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emotional
sad
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
So, I'm a mess. No really.
For a long while I wasn't planning on reading this book because I'll be honest Rilla was my least favourite of all the Ingleside children. Not because she was the youngest but because honestly, she was very annoying and whiny. But as I am working on a project about the Anne of Green Gables as a whole, I couldn't just put off this book forever.
It was heart-aching. Seriously. I teared up all through it! It was of course filled with war propaganda, but since it was being told from the perspective of Canadian families whose boys actually fought and died in World War I, it made sense.
What I was most impressed with, however, is Rilla's character development. I started out not liking her at all, but by the end of the books, I found myself not just liking her but actually adoring her. It was impressive and gradual and I applaud L. M. Montgomery for that.
So much so that this was shaping to be a 5-star read. Until the last couple chapters. Why?
Spoiler-free version: No one is safe in this book.
Spoiler-version:Why in the world does L. M. Montgomery hate cats?? Huh? We get two cat deaths at the very end of the book while the dog comes out as a loyal loveable hero. And one of the two deaths was especially brutal!
Overall, I would still recommend reading the book (but especially give the version narrated by Barbara Caruso a try because she's phenomenal) but make sure to check out trigger warnings first!
For a long while I wasn't planning on reading this book because I'll be honest Rilla was my least favourite of all the Ingleside children. Not because she was the youngest but because honestly, she was very annoying and whiny. But as I am working on a project about the Anne of Green Gables as a whole, I couldn't just put off this book forever.
It was heart-aching. Seriously. I teared up all through it! It was of course filled with war propaganda, but since it was being told from the perspective of Canadian families whose boys actually fought and died in World War I, it made sense.
What I was most impressed with, however, is Rilla's character development. I started out not liking her at all, but by the end of the books, I found myself not just liking her but actually adoring her. It was impressive and gradual and I applaud L. M. Montgomery for that.
So much so that this was shaping to be a 5-star read. Until the last couple chapters. Why?
Spoiler-free version: No one is safe in this book.
Spoiler-version:
Overall, I would still recommend reading the book (but especially give the version narrated by Barbara Caruso a try because she's phenomenal) but make sure to check out trigger warnings first!
Graphic: Animal cruelty, Animal death, Death, War
Moderate: Violence, Murder, Injury/Injury detail
I love Anne of Green Gables. I enjoy some of the sequels as well. However, the Blythe Kids stories have never held my interest. So by the time I got to Rainbow Valley (this book's predecessor), I gave up halfway in and just went back to AOGG again.
Still, over time I'd heard good things about this book, and decided to finally give it a chance.
Rilla Of Ingleside is a bit of a dark book, and no wonder -- it covers the World War I years -- but I'd already been spoiled about He Who Dies, so got through that. I really enjoyed reading about the War from the perspective of those who lived through it, getting their news from the newspapers and via telephone, if possible. It was like nothing I'd read before.
Montgomery weaves in a good number of side stories that add both humor and poignancy to this otherwise would-be dreary tale. Anne has been relegated to an ancillary character, but when we do get moments with her, they're sweet.
Then -- BAM. Three chapters from the end, I was already recommending this book to a friend, and then -- LMM put something in one of those last chapters that made me so upset, I went back to my friend and UNrecommended the book. (Lesson learned, I guess. Finish books before you recommend them.)
Spoiler: No one is safe in this book, not even animals. GOOD GRIEF, Maud. What a way to go out.
Still, over time I'd heard good things about this book, and decided to finally give it a chance.
Rilla Of Ingleside is a bit of a dark book, and no wonder -- it covers the World War I years -- but I'd already been spoiled about He Who Dies, so got through that. I really enjoyed reading about the War from the perspective of those who lived through it, getting their news from the newspapers and via telephone, if possible. It was like nothing I'd read before.
Montgomery weaves in a good number of side stories that add both humor and poignancy to this otherwise would-be dreary tale. Anne has been relegated to an ancillary character, but when we do get moments with her, they're sweet.
Then -- BAM. Three chapters from the end, I was already recommending this book to a friend, and then -- LMM put something in one of those last chapters that made me so upset, I went back to my friend and UNrecommended the book. (Lesson learned, I guess. Finish books before you recommend them.)
Spoiler: No one is safe in this book, not even animals. GOOD GRIEF, Maud. What a way to go out.
challenging
emotional
hopeful
inspiring
sad
tense
medium-paced
Strong character development:
Yes
Loveable characters:
Yes
This was still a brilliant book but it was a really depressing end to such a wholesome series and I do have some complaints.
I knew Anne was no longer the main character but she is barely a character at all now. Susan is much more of a main character than her now, in fact sometimes Susan felt like more of a main character than Rilla who was meant to be the main character. It felt like half the book was Susan’s dialogue.
Also, I feel like we barely got to see any of the siblings actually interacting. It was only really Rilla and Walter. I would’ve loved to see more of Anne’s children, especially since they seemed like side characters in Rainbow Valley too.
And why was Shirley like non-existent in the whole series? I found it really weird when he called Susan ‘mother-Susan’ when Anne is a great mum.
Also, why did a cat have to drown😭
I knew Anne was no longer the main character but she is barely a character at all now. Susan is much more of a main character than her now, in fact sometimes Susan felt like more of a main character than Rilla who was meant to be the main character. It felt like half the book was Susan’s dialogue.
Also, I feel like we barely got to see any of the siblings actually interacting. It was only really Rilla and Walter. I would’ve loved to see more of Anne’s children, especially since they seemed like side characters in Rainbow Valley too.
And why was Shirley like non-existent in the whole series? I found it really weird when he called Susan ‘mother-Susan’ when Anne is a great mum.
Also, why did a cat have to drown😭
J’ai beaucoup aimé le personnage de Rilla mais le fond de guerre a été particulièrement pesant pour moi.
I felt like this one took forever to read, but it was good. If I had not been reading it at work, some tears would have been shed. There were so many heartbreaking parts.
emotional
funny
hopeful
inspiring
sad
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
hopeful
inspiring
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
emotional
hopeful
informative
tense
slow-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
No
I expected to enjoy this, but it was a surprise miss for me. It's a nostalgia read, really - for which I had no nostalgia, and which does not, and was not intended to, hold up that well as a standalone novel.
Part of that is my fault for coming in on the final volume of the series; I've read the early volumes several times but I skipped (or read so long ago I've forgotten) the two proceeding this one, so I had less stored up affection for these characters that the author might've been reasonably counting on. The cast were babies in those books, was my reasoning, and besides I'd heard this volume focused on Rilla, who had been too young to do much in past volumes.
Rilla did get a lot of time on the page, as might be expected, but I have to say, the volume might as well have been titled "Susan of Ingleside" as anything. That's not a critique, necessarily, as I didn't mind Susan, particularly when compared with some of the vipers that filled out the cast (Irene and Sophia spring to mind) but at the same time, Rilla didn't get the same detailed, focused development her mother did in the earlier books. Only the highlights of the Red Cross Juniors, for instance, as compared to chapters given to Anne's Improvers. Several chapters dedicated to Jims, which were fine. (It's entirely natural to the time period, but I have to say I wasn't wild to see Rilla's parentification shoved onto her with so little compassion.) There was some small town doings, and some girlhood antics, but really a lot of the book was Susan reacting to wartime news.
This focus on the war is actually what I was most interested in and most expecting from the novel and it's hard to say I didn't get it, but not quite in the way I wanted. I think this comes down to pacing. Presumably the author knew from the start we had a long way to go, so we jump pretty quickly through events, as compared to the relaxed, day-to-day pace of Little Women (another "women on the home front" novel) or indeed, Anne of Green Gables.
Ultimately, however, that might've been simply a mercy, both to the characters and to the author herself, writing as she was only a couple years after the armistice. My interest coming into the novel was what day to day life was like during WWI, and an answer of "anxious, tedious, and slow" is likely the simple truth.
Along these same lines, part of the pathos of the volume is knowing there was a second World War looming. Perhaps this is an American perspective, or a modern one, but it's hard to relate to the hope, urgency, and finality the characters naturally felt about the conflict and its resolution. The story really is nearly fatalistically tragic when read with that in mind.
For all that, apart from Irene's existence, I have only one real gripe with the book but it was enough to knock the whole thing out of 3 stars.Why, on God's green earth, was it necessary to kill two cats within two pages of each other, right near the ending? Why, particularly, do that and then have Wonderdog Monday on practically the next page? That scene had been built up the entire novel and I was wholly taken out of it, culminating overall in a flat and somewhat embittered end to a read that I probably should've bailed out of earlier.
Part of that is my fault for coming in on the final volume of the series; I've read the early volumes several times but I skipped (or read so long ago I've forgotten) the two proceeding this one, so I had less stored up affection for these characters that the author might've been reasonably counting on. The cast were babies in those books, was my reasoning, and besides I'd heard this volume focused on Rilla, who had been too young to do much in past volumes.
Rilla did get a lot of time on the page, as might be expected, but I have to say, the volume might as well have been titled "Susan of Ingleside" as anything. That's not a critique, necessarily, as I didn't mind Susan, particularly when compared with some of the vipers that filled out the cast (Irene and Sophia spring to mind) but at the same time, Rilla didn't get the same detailed, focused development her mother did in the earlier books. Only the highlights of the Red Cross Juniors, for instance, as compared to chapters given to Anne's Improvers. Several chapters dedicated to Jims, which were fine. (It's entirely natural to the time period, but I have to say I wasn't wild to see Rilla's parentification shoved onto her with so little compassion.) There was some small town doings, and some girlhood antics, but really a lot of the book was Susan reacting to wartime news.
This focus on the war is actually what I was most interested in and most expecting from the novel and it's hard to say I didn't get it, but not quite in the way I wanted. I think this comes down to pacing. Presumably the author knew from the start we had a long way to go, so we jump pretty quickly through events, as compared to the relaxed, day-to-day pace of Little Women (another "women on the home front" novel) or indeed, Anne of Green Gables.
Ultimately, however, that might've been simply a mercy, both to the characters and to the author herself, writing as she was only a couple years after the armistice. My interest coming into the novel was what day to day life was like during WWI, and an answer of "anxious, tedious, and slow" is likely the simple truth.
Along these same lines, part of the pathos of the volume is knowing there was a second World War looming. Perhaps this is an American perspective, or a modern one, but it's hard to relate to the hope, urgency, and finality the characters naturally felt about the conflict and its resolution. The story really is nearly fatalistically tragic when read with that in mind.
For all that, apart from Irene's existence, I have only one real gripe with the book but it was enough to knock the whole thing out of 3 stars.
Graphic: Animal cruelty, Animal death, Injury/Injury detail
Moderate: Death, Sexism, Abandonment, War
emotional
hopeful
inspiring
reflective
sad
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes