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distilledreads's review against another edition
dark
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
I received an ARC of The Sins on Their Bones by Laura R. Samotin through a giveaway. However, it has taken me awhile to sit down and compile my thoughts. I was so incredibly excited to receive this ARC, but I’m still not entirely sure how I feel about the book/my reading experience.
Overall, I enjoyed The Sins on Their Bones, but there are a few things that impacted my enjoyment of the book. As well, while I was lucky enough to receive an ARC, I did want to see the final copy in store to see if any of my hesitations changed in the final edition. From what I could see, none did.
The biggest drawback for my reading experience is that I didn’t know it began as Grishaverse fanfiction. Since I didn’t know this, I spent a large chunk of the book finding those parallels and questioning if it was intentional or if I was reading too far into things. This kept disrupting the flow and throwing me from the narrative. Once I received confirmation that the book did begin as fanfiction, everything clicked into place. This also explains why so many reviewers are saying The Sins on Their Bones feels like the second book in a series, because it is a continuation/spin-off of a pre-existing work. However, reliance on that previous work for context does weaken TSoTB from standing on its own merits.
I think if I had known its origins before beginning the book, my enjoyment would’ve been a lot greater. It is very obvious who these characters originally were, and the foundation of their characters from Leigh Bardugo’s work is necessary information to fully understand their motivations.
TSoTB is a very slow-paced book told in multiple third person POVs. Dimitri Alexeyev is the main POV character and his perspective as a victim of horrific abuse is at times very difficult to read. The aftermath of sexual trauma and abuse is a very large component throughout the book, which — again — can be incredibly difficult to read. Another POV is Dimitri’s abuser, estranged husband, and current reigning Tzar: Alexey. The final perspective is of Dimitri’s right-hand man and spymaster: Vasily. Of all the POVs, I enjoyed Vasily’s the most. Even then, I would not say I particularly loved the character or was fully invested in his survival.
Readers are thrown into the book after the crippling and traumatic war with the usurper on the throne. As a result, the world- and character-building felt sparse with only what was on the page. An immediate connection is necessary to feel sympathy for the main cast of characters and to buy in to their fight, which unfortunately I did not feel. Once I learned this manuscript began as fanfiction, that abrupt beginning made sense. That pre-existing context of a debilitating war already existed in the Grishaverse. Unfortunately, I did not feel there was sufficient information added in when turning this into its own entity. Without knowing the parallels to SoC and S&B, the motivations of the characters felt abrupt and surface-level.
To be fair, Dimitri is literally described as sitting like a crow on the roof and Annika references the numerous knives she is carrying within the first chapter. It is not long after that when Vasily is described a bisexual with a gambling problem too. As well, the appearances of the characters do not change between the original source material and Samotin’s debut novel. So, I should have confidently assumed it was Grishaverse fanfiction right out of the gate rather than doubting myself.
Another element of the book that I was nervous about was the perspective of the abuser with Alexey’s POV chapters. I was fearful the chapters from his perspective would try to “explain away” his abuse, which thankfully was not the case at all. That did not make it easy to read his chapters since he continues his pattern of abuse/assault on someone else; however, I was relieved with how domestic and sexual abuse was treated on the page.
Finally, I found the introduction of sexual content to be gratuitous. If you know me, you know I love a bit of smut in my books. But the way sex was included at the beginning of the book, and at other moments throughout, felt like a box was being ticked. It is undeniable that explicit romantic fantasy is selling right now and the sex scenes felt a bit like trying to fit a brief rather than being about an attraction between two characters. I am thinking in particular about the masturbation scene near the beginning of the book. The fact that the abuser is part of many of those sex scenes may also be a contributing factor as to why they felt stilted and unnatural to me. This is not a queer romantic fantasy; therefore, I do not see the benefit of the sex scenes. This book was not “sexy” to me in any which way. Various forms of love are depicted and there are sexual scenes throughout the book, but it is not romantic. The relationships depicted are so nuanced and complex, that the explicit depiction of sex (and rape) over and over again felt befuddling. This is not a romance, and any description of it as such feels like a misnomer.
All that said, there were certain phrases that Samotin wrote describing abuse that felt like a sucker punch to the gut in the best possible way. She is undeniably a talented and emotive author. The door is left open for a sequel and while I’m not sure if I will be picking it up, I am excited to see how Samotin grows as an author. I would love to see her play within her own universe and experience her world- and character-building from the ground up.
Please read the full list of content warnings on Laura R. Samotin’s website before reading The Sins on Their Bones.
Content Warnings
Graphic: Drug use, Physical abuse, Rape, Sexual assault, Alcohol, Child abuse, Cursing, Fire/Fire injury, Violence, Death, Blood, Gore, Grief, Sexual content, Body horror, Drug abuse, Injury/Injury detail, Sexual violence, Suicidal thoughts, Toxic relationship, Domestic abuse, Murder, and War
ofateaspoon's review against another edition
dark
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I really enjoyed this book! It’s a story of healing from trauma and abuse, healing from loss of loved ones and loss of self, and it’s a story about redemption, and love, and faith in oneself and a higher power. The treble POV made it particularly interesting because though the villain is undoubtedly villainous, you also see his motivations and how very clearly *wrong* he is in his beliefs while not apologizing for him at all. On its face, it’s a dark fantasy novel with an Excellent found family, but at its core, it’s a story of self-forgiveness and resilience.
But all that said, definitely check your content warnings. This one is *dark* and could be very triggering to anyone who can’t (or shouldn’t) read about domestic violence, sexual assault, or body horror, among other things.
But all that said, definitely check your content warnings. This one is *dark* and could be very triggering to anyone who can’t (or shouldn’t) read about domestic violence, sexual assault, or body horror, among other things.
Content Warnings
Graphic: Physical abuse, Domestic abuse, Sexual violence, Toxic relationship, Death, Violence, Sexual assault, Sexual content, Blood, Body horror, Medical content, Injury/Injury detail, Emotional abuse, and Child abuse
Moderate: Alcohol, Alcoholism, Drug use, Drug abuse, and Addiction
Minor: War and Torture
snowwhitehatesapples's review against another edition
challenging
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.5
Also on Snow White Hates Apples.
Set during the turbulent times after a Tzar loses the civil war to his husband, The Sins on Their Bones is an emotional and unflinching exploration of love, loss, pain, belonging, fear and healing. The story is told primarily through the perspectives of three people:
1) Dimitri, the righteous Tzar of Novo-Svitsevo who exiled himself after failing to kill Alexey who has betrayed his love and trust in so many different ways.
2) Alexey, the immortal acting Tzar who’s set on ruling the world after uniting the middle world of demons and the lower world of men via the Holy Science.
3) Vasily, Dimitri’s spymaster who’s willing to do anything to save his country and provide Dimitri the happiness and freedom he deserves.
And, it’s a story that cuts deep and hard with its willingness to openly and deeply explore the effects of war, violence, death, abuse (emotional, physical and psychological), toxic relationships, trauma, human experimentation and more through life-like characters that will have you rooting or hating them. Every page is filled with emotion — the most vivid being desperation, grief, anger, greed and hope. The story is so alive, so dark and though I knew nothing about the Ashkenazi Jewish culture which inspired the world of the book, it didn’t hinder my understanding of it.
The Sins on Their Bones will sit in my mind for a long while. From the nuanced execution of the story and the complex characters to that painful yet realistic ending that has left me fervently hoping for the best despite knowing better, there is so much to ponder about here. If you’re a fan of Tokyo Ghoul and The Heroic Legend of Arslan , you’d love this book too.
Set during the turbulent times after a Tzar loses the civil war to his husband, The Sins on Their Bones is an emotional and unflinching exploration of love, loss, pain, belonging, fear and healing. The story is told primarily through the perspectives of three people:
1) Dimitri, the righteous Tzar of Novo-Svitsevo who exiled himself after failing to kill Alexey who has betrayed his love and trust in so many different ways.
2) Alexey, the immortal acting Tzar who’s set on ruling the world after uniting the middle world of demons and the lower world of men via the Holy Science.
3) Vasily, Dimitri’s spymaster who’s willing to do anything to save his country and provide Dimitri the happiness and freedom he deserves.
And, it’s a story that cuts deep and hard with its willingness to openly and deeply explore the effects of war, violence, death, abuse (emotional, physical and psychological), toxic relationships, trauma, human experimentation and more through life-like characters that will have you rooting or hating them. Every page is filled with emotion — the most vivid being desperation, grief, anger, greed and hope. The story is so alive, so dark and though I knew nothing about the Ashkenazi Jewish culture which inspired the world of the book, it didn’t hinder my understanding of it.
The Sins on Their Bones will sit in my mind for a long while. From the nuanced execution of the story and the complex characters to that painful yet realistic ending that has left me fervently hoping for the best despite knowing better, there is so much to ponder about here. If you’re a fan of Tokyo Ghoul and The Heroic Legend of Arslan , you’d love this book too.
Thank you so much Random House Canada and Wunderkind PR for providing me a copy of this in exchange for an honest review! The Sins on Their Bones by Laura R. Samotin is available at all good bookstores.
Content Warnings
Graphic: Emotional abuse, Physical abuse, Violence, Gore, Toxic relationship, Injury/Injury detail, and Death
Moderate: Sexual violence, Blood, Murder, Gaslighting, Sexual content, and Grief
Minor: War, Death of parent, Drug use, Body horror, Vomit, Alcohol, Confinement, Abandonment, and Panic attacks/disorders
basementofbooks's review against another edition
dark
emotional
mysterious
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Content Warnings
Graphic: Alcoholism, Body horror, Drug use, Violence, Sexual content, Addiction, Death, Emotional abuse, Gore, Panic attacks/disorders, Eating disorder, and Toxic relationship
Minor: Sexual assault, War, Murder, Rape, Vomit, Child abuse, and Fire/Fire injury
frenchleigh's review against another edition
dark
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.0
Thank you to the author, publisher and NetGalley for the ARC! CW: domestic and sexual violence, trauma, substance use, war.
This book had a really interesting concept, and I don't read or know much about Jewish lore so I was excited for that aspect. I thought it was important that the book showed an abusive relationship between two men, because this is not talked about much and men have unique experiences with DV. That said, I really wish that this part was own-voices and I thought the normalization of queerness in the book kind of prevented a deeper discussion of what that experience and healing means for a lot of people in real life. I also did not like the role of the "best friend" in repeating the sexual trauma of the MC because it was "what he needed." It just felt like trauma was a plot device.
Overall, the book felt repetitive and lacked depth in its characters, world-building and plot. It read like a sequel to a book that would have actually established deep relationships between the characters and relationships between the reader and the characters, but starting "in the aftermath" didn't work in this book in my opinion because the narration doesn't take the time to really show you why you should care. The first half of the book is just expository backstory and the political intrigue wasn't there for me. I didn't think there were enough visual details to feel engrossed in the actual plot whenever there was an actual scene written.
I also thought the relationships between a tsar and his political consort were very oddly intimate and tangled. It doesn't seem appropriate for the main relationship/emotions to be based on deep love and friendship with nothing else. The Jasmine Throne or Black Sun, for example, do a good job of exploring what love and friendships can look like in political alliances that are more nuanced and based on mutual respect and difficult choices--but this book seemed more like a group of teenage friends who we're supposed to believe are competent.
This book had a really interesting concept, and I don't read or know much about Jewish lore so I was excited for that aspect. I thought it was important that the book showed an abusive relationship between two men, because this is not talked about much and men have unique experiences with DV. That said, I really wish that this part was own-voices and I thought the normalization of queerness in the book kind of prevented a deeper discussion of what that experience and healing means for a lot of people in real life. I also did not like the role of the "best friend" in repeating the sexual trauma of the MC because it was "what he needed." It just felt like trauma was a plot device.
Overall, the book felt repetitive and lacked depth in its characters, world-building and plot. It read like a sequel to a book that would have actually established deep relationships between the characters and relationships between the reader and the characters, but starting "in the aftermath" didn't work in this book in my opinion because the narration doesn't take the time to really show you why you should care. The first half of the book is just expository backstory and the political intrigue wasn't there for me. I didn't think there were enough visual details to feel engrossed in the actual plot whenever there was an actual scene written.
I also thought the relationships between a tsar and his political consort were very oddly intimate and tangled. It doesn't seem appropriate for the main relationship/emotions to be based on deep love and friendship with nothing else. The Jasmine Throne or Black Sun, for example, do a good job of exploring what love and friendships can look like in political alliances that are more nuanced and based on mutual respect and difficult choices--but this book seemed more like a group of teenage friends who we're supposed to believe are competent.
Content Warnings
Graphic: Torture, Emotional abuse, Grief, Physical abuse, Sexual violence, Alcoholism, War, Domestic abuse, Drug abuse, Eating disorder, and Toxic relationship
tonyaf's review
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
I had no idea what to expect when I started The Sins On Their Bones by Laura R. Samotin. I saw that it was blurbed by several queer romantasy authors that I like, so I requested it from NetGalley on a whim and was happy to dive in. I’m so glad I did. It was not what I was expecting but it is an interesting and dark fantasy that I enjoyed discovering.
First of all, if there are things that could trigger you, be sure to read the content warnings before you start this book! This novel deals with some very heavy topics!
The Sins On Their Bones is inspired by Jewish mysticism and folklore and is a high fantasy set in a world similar to Eastern Europe in the 19th century. Dimitri Alexeyev, one of the main POV characters and a former Tszar, has recently lost a brutal civil war to his vicious and newly immortal ex-husband, Alexey Balakin.
At the story’s start, Dimitri is in hiding in the Free States with his closest friends and former members of his royal court: Vasily, his most trusted spy; Annika, who once led his army; Ladushka, his political advisor, and Mischa, his royal physician. Dimitri still harbors a lot of guilt (and other complicated feelings) about Alexey, the war, and the consequences of it. When Vasily brings word that Alexey is building an army to invade the Free States the group hatches a dangerous plan to finally defeat Dimitri’s monstrous ex.
The novel cycles through three POVs. Along with Dimitri, we also get chapters from Alexey and Vasily. All three POVs are engaging and each adds different things to the story. Jumping back and forth through their parts of the story moved the plot along steadily while also filling in the needed backstory. Vasily’s chapters, in particular, give a lot of clarity to the backstory which was one of the many reasons that his chapters quickly became my favorite.
The plot of this is fast-paced, dark, and full of religious and political themes. I also found it surprising and not predictable at all. Multiple moments shocked me and had me frantically flipping pages to see what would happen next.
The characters are also likable. Vasily, as I’ve already mentioned, is a fantastic character. Dimitri is sympathetic and has a nice arc of growth and healing. Alexey is a terrifying and well-written villain. Annika, Ladushka, and Mischa round out the main cast as dynamic characters with a lovely “found family” relationship (together with Dimitri and Vasily).
The Sins On Their Bones is a unique and very queer dark fantasy. I’d recommend it to anyone who enjoys classic tales of good versus evil in their fantasy!
OTHER POINTS:
- Alexey reminds me of The Darkling from the Shadow and Bone trilogy.
- There may be a Doctor Who reference.
- There is an asexual character and a non-binary character along with the many same-sex relationships that the book features.
- The whole book is delightfully queer normative with most of the main characters and several side characters being casually queer. There’s no drama or trauma around their identities.
- I also liked how the author wove Judaism into the world.
- Did I mention how much I love Vasily?
- The last 25% of the book is tense, action-packed, emotional, and surprising. It is almost impossible to put down!
- The ending is satisfying while also setting up issues for a future sequel.
Content Warnings
Graphic: Violence, Child abuse, Sexual content, Murder, Domestic abuse, War, Gore, Toxic relationship, Mental illness, Injury/Injury detail, and Emotional abuse
Moderate: Vomit, Torture, Suicidal thoughts, Death of parent, and Blood
thelibraryskeeper's review against another edition
adventurous
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
When I received the notification about this book, I knew I was uniquely interested in reading it. I studied Judaism in graduate school ending with achieving my Masters in Second Temple Judaism. This book is so richly coated in the Ashkenazi traditions that I felt as though I was reading something familiar and known to me. The author did a fantastic job of blending real traditions and the ones written for the book in a way that was engaging.
The characters are pretty well fleshed out and the author goes a decent way to make sure we understand the extent to which the characters have been damaged by their pasts. The story shows that while we have our traumas and things we have experienced, it doesn't make us any less valuable. The "bad guy" in the book gets detailed chapters as well so we get the unique perspective of seeing what caused him to behave in the way he did. I can't say I see very many books that do this as well as this one did.
The only thing I didn't enjoy was the amount of gore in the book. Now there wasn't much but it was graphic when it was included so be aware of that as I honestly went into this one blind. There is also a fairly detailed relationship of abuse including sexual, So be aware of these warnings if they are something you don't typically read.
In closing, this is a very well-written book, full of tradition and culture. I greatly appreciated the author's notes at the end of the book along with the additional reading which I will be checking out.
The characters are pretty well fleshed out and the author goes a decent way to make sure we understand the extent to which the characters have been damaged by their pasts. The story shows that while we have our traumas and things we have experienced, it doesn't make us any less valuable. The "bad guy" in the book gets detailed chapters as well so we get the unique perspective of seeing what caused him to behave in the way he did. I can't say I see very many books that do this as well as this one did.
The only thing I didn't enjoy was the amount of gore in the book. Now there wasn't much but it was graphic when it was included so be aware of that as I honestly went into this one blind. There is also a fairly detailed relationship of abuse including sexual, So be aware of these warnings if they are something you don't typically read.
In closing, this is a very well-written book, full of tradition and culture. I greatly appreciated the author's notes at the end of the book along with the additional reading which I will be checking out.
Content Warnings
Graphic: Torture, Gore, Toxic relationship, Sexual violence, Physical abuse, Panic attacks/disorders, Death, and Abandonment
mint_the_muffin's review
dark
emotional
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.25
Thank you NetGalley and Penguin Random House Canada for providing the ARC in exchange for an honest review.
I want to like this book so much, but the truth is I only finished it out of sheer stubbornness (and maybe a sliver of hope that it will get better.)
This is a story of a tsar who gets overthrown by his own husband - even though his husband loves him so much - and has to go into hiding. His husband is a fan of black magic that goes against the tsar's religion, so he has to try and fight back - even though he also loves his husband so much. To this end, his spymaster, who is head over heels in love with him will find journey back to the palace alone under a disguise and try to find a way to kill the usurper - whom he hates so much he can't go one second without thinking about a thousand ways to kill him.
Let me talk about the things I like about this book first. It has a very beautiful prose. This is the book's main strength. It's very flowery and poetic. It's clear that the author puts in a lot of work into researching and crafting the Russian-inspired settings. And I can feel that the author really cares about the themes discussed in the book, like the struggle to love yourself after getting gaslighted for so long, finding a family that you belong, and overcoming your traumas. I can feel the beating heart through the letters of this book, and I really appreciate that.
Now, my problem, though, is that I didn't enjoy the story. And when I say it's my problem, I mean it's a matter of preferences. And there are two layers to this. Firstly, at the idea level, no one is competent at their jobs. Or if they're supposed to be, then I'm not convinced. It's awkward to be in the head of a spy who is constantly struggling to not be overwhelmed by his emotion and maintain his disguise. It's also hard to root for a man to reclaim his throne when you're not convinced he would make a good king. Like, he literally balks at making any decisions. Now, I know there's a point about anxiety and depression that come from domestic abuse, physically, emotionally, and sexually. As a person, he's a kind person who deserves all the nice and pretty things in the world. I root for him to heal, to take his time, to be surrounded by people he love and not have to stress about how his abusive husband is going to destroy the world. As a king, though, being nice is just not enough - I don't really trust the country in his hands.
The other level of my problem is how the idea is told. The story alternates between 3 POVs: the tsar, the usurper husband, and the spymaster. From the beginning, in each and every chapter, these characters never hold back on pouring all their thoughts and emotions onto the pages. This means, that, one, all their incompetency and foil are exposed to the readers very early on; and two, from the beginning, I know who they are. Maybe not all their histories exactly, but more than enough to predict what they're going to do in any situations. And then, the next time the character's chapter comes around, they are still wallowing in their emotions! Nothing happens until about 40% into the book because every chapter consists of a short dialogue that leads nowhere plus an endless turmoil of repetitive emotions. This style of writing makes me numb because when you start at maximum emotion - the grief, the anger, the fear, the yearning, and the yearning, and more yearning - there is just nowhere else to go. Not for the enmity nor the romance. So, the only thing left to keep me going was the plot which progresses at a snail pace and only picks up around the 70% mark, at which point the story does become significantly more entertaining.
I would still recommend this book if you're someone who enjoy characters with overflowing emotions and beautiful writing. I would also recommend it if you're looking books that explore the themes that I said I appreciated above. But if you're looking for court intrigue, complex schemes, or nuanced characters, I don't think you'll get that from here.
I want to like this book so much, but the truth is I only finished it out of sheer stubbornness (and maybe a sliver of hope that it will get better.)
This is a story of a tsar who gets overthrown by his own husband - even though his husband loves him so much - and has to go into hiding. His husband is a fan of black magic that goes against the tsar's religion, so he has to try and fight back - even though he also loves his husband so much. To this end, his spymaster, who is head over heels in love with him will find journey back to the palace alone under a disguise and try to find a way to kill the usurper - whom he hates so much he can't go one second without thinking about a thousand ways to kill him.
Let me talk about the things I like about this book first. It has a very beautiful prose. This is the book's main strength. It's very flowery and poetic. It's clear that the author puts in a lot of work into researching and crafting the Russian-inspired settings. And I can feel that the author really cares about the themes discussed in the book, like the struggle to love yourself after getting gaslighted for so long, finding a family that you belong, and overcoming your traumas. I can feel the beating heart through the letters of this book, and I really appreciate that.
Now, my problem, though, is that I didn't enjoy the story. And when I say it's my problem, I mean it's a matter of preferences. And there are two layers to this. Firstly, at the idea level, no one is competent at their jobs. Or if they're supposed to be, then I'm not convinced. It's awkward to be in the head of a spy who is constantly struggling to not be overwhelmed by his emotion and maintain his disguise. It's also hard to root for a man to reclaim his throne when you're not convinced he would make a good king. Like, he literally balks at making any decisions. Now, I know there's a point about anxiety and depression that come from domestic abuse, physically, emotionally, and sexually. As a person, he's a kind person who deserves all the nice and pretty things in the world. I root for him to heal, to take his time, to be surrounded by people he love and not have to stress about how his abusive husband is going to destroy the world. As a king, though, being nice is just not enough - I don't really trust the country in his hands.
The other level of my problem is how the idea is told. The story alternates between 3 POVs: the tsar, the usurper husband, and the spymaster. From the beginning, in each and every chapter, these characters never hold back on pouring all their thoughts and emotions onto the pages. This means, that, one, all their incompetency and foil are exposed to the readers very early on; and two, from the beginning, I know who they are. Maybe not all their histories exactly, but more than enough to predict what they're going to do in any situations. And then, the next time the character's chapter comes around, they are still wallowing in their emotions! Nothing happens until about 40% into the book because every chapter consists of a short dialogue that leads nowhere plus an endless turmoil of repetitive emotions. This style of writing makes me numb because when you start at maximum emotion - the grief, the anger, the fear, the yearning, and the yearning, and more yearning - there is just nowhere else to go. Not for the enmity nor the romance. So, the only thing left to keep me going was the plot which progresses at a snail pace and only picks up around the 70% mark, at which point the story does become significantly more entertaining.
I would still recommend this book if you're someone who enjoy characters with overflowing emotions and beautiful writing. I would also recommend it if you're looking books that explore the themes that I said I appreciated above. But if you're looking for court intrigue, complex schemes, or nuanced characters, I don't think you'll get that from here.
Content Warnings
Graphic: Domestic abuse, Toxic relationship, Blood, Gore, Panic attacks/disorders, and Death
Moderate: Emotional abuse
Minor: Alcohol
kiandrareadsbooks's review against another edition
Just not for me- compelling characters and interesting plot, but since I’m not a romantasy fan this just wasn’t landing
Content Warnings
Graphic: Suicidal thoughts, Gaslighting, Sexual violence, Mental illness, Grief, Toxic relationship, Addiction, Religious bigotry, Panic attacks/disorders, Gore, and Domestic abuse
Grooming by an older partner (not adult/minor, but large age gap)beforeviolets's review against another edition
challenging
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
SHADOW AND BONE meets FULLMETAL ALCHEMIST but make it Jewish and about sexual trauma in this gorgeous and complex new queer, Jewish, dark fantasy (NOT a romantasy!).
Our story takes place in a post-war world, scattered with hefty debris of trauma and scars.
Dimitri, the self-exiled Tsar, is struggling as he copes with the loss of his husband, Alexey, in more ways than one. He's surrounded by his friends who all want to support and love him the best they can, but his violent past with Alexey makes it hard for him to accept tenderness.
Alexey is now the acting Tsar, furious at his husband's betrayal and hungry for power. With the help of the Holy Science, he intends to remake the world as he remade himself, as the Chosen One of the Lord, a vessel between realms.
Vasily watches Dimitri ache, determined to take down Alexey and provide Dimitri with the happiness and freedom he deserves. But in order to make that happen, he'll have to craft an elaborate plan. One that involves risking his life and getting incredibly close to the enemy.
This violent yet resilient story wonderfully explores the effects of trauma, especially from abusive relationships, and how we write our scars deep into the bones of our identity, carrying the blame of a fault that was not our own.
My only critique of this book is less of a critique, but more something that if I was editing this book, I would suggest as a way to elevate the narrative. The story begins in the aftermath of a war, with most of the present stakes and circumstances informed by a complex backstory. With that in mind, I wish information about what exactly occurred in the past was divulged slowly in small, intentional moments. This post-war environment could have had a stronger impact and helped with pacing if the audience had been kept stewing in obscurity for longer, gathering up the shattered pieces bit by bit to make a full picture. Especially if Alexey had been kept vague, with only hints at his POV up until a certain point in the story. It definitely would have allowed for a stronger balance of intrigue and drama.
But other than that, I really enjoyed this story and found it full of such vivid and nuanced commentary about trauma and abuse.
I don't recommend this book lightly, as I found myself often nauseous from the violence and gore or deeply upset by the graphic sexual abuse. A third of the narration is told from the mind of an abuser, and witnessing his cruelty in high definition is not the easiest feat, nor is that of witnessing the other characters sacrifice their all in the name of their country's freedom and safety. But if these contents are something you're able to handle, it really is all worth it in the end. I can't wait to see how the story continues in the sequel.
Thank you to the publisher for sending me an ARC in exchange for an honest review!
CW: sexual violence, abusive relationship, blood & gore, violence, injury detail (graphic), body horror, human experimentation, trauma, sexual content, character death, gun violence, drug use, war (past), torture (mention), child death (mention), death of father (past), emesis, alcohol
Our story takes place in a post-war world, scattered with hefty debris of trauma and scars.
Dimitri, the self-exiled Tsar, is struggling as he copes with the loss of his husband, Alexey, in more ways than one. He's surrounded by his friends who all want to support and love him the best they can, but his violent past with Alexey makes it hard for him to accept tenderness.
Alexey is now the acting Tsar, furious at his husband's betrayal and hungry for power. With the help of the Holy Science, he intends to remake the world as he remade himself, as the Chosen One of the Lord, a vessel between realms.
Vasily watches Dimitri ache, determined to take down Alexey and provide Dimitri with the happiness and freedom he deserves. But in order to make that happen, he'll have to craft an elaborate plan. One that involves risking his life and getting incredibly close to the enemy.
This violent yet resilient story wonderfully explores the effects of trauma, especially from abusive relationships, and how we write our scars deep into the bones of our identity, carrying the blame of a fault that was not our own.
My only critique of this book is less of a critique, but more something that if I was editing this book, I would suggest as a way to elevate the narrative. The story begins in the aftermath of a war, with most of the present stakes and circumstances informed by a complex backstory. With that in mind, I wish information about what exactly occurred in the past was divulged slowly in small, intentional moments. This post-war environment could have had a stronger impact and helped with pacing if the audience had been kept stewing in obscurity for longer, gathering up the shattered pieces bit by bit to make a full picture. Especially if Alexey had been kept vague, with only hints at his POV up until a certain point in the story. It definitely would have allowed for a stronger balance of intrigue and drama.
But other than that, I really enjoyed this story and found it full of such vivid and nuanced commentary about trauma and abuse.
I don't recommend this book lightly, as I found myself often nauseous from the violence and gore or deeply upset by the graphic sexual abuse. A third of the narration is told from the mind of an abuser, and witnessing his cruelty in high definition is not the easiest feat, nor is that of witnessing the other characters sacrifice their all in the name of their country's freedom and safety. But if these contents are something you're able to handle, it really is all worth it in the end. I can't wait to see how the story continues in the sequel.
Thank you to the publisher for sending me an ARC in exchange for an honest review!
CW: sexual violence, abusive relationship, blood & gore, violence, injury detail (graphic), body horror, human experimentation, trauma, sexual content, character death, gun violence, drug use, war (past), torture (mention), child death (mention), death of father (past), emesis, alcohol
Content Warnings
Graphic: Sexual violence, Domestic abuse, Physical abuse, Violence, Gore, Sexual content, Toxic relationship, Emotional abuse, Injury/Injury detail, Body horror, and Blood
Moderate: Death, Alcohol, Drug use, Torture, War, and Gun violence
Minor: Death of parent, Vomit, and Child death
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