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4.27 AVERAGE
4.27 AVERAGE
dark
emotional
sad
fast-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
dark
emotional
Plot or Character Driven:
Plot
Loveable characters:
No
Flaws of characters a main focus:
Yes
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One year for his birthday, Yuta's mother gives him a smartphone and requests that he record her often, as she is dying and won't know which moment will be her last. Yuta complies and tries to capture as many memories as he can, but he can't bring himself to go into the hospital to see her last breath. Then, he runs from the building just in time for it to explode. Then, we realize we are in a theater and have been watching a movie Yuta put together of all the footage of his mother, and he's debuting it in front of his classmates. Most of them are horrified, and Yuta takes their criticism very harshly. He runs to the roof with the intention of killing himself, but instead meets Eri, a girl who loved his film but believes he can make a better one. The two of them spend many days in Eri's secret hideout, watching movies together, until Yuta gets the inspiration to make his second film. This film also has a surprise twist, as Yuta can't help himself.
One year for his birthday, Yuta's mother gives him a smartphone and requests that he record her often, as she is dying and won't know which moment will be her last. Yuta complies and tries to capture as many memories as he can, but he can't bring himself to go into the hospital to see her last breath. Then, he runs from the building just in time for it to explode. Then, we realize we are in a theater and have been watching a movie Yuta put together of all the footage of his mother, and he's debuting it in front of his classmates. Most of them are horrified, and Yuta takes their criticism very harshly. He runs to the roof with the intention of killing himself, but instead meets Eri, a girl who loved his film but believes he can make a better one. The two of them spend many days in Eri's secret hideout, watching movies together, until Yuta gets the inspiration to make his second film. This film also has a surprise twist, as Yuta can't help himself.
Of all the Fujimoto works I've consumed, this one affected me the most. There is an artistic tell to what is being filmed and edited versus what Yuta is seeing in real life, but it might not be obvious why that's important on the first read. Because of Yuta's editing and twists, this book will require re-reads and will either provide more clarity or more questions as to what's real and what's actually Yuta's edited reality. Fujimoto is playing with elements of the fantastique genre, which is one of my favorites, so this book really stands out to me in composition and form.
If you're familiar with Fujimoto's other work, the art style in this book will be familiar and comforting. Eri looks very similar to characters in Chainsaw Man, although the subject matter is much less shocking and violent. I appreciate the subtle difference Fujimoto employs to differentiate between filming and real life.
Because this deals with grief and suicidal ideation, this would probably be best for high school audiences.
Sara's Rating: 9/10
Suitability Level: Grades 9-12
If you're familiar with Fujimoto's other work, the art style in this book will be familiar and comforting. Eri looks very similar to characters in Chainsaw Man, although the subject matter is much less shocking and violent. I appreciate the subtle difference Fujimoto employs to differentiate between filming and real life.
Because this deals with grief and suicidal ideation, this would probably be best for high school audiences.
Sara's Rating: 9/10
Suitability Level: Grades 9-12
Content Warnings
Graphic: Grief, Death of parent
Nicholas sparks the female death character development bomb
Loveable characters:
Yes
A heartfelt and quick story about loss, grieving, and how we choose to remember people after they say goodbye
Holy moly where the hell did this come from?
Nigh pitch perfect in pace, art, even panel layouts. Like a master showing off. And the story is just incredible and affecting, stringing together really interesting and heartbreaking elements and gut punches with just masterful bits of comedy and weirdness. And it’s so weird seeing Chainsaw Man art in such a low key and impactful story about loss. Didn’t make me sob but it got close, and a movie version would pull it off (if such a thing was even possible, this really digs in deep working with its own art form). A twist on the vein of story like A Monster Calls.
A spectacular work I genuinely didn’t even know existed until a visit to the bookshop earlier today.
Nigh pitch perfect in pace, art, even panel layouts. Like a master showing off. And the story is just incredible and affecting, stringing together really interesting and heartbreaking elements and gut punches with just masterful bits of comedy and weirdness. And it’s so weird seeing Chainsaw Man art in such a low key and impactful story about loss. Didn’t make me sob but it got close, and a movie version would pull it off (if such a thing was even possible, this really digs in deep working with its own art form). A twist on the vein of story like A Monster Calls.
A spectacular work I genuinely didn’t even know existed until a visit to the bookshop earlier today.
emotional
mysterious
reflective
sad
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
"no matter how many times I forget you, I'll remember you again and again. Isn't that beautiful?"
The art style was really cool and well done to give a home video feel, but I think the story was lost on me a bit. I love the themes of video controlling the narrative of how someone is portrayed, but also being a way to remember someone the way you want to remember them.
The art style was really cool and well done to give a home video feel, but I think the story was lost on me a bit. I love the themes of video controlling the narrative of how someone is portrayed, but also being a way to remember someone the way you want to remember them.
Argument molt original, tot i que no m’ha acabat de fer el pes l’estil lletgiasta/kisch de les il·lustracions. Si aconsegueixes abstreure’t d’això, et topes amb una història tendre al principi, trista i malenconiosa al mig, i molt sorprenent en el desenllaç.
Molt recomanable tot i que potser no és el títol més recomanable per a una biblioteca escolar.
Molt recomanable tot i que potser no és el títol més recomanable per a una biblioteca escolar.