Reviews tagging 'Homophobia'

American Psycho by Bret Easton Ellis

318 reviews

legitimatesalvage's review against another edition

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challenging dark tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0


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menderash's review against another edition

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challenging dark funny tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

Absolutely disgusting. Absolutely surreal. Absolutely hilarious. 5/5.

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sarah_piette's review against another edition

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challenging dark sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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levitatingnumeral's review against another edition

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dark reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.0

There’s no doubt this book has been controversial from its release, with readers torn between finding it boring/disgusting or a masterpiece. I… well, somehow I wanted more.
Let’s start from what I loved most: Bateman’s vapid monologues. I see many reviews saying they made the book incredibly dull, but I actually found them to be unbelievably valuable in showing just how superficial and self-obsessed Bateman is. It’s clear he is completely unaware of the utter indifference anyone else would show towards his obsession with himself, and Bret’s narration is flawless. It truly felt like I was hearing a narcissist talking, 100% immersion.
On the other hand, I must admit I struggled a bit to keep track of the level of Bateman’s unreliability. Since the characters were (purposefully) so similar, at times I would catch myself wondering if it truly was Bateman unreliably reporting the actions of his peers or if it was me mixing up the characters. I will give Bret the benefit of the doubt, though, because maybe this was the very effect he wanted to create. He has talked about how the core of the plot is something he himself is unsure of and left open for interpretation, so perhaps it was his intent to make us readers wonder at all times whether we were misremembering or if it was a lie. It would make perfect sense, in the context of Bateman’s constant manipulation.
What I definitely wanted more of, though, was… a certain kind of consistency in two specific aspects:
1. The effect of drugs on Bateman. We see him, at one point, break down and practically black out. But after the worst occurrence, it seems like this aspect was just left out. 
2. The ending. It felt so abrupt I was completely lost. I wanted maybe a few more threads to be pulled tighter. I don’t want answers, but maybe I would’ve enjoyed if I had relevant, confusing points being weaved into a torn, fuzzy, mismatching fabric to drive home just how unsure I should be.

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solocupofearlgrey's review against another edition

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challenging dark emotional mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.0

I dropped this because it’s just too much for me even though I do enjoy true crime media, I also heavily dislike the main character which I believe is one of the points of the book - but still I don’t like reading a book where I hate the narrator/or main character(s). I got to page 170-177 before dropping it. 

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evelyncore's review against another edition

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challenging dark funny mysterious reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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sunnysoftpeach's review against another edition

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challenging dark funny slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

An extremely hard read. The movie is one of my favourites so obviously I decided to pick up the book. I had to genuinely put it back on the shelf and take a break from it a couple times. Much more graphic and disturbing.

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ahh_listen's review against another edition

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dark funny slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.0


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moosereads1's review against another edition

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challenging dark slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.5

I would like to preface this by saying, I know what the author was going for. I understand that it was meant to be satirical, to criticize the wealthy and highlight how well a psychopath like Bateman would fit in with Wallstreet yuppies. Easton accomplishes what he set out to do with this novel, which is quite frankly the only reason that this book wasn't a 1 star - it accomplished its goal at the very least. 

That being said, there were several things I took issue with in this book. For starters, the countless pages full of misogyny, racism, and homophobia drove me nuts. Yes, it helps convey how awful Bateman is (though you'd think the serial killer part would convey that enough), but it felt so excessive. 

Speaking of excess, this probably could have lost at least 100 pages if all the repetitive name brands were removed. Every page it felt like was Armani this, Ralph Lauren that. This was seen in the descriptions of restaurants and food as well - going to this restaurant and getting reservations at that restaurant and getting this food and that food every single time... if anything, props to Easton for coming up with dishes like salmon meatloaf and jalapeno pudding. I know it was designed this way to show just how materialistic rich people are, especially with the comments that more expensive = inherently better, but it made a large portion of the book mind-numbingly boring. I really struggled to get through the first half of the book because it was so slow and I was so bored. It didn't help that some of the gore bordered on gratuitous, serving very little purpose after a certain point. 

I really wanted to enjoy this book. A satirical horror story that commented on the narcissism and materialism of the rich? It should have been a fantastic read, but it just wasn't. Pages upon pages of monotonous descriptions of clothing brands and bizarre foods to bore the reader followed by the whiplash of outright pornographic scenes and graphic gore did not make for an enjoyable story, and this is coming from someone who has absolutely no issue with disturbing/gory books and movies. It just wasn't it for me. 

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nadiajohnsonbooks's review against another edition

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dark slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.5

I truly don't know how to articulate my thoughts about this book.

Let's start with what I liked:

I loved the writing style: manic, rambling, and full of non sequiturs that give the genuine feel of intrusive thoughts. I liked the random chapters of music critique and the view into yuppie Manhattan in the late 80s.

The juxtaposition of mundanity and grotesque violence was jarring and really dialed up the horror in a satisfying way.

Elements of the satire (the absolute interchangeability of the Wall Street bros, the new Salvadorian bistro that everyone is excited about but no one ever seems to go to) worked for me.

But a few things didn't sit right with me even upon reflection.

Pat Bateman and all his compatriots are misogynists, racists, and general scumbags. Okay. But the overwhelming use of racial slurs and sexual violence as a plot device felt less like satire or character development and more like a fifteen year old edgelord trying to get his mom's attention.

I suspect my rating of this book will change a few times the more I consider it, but there's no question that it will stick with me.

I know that Ellis left it consciously ambiguous, but I don't get the impression that Bateman actually killed anyone. I think that he (both Ellis and Bateman) is just an edgelord with a uniquely complex inner life. Aside from a couple oblique references to dreaming and the fact that certainly purportedly murdered characters seem to still exist at the periphery of Bateman's social sphere, there doesn't seem to be much evidence to suggest that he did. The obliviousness of everyone around him could be read as a satire of "see something? Mind ya business" manhattanites, but even satire has its limits.

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