1.02k reviews for:

Rent hus

Alia Trabucco Zerán

3.72 AVERAGE

slow-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: No
mysterious reflective tense medium-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: Complicated

This is a long story, my friends, as you’ll have worked out for yourselves. It predates me and you; it predates even my mama or yours. It’s a story born of a centuries-old tiredness and questions that presume too much. Or have any of you ever been asked if you feel tenderly towards your superiors? If you love your boss, your supervisor, the staff manager? I cleaned their house, dusted their furniture, made sure there was a hot plate of food waiting for them in the evenings. Those things have nothing to do with love.

Really enjoyed this and really enjoyed how this meandering account of the daughter’s death plays with your  expectations. From page one right up until the end you’re made to believe that the maid in question is deeply frustrated by her employers and that, through some act or omission of her own, the child ended up dying. Rather,
the book instead does something so much more interesting. Yes, the maid is tired. Yes, the maid is frustrated. Yes, the maid was treated unfairly for years. No, that didn’t warp her morals enough to make her the villain of the story. Instead, all it did, was make her angry enough to protest
. For some people, this ending probably ended up being unsatisfactory, but I honestly appreciated it. It was a simple yet impactful way of interrogating how you, the reader, can be complicit when it comes to the vilification of the lower class.

Quick, insightful read with great translation and a pretty compelling narrative voice. 
emotional informative sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated
dark mysterious tense slow-paced
Plot or Character Driven: A mix
Strong character development: Complicated
Loveable characters: No
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes
emotional informative reflective sad tense fast-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: No

Qué magnífico libro ha escrito Alia Trabucco. Me encantó la rabia, el tono desafiante y la dignidad de la protagonista, como una crítica social y radiografía de la descomposición Latinoamérica y la profunda desigualdad en el mundo. Me interpeló en el privilegio, me dolió mucho, me enojó, me entristecí, lloré con la Yani… qué maravillosa y necesaria experiencia. Un libro que todas deberíamos de leer, especialmente las « clases » medias y altas, a veces tan fuera de contacto con la realidad y la palabra “privilegio”.  
dark reflective fast-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: No
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes
mysterious slow-paced
Loveable characters: No

told in a meandering first person with a lot of rabbit trails and foreshadowing. Not super satisfying and I’ll prob forget it. But I didn’t hate it. A little girl died. This is the story as told by the nanny to a group? of people behind glass in an interrogation room. 


me gustó pero no tanto
mysterious reflective slow-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

"Ci sono molti modi di parlare. La voce è solo il più semplice".

Avevo amato "La Sottrazione" e ritrovo qua una voce potente, politica (nel suo modo più alto) e dirompente.