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3.83 AVERAGE
3.83 AVERAGE
Ok, hang on a minute.
Now I'm back.
This book!
Meda is a bad girl..well she sometimes is. She is human souls. Just the bad guys so relax.
I fricking loved her. I think I liked most of the characters in this book. All of them are fleshed out and are great on their own. (JO!!!) Put them all together and you have SHAZAM!!
I wanted to quote this whole book but that would stop you from reading and you so want to read it. Run don't walk to get it.
Oh and yes this:
Everytime I smell or eat popcorn for the rest of my life I'm going to think about this book.
Psst get this..my cheap/broke ass actually bought this book. I know huh?
Now I'm back.
This book!
Meda is a bad girl..well she sometimes is. She is human souls. Just the bad guys so relax.
I fricking loved her. I think I liked most of the characters in this book. All of them are fleshed out and are great on their own. (JO!!!) Put them all together and you have SHAZAM!!
I wanted to quote this whole book but that would stop you from reading and you so want to read it. Run don't walk to get it.
Oh and yes this:
Everytime I smell or eat popcorn for the rest of my life I'm going to think about this book.
Psst get this..my cheap/broke ass actually bought this book. I know huh?
dark
funny
lighthearted
mysterious
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Schade, dass ich mein erstes ausgelesenes Buch 2017 so niedrig bewerten muss, aber leider konnte mich der Debütroman Cracked von Eliza Crewe nicht überzeugen - ich musste mich regelrecht dazu zwingen, das Buch überhaupt zu beenden. Doch woran lag das? Sicher nicht an der durchaus guten Idee, denn in dieser würde sehr viel Potential schlummern.
Die Story handelt von Mera Melange, einer Teenagerin die halb Dämon, halb Mensch ist und sich von Menschen "ernährt", indem sie deren Seele "isst". Zu Beginn des Buches begibt sie sich in grosse Gefahr, denn kurz nachdem sie sich satt gegessen hat, wird sie von Dämonen angegriffen. Zu ihrem Glück eilen ihr sogenannte Kreuzritter ("Crusaders") zu Hilfe, die sie aus ihrer Notlage befreien, nichts ahnend, dass Mera gar nicht so unschuldig ist, wie sie auf den ersten Blick erscheint. Um nicht aufzufallen, spielt sie ihren neuen Bekannten vor, dass sie ein sogenannter "Beacon" ist, also jemand, der von Dämonen gejagt wird und deshalb beschützt werden muss. Aus diesem Grund nehmen die jungen Kreuzritter sie mit in ihren Unterschlupf, die gleichzeitig deren Ausbildungsstätte ist.
Dort angekommen, spielt Mera ihr Spielchen weiter und verfolgt den Plan, mehr über die Tempelritter und Dämonen herauszufinden. Sie ist dabei sogar erfolgreich und erfährt etwas über ihre Mutter, das sie nie gedacht hätte: Ihre Mutter war ein Tempelritter ("Templar")! Was das nun für Mera bedeutet, gilt noch herauszufinden. Doch viel Zeit bleibt nicht, denn die Ausbildungsstätte der Kreuzritter wird kurze Zeit später von hunderten von Dämonen angegriffen, die nur eines wollen: Mera in ihre Gewalt bekommen...
Ich liebe Bücher über Dämonen und/oder Engel und fand es sehr erfrischend, dass diese Kreuzritter/Tempelritter-Thematik mit eingebracht wurde, denn das ist eine neue, innovative Idee, die ich bisher noch von keinen anderen, ähnlichen Büchern kannte. Leider plätschert der Plot nur vor sich hin und wirklich viel passiert nicht. Es werden immer wieder die Attacken der Dämonen beschrieben, aber so richtig schreitet die Handlung nicht voran. Hinzu kommt, dass Mera nur häppchenweise Informationen über ihr eigentliches Halblingsdasein erfährt und man am Ende des Buches nicht wirklich schlauer ist als vorher. Es bleiben einfach zu viele Fragen offen.
Ich konnte leider auch nicht wirklich eine Bindung zu den Charakteren aufbauen, so dass mir deren Schicksal schlichtweg egal war. Erst gegen Ende hin taucht mit Armend, einem anderen Halbling, der auf der Seite des Bösen steht, ein Charakter auf, der mein Interesse geweckt hat. Vermutlich wird er im 2. Teil noch eine viel grössere Rolle spielen, aber das allein reicht leider nicht aus, damit ich das Bedürfnis kriege, die Reihe weiterzuverfolgen. Dafür ist er einfach zu spät aufgetaucht und hat eine zu kleine Rolle gespielt.
Auch beim Ende hätte ich mir erhofft, denn hier wagt die Autorin kaum etwas und bis auf ein einziges Ereignis, war alles sehr auf "happily ever after" getrimmt.
Alles in allem eine nette Idee, die unausgereift bleibt. Der Schreibstil ist aber für ein Debütroman überraschend gut. 2.5 Sterne gibts dafür von mir.
Die Story handelt von Mera Melange, einer Teenagerin die halb Dämon, halb Mensch ist und sich von Menschen "ernährt", indem sie deren Seele "isst". Zu Beginn des Buches begibt sie sich in grosse Gefahr, denn kurz nachdem sie sich satt gegessen hat, wird sie von Dämonen angegriffen. Zu ihrem Glück eilen ihr sogenannte Kreuzritter ("Crusaders") zu Hilfe, die sie aus ihrer Notlage befreien, nichts ahnend, dass Mera gar nicht so unschuldig ist, wie sie auf den ersten Blick erscheint. Um nicht aufzufallen, spielt sie ihren neuen Bekannten vor, dass sie ein sogenannter "Beacon" ist, also jemand, der von Dämonen gejagt wird und deshalb beschützt werden muss. Aus diesem Grund nehmen die jungen Kreuzritter sie mit in ihren Unterschlupf, die gleichzeitig deren Ausbildungsstätte ist.
Dort angekommen, spielt Mera ihr Spielchen weiter und verfolgt den Plan, mehr über die Tempelritter und Dämonen herauszufinden. Sie ist dabei sogar erfolgreich und erfährt etwas über ihre Mutter, das sie nie gedacht hätte: Ihre Mutter war ein Tempelritter ("Templar")! Was das nun für Mera bedeutet, gilt noch herauszufinden. Doch viel Zeit bleibt nicht, denn die Ausbildungsstätte der Kreuzritter wird kurze Zeit später von hunderten von Dämonen angegriffen, die nur eines wollen: Mera in ihre Gewalt bekommen...
Ich liebe Bücher über Dämonen und/oder Engel und fand es sehr erfrischend, dass diese Kreuzritter/Tempelritter-Thematik mit eingebracht wurde, denn das ist eine neue, innovative Idee, die ich bisher noch von keinen anderen, ähnlichen Büchern kannte. Leider plätschert der Plot nur vor sich hin und wirklich viel passiert nicht. Es werden immer wieder die Attacken der Dämonen beschrieben, aber so richtig schreitet die Handlung nicht voran. Hinzu kommt, dass Mera nur häppchenweise Informationen über ihr eigentliches Halblingsdasein erfährt und man am Ende des Buches nicht wirklich schlauer ist als vorher. Es bleiben einfach zu viele Fragen offen.
Ich konnte leider auch nicht wirklich eine Bindung zu den Charakteren aufbauen, so dass mir deren Schicksal schlichtweg egal war. Erst gegen Ende hin taucht mit Armend, einem anderen Halbling, der auf der Seite des Bösen steht, ein Charakter auf, der mein Interesse geweckt hat. Vermutlich wird er im 2. Teil noch eine viel grössere Rolle spielen, aber das allein reicht leider nicht aus, damit ich das Bedürfnis kriege, die Reihe weiterzuverfolgen. Dafür ist er einfach zu spät aufgetaucht und hat eine zu kleine Rolle gespielt.
Auch beim Ende hätte ich mir erhofft, denn hier wagt die Autorin kaum etwas und bis auf ein einziges Ereignis, war alles sehr auf "happily ever after" getrimmt.
Alles in allem eine nette Idee, die unausgereift bleibt. Der Schreibstil ist aber für ein Debütroman überraschend gut. 2.5 Sterne gibts dafür von mir.
Ever read a book that was so awesome that over a year later you look back and wish you could erase your mind so you could read the book all over again for the first time?This is that book!
Reviewed for the Piece of Shit Book Club. Bad language warning.
Sometimes, books make me angry. Not books in general of course—I’m talking about specific ones. I pick them up, all excited and ready to be bedazzled—and then I’m hit with a pile of shit instead. It’s not what I want.Nobody Almost nobody wants that. Such was the case with Eliza Crewe’s “Cracked”, and it irritated me sufficiently that I asked the gentlemen of the Piece of Shit Book Club™ whether I could volunteer as tribute. Just this one time.
Cracked isn’t a shit book because it’s racist. There is no fucking dinosaurs or dolphins, no heroin-based autobiographies, no subtle pro-US propaganda. There’s not even any thinking you’re a horse. But it does check all the boxes for an unlikable and unrelatable protagonist, a confusing target age, soooo much Bible-iness, and some casual harassment.
For a little background, our ‘heroine’ is Andromeda Melange, half-demon soul-eater and teen with attitude. There’s also a bunch of people called Crusaders—virtually all of whom we meet are likewise moody teens or invalids—and they’re at war with the Demons, while protecting people they called ‘Beacons’. Now, I don’t want to spoil anything, but Meda’s last name means “mixture”. Any thoughts as to what makes her so special? Spoilers, she’s a Crusader-Demon-Beacon. A crudemacon. Will she choose good? Will she choose bad? Who the fuck cares, but you can guess it from the outset if you’re so inclined.
Now, in chronological order:
The first few chapters
Meda goes psychotic and rips apart a man with her bare hands, releases insane people into the streets, and dances in trail of blood. Despite the grizzliness, the word choice and ‘voice’ reflects perhaps a pre-teen audience, maybe the 12-14 bracket. Meda’s character is 17.
P53—Lust
Meda next encounters her first Crusaders, one of whom is Chi (Malachi—get it? Religious! Because all the good guys are). And because this is apparently what pre-teens like to read in books, we get this comment after Chi takes off his jacket: “The looks of an angel and yet all it makes me want to do is sin.” This made me want to look up the Bible Malachi, and we have this dude:
‘Sinning’ is not at the forehead of my mind.
P71—What’s a plot hole, anyway?!
Chi, his friend Jo, and a kid called Uri(el), are explaining what ‘Crusaders’ are. They are like advanced ‘Templars’ (yes, Knights Templar), and are descended from the original Knights. But it’s not only descendants of the ‘originals’ that have special powers: “Oh, and anyone who marries a Templar”. That’s right. But why? What could the reasoning be? What is the world logic here? Meda wonders the same thing, and asks. “They all blink at me. Finally Uri answers, ‘Because God says so.’”. OH. Because God says so. Of course. What the fuck happens in case of divorce? What if it’s a marriage of convenience, because I hear there have been one or two of those since the recognition of the Knights Templar in the twelfth freaking century?! What if someone stumbles onto your secret and starts force-marrying and divorcing you to a whole bunch of people in order to raise some kind of super army?! And moreover, why the fuck is this important to the story?! There’s this whole marriage theme that runs throughout—adult Templars, for example, always fight in pairs. And those pairs are always couples. And 17-year-old Chi, by the end of the book, is ‘joking’ about how he’s going to ‘make’ Jo marry him—but more on that later on. Enough. We get it. Jesus, God, marriage, blah. But please oh please cover up at least the more glaring of your plot holes with something a little more substantial.
P79—just a couple more names
Oh hey there, Ezekiel, Abraham, Methuselah and Judas. Sigh. And this book isn’t half as endearing as the way Christian mythology is used in Supernatural, for example. Where’s Castiel? We all want Castiel dammit!
There are an unbelievable number of memes of this guy on the internet.
P130—Sloth (on behalf of the editor)
Three times in the book, words were randomly in a different font size. I don’t know why. At first I thought it was some kind of inner dialogue mechanism. Then I read the sentence “no one could be that surprised” and my internal monologue was confused. I felt lied to. Betrayed.
P186—Gluttony (in a very loose reference)
Meda constantly talks about her Hunger. Her hunger for food, but also her Hunger for Souls. Or, rather, the life attached to souls, whatever the fuck that’s supposed to mean. I assume it’s some kind of Siamese-soul situation, and you swallow one then spit out the rest. The more I think about it, the more annoyed I am. Meda kills a person and then sucks out their soul, swallowing all of it. But it’s okay, because really she only digests the ‘life’ associated with it. So where does the rest of the soul go?! And how are there ghosts wandering around (one of whom has a subplot which is never resolved) with all aspects of life, when Meda later explains that they’re only souls, no life?! Meda is called a ‘Soul-eater’ (it says so right on the back cover!), but other Demons, ‘Real’ Demons, suck ‘life’ directly from … some kind of afterlife? But not souls, oh no, not souls.
Either way, on the topic of eating, I was irritated to find an overbearing explanation of the word ‘hangry’ on page 186. It’s like the author had just learned the word from a friend—a word which is in fairly common use, at least where I’m from—and was excited to teach it to the world. Give me a break.
P216—the one thing I liked
This sentence. This solitary sentence. “Those of us who live with twisted bits like to think we can overcome them.” It’s with reference to somewhat-crippled Jo, who doesn’t allow her gimpy leg (and I only say ‘gimpy’ because that’s how the author/Meda keeps referring to her) to hold her back.
P229—what??
A reference is suddenly made to the lack of a particular burger chain the UK. As far as we know, the protagonist has never been to the UK, so this is just a bout of random. Is the author trying to check whether we’re awake?!
P274—again with the life/soul distinction
All right, so firstly, again with the ‘which age group is this for’? A 13-year-old boy is tortured to death. Lovely, right? And then we (through Meda) see his “soul, stripped of life”, before ascending to presumably Heaven. What? So his soul didn’t have life but was still moving on to whatever afterlife? So it sounds like Demons aren’t doing any harm by taking the ‘life’ from people’s souls, as they get to where they’re going anyway. And in that case, how the hell (yes, a pun, but an angry one) do the Demons suck life from souls in the afterlife?! BOOK YOU MAKE NO SENSE.
P278—oh no.
Meda meets her demon father, and she has the thought “I am such a naughty girl, aren’t I, Daddy?”. Now I don’t know if it’s just me, but I read this and cracked up. Thank you for backing up every ‘daddy issues’ cliché ever, Crewe. Thank you.
I’m just surprised that it didn’t devolve into some kind of spanking/incest scene—especially given the father in question is apparently an incubus, and that’s what they do. Or is it only when people are asleep?
I shit you not, the caption for this was “an incubus about to fornicate with a sleeping beauty”. I like how he looks lost in thought. I’m less charmed by the idea of waking up to find a naked red dude sitting on my bed staring at me, especially if to all intents and purposes I’ve been drugged as this woman appears to have been. Who the fuck sleeps like that? You’d choke on your tongue! Is this some kind of necro crossover?!
I don’t know, it’s not my bag, but the only context in which I ever encounter someone older than around 10 using the word ‘daddy’ is in a sexual sense, so this was just… Oh dear.
P301–327 (end of book)
Chi and Jo declare their love for one another during a fight to the death with a demon horde (man, I just do not get to type ‘demon horde’ often enough). I mean come on, if Buffy taught us anything it’s that people say stupid things when they’re about to die.
Buffy announces she loves him, given the apocalypse going on. Spike is like “duh, no you don’t, don’t be retarded”.
Then, once it’s been said, an incredible amount of the rest of the book is taken up with the following. But imagine Spike is Chi. Now watch the gif for ten minutes. Now see if you feel like punching anyone.
I was never in the Spike camp anyway, punch away.
But does Jo go along with this? Oh no. P310, she explains that “’I only said that because we were about to die.’” Straight-forward, right? But Chi refuses to believe it, and keeps telling her how she loves him and she’ll be ‘his’. While saying how one day her name will be ‘wife’. Meanwhile Jo keeps reiterating that “’I meant it at the time. I thought we were going to die.’” But Chi just doesn’t take his would-be wife that seriously—she probably doesn’t know what she wants, that silly duffer.
Except that she does. And she’s told you it’s not you.
Chi is so persistent in fact, that Jo is forced from the room, and then in a later scene she has to run into the woods to escape him. Chi is even good enough to describe the whole shebang as a “romantic assault”. Oh yeah buddy, keep using words like ‘assault’ when you’re chasing some girl into the woods. Good work. Here’s some more of Jo protesting:
Well that’s not scary as fuck. Even Meda—half-Demon Meda—asks him what the hell he’s doing, pointing out that Jo’s getting more and more upset. On the other hand, she then lets him go run into the forest after the girl who has been forced to flee him, so maybe she’s true to her demonic nature after all.
Finally, Meda finds herself wandering through the woods, and she comes across Chi and Jo. No, they’re not banging. But they haven’t seen her, so she hides in the bushes to watch them. And watches Chi kiss Jo—while she’s crying and protesting—and pretends to eat invisible popcorn. Oh and then suddenly the murdered kid’s ghost appears, even though ghosts once they’re in the afterlife are meant to stay there, because fuck plotlines.
1/10. Fuck this shit.
Sometimes, books make me angry. Not books in general of course—I’m talking about specific ones. I pick them up, all excited and ready to be bedazzled—and then I’m hit with a pile of shit instead. It’s not what I want.
Cracked isn’t a shit book because it’s racist. There is no fucking dinosaurs or dolphins, no heroin-based autobiographies, no subtle pro-US propaganda. There’s not even any thinking you’re a horse. But it does check all the boxes for an unlikable and unrelatable protagonist, a confusing target age, soooo much Bible-iness, and some casual harassment.
For a little background, our ‘heroine’ is Andromeda Melange, half-demon soul-eater and teen with attitude. There’s also a bunch of people called Crusaders—virtually all of whom we meet are likewise moody teens or invalids—and they’re at war with the Demons, while protecting people they called ‘Beacons’. Now, I don’t want to spoil anything, but Meda’s last name means “mixture”. Any thoughts as to what makes her so special? Spoilers, she’s a Crusader-Demon-Beacon. A crudemacon. Will she choose good? Will she choose bad? Who the fuck cares, but you can guess it from the outset if you’re so inclined.
Now, in chronological order:
The first few chapters
Meda goes psychotic and rips apart a man with her bare hands, releases insane people into the streets, and dances in trail of blood. Despite the grizzliness, the word choice and ‘voice’ reflects perhaps a pre-teen audience, maybe the 12-14 bracket. Meda’s character is 17.
P53—Lust
Meda next encounters her first Crusaders, one of whom is Chi (Malachi—get it? Religious! Because all the good guys are). And because this is apparently what pre-teens like to read in books, we get this comment after Chi takes off his jacket: “The looks of an angel and yet all it makes me want to do is sin.” This made me want to look up the Bible Malachi, and we have this dude:
‘Sinning’ is not at the forehead of my mind.
P71—What’s a plot hole, anyway?!
Chi, his friend Jo, and a kid called Uri(el), are explaining what ‘Crusaders’ are. They are like advanced ‘Templars’ (yes, Knights Templar), and are descended from the original Knights. But it’s not only descendants of the ‘originals’ that have special powers: “Oh, and anyone who marries a Templar”. That’s right. But why? What could the reasoning be? What is the world logic here? Meda wonders the same thing, and asks. “They all blink at me. Finally Uri answers, ‘Because God says so.’”. OH. Because God says so. Of course. What the fuck happens in case of divorce? What if it’s a marriage of convenience, because I hear there have been one or two of those since the recognition of the Knights Templar in the twelfth freaking century?! What if someone stumbles onto your secret and starts force-marrying and divorcing you to a whole bunch of people in order to raise some kind of super army?! And moreover, why the fuck is this important to the story?! There’s this whole marriage theme that runs throughout—adult Templars, for example, always fight in pairs. And those pairs are always couples. And 17-year-old Chi, by the end of the book, is ‘joking’ about how he’s going to ‘make’ Jo marry him—but more on that later on. Enough. We get it. Jesus, God, marriage, blah. But please oh please cover up at least the more glaring of your plot holes with something a little more substantial.
P79—just a couple more names
Oh hey there, Ezekiel, Abraham, Methuselah and Judas. Sigh. And this book isn’t half as endearing as the way Christian mythology is used in Supernatural, for example. Where’s Castiel? We all want Castiel dammit!
There are an unbelievable number of memes of this guy on the internet.
P130—Sloth (on behalf of the editor)
Three times in the book, words were randomly in a different font size. I don’t know why. At first I thought it was some kind of inner dialogue mechanism. Then I read the sentence “no one could be that surprised” and my internal monologue was confused. I felt lied to. Betrayed.
P186—Gluttony (in a very loose reference)
Meda constantly talks about her Hunger. Her hunger for food, but also her Hunger for Souls. Or, rather, the life attached to souls, whatever the fuck that’s supposed to mean. I assume it’s some kind of Siamese-soul situation, and you swallow one then spit out the rest. The more I think about it, the more annoyed I am. Meda kills a person and then sucks out their soul, swallowing all of it. But it’s okay, because really she only digests the ‘life’ associated with it. So where does the rest of the soul go?! And how are there ghosts wandering around (one of whom has a subplot which is never resolved) with all aspects of life, when Meda later explains that they’re only souls, no life?! Meda is called a ‘Soul-eater’ (it says so right on the back cover!), but other Demons, ‘Real’ Demons, suck ‘life’ directly from … some kind of afterlife? But not souls, oh no, not souls.
Either way, on the topic of eating, I was irritated to find an overbearing explanation of the word ‘hangry’ on page 186. It’s like the author had just learned the word from a friend—a word which is in fairly common use, at least where I’m from—and was excited to teach it to the world. Give me a break.
P216—the one thing I liked
This sentence. This solitary sentence. “Those of us who live with twisted bits like to think we can overcome them.” It’s with reference to somewhat-crippled Jo, who doesn’t allow her gimpy leg (and I only say ‘gimpy’ because that’s how the author/Meda keeps referring to her) to hold her back.
P229—what??
A reference is suddenly made to the lack of a particular burger chain the UK. As far as we know, the protagonist has never been to the UK, so this is just a bout of random. Is the author trying to check whether we’re awake?!
P274—again with the life/soul distinction
All right, so firstly, again with the ‘which age group is this for’? A 13-year-old boy is tortured to death. Lovely, right? And then we (through Meda) see his “soul, stripped of life”, before ascending to presumably Heaven. What? So his soul didn’t have life but was still moving on to whatever afterlife? So it sounds like Demons aren’t doing any harm by taking the ‘life’ from people’s souls, as they get to where they’re going anyway. And in that case, how the hell (yes, a pun, but an angry one) do the Demons suck life from souls in the afterlife?! BOOK YOU MAKE NO SENSE.
P278—oh no.
Meda meets her demon father, and she has the thought “I am such a naughty girl, aren’t I, Daddy?”. Now I don’t know if it’s just me, but I read this and cracked up. Thank you for backing up every ‘daddy issues’ cliché ever, Crewe. Thank you.
I’m just surprised that it didn’t devolve into some kind of spanking/incest scene—especially given the father in question is apparently an incubus, and that’s what they do. Or is it only when people are asleep?
I shit you not, the caption for this was “an incubus about to fornicate with a sleeping beauty”. I like how he looks lost in thought. I’m less charmed by the idea of waking up to find a naked red dude sitting on my bed staring at me, especially if to all intents and purposes I’ve been drugged as this woman appears to have been. Who the fuck sleeps like that? You’d choke on your tongue! Is this some kind of necro crossover?!
I don’t know, it’s not my bag, but the only context in which I ever encounter someone older than around 10 using the word ‘daddy’ is in a sexual sense, so this was just… Oh dear.
P301–327 (end of book)
Chi and Jo declare their love for one another during a fight to the death with a demon horde (man, I just do not get to type ‘demon horde’ often enough). I mean come on, if Buffy taught us anything it’s that people say stupid things when they’re about to die.
Buffy announces she loves him, given the apocalypse going on. Spike is like “duh, no you don’t, don’t be retarded”.
Then, once it’s been said, an incredible amount of the rest of the book is taken up with the following. But imagine Spike is Chi. Now watch the gif for ten minutes. Now see if you feel like punching anyone.
I was never in the Spike camp anyway, punch away.
But does Jo go along with this? Oh no. P310, she explains that “’I only said that because we were about to die.’” Straight-forward, right? But Chi refuses to believe it, and keeps telling her how she loves him and she’ll be ‘his’. While saying how one day her name will be ‘wife’. Meanwhile Jo keeps reiterating that “’I meant it at the time. I thought we were going to die.’” But Chi just doesn’t take his would-be wife that seriously—she probably doesn’t know what she wants, that silly duffer.
Except that she does. And she’s told you it’s not you.
Chi is so persistent in fact, that Jo is forced from the room, and then in a later scene she has to run into the woods to escape him. Chi is even good enough to describe the whole shebang as a “romantic assault”. Oh yeah buddy, keep using words like ‘assault’ when you’re chasing some girl into the woods. Good work. Here’s some more of Jo protesting:
“’I DON’T WANT TO TALK TO YOU ANYMORE,’ SHE SAYS IN
DESPERATION. ‘I DON’T WANT TO SEE YOU
EVER AGAIN. JUST LEAVE ME ALONE!’ HER VOICE IS HIGH-PITCHED AND FRANTIC.
‘NOT GONNA HAPPEN,’ HE SAYS EASILY. ‘EVER.’”
Well that’s not scary as fuck. Even Meda—half-Demon Meda—asks him what the hell he’s doing, pointing out that Jo’s getting more and more upset. On the other hand, she then lets him go run into the forest after the girl who has been forced to flee him, so maybe she’s true to her demonic nature after all.
Finally, Meda finds herself wandering through the woods, and she comes across Chi and Jo. No, they’re not banging. But they haven’t seen her, so she hides in the bushes to watch them. And watches Chi kiss Jo—while she’s crying and protesting—and pretends to eat invisible popcorn. Oh and then suddenly the murdered kid’s ghost appears, even though ghosts once they’re in the afterlife are meant to stay there, because fuck plotlines.
1/10. Fuck this shit.
This book was amazing. I repeat, AMAZING! Like, I'm-in-another-country-and-won't-get-off-the-damn-couch-because-I'm-reading amazing. I'm gonna go and say it again anyway - amazing!
Cracked is like the love child of Angelfall and City of bones, minus the angst, hormones and instalove, but jam packed full of action, kick ass characters, magic, demons, and so much more. I won't say too much more, but it was gritty, enthralling, and unputdownable.
Meda, our MC is a complete bitch. She's narcissistic, brutal, nasty, manipulative and dangerous, while having the conscience of a four year old in a tantrum. But she's also brutally honest, laugh out loud hilarious, deep down kind, kick ass as shit, and accepts her flaws. Seriously, for being such an unlikable character, I loved her so much!
Now the story could have very followed the predictable YA, paranormal tropes, and if we had the story from one of our secondary but still important characters, Jo, it would have been. But my god, Eliza Crewe delivered one hell of a book. Sure it wasn't perfect, and there were some minor things that could have been done differently, but I was so invested in the book that I just didn't care.
Cracked has become one of my all time favourite YA and I cannot recommend it enough.
Cracked is like the love child of Angelfall and City of bones, minus the angst, hormones and instalove, but jam packed full of action, kick ass characters, magic, demons, and so much more. I won't say too much more, but it was gritty, enthralling, and unputdownable.
Meda, our MC is a complete bitch. She's narcissistic, brutal, nasty, manipulative and dangerous, while having the conscience of a four year old in a tantrum. But she's also brutally honest, laugh out loud hilarious, deep down kind, kick ass as shit, and accepts her flaws. Seriously, for being such an unlikable character, I loved her so much!
Now the story could have very followed the predictable YA, paranormal tropes, and if we had the story from one of our secondary but still important characters, Jo, it would have been. But my god, Eliza Crewe delivered one hell of a book. Sure it wasn't perfect, and there were some minor things that could have been done differently, but I was so invested in the book that I just didn't care.
Cracked has become one of my all time favourite YA and I cannot recommend it enough.
Yay! I loved this so much even the second time around! Cracked is still one of my all time favourite YA paranormal reads, and I will no doubt reread it many more times. If you haven't read it yet, you need to! Get on that Meda bandwagon!!!!
this was so good!!!!!!!!!!! honestly i was not expecting to enjoy this as much as i did
So much internal screaming. So much.