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crowcore's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Graphic: Blood, Classism, Misogyny, Police brutality, Sexual assault, Alcohol, and Sexism
Moderate: Death, Gun violence, Xenophobia, and Sexual content
Minor: Suicidal thoughts, War, Religious bigotry, and Racism
kaisa_reads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Graphic: Sexual assault and Gun violence
Moderate: Alcohol
Minor: Suicidal thoughts
pastelkerstin's review against another edition
4.5
One of the most interesting things about The Left Hand of Darkness for me was the mention of another planet in the federation without war or law enforcement. Now, this book apparently takes place before the federation was formed, but it's exactly about that. It's about an anarchist society, the capitalist society it clashes with, and a scientist caught between the two who wants to follow his passion. And it doesn't beat around the bush at all with its politics. No fantasy names for real-life political concepts. Instead you get moving criticisms of capitalism, authoritarianism, police brutality and patriarchy. Although Anarres isn't portrayed as flawless or as totally immune to what they were trying to escape (e.g. social capital creates a kind of hierarchy after all), you know that despite its flaws and hardships, it portrays a world more just than Urras on such a deep level.
I borrowed this from the university library, but I liked it so much, I might actually buy my own copy. My only real gripe with it is how [vague spoilers ahead] Shevek's accidental drunk night ends. He narrowly avoided becoming a character I couldn't root for anymore. Very narrowly. I think him getting drunk accidentally and not knowing what's happening/how to deal with it at all because Anarrestri don't drink makes perfect sense. I just don't like where that went...
Otherwise really fucking good!!
Graphic: Gun violence, Injury/Injury detail, Misogyny, Violence, Blood, Murder, Police brutality, Pregnancy, Sexism, Vomit, Alcohol, Classism, Xenophobia, Death, Sexual harassment, and Sexual assault
Moderate: Sexual content, War, and Suicidal thoughts
Minor: Alcoholism, Confinement, Forced institutionalization, Medical content, Addiction, and Rape
opposebooktok's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Sexual assault and Gun violence
Minor: Suicidal thoughts
chicowriter's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
5.0
Moderate: Police brutality, Sexual assault, Death, and Gun violence
Minor: Suicidal thoughts
krys_kilz's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
My main issues with this book are the anti-indigenous terminology used throughout like "savage" and "primitive" - these are framed as bad things. I also really don't understand the sexual assault scene in this book. It is never resolved and basically forgotten after it happens. That really took away from the book for me.
Graphic: Sexual violence and Gun violence
Minor: Suicidal thoughts
surelyinthefountain's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
4.75
I think some parts are a little dated, especially with respect to gender politics. While I recognize that Shevek is a deconstruction of the "great man" in that most of what he accomplishes is only possible with the support of other people and a community of like-minded people around him and he can barely even take care of himself in isolation, let alone do anything meaningful, the story still utilizes a lot of those tropes. I personally think that Le Guin does a great job of showing that this guy might be a brilliant physicist but that he is also an utter dumbass who constantly forgets to eat when he doesn't have a partner around to remind him to do so. He is also something of a gentle giant -- pacifist, vegetarian, gets sick easily, anti-war -- which is as far as you can get from what we'd often consider a powerful man. However, I'm also aware of how easy it can be to read a deconstruction as a trope played straight, and the powerful intellect for a very mathematical field is just fodder for that sort of reading.
That said, most of the book is still surprisingly fresh and relevant. The politics and philosophical ideas remain their value, even with age, and climate change and plastic waste come up in a way that is downright haunting given that this is a novel from the seventies.
Finally, it wouldn't be a review from me unless I brought up queer subtext -- or, in this case, queer text! Unlike Left Hand of Darkness, most of what I would hear about this novel before going in had to do with its politics and its philosophical ideas, not its positive portrayal of queer people, and to be fair, this is not the main focus of Dispossessed. But still, how did I not know going into this that there was going to be a prominent character who is canonically queer and just casually so? Casually as in, it is just mentioned about him a few times, but much of his role in the story has nothing to do with his queerness? Hell, you've even got the main character being canonically something like Kinsey 1 or 2 and (mild spoiler, not detailed)
Anyway. I loved this to bits. I do have to mention that there's an uncomfortable scene portraying a sexual encounter that begins as consensual but quickly turns...not. It nearly made me stop reading, but I trusted Le Guin enough to continue. It is brief, but honestly, that scene and everything leading up to it that has to do with it kind of put me off. That's the sole reason this book is not 5 stars for me. I dislike how easy it is to read the woman involved in the situation as being "at fault" for leading on a man with different expectations. Le Guin does a good job at showing the nuance in the situation, but...I don't think she does a good enough job with it to justify it and its lead-up as-is. I understand why it is there; I understand that we are meant to contrast it and the circumstances around it to the consensual scenes earlier in the book; I understand we then can make our own conclusions about how consent even can work in a society where women are treated as effectively property. But -- well, I can rationally like something in a thematic way while disliking its execution and inclusion, and that's just the way this shakes out for me.
Moderate: Sexual assault, Violence, Police brutality, and Death
Minor: Colonisation, Forced institutionalization, and Suicidal thoughts
sunray1503's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.0
Moderate: Sexual assault, Sexual violence, Police brutality, Violence, and Sexual content
Minor: Suicidal thoughts and Vomit