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horriblehorrid's review
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Death, Murder, Colonisation, Dysphoria, and Injury/Injury detail
fe_aye's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
Graphic: Child abuse, Child death, Cursing, Misogyny, Violence, Blood, Grief, Death of parent, Alcohol, War, Injury/Injury detail, and Classism
chrisljm's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
This is a story about fate and how the main character seeks greatness with hers. Although an interesting premise, I didn’t really enjoy how the story was told. It’s like the meme about Zuko’s honor except it’s a billion times worse because all the main character talks about is her fate/greatness, it was incredibly excessive (fate was mentioned 145 times, greatness 50 times). I think the main character started off interesting, but something about the way we see her through other POVs made me so unattached to her, and I really didn’t care if she succeeded or failed.
I think maybe a large part of why I didn’t enjoy the book that much is because my beliefs/the way I see the world is so vastly different from the main characters, and so my disappointment might just be a me problem.
But also, the story moves so slowly it’s kind of hard to read in large chunks. A lot happens but it doesn’t feel like it, and I don’t want to say it’s boring, but it was hard not to zone out. There are also times where parts of a scene happen off screen? I don’t know if this is just a writing style or what, but it was confusing because instead of reading what happens, I have to infer for myself because the author likes to describe emotions first and events second.
Graphic: Body shaming, Child death, Death, Misogyny, Sexism, Sexual content, Torture, Toxic relationship, Violence, Xenophobia, Blood, Grief, Death of parent, Murder, Fire/Fire injury, Colonisation, Dysphoria, War, and Injury/Injury detail
Moderate: Ableism, Animal death, Body horror, Child abuse, Chronic illness, Gore, Homophobia, Slavery, and Alcohol
Minor: Pregnancy
laserdiscreader's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Moderate: Sexual content, Grief, Death of parent, Murder, War, and Injury/Injury detail
leonormsousa's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.5
Moderate: Ableism, Animal cruelty, Animal death, Body horror, Child abuse, Child death, Death, Gore, Infertility, Infidelity, Misogyny, Racism, Sexism, Slavery, Transphobia, Violence, Xenophobia, Blood, Grief, Death of parent, Murder, Abandonment, Dysphoria, War, Injury/Injury detail, and Classism
chalkletters's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
Of the two, She Who Became the Sun engages with its themes in a much more rounded way. Zhu Chongba is self-aware enough to self-describe as unempathetic, something which doesn’t seem as though it would occur to any of K J Parker’s characters. She Who Became the Sun is at its most charming in the early chapters, when Zhu’s ambitions are primarily her own continued survival. Fans of fantasy con artists will especially enjoy Zhu’s problem-solving at the monastery. Shelley Parker-Chan balances Zhu’s ability to compartmentalise emotions with other characters: both Ma Yingzi and General Ouyang have more than their fair share of emotional turmoil.
Though Zhu continues to put her smarts to good use throughout, the middle of She Who Became the Sun is less engaging if you’re not a fan of military stories. Shelley Parker-Chan doesn’t go overboard with tactical battle details, but perhaps because of that the stakes don’t feel as immediate. The drama moves onto a much larger scale, and so loses some of the human interest. That said, the relationships on both sides play out in serpentine ways, elevating the subplots to the point where they are more rewarding than the plot is.
Towards the end, Shelley Parker-Chan weaves everything together into an ending that hits hard and really highlights Zhu’s journey, while still giving a sense of how far she has to go, and potentially, what depths she’ll have to reach to get there. Themes and characters coalesce, and its clear that the plot is well thought-through.
Moderate: Ableism, Child death, Murder, and Injury/Injury detail
Minor: Animal death, Blood, Death of parent, and War
alexisgarcia's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Animal cruelty, Animal death, Death, Gore, Rape, Sexual assault, Sexual content, Suicide, Violence, Blood, Grief, Death of parent, Murder, Abandonment, Colonisation, War, Injury/Injury detail, and Classism
terry_reads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? N/A
3.0
Graphic: Death, Homophobia, Misogyny, Violence, Blood, Murder, Dysphoria, War, and Injury/Injury detail
Minor: Animal death, Child death, and Slavery
the_reading_kat's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.5
Graphic: Gore, Sexism, War, and Injury/Injury detail
aileron's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Ableism, Death, Emotional abuse, Gore, Misogyny, Physical abuse, Torture, Violence, Blood, Murder, Fire/Fire injury, Colonisation, Dysphoria, War, and Injury/Injury detail
Moderate: Animal death, Bullying, Child death, Grief, Death of parent, and Alcohol
Minor: Racial slurs, Racism, Slavery, Xenophobia, Excrement, Cannibalism, and Classism