Reviews with content warning for Injury/Injury detail - The Book of Form and Emptiness

The Book of Form and Emptiness is a deep dive into the ills of consumerism, overwhelming grief, literature as refuge, and misunderstood mental illness. The two protagonists of Benny and his mother Annabelle are beautifully and unflinchingly portrayed. As Ozeki unveils their individual grief, it gradually morphs into distinct mental illnesses for each of them. Annabelle's hoarding happens so gradually and logically (to her) that readers come to see it for what it is: an entirely natural & unsurprising reaction to her loneliness. Similarly, Ozeki presents Benny's symptoms through the lens of magical realism. This allows readers to empathize with Benny's burden - rather than pity or judge. Also, two of the book's secondary characters are houseless individuals. Readers get to know both of them as Benny does - which is to come to understand the circumstances and pain that led to their ostracization from society at large.

In addition to Ozeki's masterful and nuanced portrayal of mental illness, this novel is a touching love letter to literature and public libraries. By the book's end, Benny learns what many of us already know: that literature and libraries can offer an incomparable refuge and that everyone has a story to tell.

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emmagreenwood's review against another edition

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adventurous hopeful mysterious reflective slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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candournat's review against another edition

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dark emotional inspiring mysterious reflective sad tense fast-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

This book is honestly unreal!! I can’t even begin to explain how clever Ruth Ozeki is.

The Book of Form and Emptiness is beautifully written, philosophical, and absolutely full of clever metaphor.

I cannot recommend it enough, I’ve honestly never enjoyed the form and structure of a book as much as I have with this one. Using the Book ( / Benny’s voices) as a narrator and having Benny give his thoughts on the direction of the story between chapters is so clever and original.

It has truly cured my big book fear!

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bethsbookshelf's review against another edition

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challenging dark emotional funny reflective sad tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

I think the theme of the novels I’m reading this year is: masterpieces. That’s what this is. It was absolutely stunning, mesmerising, heart-breaking, heart-healing, unique and all around lovely. It exposed so many harsh truths about American culture, grief, motherhood, boyhood, mental illness and love. And it did so in a way that felt like the author was poking holes in each theme, one tiny pinprick at a time, until what she had was fractures of light in a dark canvas, giving the reader hope by the end of the book, though not a complete and tied-up happy ending (because that wouldn’t be realistic).

I tabbed so many sections of this book: favourite quotes, favourite parts, characterisation, magic, grief, objects, romance, and parenthood. These are what I considered to be the main themes throughout the book, told through the eyes of the book itself.

That’s probably what I loved most about this book: it was multi-perspective between Benny and the physical book you’re holding in your hands. The book gives you insights into what it’s like to be a book, to live in a library, a bookshelf, on someone’s bedside table. It’s absolutely stunning and I’ve never read anything like it.

I love this book because it is special. It’s something I felt I lived through, thanks to the fine details throughout. I will never forget it, and I’ll definitely pick up another Ozeki since I’ve loved both books of hers I’ve read so far.

The pacing is deliberately slow, but that’s the only thing I had trouble with. I appreciate the pacing for what it is, but it really bogged me down sometimes. I couldn’t just read 10 pages here or there; I had to really carve out 30-120 minute reading sessions to enjoy what I was reading. I would have maybe fared better with the book had 100-150 pages been cut, but it’s not my story to tell, so I would never ask Ozeki to change it. But that is the reason for dropping half a star.

If you want something different, something raw and vulnerable, something magic, something sad, something that highlights what it’s like to be a mother, to be a son, to be tormented, to be called to do something - then this is the book for you.

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storykath's review against another edition

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challenging dark emotional hopeful reflective tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.75

Whew, finally made it! I read this book in fits and starts over the last two weeks, and a lot of the time it felt unending, but in the end it was a worthwhile story that will probably stay on my mind for a while.

This book tackles a lot; there's commentary on mental health, addiction, the nature of stories, politics, and society as a whole. It was an effort to continually wade through them all, but the switches in POVs were effective for keeping things balanced.

There's also a lot of nuance and ambiguity in this book, and I think it was handled incredibly well. We hear the subjective thoughts and feelings of characters with mental illnesses and addictions, and we can see how easy it is for them to fall into deluded or dangerous ways of thinking. At times I was totally immersed in each character's perspective, and at other times I could approach it more objectively and see the truths that they were missing. To handle this type of writing so sensitively and faithfully is really a feat.

I don't think I would read this book again, as a lot of the philosophy was too nebulous for my tastes, but I would recommend it to anyone looking for an absurd yet bracingly real story of struggle and survival.

Definitely check content warnings before diving in.

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qqjj's review against another edition

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challenging dark emotional funny mysterious sad medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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_inge's review against another edition

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slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

This was really good, though I can’t exactly explain why. I think Ozeki’s writing has a lot to do with this. Her writing really is amazing; her sentences are poetic and beautiful, but still very clear and easy to follow. The structure helped as well, the chapter length made it easier to digest what was happening in the story. The subject matter is quite heavy, but because of the overall style it never manages to be so dark you’d want to put this book away.

I also really loved the characters in this. They are very flawed, but therefore very human. Like them we don’t know whether they’re doing the right thing or not, and we question what’s real and what isn’t in this story. Often I’d totally understand where both Benny and his mum came from and it hurt to see them argue.

The book itself as a narrator worked so well too. I’d read stories where the book itself addresses you before (‘Wij Zijn Licht’) but I really liked the dialogue between Benny and the Book. Benny sometimes didn’t agree with what the Book was saying about his life, and these moments were some of the greatest in this novel for me. The book itself made me think too; I too prefer ‘happy’ books on my shelf, for instance, and often rate those more highly, even if their message isn’t as profound.

At times I did think the plot dragged a bit, but that was mostly because I wanted to see what would happen next. Sometimes characters went away for a bit, and I felt annoyed they didn’t do anything to work on their issues instead - but maybe making the reader feel annoyed at this was the point? I also didn’t really like the connection between the Zen cleaning aspects (and Marie Kondo references?) and how this tied into the story in the final part of this book. I don’t quite know what these cleaning methods actually did for Annabelle and whether this even helped her clean at all. But perhaps it’s more about the ideas behind this cleaning method and what the Zen book represented for her.

I hesitated picking this up because of the overall length, but I felt drawn to it and decided to give it a go. And I’m really glad I did. I still don’t know why I wanted to keep on reading as soon as I picked this up, and I can’t really form a clear opinion about this book as a whole. This’ll be a book I’ll think about for a long time to come.

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