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Fair warning for the few who haven't read it yet: this book isn't just post-pandemic, but contains a lot of description of how the pandemic unfolded that you (like me) might find harder to read in its familiarity.
Graphic: Death, Gun violence, Grief
Moderate: Suicide
Graphic: Death
Moderate: Suicide, Kidnapping, Murder
Graphic: Death, Gun violence, Religious bigotry, Murder
Moderate: Suicide, Medical content
"First we only want to be seen, but once we're seen, that's not enough anymore. After that, we want to be remembered."
Emily St. John Mandel taps into something sublime with Station Eleven, something that manages to speak to a particular moment in time while also capturing something universally timeless about living. The narrative and its characters may not have always resonated with me, but Mandel's beautiful writing and thematics quickly and repeatedly struck a nerve with me.
I usually latch onto the characters in a story, so while I liked the casts Mandel shifts between, I never felt as invested in them as I wanted. For example, I kept waiting for the story to peel back layers on specific characters or ideologies in the "present-day" sections, but those insights never really came. After all of the rich character development and exploration of the "flashback" stories—which, while familiar, are written with aching honesty and vulnerability—the present-day sections felt somewhat lacking.
That's not what's going to stick with me, though. The stories of lonely people discovering and fighting for their found families, the enduring hope they create together, the capacity for art and conviction to be what saves our souls in the end—that's what I'll remember about Station Eleven. I don't think the book even says anything profoundly original, but the unique angles it uses to approach those familiar ideas and genres make them feel new. Or, if not new, then timely and maybe even necessary.
Graphic: Medical content, Grief, Medical trauma
Moderate: Adult/minor relationship, Death, Violence
Minor: Child death, Suicidal thoughts, Suicide, Torture, Vomit, Stalking, Death of parent, Abandonment
Graphic: Death, Violence
Compellingly written prose with a well-developed cast of characters. Whilst I wish Kristen's storyline had more events within it, I really liked the book and I think it is both hopeful and unsentimental about humanity, in a way that I suspect might be altered in the TV adaptation.
This book has a lot to say about art and community-building and the role these will play in coming crises. It felt resonant with ecological anxieties about climate change and social anxieties in the age of COVID-19. Some of the passages about process and industrialisation felt a tad oversimplified and neoliberal - surely an Amazon delivery driver or a factory worker making snowglobes has complex, nuanced feelings about their labour and their lives that goes beyond gratitude for a job - but everything else was thoughtful, interesting, well-paced and moving. I loved Kirsten and Miranda. What wonderful characters.
Graphic: Child abuse, Confinement, Cursing, Death, Gun violence, Mental illness, Pedophilia, Sexual violence, Violence, Medical content, Grief, Death of parent, Murder, Pregnancy, Abandonment, Injury/Injury detail
This book is basically a meditation on a quote from Star Trek, which is a mantra often repeated by the characters themselves: "survival is insufficient." It's about why the human need to create art and tell stories is worth braving the danger of an unpredictable post-apocalyptic world. It's also about the choice to let go of what we've lost vs the drive to rebuild it, or how to balance both. I ugly cried more than once.
Three of the main characters are sympathetic, compelling, interesting. If there's any flaw in this book it's that the one character that glues the others together - the first character mentioned in the opening line - is self-centered, boring to read about, and doesn't grow. Defeating the villain is only a small sliver of the story; the main goals of the main characters are to survive a post-apocalyptic world, to uncover missing truth, and to create something worth surviving for.
Graphic: Child death, Death, Gun violence, Violence, Kidnapping, Injury/Injury detail
Moderate: Blood
Minor: Child abuse, Domestic abuse, Infidelity, Pedophilia, Physical abuse, Rape, Sexual violence, Suicide, Trafficking, Alcohol
Graphic: Death, Kidnapping
Moderate: Child abuse, Suicide
Minor: Alcoholism
The book has a nice pace, and just ambles through the lives of various survivors loosely connected to each other before the pandemic hits
Graphic: Death, Grief
Moderate: Ableism, Violence, Kidnapping
Minor: Child death, Gun violence, Sexual assault, Suicidal thoughts, Death of parent, Murder
Graphic: Death, Injury/Injury detail
Moderate: Gun violence, Suicide, Violence, Kidnapping, Grief, Medical trauma, Death of parent, Murder
Minor: Adult/minor relationship, Animal death, Child death, Chronic illness, Gore, Infidelity, Rape, Blood, Medical content, Pregnancy, Fire/Fire injury, Abandonment, Alcohol, Injury/Injury detail