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hapalyn's review against another edition
dark
funny
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Everything about this was what I wanted!!! I was hoping for more Bryce x Hunt dynamics but with so many side characters there was no time to cover that. I'm hoping that some day in the future, Sarah J. Maas will write some awesome novellas or future books detailing some of the side characters more.
Such a fast read, yet it felt like so long at the same time.
As for the ACOTAR crossover, I feel satisfied with how it was handled. There wasn't enough involvement there to make the series too intertwined. I almost feel like Crescent City is just the backstory for all of the lore in ACOTAR. I think it gives ACOTAR more depth, but readers who don't care to read all of CC can still read ACOTAR and be satisfied. Lots of Nesta, which was awesome because she's my favorite. I am excited to see where the ACOTAR series goes after reading this book.
Such a fast read, yet it felt like so long at the same time.
As for the ACOTAR crossover, I feel satisfied with how it was handled. There wasn't enough involvement there to make the series too intertwined. I almost feel like Crescent City is just the backstory for all of the lore in ACOTAR. I think it gives ACOTAR more depth, but readers who don't care to read all of CC can still read ACOTAR and be satisfied. Lots of Nesta, which was awesome because she's my favorite. I am excited to see where the ACOTAR series goes after reading this book.
Content Warnings
Graphic: Death, Cursing, Sexual content, Blood, War, Medical content, Violence, Gore, Confinement, Fire/Fire injury, Injury/Injury detail, and Torture
Moderate: Vomit, Genocide, Kidnapping, Colonisation, Sexual harassment, Slavery, Gun violence, and Misogyny
Minor: Emotional abuse, Addiction, Drug use, Sexual violence, Sexual assault, Excrement, and Domestic abuse
selena13's review
adventurous
dark
emotional
funny
informative
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.0
Content Warnings
Graphic: Blood, Slavery, Physical abuse, Kidnapping, Colonisation, Drug use, Genocide, Cannibalism, Domestic abuse, Fire/Fire injury, Drug abuse, Grief, War, Cursing, Classism, Death, Sexism, Gun violence, Torture, Vomit, Misogyny, and Murder
skillyillian's review
dark
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
this entire review is gonna have spoilers abound. buckle in, it's a long one.
(like for real i think this is the longest review i've ever written for a book.)
So idk what the fuck happened here but I have such mixed feelings about this book. I just. What happened here??? Let me clarify: it's not bad. It's really not. But there were a lot of letdowns for me here. And a bunch of really good moments, too. But I have some....concerns.
Bryce has a whole deal with the fae being misogynistic assholes, right? so she declares herself queen of the fae and when someone's like, "hey so are you gonna do anything about all that, now that you are the sole person capable of changing it?" and bryce just goes "nah. fuck that." granted, she does change her mind later, but at the time it was just a "what the fuck?" moment. she's spent ages fighting sexism. but the second she got a chance to do something about it, she said no without a second thought. why. and then got mad when other people were disappointed with her, and was like "well then you can uphold the tyranny, but i'm not gonna." girl where did that come from?? pull your head out. you are the one upholding the problems if you can change it and then decide not to.
sjm takes several big traditionally "feminist" stances, with bryce saying "fuck the patriarchy, we're more than incubators" and then lidia saying "does my being a mother somehow make my choices more palatable to you?" which like, loved it. but then we had these weird little moments that opposed what she was preaching. bryce sees someone's hair dye is fading and says some shit about seeing the "real female" underneath, as if someone can't be "real" while their hair is colored. feyre is mentioned about twice through the whole book, even during the acotar crossover, and is referred to as rhys's mate. Not feyre cursebreaker, wielder of the life creating cauldron, savior of prythian and high lady of the night court. just her relation to her husband. gross.
AND my biggest problem with the way sarah treats her female characters is that everyone is tiny. for fuckin what? I saw ONE character described as "full-bodied" and that was IT, through an entire 800+ page book. I will NEVER forgive her for how she did the ocean queen so dirty. the queen of the OCEAN, and she was described as a "tiny female." like sorry but hey what the fuck???? from my notes, and i quote, "the endless, 'depthless' OCEANS and she's tiny??? teeny tiny itty bitty little thing to represent the vast swells, deep rolling tides, and stunning, dangerous beauty of all the oceans of this world and you made her micro fucking scopic. ... the ocean queen should be big. make her plus size, make her fat, make her a TRUE representation of the beauty and intensity and power that comes with being the queen of an element that takes up more space than all the land on the planet combined. let her take up the space she deserves, the space she owns!!!!!" like why the FUCK was the OCEAN QUEEN not even past four feet tall, and when she got taller to intimidate them, she didn't even make herself taller than hunt. she was still smaller than the men in the room. NO, FUCK THAT. let her tower over them!!! let puny hunt athalar cower in fear of her!!! tell us about her fat rolls, her big tummy, the way her skin has stretch marks that are lighter than the rest of her skin, like the crests of waves!!!!
just... it feels like for every traditionally "feminist" statement she made, she negated it with weird little internalized misogyny digs at her other woman characters. it makes the rest of her feminist takes come off as performative and forced imho. making the ocean queen "tiny" is a major reason i'm docking points.
but moving on. bryce is a total asshole for most of this book. when she gets back from prythian, she just refuses to acknowledge hunt's trauma because it's making him hesitate on their mission. she says she needs "all of him" but won't give him the space to process the INSANE amount of trauma he went through. He goes through endless, unutterable torture and watches one of his friends chew off his other friend's hand to even try to escape, just to try to find her. and bryce? went on a long walk, watched a movie, and let someone else kill a bad guy. and bryce has the AUDACITY to say "i was scared i'd never see you again" like her journey was ANYTHING compared to hunt reliving his worst trauma but worse because he wasn't alone this time. like for christ's sake ruhn was DISEMBOWELED at one point. but bryce missed hunt and her grandma was a colonizer :( poor fucking baby. tbqh if bryce hadn't apologized to him i would've hated her by the end of the book. she picked random fights for no reason, using his refreshed trauma to make him feel like shit for not being all in. it felt like it was put in just to create conflict between them. this was not the bryce we saw in the last two books. she does have growth by the end of the book but she also went through this weird, insane regression where she had no respect for hunt or the others around her. and, in true bryce style, failed to tell anyone her plans or thoughts out loud until it was too late and they had no choice but to guess at her plan and try to keep up. that's so fucking irritating and not a good quality in a leader.
honestly, ithan and tharion's plots were the "this could have been an email" part of this story. every time we'd be in the middle of something exciting, it would switch to one of their POVs, and i'd roll my eyes and just suffer through it. it broke the immersion SO MUCH to be in the middle of a lore dump, fight, etc., and then be like "anyway back to wolf boy and fish guy, who can't do a god damn thing right to save their lives, or anyone else's." to ithan's credit he did get the rifle to bryce tho and his antidotes shattering were not his fault. it just felt wholly unnecessary for them to be brought to the forefront the way they were when they just felt like interruptions for the rest of the story. i would have loved to have seen more hypaxia and jesiba working together tho, like some crime procedural sitcom combination of hypaxia as the hofas queen and jesiba her second in command who knows more than she does. i would trade that for wolf boy and fish man without hesitating.
next, the crossover. good god. now, i am fully aware that the fandom caused a ton of hype for this and made it out to be the hugest thing to happen to fantasy since tolkien. but, that being said, sjm, her publisher, and marketing team all hyped the fuck out of this, too. all of the marketing for hofas was about the crossover, and she ended the second book with bryce meeting the whole inner circle. so why did she spend the entire crossover with only two characters from acotar. you'd think for a 15 or 16 book connected universe, the first true intersection of that would include more of the main cast. like i know nesta has her own book and az is super important, i'm not saying they're not, but we got no feyre, who was only acknowledged as rhys's mate, and not for any of her real accomplishments or epithets. and we saw seven whole seconds of rhys and amren. what it was, was nesta and az saying "we're not helping you" and no one else's opinions on it. and i'm not saying those opinions would have been different but i would've liked to have seen bryce have at least one full conversation with the inner circle. idk maybe i'm being nitpicky lmao but the crossover was not as much as i had hoped for or like i feel like they'd hinted it would be.
and the finale. bryce being pulled into the black hole she made from the firstlight core was like, yeah that makes sense. opening a portal to essentially catch the black hole so she could enclose it like taking a fish out of its tank with a ziploc baggie was great. but when she watched the other asteri get sucked into the black hole, and then went "well, i have absolutely no way of getting back, despite being able to teleport and open portals to anywhere, and despite having just consumed a god's worth of magic. guess i'm stranded." and then she???? decides to make sure rigelus is going to go into the black hole by grabbing onto him???? make that make sense. the entire reason black holes exist is because their gravity is so strong they consume everything around them. rigelus was going in there no matter what. and bryce had no way of boosting them into the black hole, since apparently she can't teleport anymore for whatever reason. so they were just going to have to wait for the black hole to suck them in anyway because it's not like he had a way to separate himself. her grabbing onto him did nothing to ensure his demise and only made sure she was going to die without even trying to send herself back. and then hunt in the mecha piloted by the ghost of his centuries dead lover, ghost-guiding his hand to the missile button? or at least he could have sworn that's what happened. it was insanity. i don't know how we arrived at that point but it sure did happen and get published. like please try to explain that out loud to anyone who doesn't read sjm and listen to how insane it sounds.
also, i'm so tired of every single sjm character being painfully aware and yet unaware of their surroundings. please, it's in every fucking book, and you'd think after 15-16 books she would have moved beyond "could have sworn", and yet. this is probably me being a dick but the final count was 52 times (which, in an 800+ page book, isn't a ton, but it's in every single book she writes) where something happened, like for sure happened, and someone just "could have sworn" it happened. like please just say the damn thing happened instead of giving the impression that your characters are only half aware of their surroundings.
anyway moving on to greener pastures. ruhn and lidia carried the fuck out of this book. i like their romance better than anyone else's in all of CC. they're just so good despite their occasional dumb choices. i love them. plus lidia's connection to the galathynius bloodline was awesome, i really loved the big reveal of her being basically flame incarnate, definitely a cool moment. give lidia her own trauma recovery book like nesta got. come on sarah, don't be a coward. speaking of lidia tho, her killing pollux was so sick. all the revenge kills were great. pollux, sabine, the astronomer, good shit.
(like for real i think this is the longest review i've ever written for a book.)
So idk what the fuck happened here but I have such mixed feelings about this book. I just. What happened here??? Let me clarify: it's not bad. It's really not. But there were a lot of letdowns for me here. And a bunch of really good moments, too. But I have some....concerns.
Bryce has a whole deal with the fae being misogynistic assholes, right? so she
sjm takes several big traditionally "feminist" stances, with bryce saying "fuck the patriarchy, we're more than incubators" and then
AND my biggest problem with the way sarah treats her female characters is that everyone is tiny. for fuckin what? I saw ONE character described as "full-bodied" and that was IT, through an entire 800+ page book. I will NEVER forgive her for how she did the ocean queen so dirty. the queen of the OCEAN, and she was described as a "tiny female." like sorry but hey what the fuck???? from my notes, and i quote, "the endless, 'depthless' OCEANS and she's tiny??? teeny tiny itty bitty little thing to represent the vast swells, deep rolling tides, and stunning, dangerous beauty of all the oceans of this world and you made her micro fucking scopic. ... the ocean queen should be big. make her plus size, make her fat, make her a TRUE representation of the beauty and intensity and power that comes with being the queen of an element that takes up more space than all the land on the planet combined. let her take up the space she deserves, the space she owns!!!!!" like why the FUCK was the OCEAN QUEEN not even past four feet tall, and when she got taller to intimidate them, she didn't even make herself taller than hunt. she was still smaller than the men in the room. NO, FUCK THAT. let her tower over them!!! let puny hunt athalar cower in fear of her!!! tell us about her fat rolls, her big tummy, the way her skin has stretch marks that are lighter than the rest of her skin, like the crests of waves!!!!
just... it feels like for every traditionally "feminist" statement she made, she negated it with weird little internalized misogyny digs at her other woman characters. it makes the rest of her feminist takes come off as performative and forced imho. making the ocean queen "tiny" is a major reason i'm docking points.
but moving on. bryce is a total asshole for most of this book. when she gets back from prythian, she just refuses to acknowledge hunt's trauma because it's making him hesitate on their mission. she says she needs "all of him" but won't give him the space to process the INSANE amount of trauma he went through.
honestly, ithan and tharion's plots were the "this could have been an email" part of this story. every time we'd be in the middle of something exciting, it would switch to one of their POVs, and i'd roll my eyes and just suffer through it. it broke the immersion SO MUCH to be in the middle of a lore dump, fight, etc., and then be like "anyway back to wolf boy and fish guy, who can't do a god damn thing right to save their lives, or anyone else's."
next, the crossover. good god. now, i am fully aware that the fandom caused a ton of hype for this and made it out to be the hugest thing to happen to fantasy since tolkien. but, that being said, sjm, her publisher, and marketing team all hyped the fuck out of this, too. all of the marketing for hofas was about the crossover, and she ended the second book with bryce meeting the whole inner circle. so why did she spend the entire crossover
and the finale.
also, i'm so tired of every single sjm character being painfully aware and yet unaware of their surroundings. please, it's in every fucking book, and you'd think after 15-16 books she would have moved beyond "could have sworn", and yet. this is probably me being a dick but the final count was 52 times (which, in an 800+ page book, isn't a ton, but it's in every single book she writes) where something happened, like for sure happened, and someone just "could have sworn" it happened. like please just say the damn thing happened instead of giving the impression that your characters are only half aware of their surroundings.
anyway moving on to greener pastures. ruhn and lidia carried the fuck out of this book. i like their romance better than anyone else's in all of CC. they're just so good despite their occasional dumb choices. i love them. plus
overall, i think this is one of sjm's weaker books for sure. it was entertaining and gripping enough, but mostly because i wanted to find all the lore connections and easter eggs, and my bestie and i read it together, which makes reading anything fun. fuck, she could make the bible fun. the plot was fine, if not drawn out in some places, but i wasn't ever, at any point, invested in ithan or tharion. the ending was a little rushed compared to the other 800 pages of the book, but i like that she acknowledged the consequences of destroying the ruling class and that there would be a power vacuum there.
also, hunt finding out about
anyway sjm is someone you read for the characters and worldbuilding, not necessarily for incredibly strong plots, prose, or descriptions.
But also, credit where credit is due, connecting three different series across nearly a dozen and a half books is an insane feat of storytelling. the easter eggs and lore connections were great. i feel like she laid a lot of groundwork for other connections. she ended cc3 as if it was the end of the series, and i think it should stay that way imho. as much as i'd love more ruhn and lidia, i have had enough bryce and hunt for probably forever. this book did a lot, and carried a lot of weight for the maasverse, but i think it ended up being kinda messy. i wish the crossover had been better and that the characters weren't so prone to poor life choices for the sake of conflict. AND THE OCEAN QUEEN SHOULD HAVE BEEN FAT.
Content Warnings
Graphic: Violence, Blood, Death of parent, Medical content, Torture, Child death, Genocide, Sexism, Body horror, Colonisation, Grief, Cannibalism, Misogyny, Death, Physical abuse, Confinement, Fire/Fire injury, Gore, Gun violence, Injury/Injury detail, Sexual content, Murder, Medical trauma, War, Self harm, and Cursing
Moderate: Sexual violence, Excrement, Slavery, Kidnapping, Rape, and Sexual assault
ciara_fs98's review
adventurous
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? No
3.0
While I do think enough time was spent in Prythian, I don't like how it was spent. For me I thought Nesta and Azriel (maybe Cassian but I'm a huge Cassian stan) would come to Midgard with her, especially since it was Nesta who killed Vesperus not Bryce.
Overall I did enjoy the book, it just felt rushed and like there are some loose threads and timelines that don't add up which just bugged me
Content Warnings
Graphic: War and Torture
Moderate: Cursing
Minor: Sexual content
zanazy's review
adventurous
dark
mysterious
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.5
CC3 picks up right where book 2 ended. Bryce finds herself within the Prythian, in the Night Court with Rhysand, Nesta, Amren, and Azriel. Although we see ACOTAR characters in the first few scenes, the overall world overlap is only 5% of this story. For most of this story, Bryce is in Lunathion/Crescent City. The small parts of the story where Prythian is the setting, Nesta and Azriel are the main two characters Bryce interacts with. Feyre does not make any big appearances, and eve Cassian is hardly present. Rhysand is present in that they say his name a lot, but he’s also barely in the story. This is truly a Crescent City story more than anything else.
The book is told through many perspectives and the scene breaks are very abrupt. There were quite a few times where the POV changed mid page that made me do a double take to make sure I was following along. A LOT happens to everyone and we see it all. We see into the dungeon Hunt, Ruhn, and Baxian are in, as well as get Ithan’s POV from his journey, Tharion also has his own bits throughout the story. The main POV is of course Bryce, but Lydia is another featured POV that adds a lot, and she has one of the better character developments in this book.
This book ends Bryce and Hunt’s storyline, giving them their own happily ever after. My assumption is that future CC books will follow Lydia and Ruhn, who were by far my favorite couple in this book. Ithan is also someone I would love to continue to follow along, so I hope he and Tharion also appear in future books.
As far as the impact to ACOTAR characters, I think thatNesta will continue to be the POV we read, as Bryce sets her up to follow whatever the eight-pointed star has in store for her.
CC in general has not been my favorite story, and this book did nothing to change that. I think this story made me hate Bryce as a character, and there were plenty of times I wanted to chuck my book at the wall. Bryce’s actions throughout the book show she is selfish, conceited, and only concerned about what she wants, regardless of the cost or impact to others. I will admit I was not a big fan of hers, but I ended the book disliking her even more. All the other characters talk about how selfless she is, how special, kind, good, insert other nice things throughout the scenes and story, which makes things worse. There should be no need for other characters to rave about her, the fact they do, tells you enough that her actions do not reflect what other characters think she is like. Lydia, Ruhn, Tharion, and Ithan save this story from being completely unreadable.
Unfortunately, this is my least favorite of all the Maas universe books, and I am truly hoping this was the end of Bryce’s story, because I do not care to read more about her.
The book is told through many perspectives and the scene breaks are very abrupt. There were quite a few times where the POV changed mid page that made me do a double take to make sure I was following along. A LOT happens to everyone and we see it all. We see into the dungeon Hunt, Ruhn, and Baxian are in, as well as get Ithan’s POV from his journey, Tharion also has his own bits throughout the story. The main POV is of course Bryce, but Lydia is another featured POV that adds a lot, and she has one of the better character developments in this book.
This book ends Bryce and Hunt’s storyline, giving them
As far as the impact to ACOTAR characters, I think that
CC in general has not been my favorite story, and this book did nothing to change that. I think this story made me hate Bryce as a character, and there were plenty of times I wanted to chuck my book at the wall. Bryce’s actions throughout the book show she is selfish, conceited, and only concerned about what she wants, regardless of the cost or impact to others. I will admit I was not a big fan of hers, but I ended the book disliking her even more. All the other characters talk about how selfless she is, how special, kind, good, insert other nice things throughout the scenes and story, which makes things worse. There should be no need for other characters to rave about her, the fact they do, tells you enough that her actions do not reflect what other characters think she is like. Lydia, Ruhn, Tharion, and Ithan save this story from being completely unreadable.
Unfortunately, this is my least favorite of all the Maas universe books, and I am truly hoping this was the end of Bryce’s story, because I do not care to read more about her.
Content Warnings
Graphic: Torture, War, Death, Child death, and Murder
Moderate: Alcohol, Fire/Fire injury, Injury/Injury detail, Grief, Gun violence, and Cursing
Minor: Sexual content, Rape, Sexual harassment, Medical content, and Toxic relationship
gemma_clare's review
adventurous
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Slightly underwhelming but still a good read. This book somehow simultaneously moves too fast and too slow and was a bit of a slog to get through. It also lacked so much of the emotional depth of characters and relationships we’ve come to know and love from SJM. It’s also inconsistent with previous books imo - previously unkillable, god-like characters get taken down like some run of the mill villain and so many things just seem to happen way to conveniently to be fully believable. Overall felt rushed. A fine read, but not what I expected for CC3.
Content Warnings
Graphic: Sexism, Torture, Addiction, Cursing, Drug use, Colonisation, Injury/Injury detail, Misogyny, Sexual content, War, Vomit, Gore, Death, Excrement, and Violence
Moderate: Death of parent, Drug abuse, Genocide, Murder, Rape, Grief, Gun violence, Classism, Confinement, Child abuse, Sexual assault, Fire/Fire injury, Slavery, and Sexism
traceyanderson's review
adventurous
challenging
dark
emotional
funny
hopeful
inspiring
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Cursing, Genocide, Child abuse, Death, Blood, Emotional abuse, Cannibalism, Colonisation, Hate crime, Torture, Body horror, Misogyny, Slavery, Child death, Classism, Physical abuse, Sexual content, Toxic relationship, Confinement, Fire/Fire injury, Gaslighting, Gore, Grief, Murder, Injury/Injury detail, Kidnapping, Medical content, Vomit, and War
iftheshoef1tz's review
adventurous
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
Although this book was narratively sounder and much more like SJM at her best, it was still not my favorite read. Bryce was insufferable the whole book, which surprised me because I used to be a Bryce apologist. It suddenly seemed to obvious to me that she had done nothing with the character development she had gone through by the end of HOEAB. She is the same at the end of HOFAS as she was at the beginning of HOSAB, and it really rankled. Hunt’s very recent trauma in the dungeon was treated like a pesky, over emotional response that was getting in the way of Bryce super special secret plan, and her apology was bullshit. She only apologized when she needed him to comfort her. I was glad that Sigrid was killed off instead of shoe-horned into being Ithan’s mate. Perry isn’t a great substitute IMO, but at least that was left open-ended. I also didn’t care for DayNight, especially because Ruhn seemed to recover so quickly from his shock and horror at Lidia being the Hind. Of all the romances to not leave open-ended, this one is the most baffling to me. Lidia is forgiven so quickly (and by her kids’ gay mer dads, who have only ever known her as a merciless killer/torturer and suddenly they’re like best bros by the end and both her kids love her and call her mom - UGH)
Ithan and Tharion had such incredible chemistry, starting from HOSAB. That continued through HOFAS, and yet they are both pushed into heterosexual pairings, at least one of which feels utterly contrived because of how little she was ever mentioned.I think Perry was referenced like…twice in HOSAB? At least with Tharion and Sathia, she has a former lover who she clearly still loves. It’s possible their marriage of convenience could turn them into something More, but I sincerely hope not.
Overall, I had an okay time, especially any time Nesta was on the page. It fell flat in a lot of ways and suffered from bloat like HOSAB. Not to mention they spent time in caves TWICE. Why?? Girl, why??????
Tropes:
Crossover
Ruhn’shand should join the Addams family
Local woman withholds all details
Failing upwards (x2)
Ithan and Tharion had such incredible chemistry, starting from HOSAB. That continued through HOFAS, and yet they are both pushed into heterosexual pairings, at least one of which feels utterly contrived because of how little she was ever mentioned.
Overall, I had an okay time, especially any time Nesta was on the page. It fell flat in a lot of ways and suffered from bloat like HOSAB. Not to mention they spent time in caves TWICE. Why?? Girl, why??????
Tropes:
Crossover
Ruhn’s
Local woman withholds all details
Failing upwards (x2)
Content Warnings
Graphic: Blood, Confinement, Injury/Injury detail, Cursing, Toxic relationship, Torture, and Violence
dani_reis's review against another edition
adventurous
dark
emotional
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
3.5
HEAVY SPOILERS IN REVIEW
I wholeheartedly disagree with Bloomsbury giving out ARCs. The amount of people spoiling the story pre-release is unacceptable.
The ending was too focused on being a HEA and tried making a neat little packaged ending. Instead of cliffhanger POVs, I just felt like they were useless. Tharian headed back to Ariadne, and his wife going after another love. Then Ithan not telling literally anyone "don't drink the water after" because wtf are they supposed to drink? Sigrid just being a loose end. I think it's Perry, Amelie's sister, who isn't explained at all, and I'm not sure I care.
The crossover. Was it even necessary?? They spent the whole time in the caves. She leaves them wanting to kill her or slice off her back, and she's like "hey, you're all cool, take my fragile, human parents who I'd split worlds to save." But she never stepped out of the caves to experience fae culture to change her mind about fae.
Hel. Hel was not even needed because she could have just had a conversation with Aidas. They didn't even explore Hel, and sounds like they never will go back.
Hunt was pretty toxic in this book. I am anticipating that Hunt and Bryce have issues in future books (please be only one more).
As a whole, I really enjoyed it. It had lots of action. But let's just admit: Lydia carried this book, until the "I have secret children plot."
Bonus chapter from Walmart: liked it. Gave us insight to why she maybe gave up her parents to them.
Bonus from B&N: meh. I wanted to skim it. Near the end it was cute, but kind of mad I own the copy.
Bonus from indie: loved it. Thank fucking god. Approve of this one.
Still need to read the other bonus chapters.
I wholeheartedly disagree with Bloomsbury giving out ARCs. The amount of people spoiling the story pre-release is unacceptable.
The ending was too focused on being a HEA and tried making a neat little packaged ending. Instead of cliffhanger POVs, I just felt like they were useless. Tharian headed back to Ariadne, and his wife going after another love. Then Ithan not telling literally anyone "don't drink the water after" because wtf are they supposed to drink? Sigrid just being a loose end. I think it's Perry, Amelie's sister, who isn't explained at all, and I'm not sure I care.
The crossover. Was it even necessary?? They spent the whole time in the caves. She leaves them wanting to kill her or slice off her back, and she's like "hey, you're all cool, take my fragile, human parents who I'd split worlds to save." But she never stepped out of the caves to experience fae culture to change her mind about fae.
Hel. Hel was not even needed because she could have just had a conversation with Aidas. They didn't even explore Hel, and sounds like they never will go back.
Hunt was pretty toxic in this book. I am anticipating that Hunt and Bryce have issues in future books (please be only one more).
As a whole, I really enjoyed it. It had lots of action. But let's just admit: Lydia carried this book, until the "I have secret children plot."
Bonus chapter from Walmart: liked it. Gave us insight to why she maybe gave up her parents to them.
Bonus from B&N: meh. I wanted to skim it. Near the end it was cute, but kind of mad I own the copy.
Bonus from indie: loved it. Thank fucking god. Approve of this one.
Still need to read the other bonus chapters.
Content Warnings
Graphic: Injury/Injury detail, Sexism, Violence, Blood, Confinement, Sexual content, Classism, Cursing, Slavery, Torture, Death, War, Genocide, Mental illness, Drug use, Emotional abuse, Grief, and Medical trauma
Moderate: Fire/Fire injury, Animal death, and Medical content
Minor: Abandonment, Toxic relationship, and Kidnapping
losthought323's review
adventurous
fast-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
2.75
I don't think SJM books are for me anymore. This was an okay story--all the plot questions from the previous books are addressed, and all the usual SJM writing hallmarks are here. But, the answers to these questions are either huge exposition dump of information that probably should have come up earlier, or a character has magically figured out a solution that no one else has at the last possible second, and the reader never really gets clued into how or why they find this answer.
The pacing is breakneck on this one. There's a conflict, there's the outcome of that conflict, and then the characters have about three lines of witty dialogue about how messed up that all is before they're running to put out the next fire. I know time is supposed to be limited, which is supposed to add tension, but It leaves the character and their development feeling topical at best.
My specific problems with this book:
1) THE POV CHANGES IN THE MIDDLE OF CHAPTERS???? WHYY???? And it's always awkward to jump from a cliffhanger to a separate plot thread that ends in another cliffhanger? Round and Round it goes.
2) I hate Bryce in this book. She constantly rages against The Astari and the Fae Lord and Ladies of the World for using their powers to abuse people, but half the time, she's just as bad as the people she hates.
-Early on Selene gives a condensed world history lesson to Bryce. Bryce spends the entire time ranting about how selfish it was for the sisters not to save the people behind her when she portal-ed away. Then, Bryce immediately takes two powerful weapons she doesn't know how to use, awakens an Ancient, and endangers two strangers and the entire planet because her world, her answers, and her people are more important than everyone else.
-She doesn't want to be a Fae Queen or associated with the Fae, but she will play the royal Fae card whenever it's convenient or necessary to save her friends and family.
-Towards the end of the book, Bryce uses the horn to contact Nesta to give her the death Mask and sends her human parents to the other world to get the powerful mask. But also admits she's just sending her parents because they're humans and in danger. There's a whole argument about not having enough time to save civilians. But there's enough time to call a helicopter, her friends, and her allies's friends to Allowen and fly to Nena, but not enough time to take a couple more people and send them to the non-Astarhi world.
3) Every problem, small or large, in this plot follows the same formula: The characters gather together and ask how we are going to take on this problem. Bryce is says she has a plan. During the plan, she fakes her way through and says something like, "I'm not sure what I'm doing," and then magically figures out exactly what she needs to do at the right time. Cue fawning side characters, mates and enemies---saying i knew she could do it!
Early in the book, Bryce is with Nesta and Azriel in tunnels. The story at the time is in Bryce's POV. Azriel notes her hand scraps aren't healing, but her knees are. Bryce makes an excuse that she's half human, and that's why it's not working. As a reader, I know Bryce, at this point, is in a strange world, with people she's not sure she can trust and seeking dangerous answers. I know she's holding her cards close to her chest for a reason. But the writing never gives us a hint of her intentions. We get context clues of whats coming-Nesta mentions the wyrm monster, the cave shakes, and i think we see the a dead one's bones. So it's not totally out of left field when Bryce is like haha, i have summoned the Wyrm with my blood as a distraction so I can run off. But why even have this chapter in Bryce's perspective if we never really get to be in her head? Wouldn't there be more stakes and tension here if Bryce explained even a bit of her actions and how she hid them from Nesta and Azriel? (The only way I can justify her not once not thinking about any plans whatsoever here is maybe she's worried about Rhysand hearing her thoughts. But it wouldn't be hard for there to be a line about her being paranoid he's listening.)
Another 'what the f***' moment of this for me was when Bryce portals home and "is held hostage" in her house. For most of the scenario, while she is home, there are no clues that she went there on purpose. She opens the chapter by saying my powers have a sense of humor for slamming my face into that wall. Then she whines and complains and banters with her dad for about two chapters, during which they trade information. Then, Bryce reveals she was faking being a hostage, stole a key to unlock her magic handcuffs from Ruhn's room (THAT'S SUPER CONVENIENT), and was just using her villainous' dad's massive ego to figure out the information she wanted on the magic blades and her star powers. Do we see her search for the key? No, we did see her hide in her borhters room and cry about her brother and husband being tortured on his bed. THE WHOLE CHAPTER IS IN HER POV--so why aren't we, as readers, privy to her master chess moves?
Bryce pulls out a notebook she stole from the Autumn King to barter with Morwen. When did she take that?
Bryce figures out how to use the swords when she thrust them inside Pollack's ribcage. How? She's collected the three-star magic batteries of her evil ancestors, so she just knows how to do it i guess?
The only reason this sort of Sherlock Homes' Suprise reveals work in other media is that the clues are visible if you look for them, and the convoluted answer as to how they arrived at that solution is also revealed dramatically in a conversation or internal monologue where they tell you had they did it. Bryce's surprise reveals you are just surprised out of the left field that is convenient to get her to the next plot point and gives us no insight on her actual character.
3) What is the point of Sigrid's character? Ithan could have had a perfectly compelling reluctant leader of the Pack arc without her. Instead, we get 65% of the book of him running around trying to resurrect her just so he can bump into Jezebel and Hypaxia, who will offload some more ancient history exposition and conveniently have all the tools they need to save Bryce from death.
4) What's the point of Baxian's character? His mate was killed, all of his rebel allies were killed, and he was tortured. He also reveals a tragic backstory about why he became a monster before switching sides. But hey, look, the pegasus are back. Baxian's lost his mate and part of his soul, been tortured, and lost all of his rebellion allies--sorry all your friends are dead, but hey, alien parasites didn't eat your mate's soul, she's in heaven. Please don't immediately unalive yourself. Instead, keep acting as a steward to Bryce's country because the ancient Pegasus has returned.
5) Characters withholding important information for dramatic reveals.
-Jezebel is the caretaker of a wiped-out human civilization history that explains a time before the Astari. Her people died 1500 years ago to protect this knowledge and ensure it wasn't forgotten. She proceeds to make sure it is forgotten because a demon cursed her and because it is not really powerful--just theoretical math books or literature. Even though knowing there was a world before the Asteri would have been helpful for the main character to know two books ago.
-The Prince of Hels doesn't tell Hunt he has the power to override the inked crown on his head because Hunt had to suffer/be tortured or else they would find out he was Hel test tube baby. The also don't tell Bryce any of the information Helena or Silene had infor dumped earlier on because she wasn't ready yet.
-Danika is still a character who knows the secrets of everything and everyone in the book. Everyone attributes some aspect of the rebellion's success or their character development to her.
6) Love heals mass amounts of trauma and tosses away what could be interesting explorations of complex and deeply hurt characters by making them mates.
-Hunt's got PTSD the size of an entire universe about being a commanding officer of the army and watching his friends die because of his orders and decisions. Bryce tells him to get over it and that she loves him. Hunt does.
-Ruhn has a hard time coming to terms with the fact that the woman he was in love with is a double agent who betrayed him and his sister, helped torture him, and historically has murdered and tortured lots of people. Then he finds out she did everything cause she's a mom and also thinks she's hot. What trauma? We're mates now.
Theorion is an immature guy who just wants to have some fun and continually makes bad decisions because he's unwilling to face his own emotions. Then he gets married, and he's suddenly ready to be a hero.
7) The smut in this book all felt like the same scene written over and over again regardless of the parties involved.
The pacing is breakneck on this one. There's a conflict, there's the outcome of that conflict, and then the characters have about three lines of witty dialogue about how messed up that all is before they're running to put out the next fire. I know time is supposed to be limited, which is supposed to add tension, but It leaves the character and their development feeling topical at best.
My specific problems with this book:
1) THE POV CHANGES IN THE MIDDLE OF CHAPTERS???? WHYY???? And it's always awkward to jump from a cliffhanger to a separate plot thread that ends in another cliffhanger? Round and Round it goes.
2) I hate Bryce in this book. She constantly rages against The Astari and the Fae Lord and Ladies of the World for using their powers to abuse people, but half the time, she's just as bad as the people she hates.
-Early on Selene gives a condensed world history lesson to Bryce. Bryce spends the entire time ranting about how selfish it was for the sisters not to save the people behind her when she portal-ed away. Then, Bryce immediately takes two powerful weapons she doesn't know how to use, awakens an Ancient, and endangers two strangers and the entire planet because her world, her answers, and her people are more important than everyone else.
-She doesn't want to be a Fae Queen or associated with the Fae, but she will play the royal Fae card whenever it's convenient or necessary to save her friends and family.
-Towards the end of the book, Bryce uses the horn to contact Nesta to give her the death Mask and sends her human parents to the other world to get the powerful mask. But also admits she's just sending her parents because they're humans and in danger. There's a whole argument about not having enough time to save civilians. But there's enough time to call a helicopter, her friends, and her allies's friends to Allowen and fly to Nena, but not enough time to take a couple more people and send them to the non-Astarhi world.
3) Every problem, small or large, in this plot follows the same formula: The characters gather together and ask how we are going to take on this problem. Bryce is says she has a plan. During the plan, she fakes her way through and says something like, "I'm not sure what I'm doing," and then magically figures out exactly what she needs to do at the right time. Cue fawning side characters, mates and enemies---saying i knew she could do it!
Early in the book, Bryce is with Nesta and Azriel in tunnels. The story at the time is in Bryce's POV. Azriel notes her hand scraps aren't healing, but her knees are. Bryce makes an excuse that she's half human, and that's why it's not working. As a reader, I know Bryce, at this point, is in a strange world, with people she's not sure she can trust and seeking dangerous answers. I know she's holding her cards close to her chest for a reason. But the writing never gives us a hint of her intentions. We get context clues of whats coming-Nesta mentions the wyrm monster, the cave shakes, and i think we see the a dead one's bones. So it's not totally out of left field when Bryce is like haha, i have summoned the Wyrm with my blood as a distraction so I can run off. But why even have this chapter in Bryce's perspective if we never really get to be in her head? Wouldn't there be more stakes and tension here if Bryce explained even a bit of her actions and how she hid them from Nesta and Azriel? (The only way I can justify her not once not thinking about any plans whatsoever here is maybe she's worried about Rhysand hearing her thoughts. But it wouldn't be hard for there to be a line about her being paranoid he's listening.)
Another 'what the f***' moment of this for me was when Bryce portals home and "is held hostage" in her house. For most of the scenario, while she is home, there are no clues that she went there on purpose. She opens the chapter by saying my powers have a sense of humor for slamming my face into that wall. Then she whines and complains and banters with her dad for about two chapters, during which they trade information. Then, Bryce reveals she was faking being a hostage, stole a key to unlock her magic handcuffs from Ruhn's room (THAT'S SUPER CONVENIENT), and was just using her villainous' dad's massive ego to figure out the information she wanted on the magic blades and her star powers. Do we see her search for the key? No, we did see her hide in her borhters room and cry about her brother and husband being tortured on his bed. THE WHOLE CHAPTER IS IN HER POV--so why aren't we, as readers, privy to her master chess moves?
Bryce pulls out a notebook she stole from the Autumn King to barter with Morwen. When did she take that?
Bryce figures out how to use the swords when she thrust them inside Pollack's ribcage. How? She's collected the three-star magic batteries of her evil ancestors, so she just knows how to do it i guess?
The only reason this sort of Sherlock Homes' Suprise reveals work in other media is that the clues are visible if you look for them, and the convoluted answer as to how they arrived at that solution is also revealed dramatically in a conversation or internal monologue where they tell you had they did it. Bryce's surprise reveals you are just surprised out of the left field that is convenient to get her to the next plot point and gives us no insight on her actual character.
3) What is the point of Sigrid's character? Ithan could have had a perfectly compelling reluctant leader of the Pack arc without her. Instead, we get 65% of the book of him running around trying to resurrect her just so he can bump into Jezebel and Hypaxia, who will offload some more ancient history exposition and conveniently have all the tools they need to save Bryce from death.
4) What's the point of Baxian's character? His mate was killed, all of his rebel allies were killed, and he was tortured. He also reveals a tragic backstory about why he became a monster before switching sides. But hey, look, the pegasus are back. Baxian's lost his mate and part of his soul, been tortured, and lost all of his rebellion allies--sorry all your friends are dead, but hey, alien parasites didn't eat your mate's soul, she's in heaven. Please don't immediately unalive yourself. Instead, keep acting as a steward to Bryce's country because the ancient Pegasus has returned.
5) Characters withholding important information for dramatic reveals.
-Jezebel is the caretaker of a wiped-out human civilization history that explains a time before the Astari. Her people died 1500 years ago to protect this knowledge and ensure it wasn't forgotten. She proceeds to make sure it is forgotten because a demon cursed her and because it is not really powerful--just theoretical math books or literature. Even though knowing there was a world before the Asteri would have been helpful for the main character to know two books ago.
-The Prince of Hels doesn't tell Hunt he has the power to override the inked crown on his head because Hunt had to suffer/be tortured or else they would find out he was Hel test tube baby. The also don't tell Bryce any of the information Helena or Silene had infor dumped earlier on because she wasn't ready yet.
-Danika is still a character who knows the secrets of everything and everyone in the book. Everyone attributes some aspect of the rebellion's success or their character development to her.
6) Love heals mass amounts of trauma and tosses away what could be interesting explorations of complex and deeply hurt characters by making them mates.
-Hunt's got PTSD the size of an entire universe about being a commanding officer of the army and watching his friends die because of his orders and decisions. Bryce tells him to get over it and that she loves him. Hunt does.
-Ruhn has a hard time coming to terms with the fact that the woman he was in love with is a double agent who betrayed him and his sister, helped torture him, and historically has murdered and tortured lots of people. Then he finds out she did everything cause she's a mom and also thinks she's hot. What trauma? We're mates now.
Theorion is an immature guy who just wants to have some fun and continually makes bad decisions because he's unwilling to face his own emotions. Then he gets married, and he's suddenly ready to be a hero.
7) The smut in this book all felt like the same scene written over and over again regardless of the parties involved.
Content Warnings
Graphic: Sexual content and Torture
Moderate: Death, Emotional abuse, Fire/Fire injury, Blood, Colonisation, Body horror, Child abuse, and Cursing
Minor: Genocide