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leaflit's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Misogyny, Fire/Fire injury, Violence, Child death, Grief, Death of parent, War, Injury/Injury detail, Murder, Blood, Classism, and Death
Moderate: Slavery, Emotional abuse, Child abuse, and Sexual content
sophiesmallhands's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death of parent, Gore, War, Death, Grief, Injury/Injury detail, and Murder
Minor: Slavery
xta_07's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
Moderate: Death of parent, Death, and Slavery
Minor: Sexual content
booksthatburn's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
I like Elias/The Soul Catcher as a character, and he does the best he can with his magically-induced memory loss. I don't like how that memory loss comes in and out on the whims of a different supernatural being, as it takes coincidence and turns it into something that's explicitly another character's decision to take away Elias's choices and leave him with the Soul Catcher's cold resolve.
It doesn't feel like Laia learned anything, she grows the least of any of the characters and I found her chapters to be very frustrating. Helene adapts to her situation and changes much more, but her character growth tended to come a hair too late to save the ones she loves.
Throughout the series, The Nightbringer is turned from this intense rebel as Keenan into this angry being who can't be reasoned with and doesn't seem to have retained any of the lessons he had the opportunity to learn as Keenan. Laia hangs on to the memory of him, and that serves to hold her back rather than to build the Nightbringer as a villain. He and the Commandant get specifically turned into understandable people by the end in ways that feel way too timely and convenient.
Most of the new worldbuilding is related to the mysterious Storm, but even that was more confusing than interesting. It takes so long to get any new details that by the time I got answers I'd lost most of my interest in the questions. Reading this series is a slow slide from a really intriguing start into a bunch of angst, wishing, and churning the same regrets over and over. It feels like a huge chunk of the third book should have been excised, as well as a bunch of this one, and combined the remaining portions of both books to make this a trilogy rather than a quartet. Collectively, they're padded with indecision, people refusing to help, Elias and Laia worrying about the same things over and over again, and people waiting for other things to get worse before they can do anything. A bunch of characters have information but are either barred from conveying it or just refuse to do so for unexplained reasons. A lot of the momentum is lost by Elias losing his memory and getting access to bits of it again. War is often boredom punctuated by death and terror, but I wasn't expecting 80% of the book to be boring to match it. I only made it through as an audiobook because I could zone out occasionally but still get through it. As much as I loved the first two books, by the time I was a third of the way through this one I just wanted it to be over.
There’s also an instance where a character who died in the third book turns out to be alive and plays a key role in the final big battle. They come out of nowhere, and feels so out of place that other characters question them to try and understand how they’re actually alive. They show up at exactly the right time to do one more thing, and then their presence is the solution to another problem (but they could still have been the solution if they had actually died when originally thought).
The audiobook narrators did a great job with this whole series, they made this boring and seemingly endless story bearable.
As the final book in the series, this wrapped up hanging threads from the previous books, but it tended to do so by killing off interesting characters once they'd been reduced to having no characterization beyond being an ally, family member, or potential love interest to the main characters. This tried to have a new storyline with the Storm and the reveal of the Nightbringer's big plan, but his big plan isn't very detailed and mostly is a roundabout way of burning the world down. Technically this resolves the question of whether Laia and Elias will end up together, but they spent so little time actually building a relationship that even that feels lackluster. Character memory loss doesn't have to steal opportunities for relationships! But pairing that memory loss with a "no attachments, no emotions" persona just wrecked their chemistry for me, since Laia spent a while with no reason to believe that Elias would return to himself or remember her in a meaningful way, or that he could even return to humanity and leave his duties if he did. It's a book, so of course her pining happens to work out, but I don't like how that was handled.
The point-of-view characters from the previous book all returned here, plus a brief view from the Commandant which felt very unnecessary. Elias and the Soul Catcher didn't feel very different, except in what they were willing/able to discuss. The Nightbringer sounds like he did in his brief narration from the previous book, but he feels very different from himself as Keenan.
It would not make sense to start here. It's a very long wrap-up of better stories begun elsewhere, and can't stand on its own.
I don't have a great sense of the plot. They need to figure out the Nightbringer's plan and figure out how to stop him and the Commandant, and they manage to get that information somehow out of beings who knew it but either couldn't or wouldn't give it earlier. All of this takes way too long. For an ending I endured so much book to receive, it resolved so neatly as to feel cheap, which is not how I want to feel about these characters.
Graphic: Blood, Death, Violence, and Murder
Moderate: Child death and Sexual content
Minor: Sexism, Fire/Fire injury, Slavery, Self harm, and Death of parent
angstifies's review against another edition
- Plot- or character-driven? N/A
- Strong character development? N/A
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
in book 3 i noticed that Elias’ chapters were so useless to the story so i literally skipped all his chapters, this won’t effect your knowledge of the book at all because he’s that unneeded. Laia was as annoying as ever, she just got even more special and kept being stupid. and a Helene, the only character i somewhat liked in this series, didn’t feel much like Helene. i saw a review of someone saying that they could not tell if they were reading a chapter from Laila or Helene’s POV and that’s exactly how i felt.
many things here didn’t make much sense,
Helene and Laia absolutely loving each other and Laia turning in this super skilled Mary Sue was so irritating, rolled my eyes a lot.
i knew how this book was gonna end before even starting it because it was THAT predictable but the kind of “happy” ending will surely satisfy someone who loved this series. i, however, did not.
Graphic: Death, Blood, and Murder
Moderate: Slavery, Grief, and Sexual content
Minor: Sexism, Misogyny, and Pregnancy
kinsportch's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: War, Violence, Death, Genocide, and Murder
Moderate: Sexual content, Classism, and Slavery
Minor: Death of parent
khloereads86's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: War, Blood, Classism, Death, Slavery, Violence, Child death, Genocide, Gore, Grief, Torture, and Murder
Minor: Sexual content and Sexism
biancas_library's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
I did not like the Nightbringer's story and how he ended up the way it is. I was expecting more evil and not just sadness to be the reason. Likewise, I would have wished for more background story for Keris's character. What made her end up the way it is?
During the third book, Helene ended up to be my favorite character. This feeling continued throughout the last book and only intensified. Her story is one of loss and heartbreak. She deserved so much better and I would have loved for her to have her happy ending.
Overall, I loved the Ember series. I think it is one of the best written series I have read in a long time and a series, everyone should pick up once in their life.
Graphic: Death, Grief, War, and Violence
Moderate: Slavery
chlomonte's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Blood, Child death, Death, Death of parent, Injury/Injury detail, Murder, Slavery, Violence, and War
leah_duxbury's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Emotional abuse, Genocide, Murder, Racism, Slavery, Violence, and War