulting.
Then we have the most compelling character of all, a guy who can convince anyone to do anything. It is such a shame that he also, is apathetic and doesn't care. So. Why. Should. I? He has the most interesting skill set and yet we spend the least amount of time with him, and the time we do spend doesn't tell us anything about him! The characters are literally so weak I could cry.
Then we have Tristan, who again, could be interesting if he wasn't just so passive in the narrative. What does he want? What moves is he making? We are told he is very smart, his skills are very interesting, and his powers are too, but then in the social structure of the group he is so incredibly passive. I got half way through the book and I could not care if he lives or dies.
And now we arrive at a character who I actively hated. The author, in all of her smug satisfaction with her own intellect, makes sure to let you know that in fact, if you hate this character, its an antifeminist thing to do. She is soooooo sexually liberated, don't you see? She just uses sex to get what she wants, in a very sexy way. She makes all men around her literal fools for her because.... she is well endowed? The writing around this character reduces all men to hormonal fools who can barely control themselves, and frankly I don't think that is a very feminist take. There is no difference between her and any femme fatale 'written by a man'. The same plot beats, and the same tropes apply. Just because this character is able to recognize the antifeminist trap she falls into, and preach some trite sex-positivity along the way, does not make her any less of a flat, failed, femme fatale.
And don't even get me started on the plot.
I think the main reason that this story does not work, is because the author has no idea what the hell she is talking about. This can be seen in little things, such as how the Library of Alexandria moved to London around the time of the Napoleonic wars, just in time for the Age of Exploration. The problem with that being, of course, that the Napoleonic wars were at turn of the 19th century, and the Age of exploration was from the 1500s to around the 1800s, if we are being generous. So in fact, if they got to London at that time, they would have just missed the Age of Exploration. This is an easily google-able fact.
However, this can also be seen in the big things. This whole plot hinges on a research fellowship, but the characters are spending their time split between experimental, guided classes, and independent, idle study, which is not what a fellowship looks like. The author intends to place magic existing in this world as like a science which can be experimented with and pushed further, but the structure of her year of study is more like a poorly adapted Hogwarts AU. Also, it is so incredibly obvious that this is going to be a death game. 6 are selected, 5 get to carry on. When first I heard that I thought oh, so one is dead. But none of the characters seem to know that. They don't even seem to think about it at all.
Finally, this institute churns out world leaders, because the smartest and the best always end up running the show right? It is only the hardest working elite that end up with power. No. That isn't how it works at all. The author, by 57% of the way through this book, is trying desperately to make some salient critique about the elitist world of academia, but she has created a world where the greatest lies of academia are in fact true. It is factually true, in her world, that some people are simply better, more powerful, and more worthy, than other people. Magical versus non-magical people can never hope to be equal because there is an intrinsic biological difference that keeps them apart. It is also factually true, in her world, that being a great mind is rewarded with power, wealth, and prestige. This is not true in our world. Perhaps the latter half of this book would have had a great reveal to the contrary, but given her flimsy and feeble attempts at writing this discourse, I gave up.
I might have tried to pick it back up again, after that, but I just could not find a reason why. No mystery existed to be compelling enough to make me want to.
Graphic: Sexual content
Moderate: Alcohol
Really though, my breaking point came at this end- 2 older characters are trying to seduce Lily Evans - sorry, Libby Rhodes - into a threesome, by literally chugging a bottle of absinthe. Disregarding how unrealistic it is to be drinking that quantity of absinthe of all things, this felt so skeevy and predatory that I had to stop. Because to the author, this evidently wasn't skeevy or predatory, it was another scandalously salacious happening by her sexually liberated character, breasting boobily around as a strategy to win the day. Perhaps the commentary later on would have tried to reframe it, but the tone of the writing in this section is undeniable. The authors tone is meant to be seductive, this scene is meant to be seductive, but it feels like two fully grown adults preying on a naive 22 year old who is infantilized in nearly every other characters perspective. It feels gross.evebananas's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
1.5
Most unsatisfying was the complete lack of plot. The book constantly talks about how the characters are so important to one another and the whole overall "plan" but nothing ever happens. There's some drama, and some sex, and some more philosophizing about nothing. Nothing actually happens in this book. The characters don't actually form any important relationships with each other, and it's very clear that the author has some favorite characters. Reina has no importance, and might as well not exist. The writing is pretentious for no reason, and says nothing of importance while taking up pages and pages for a single conversation. I don't need to hear Callum wax poetic for the hundredth time with Tristan shrugging the whole time. There is no purpose to the conversations they have.
We also never really get answers about the magic system. Why do people have certain specialties but can apparently do other magic too? One character in particular is said to have a certain power that he hasn't even demonstrated in the scenes that the reveal references, and that power is never important despite being supposedly very rare.
Overall, I would NOT recommend this book. There are far too many dark academia/fantasy books with interesting themes to waste time on Atlas Six.
Moderate: Death, Murder, Sexual content, Child death, Kidnapping, Suicide, and Violence
staceyinthesticks's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Moderate: Death
Minor: Infidelity, Murder, Kidnapping, Cursing, Sexual content, Alcohol, and Violence
uma_rai's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Graphic: Alcohol and Sexual content
joshtheman's review against another edition
- Plot- or character-driven? N/A
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.0
I almost can’t even. The characters are obnoxious, the plot almost trivial, and the pace is incredibly slow for what you get.
Not only do the characters never learn anything, they always seem to be sleeping with each other. No real rhyme or reason either. Often, they are not even attracted to each other, but still it continues.
This book was quite the disappointment for me. I’m sure it’s someone’s cup of tea, but not for me.
This book is for people more interested in reading about sex than having it. If that is you, power to you!
Graphic: Cursing, Blood, Sexual content, Gore, and Infidelity