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3rdtimelucky's review against another edition
adventurous
funny
lighthearted
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
swarmofbees's review against another edition
adventurous
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
pepper9627's review against another edition
adventurous
lighthearted
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.25
simlish's review against another edition
4.0
I was only planning on reading 30%, to even out the really depressing other books I'm currently reading. Instead I stayed up till 1 finishing the whole thing and couldn't sleep for another hour from being so hyped and exhilarated about it. It was like pitching myself back into my favorite childhood books and so it also brought me back to my uncritical childhood mindset.
I liked it so much I read it in one sitting, feeling the best parts of being a kid, giggly and excited and racing through without trying to pick apart the plot (which did, admittedly, take quite a while to really get started)
My only complaint, and it's not a big one, as I did read the book in one sitting, is that I was recced this as f/f swordplay, which it isn't fully committed to being. Kate, the main, is bi and ends up with a guy (a guy I quite like and in a well written and paced romance!) but the f/f I was expecting was glancing and quickly over in comparison. If I hadn't come in expecting a lot more from the f/f I wouldn't have been disappointed-- in fact, if I'd picked this up at 12 when it came out, I'm pretty sure I would have figured out my own lesbianism faster, but as it is, I don't think it should be recced as f/f without caveats.
I liked it so much I read it in one sitting, feeling the best parts of being a kid, giggly and excited and racing through without trying to pick apart the plot (which did, admittedly, take quite a while to really get started)
My only complaint, and it's not a big one, as I did read the book in one sitting, is that I was recced this as f/f swordplay, which it isn't fully committed to being. Kate, the main, is bi and ends up with a guy (a guy I quite like and in a well written and paced romance!) but the f/f I was expecting was glancing and quickly over in comparison. If I hadn't come in expecting a lot more from the f/f I wouldn't have been disappointed-- in fact, if I'd picked this up at 12 when it came out, I'm pretty sure I would have figured out my own lesbianism faster, but as it is, I don't think it should be recced as f/f without caveats.
skylion's review against another edition
5.0
This has been a terrific series, and I can't wait to dive into the third book. In fact, I'm going to do that right now.
awood1994's review against another edition
adventurous
challenging
dark
funny
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
kateslowreads's review against another edition
5.0
Oh, how I loved this book! I wanted strap on one of my fencing sword and go sneaking about the backstreets of the West End. (No, I didn't, unfortunately). I loved the character of Katherine because she wasn't really solemn or bookish or anything like the usual "new girl in society" stereotype. She wasn't shocked or appalled by things, she just sort of shook her head and went back to practicing swordfighting. She was bold, mischievous, prone to action and not elaborating, and endearingly frank. I just loved her, and many of the other characters as well. I even loved Alec, though I wanted to swat him upside the head a few times. Go read Swordspoint! Then read this!
basbleu_dans_labiblioteque's review against another edition
adventurous
funny
relaxing
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
5.0
jackesq's review against another edition
4.0
Better than the first in the series and I might recommend it first since it isn’t really necessary to know the history from the first book. A teenage girls is brought to her uncles house and trained to be a swordsman and proceeds to use her skill to avenge against terrible men. #metoo but with sword fighting.
hrjones's review against another edition
5.0
The Privilege of the Sword (TPOTS) is set in the same “Riverside” world as Kushner’s more popular Swordspoint, which it follows chronologically and which provides a great deal of character and plot background. In fact, I’d be willing to venture that much of the politics and social interactions of TPOTS might be rather confusing for those who haven’t read Swordspoint. This weakens the novel slightly because, although Katherine Talbert is structurally the central character of this novel, she is overshadowed in many ways by the angsty, brittle man-pain of bad-boy Alec Campion, Duke of Tremontaine, the central character of Swordspoint. If you look around at Riverside fandom, it’s inescapable that the tempestuous romance between Alec and the swordsman St. Vier is what most readers come for. And TPOTS sometimes (only sometimes) feels more like an opportunity to squeeze out another serving of Tremontaine angst onto the page than it feels like Katherine’s story. Or maybe it just feels that way to me because I’m reading for Katherine’s story and find Alec and St. Vier far less interesting.
In a sort of vaguely late-18th-century-ish society of glittering nobility in satin and lace, and with cut-throat undertones both in the back alleys of the Riverside district and in the back rooms of upper-class politics, Katherine Talbert is summoned to the city to be taken under the wing of her notorious uncle, the Duke of Tremontaine. For Katherine, the enticement is in part the lure of a glittering season, and in part her uncle’s promise to end his mysterious feud with her parents if she accepts. Tremontaine however has no intent to launch her in society—at least, not in the usual sense. Instead, he dresses her in men’s clothing and sets her to learn swordsmanship. This, along with her uncle’s reputation, becomes something of a bar between her and the rest of society, but she does succeed in striking up an acquaintance with Artemisia Fitz-Levi, a prominent debutante, who soon becomes betrothed to the much older Lord Ferris, who just happens to be an old rival and enemy of Tremontaine. (For which, see Swordspoint.)
The middle portion of the book is the braided story of Katherine’s training (including private tutelage under the self-exiled St. Vier), Artemisia’s careening path toward personal disaster, Tremontaine’s political scheming and social outrages, and the private dramas of a handful of Characters Who Will Be Important Later.
One thread that twines through several of these subplots is the novel (also staged as a play) of “The Swordsman Whose Name was Not Death,” a melodrama of fatally honorable swordsmen, dastardly villains, swooning damsels, and deadly peril. This novel lays the framework for Katherine’s decision to champion the honor of Artemisia at the point of a sword, which sets in motion the cascade of plots and counterplots that drive the story to its somewhat abrupt conclusion.
The writing is delightful and the world-building is detailed and solid. The secondary characters are nicely varied, though some lean a bit toward archetypes, at least in their initial introduction. I confess, though, that I wanted less of Tremontaine’s socio-political scheming and more about what Katherine does after the end of the current book. It would have felt more like it was truly Katherine’s story if the current end were instead the mid-book turning point. None of this is intended to indicate that I disliked the book. Katherine is a truly delightful character (which is why I wanted more of her) and if you like stories about brave and daring girls who fight duels for the honor of their friends and who get butterflies in the stomach at the thought of kissing a famous actress…well, this is definitely a book for you.
In a sort of vaguely late-18th-century-ish society of glittering nobility in satin and lace, and with cut-throat undertones both in the back alleys of the Riverside district and in the back rooms of upper-class politics, Katherine Talbert is summoned to the city to be taken under the wing of her notorious uncle, the Duke of Tremontaine. For Katherine, the enticement is in part the lure of a glittering season, and in part her uncle’s promise to end his mysterious feud with her parents if she accepts. Tremontaine however has no intent to launch her in society—at least, not in the usual sense. Instead, he dresses her in men’s clothing and sets her to learn swordsmanship. This, along with her uncle’s reputation, becomes something of a bar between her and the rest of society, but she does succeed in striking up an acquaintance with Artemisia Fitz-Levi, a prominent debutante, who soon becomes betrothed to the much older Lord Ferris, who just happens to be an old rival and enemy of Tremontaine. (For which, see Swordspoint.)
The middle portion of the book is the braided story of Katherine’s training (including private tutelage under the self-exiled St. Vier), Artemisia’s careening path toward personal disaster, Tremontaine’s political scheming and social outrages, and the private dramas of a handful of Characters Who Will Be Important Later.
One thread that twines through several of these subplots is the novel (also staged as a play) of “The Swordsman Whose Name was Not Death,” a melodrama of fatally honorable swordsmen, dastardly villains, swooning damsels, and deadly peril. This novel lays the framework for Katherine’s decision to champion the honor of Artemisia at the point of a sword, which sets in motion the cascade of plots and counterplots that drive the story to its somewhat abrupt conclusion.
The writing is delightful and the world-building is detailed and solid. The secondary characters are nicely varied, though some lean a bit toward archetypes, at least in their initial introduction. I confess, though, that I wanted less of Tremontaine’s socio-political scheming and more about what Katherine does after the end of the current book. It would have felt more like it was truly Katherine’s story if the current end were instead the mid-book turning point. None of this is intended to indicate that I disliked the book. Katherine is a truly delightful character (which is why I wanted more of her) and if you like stories about brave and daring girls who fight duels for the honor of their friends and who get butterflies in the stomach at the thought of kissing a famous actress…well, this is definitely a book for you.