Reviews tagging 'Mental illness'

The Seven Deaths of Evelyn Hardcastle by Stuart Turton

15 reviews

kaleewinterbottom's review against another edition

adventurous dark emotional mysterious reflective sad tense medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? No
• Flaws of characters a main focus? Yes

3.5

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Content Warnings

Graphic: Blood, Fatphobia, Murder, Self harm, Sexual violence, Suicide, Torture, Violence, and Drug abuse

Moderate: Addiction, Child death, Death, Grief, Mental illness, Rape, Sexual assault, Injury/Injury detail, and Stalking

whatathymeitwas's review against another edition

adventurous challenging dark emotional mysterious reflective tense medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? No
• Flaws of characters a main focus? It's complicated

5.0

This was a really wonderful experience. When I first started it, I wasn't sure how I was going to feel about it, as everything is a bit befuddled and there's a reasonably large cast of characters involved, but it's so well written I was immersed and attached in no time.

This reminded me a bit of the play/TV film "An Inspector Calls." Not necessarily for any real direct reason other than they're both examples of very unique ways to approach a mystery, but that alone must have made the connection. I'll be very excited to watch this whenever they finally get it in series form.

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Content Warnings

Moderate: Classism, Death of parent, Drug abuse, Death, Fire/Fire injury, Injury/Injury detail, Medical content, Panic attacks/disorders, Self harm, Torture, Violence, Addiction, Alcohol, Alcoholism, Blood, Body shaming, Bullying, Fatphobia, Mental illness, Murder, Grief, Gun violence, Rape, and Stalking

dustghosts's review against another edition

adventurous challenging dark emotional mysterious reflective tense medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? No
• Flaws of characters a main focus? Yes

4.0

+ Beautiful turns of phrase, figurative language, the kind of writing that makes me want to also sit down and write
+ Satisfyingly cyclical, repetitive but full of just the right twists and turns that you want to keep reading to figure out what the exact same scene and setup looks like through a different set of eyes
+ Super exciting exploration and expansion of how to use POV to invoke emotion, tell a thrilling story, and string everything together
+ A very charming cast of absolutely unbearable little bastards; feels like you gain an evolving and empathetic understanding of each character with each new day

+ Despite the author’s sort of muddled/overly neutral comments in his own commentary, I find the book to be a pretty compelling allegory for and argument against the carceral state. The text itself feels distinctly poised against both the current prison system and the future potential for “mental imprisonment”.

- Some really egregious fatphobia that feels uncomfortable and gross to read, especially for a contemporary book. Not really skippable, either— while this character has other values to the narrative, fatness is treated as a debilitating moral failing reflective of character.
- So extremely British—
- Near the end, starts to feel as though things are being wrapped up too quickly, not quite as immersive as the rest of the book.

For example, I think we’re supposed to interpret Annabelle before Blackheath as as heinous as Daniel, whose villainy we’ve watched develop and worsen throughout the week. But whoever she was before feels too simply and vaguely summarized in comparison to the blunt relaying of Daniels crimes throughout the rest of the book. I wish we could spend a little more time remembering WITH Aiden, though I suppose the pacing might suffer for that.

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Content Warnings

Graphic: Child death, Confinement, Death, Fatphobia, Injury/Injury detail, Murder, Suicide attempt, Violence, Animal death, Blood, Gun violence, Gaslighting, Gore, Grief, Suicide, and Torture

Moderate: Alcohol, Sexual violence, Alcoholism, Body horror, Addiction, Classism, and Sexual assault

Minor: Infidelity, Medical content, Mental illness, Self harm, Sexism, Rape, Vomit, Body shaming, Child abuse, Drug abuse, Drug use, and Fire/Fire injury

davidrb's review against another edition

adventurous challenging dark funny mysterious tense medium-paced

• Plot- or character-driven? Plot
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? No
• Flaws of characters a main focus? Yes

4.5

I waffed on what to give this, but I decided that despite my reservations, this thing slaps beyond belief. It completely shifted my perspective on what a good mystery can be, and what a good book can be in general. It was engaging, and I have a feeling I'll get even more out of rereads, but it also has a solid heart: more than I thought it would. Do yourself a favor and pick this up! It's fun.

Points deducted for being kinda slow to start (took me a few tries before I got into it) and a weird, prolonged section of fatphobia.

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Content Warnings

Graphic: Addiction, Alcohol, Animal cruelty, Animal death, Blood, Body shaming, Child death, Confinement, Death, Death of parent, Drug use, Emotional abuse, Fatphobia, Gaslighting, Grief, Gun violence, Infidelity, Medical content, Mental illness, Murder, Rape, Self harm, Sexual assault, Stalking, Suicidal thoughts, Suicide, Suicide attempt, and Violence

iviarelle's review against another edition

dark mysterious tense medium-paced

• Plot- or character-driven? Plot
• Strong character development? No
• Loveable characters? No
• Diverse cast of characters? No
• Flaws of characters a main focus? It's complicated

2.0

I really wanted to like this. I tried. I gave it every chance I could find it in me to give.

I just kinda can't. And it's for one primary and one secondary reason.

Firstly, and most obviously, this book doesn't offer its female characters any depth. Every woman on the page is a one note tune. Even in the twists that involve a woman, they're the most overused and unsubtle kind of tropes.  If depth is attributed to a woman, it's only through telling us she's more, not by showing us. And that's a problem.

The second problem is... Less widely recognized. The men in this story don't get a whole lot of depth either, which is a little obfuscated by the much wider range of types of men that exist in the story. But, some of those men are horrific tropes walking.

Take Ravencourt: every moment spent with him is spent thinking about how fat he is. Almost every paragraph includes some remark about shameful gross obesity or how difficult his being shamefully obese makes it to walk down a flat hallway. While it's true that being fat is hard, there's WAY too much judgement and downright fatphobia or fatmisia in every line of the parts where he's mentioned.

Take the drug dealing doctor, the privileged rapist whose mother buys his way out of trouble again and again... It's all part of a pattern and not one that flatters the author's sender of creativity or knowledge of human nature.

You could argue that the point of the story is to be flat and unsubtle, but I don't buy it. I think this could have been much more interesting if the author had given a damn. And giving a damn is the least we should expect from people or books these days.

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Content Warnings

Graphic: Blood, Body shaming, Child death, Death, Drug abuse, Drug use, Gore, Gun violence, Infidelity, Mental illness, Murder, Physical abuse, Self harm, Torture, and Violence

Moderate: Ableism, Alcoholism, Forced institutionalization, Rape, Sexual assault, and Sexual violence