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3.83 AVERAGE
3.83 AVERAGE
adventurous
funny
inspiring
medium-paced
TW/CW: torture, graphic violence, racism, imperialism, alcoholism, blood, rape/sexual assault (off-page), death
Pirate fantasy is one of my favorite types of fantasy, but in the YA department, most of the ones I’ve found have been bitter disappointments. But The Mermaid, the Witch, and the Sea was exactly the opposite – a fantasy tale that was all at once brutal and beautiful that filled my heart up with tender joy.
For me, the characters were the part that shone the most in this novel. Flora and Evelyn were both incredible protagonists – multi-layered, and with distinct personalities that riffed adorably well off each other. I loved their romance, and their bonding over books and the captured mermaid was so sweet. Besides them, Rake had to be my favorite character – I adored his POVs! It’s clear that he’d been through so much before and during the novel, but all he wanted was to make sure that Flora and Evelyn broke free of the cruel life aboard the Dove. He got his moment in the spotlight too, and I loved seeing him come into his own near the end of the novel. (He reminded me a bit of Rabbi Milligan from Fargo, too… [aggressively goes through a box of tissues])
Beyond the protagonists, I loved how complex the relationships between all of the characters; Maggie Tokuda-Hall didn’t shy away from making them more than black and white, and I felt like it was a very realistic situation for Flora, in particular, having to eke out a living on the Dove. Much of the crew (minus Rake and Alfie) were deplorable people, but for Alfie in particular, he’s their brother; even though Alfie’s a deeply flawed person, Flora still had a sense of responsibility for him.
The queer rep in The Mermaid, the Witch, and the Sea also made me so happy! Over the course of the book, Flora realizes that they’re genderfluid, and while I can’t speak to how accurate or inaccurate the rep is (as a cis person), it was certainly a beautiful journey of identity and a supremely well written piece of character development. It’s also implied that Evelyn is bi/pan/queer (though her label is never specified), and she loves Flora no matter how they presented. The infamous and all-powerful Pirate Supreme, though we didn’t get to see as much of them, also used they/them pronouns, which was pretty cool! I love a good casually queer fantasy story, and this novel 100% delivered.
And speaking of queerness in fantasy, I loved all of the different fairytales woven into the Witch’s part of the story; they were all fascinating in their own right, but it was amazing to see casual queer rep in all of the tales that the Witch told to Flora. The Witch as a character (Xenobia) was more of a vehicle for Flora’s development than anything, but that part of the story was still critical for Flora.
The Mermaid, the Witch, and the Sea also served as a good commentary on imperialism; although this all occurs in a fantasy world, it’s focused primarily on Japanese imperialism, which is a perspective I don’t often see in literature, period. The plotline of the Pirate Supreme and the Sea was the most well-developed of the commentaries; there’s a clear and important message of not encroaching on places that were never yours in the first place, both in the respects of neighboring countries and on nature itself. However, I do wish the world were a little more developed; the worldbuilding was good on the surface, but I wish we’d gotten a little more of the history behind the imperialism and some of the other countries.
However, I’ve seen this in a few reviews and thought it was worth noting – it didn’t quite sit right with me that Flora, who was a Black-coded character, works on a slave ship; given…well, much of world history, really, that doesn’t seem terribly thoughtful. The reviews I’ve seen mention this were from non-Black readers, and I haven’t been able to find any Black reviewer’s thoughts (on Goodreads, at least). They don’t really elaborate the concept that the Dove is a slaver ship beyond the prologue (which I just chalked up to iffy worldbuilding), to a degree where I pretty much forgot that it was a slaver ship in the first place, but it’s still something to keep in mind.
I swallowed this novel almost all at once – it was a little bit slow to start, but once it got going, man, it really got going! After about the 25% mark (I read this on my Kindle), the plot kept me hooked until the very last page. I especially loved the final showdown of the Dove, the Pirate Supreme, and the Sea – the action scenes were incredible, and though parts were hard to read (RAKE
Pirate fantasy is one of my favorite types of fantasy, but in the YA department, most of the ones I’ve found have been bitter disappointments. But The Mermaid, the Witch, and the Sea was exactly the opposite – a fantasy tale that was all at once brutal and beautiful that filled my heart up with tender joy.
For me, the characters were the part that shone the most in this novel. Flora and Evelyn were both incredible protagonists – multi-layered, and with distinct personalities that riffed adorably well off each other. I loved their romance, and their bonding over books and the captured mermaid was so sweet. Besides them, Rake had to be my favorite character – I adored his POVs! It’s clear that he’d been through so much before and during the novel, but all he wanted was to make sure that Flora and Evelyn broke free of the cruel life aboard the Dove. He got his moment in the spotlight too, and I loved seeing him come into his own near the end of the novel. (He reminded me a bit of Rabbi Milligan from Fargo, too… [aggressively goes through a box of tissues])
Beyond the protagonists, I loved how complex the relationships between all of the characters; Maggie Tokuda-Hall didn’t shy away from making them more than black and white, and I felt like it was a very realistic situation for Flora, in particular, having to eke out a living on the Dove. Much of the crew (minus Rake and Alfie) were deplorable people, but for Alfie in particular, he’s their brother; even though Alfie’s a deeply flawed person, Flora still had a sense of responsibility for him.
The queer rep in The Mermaid, the Witch, and the Sea also made me so happy! Over the course of the book, Flora realizes that they’re genderfluid, and while I can’t speak to how accurate or inaccurate the rep is (as a cis person), it was certainly a beautiful journey of identity and a supremely well written piece of character development. It’s also implied that Evelyn is bi/pan/queer (though her label is never specified), and she loves Flora no matter how they presented. The infamous and all-powerful Pirate Supreme, though we didn’t get to see as much of them, also used they/them pronouns, which was pretty cool! I love a good casually queer fantasy story, and this novel 100% delivered.
And speaking of queerness in fantasy, I loved all of the different fairytales woven into the Witch’s part of the story; they were all fascinating in their own right, but it was amazing to see casual queer rep in all of the tales that the Witch told to Flora. The Witch as a character (Xenobia) was more of a vehicle for Flora’s development than anything, but that part of the story was still critical for Flora.
The Mermaid, the Witch, and the Sea also served as a good commentary on imperialism; although this all occurs in a fantasy world, it’s focused primarily on Japanese imperialism, which is a perspective I don’t often see in literature, period. The plotline of the Pirate Supreme and the Sea was the most well-developed of the commentaries; there’s a clear and important message of not encroaching on places that were never yours in the first place, both in the respects of neighboring countries and on nature itself. However, I do wish the world were a little more developed; the worldbuilding was good on the surface, but I wish we’d gotten a little more of the history behind the imperialism and some of the other countries.
However, I’ve seen this in a few reviews and thought it was worth noting – it didn’t quite sit right with me that Flora, who was a Black-coded character, works on a slave ship; given…well, much of world history, really, that doesn’t seem terribly thoughtful. The reviews I’ve seen mention this were from non-Black readers, and I haven’t been able to find any Black reviewer’s thoughts (on Goodreads, at least). They don’t really elaborate the concept that the Dove is a slaver ship beyond the prologue (which I just chalked up to iffy worldbuilding), to a degree where I pretty much forgot that it was a slaver ship in the first place, but it’s still something to keep in mind.
I swallowed this novel almost all at once – it was a little bit slow to start, but once it got going, man, it really got going! After about the 25% mark (I read this on my Kindle), the plot kept me hooked until the very last page. I especially loved the final showdown of the Dove, the Pirate Supreme, and the Sea – the action scenes were incredible, and though parts were hard to read (RAKE
This has a lot of good pieces, but its character development was seriously lacking and I really didn’t like the writing style.
Honestly, I really enjoyed this book. I feel the way it was written was very unique. I loved the chapters just based on different people's point of views. It was enthralling. I love pirates ~ And I love that there was a happy ending... I don't know why this book has such low ratings. It's maybe a bit quick paced, but it feels right for the story.
adventurous
mysterious
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
No
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
I LOVED the setting! I love the ocean and the idea of mermaids, so that was perfect! I also really enjoyed a genderfluid main character, which is something I haven't read before.
Despite that I feel like pacing was a little off. Especially in the beginning it felt a little rushed, giving this insta-love feeling. I didn't like most of the characters either (not you Xenobia you magnificent queen), so while I did enjoy it I can't rate it higher than a 3.5
Despite that I feel like pacing was a little off. Especially in the beginning it felt a little rushed, giving this insta-love feeling. I didn't like most of the characters either (not you Xenobia you magnificent queen), so while I did enjoy it I can't rate it higher than a 3.5
adventurous
emotional
hopeful
lighthearted
sad
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
adventurous
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
adventurous
emotional
medium-paced
Plot or Character Driven:
Plot
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No