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izumimori's review against another edition
I loved the plot, at least at first. Also the worldbuilding. The use of several Japanese-inspired elements, such as terminology, customs and spiritual beings, all with an added fantasy vibe. The premise of a girl whose vitality doesn't fit in with her world's restrictive society, a girl who's swept away by circumstances in a whirlwind of demons and spirits, pulled even further away from the life she had resigned herself to, and given some heavy decisions to make.
What I didn't like, and grew to hate, is the writing. Plot flowed quite nicely. Dialogue was often predictable but neat enough. What ultimately made me give up on the book, though, was the overwhelming frequency of in-your-face remarks on gender inequality, be it through narration itself or the main character's internal dialogue. After a while, it read as a pamphlet.
I'd rather if, after a few initial chapters including relevant descriptions of the book's patriarchal society, the author chose to show us the issues through the plot, not tell us the issues. The examples of sexism that were highlighted by the writing didn't always match the historical culture the book is inspired by either, so for anyone regularly exposed to contemporary feminist discourse, it may feel like the author is going through a talking points checklist.
What I didn't like, and grew to hate, is the writing. Plot flowed quite nicely. Dialogue was often predictable but neat enough. What ultimately made me give up on the book, though, was the overwhelming frequency of in-your-face remarks on gender inequality, be it through narration itself or the main character's internal dialogue. After a while, it read as a pamphlet.
I'd rather if, after a few initial chapters including relevant descriptions of the book's patriarchal society, the author chose to show us the issues through the plot, not tell us the issues. The examples of sexism that were highlighted by the writing didn't always match the historical culture the book is inspired by either, so for anyone regularly exposed to contemporary feminist discourse, it may feel like the author is going through a talking points checklist.
Content Warnings
Graphic: Misogyny and Sexism
Moderate: Confinement and Hate crime
annorabrady's review against another edition
adventurous
hopeful
inspiring
mysterious
reflective
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
An expertly told story of self-discovery and gaining acceptance within society. The first part of the story focuses on feeling out of control and like a victim of circumstances while the second part examined the why of the things that happened and the acceptance of what was once seen as unbearable or unfair. The ending nicely wrapped up the story without jeopardizing the growth and development of any character in the story.
Content Warnings
Moderate: Confinement, Misogyny, Sexual assault, Sexual violence, Fire/Fire injury, Colonisation, Injury/Injury detail, and Classism
purplepenning's review against another edition
adventurous
dark
hopeful
inspiring
fast-paced
4.0
Miuko: "Come on. There is so much more out there than this."
Senara (eyes glittering with tears, or perhaps excitement): "For a girl?"
Miuko: "For anyone brave enough to look."
This was both exceptional and not quite for me. It felt a little disjointed and repetitive at times, but I often feel that way about fairytales and quest adventures. So much of the action seems to unfold and redirect on the go that it can feel like being in a pinball machine. Not that this wasn't brilliantly plotted — it obviously was — with interesting characters, a fascinating mid-story shift, a take down of patriarchal oppression, and a girl finding the strength to make mistakes and try again and again as she fights the demons around and within her.
Senara (eyes glittering with tears, or perhaps excitement): "For a girl?"
Miuko: "For anyone brave enough to look."
This was both exceptional and not quite for me. It felt a little disjointed and repetitive at times, but I often feel that way about fairytales and quest adventures. So much of the action seems to unfold and redirect on the go that it can feel like being in a pinball machine. Not that this wasn't brilliantly plotted — it obviously was — with interesting characters, a fascinating mid-story shift, a take down of patriarchal oppression, and a girl finding the strength to make mistakes and try again and again as she fights the demons around and within her.
Content Warnings
Graphic: Misogyny, Sexism, and Classism
Moderate: Body horror, Confinement, Death, Genocide, Sexual assault, Violence, Blood, Grief, Fire/Fire injury, Abandonment, War, and Injury/Injury detail
Minor: Transphobia
mandkips's review against another edition
adventurous
emotional
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Misogyny, Sexism, and Violence
Moderate: Kidnapping and Murder
Minor: Animal death and Confinement
allisonwonderlandreads's review against another edition
adventurous
funny
hopeful
lighthearted
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
This adventure is funny from page one. I'm far more used to ya fantasy relying on angst and despair, etc., so this approach was glittering and exciting for me from the start.
Miuko is a gloriously chaotic protagonist who speaks her mind even when inconvenient (for herself as much as anyone else) and loudly enough for all to hear. When she is cursed to slowly turn into a malevolence demon, Miuko takes up with an even more chaotic magpie shapeshifter spirit, Geiki, who likes shiny things as much as he dislikes superfluous (all of them) rules. Another pleasant departure from genre norms is that this friendship never becomes romantic. Miuko thinks Geiki's handsome, so I think if you want to ship it as a future option, go for it, but during this story's timeline, her feelings are firmly platonic and no less fierce for it. There's no pining, no jealousy, no toxic possessiveness.
In their quest for information on breaking the curse, a library B&E is necessary because women aren't allowed, and their ridiculous escapades valiantly returned all the missing joy from my life. I also appreciated the footnotes, which range from helpful to snarky. My favorites were the swear words, with footnotes assuring us they were too rude to translate while also providing grammatical options for our own usage.
Sexism is a sad reality in this world, but it fuels both plot and humor as Miuko expands her horizons. There's also non-binary and trans representation. While the gender binary is pretty strongly adhered to among humans, non-binary humans can serve as priests, and demons and spirits can do whatever they want because human rules are stupid and limiting. I appreciate the author's message on gender and power. Miuko ponders that yes, she has limited power as a girl, but she also doesn't want to wield power in the way men do. I did find that the resolution of the conversation was pretty simplistic and happy-go-lucky, but it was thoughtful overall.
My only problem while reading was that the humor nearly evaporated in the latter half of the book in conjunction with a plot shift that I didn't fully dislike but was less engaging for me nonetheless. A time travel element didn't fully make sense to my small brain, and a complete changeover to a new set of supporting cast members had a lesser claim on my heart.
This is a solid ya fantasy read, all the more pleasant for the ways that it dodges the expected, tired pitfalls of the genre. It has a lovely approach to gender with a triumph over power structures that assign worth on a strict system according to gender binary. If you're looking for a ya fantasy read with laughs and colorful, snappy world-building, this would be a great read for you.
Miuko is a gloriously chaotic protagonist who speaks her mind even when inconvenient (for herself as much as anyone else) and loudly enough for all to hear. When she is cursed to slowly turn into a malevolence demon, Miuko takes up with an even more chaotic magpie shapeshifter spirit, Geiki, who likes shiny things as much as he dislikes superfluous (all of them) rules. Another pleasant departure from genre norms is that this friendship never becomes romantic. Miuko thinks Geiki's handsome, so I think if you want to ship it as a future option, go for it, but during this story's timeline, her feelings are firmly platonic and no less fierce for it. There's no pining, no jealousy, no toxic possessiveness.
In their quest for information on breaking the curse, a library B&E is necessary because women aren't allowed, and their ridiculous escapades valiantly returned all the missing joy from my life. I also appreciated the footnotes, which range from helpful to snarky. My favorites were the swear words, with footnotes assuring us they were too rude to translate while also providing grammatical options for our own usage.
Sexism is a sad reality in this world, but it fuels both plot and humor as Miuko expands her horizons. There's also non-binary and trans representation. While the gender binary is pretty strongly adhered to among humans, non-binary humans can serve as priests, and demons and spirits can do whatever they want because human rules are stupid and limiting. I appreciate the author's message on gender and power. Miuko ponders that yes, she has limited power as a girl, but she also doesn't want to wield power in the way men do. I did find that the resolution of the conversation was pretty simplistic and happy-go-lucky, but it was thoughtful overall.
My only problem while reading was that the humor nearly evaporated in the latter half of the book in conjunction with a plot shift that I didn't fully dislike but was less engaging for me nonetheless. A time travel element didn't fully make sense to my small brain, and a complete changeover to a new set of supporting cast members had a lesser claim on my heart.
This is a solid ya fantasy read, all the more pleasant for the ways that it dodges the expected, tired pitfalls of the genre. It has a lovely approach to gender with a triumph over power structures that assign worth on a strict system according to gender binary. If you're looking for a ya fantasy read with laughs and colorful, snappy world-building, this would be a great read for you.
Content Warnings
Graphic: Misogyny
Moderate: Transphobia, Violence, Religious bigotry, and Abandonment
Minor: Animal death, Confinement, Domestic abuse, Sexual assault, Fire/Fire injury, War, Injury/Injury detail, and Classism