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fionamclary's review against another edition
challenging
emotional
hopeful
informative
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Well, I'm sad to say that the quest for a truly excellent sapphic academia continues. Although I liked this a good deal better than the last sapphic dark academia I read, I still found some things lacking.
Like many readers, I had a hard time seeing how all four perspectives fit together. Often it felt like I was reading two to three different books. I think if all four characters had personal connections to each other, it would have worked much better. As it was, basically the only character that Louisa had any relation to was Karina. This made the different perspectives feel additionally disjointed. However, all characters went through satisfying development, whether for better or for worse. Preston, falling into the latter category, ended up being an interesting vehicle for exploring the intersection of art, capitalism, and the 2010s internet through a lens that captured both the 2011-2012 setting of the book and the hindsight that the author has 10 years later.
Speaking of the early 2010s...a small thing that bothered the heck out of me was the timeline of Preston's Tumblr. The book says that he started it shortly after his mother's death, which happened when he was 14. This would have been 7-8 years before the events of the book. Tumblr was launched in 2007, 4-5 years before the events of the book. I was surprised that a Millennial author would get this detail wrong—and she could have resolved it by saying that he started on another platform and then migrated to Tumblr, but no, it explicitly says that he started his Tumblr soon after his mom died. This bugged me way too much but I don't think it's an unreasonable thing to get right. Am I crazy??
I read this book in April 2024, as I'm watching encampments protesting the genocide in Gaza go up on university campuses across the country, so the Occupy setting of this book felt especially timely. I might recommend this book to anyone looking for parallels in their reading life to current events.
Anyway, I think this would be a solid read for the art girlies looking for something meditative and gay. Just don't expect it to be The queer academia of all time.
Like many readers, I had a hard time seeing how all four perspectives fit together. Often it felt like I was reading two to three different books. I think if all four characters had personal connections to each other, it would have worked much better. As it was, basically the only character that Louisa had any relation to was Karina. This made the different perspectives feel additionally disjointed. However, all characters went through satisfying development, whether for better or for worse. Preston, falling into the latter category, ended up being an interesting vehicle for exploring the intersection of art, capitalism, and the 2010s internet through a lens that captured both the 2011-2012 setting of the book and the hindsight that the author has 10 years later.
Speaking of the early 2010s...a small thing that bothered the heck out of me was the timeline of Preston's Tumblr. The book says that he started it shortly after his mother's death, which happened when he was 14. This would have been 7-8 years before the events of the book. Tumblr was launched in 2007, 4-5 years before the events of the book. I was surprised that a Millennial author would get this detail wrong—and she could have resolved it by saying that he started on another platform and then migrated to Tumblr, but no, it explicitly says that he started his Tumblr soon after his mom died. This bugged me way too much but I don't think it's an unreasonable thing to get right. Am I crazy??
I read this book in April 2024, as I'm watching encampments protesting the genocide in Gaza go up on university campuses across the country, so the Occupy setting of this book felt especially timely. I might recommend this book to anyone looking for parallels in their reading life to current events.
Anyway, I think this would be a solid read for the art girlies looking for something meditative and gay. Just don't expect it to be The queer academia of all time.
Content Warnings
Graphic: Infidelity, Drug use, Classism, Alcohol, and Domestic abuse
Moderate: Sexual assault, Sexual content, Cursing, Mental illness, Terminal illness, Suicide, Death, Dementia, and Suicidal thoughts
Minor: Lesbophobia, Bullying, Police brutality, Grief, and Homophobia
lovelymisanthrope's review against another edition
dark
emotional
hopeful
reflective
sad
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I picked up this book because it was the monthly book club selection for someone I am subscribed to on Patreon.
"Sirens & Muses" follows four artists during a semester at a prestigious and competitive art school, Wrynn College of Art. Louisa is a level-headed, quiet nineteen-year-old who feels completely out of her element. Karina's parents have made a huge name for themselves in the art world, so it feels inevitable that Karina herself will succeed. Preston's home life is rife with turmoil, and he acts out and uses his shock-value art to get a rise from everyone. Robert is a once famous artist who has found himself as a professor at Wrynn. All of these characters have their flaws, and they are all just trying to succeed at the one thing that makes their life worth living.
This novel was pretentious as hell, but that is kind of why I loved it. These characters are artists and they view the world in such a different way. They are outraged by the problems they are facing in America in 2011 and are constantly walking the line between staying true to the art and creating for the sake of beauty, and selling out to a capitalistic society so they can survive in this world.
One big, reoccurring plot point in this novel is the Occupy Wall Street movement that was taking place at the time. Occupy Wall Street was a movement that protested and brought light to the economic inequalities that were taking place, and still truly take place to this day. The government can bail out big banks and multi-billion-dollar companies, but they cannot make higher education affordable? I started college in 2011 and graduated in 2016 with what felt like an insurmountable amount of debt. I completely sympathize with these characters about wanting to continue learning, being told I have to get a degree to succeed, and then feeling slighted when I graduated jobless, with debt that crippled my financial independence. Although I did not pursue an art degree, I did pursue an English degree, and I understand the struggle of feeling like a sell out because we live in this capitalistic world and I need money to survive. I think this one, moderate plot point just hit so close to home that I could not put this book down and led to my 5-star rating.
Of all the characters, I was most drawn to Louisa and Karina. They come from two entirely different worlds, but I wanted to see them both succeed so badly with their art, and their relationship. I think they are the perfect balance to one another, and having that opposite in their life, really helps them succeed with their art. Everyone thinks Karina is perfect and has the most poetic life, but she really struggles and faces real problems that would strike down anyone. She might have been born with an advantage because of her parents, but her life is far from "easy". Louisa has such a strong work ethic and is the real underdog in this story. She comes from a small town and works twice as hard just to be able to afford to stay at this art school. They are the perfect antithesis for each other.
I think Robert provides a good contrast to the other main characters because he shows a potential path they may find themselves on down the line. He has lived through being a young artist and now he has wisdom that he could not see when he was their age.
Preston is a fuckboy and I could do without his parts, but I do think he provided commentary about another type of young artist.
I already want to reread this book, and I look forward to finding more like it to enjoy!
"Sirens & Muses" follows four artists during a semester at a prestigious and competitive art school, Wrynn College of Art. Louisa is a level-headed, quiet nineteen-year-old who feels completely out of her element. Karina's parents have made a huge name for themselves in the art world, so it feels inevitable that Karina herself will succeed. Preston's home life is rife with turmoil, and he acts out and uses his shock-value art to get a rise from everyone. Robert is a once famous artist who has found himself as a professor at Wrynn. All of these characters have their flaws, and they are all just trying to succeed at the one thing that makes their life worth living.
This novel was pretentious as hell, but that is kind of why I loved it. These characters are artists and they view the world in such a different way. They are outraged by the problems they are facing in America in 2011 and are constantly walking the line between staying true to the art and creating for the sake of beauty, and selling out to a capitalistic society so they can survive in this world.
One big, reoccurring plot point in this novel is the Occupy Wall Street movement that was taking place at the time. Occupy Wall Street was a movement that protested and brought light to the economic inequalities that were taking place, and still truly take place to this day. The government can bail out big banks and multi-billion-dollar companies, but they cannot make higher education affordable? I started college in 2011 and graduated in 2016 with what felt like an insurmountable amount of debt. I completely sympathize with these characters about wanting to continue learning, being told I have to get a degree to succeed, and then feeling slighted when I graduated jobless, with debt that crippled my financial independence. Although I did not pursue an art degree, I did pursue an English degree, and I understand the struggle of feeling like a sell out because we live in this capitalistic world and I need money to survive. I think this one, moderate plot point just hit so close to home that I could not put this book down and led to my 5-star rating.
Of all the characters, I was most drawn to Louisa and Karina. They come from two entirely different worlds, but I wanted to see them both succeed so badly with their art, and their relationship. I think they are the perfect balance to one another, and having that opposite in their life, really helps them succeed with their art. Everyone thinks Karina is perfect and has the most poetic life, but she really struggles and faces real problems that would strike down anyone. She might have been born with an advantage because of her parents, but her life is far from "easy". Louisa has such a strong work ethic and is the real underdog in this story. She comes from a small town and works twice as hard just to be able to afford to stay at this art school. They are the perfect antithesis for each other.
I think Robert provides a good contrast to the other main characters because he shows a potential path they may find themselves on down the line. He has lived through being a young artist and now he has wisdom that he could not see when he was their age.
Preston is a fuckboy and I could do without his parts, but I do think he provided commentary about another type of young artist.
I already want to reread this book, and I look forward to finding more like it to enjoy!
Content Warnings
Graphic: Toxic friendship, Lesbophobia, Sexual harassment, Sexual assault, Physical abuse, Alcohol, Drug use, Terminal illness, Gaslighting, Emotional abuse, Domestic abuse, Toxic relationship, Homophobia, Hate crime, Death, Sexual content, Suicidal thoughts, Misogyny, Infidelity, and Grief
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