Reviews tagging 'Pandemic/Epidemic'

Babel by R.F. Kuang

85 reviews

idabwells's review

adventurous challenging dark emotional funny hopeful informative reflective sad tense fast-paced

• Plot- or character-driven? Plot
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? It's complicated

5.0

Probably the most impactful book I've ever read besides Jemisin and Butler.

Manages to capture the devastating scope of colonial genocide while also portraying the courage and brilliance of those around the world struggling to survive and triumph over it. 

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Content Warnings

Graphic: Addiction, Domestic abuse, Emotional abuse, Genocide, Misogyny, Racism, Sexism, Suicidal thoughts, Suicide, Torture, Toxic relationship, Violence, Xenophobia, Police brutality, Trafficking, Kidnapping, Mass/school shootings, Death of parent, Murder, Cultural appropriation, Abandonment, Colonisation, Classism, and Pandemic/Epidemic

Minor: Gun violence, Hate crime, Rape, Slavery, Religious bigotry, Gaslighting, War, and Injury/Injury detail

trashbinfluencer's review against another edition

adventurous challenging dark emotional informative reflective sad tense medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? It's complicated

4.25

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Content Warnings

Moderate: Addiction, Bullying, Child abuse, Confinement, Cursing, Death, Domestic abuse, Drug abuse, Drug use, Emotional abuse, Gore, Gun violence, Infidelity, Physical abuse, Racial slurs, Racism, Sexism, Slavery, Suicidal thoughts, Suicide, Torture, Violence, Xenophobia, Blood, Police brutality, Grief, Religious bigotry, Death of parent, Murder, Fire/Fire injury, Cultural appropriation, Toxic friendship, Abandonment, Alcohol, Sexual harassment, Colonisation, War, Injury/Injury detail, Classism, Deportation, and Pandemic/Epidemic

fionamclary's review against another edition

adventurous challenging dark emotional informative inspiring sad tense medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

4.5

If you've ever found yourself wondering what it would take for you to give up your current way of life and join an uprising, this book is for you.

As a huge language nerd, I was absolutely delighted with the magic system. It's clear that Kuang is also a language lover and has put a lot of research and passion into all the many languages that play a part in Babel. It's not a complicated magic system by any means, but it doesn't have to be when the intricacies are SO fascinating (at least to me).

Also, as a current physics grad student, the descriptions of Robin and his classmates' first few years at Babel were all too familiar and at times painfully relatable. The intense workload, the way it makes you a bit crazy, the closeness it can bring about when shared with others. The first third of the book set up the perfect premise for dark academia: golden summer days of picnics with your best friends, long nights in the library, and many hints that all is not right within the institution. And Kuang certainly delivered on that premise, escalating matters all the way.

I'm aware that this book made several white women quite angry. As a white woman, I can see why. Through one particular character, Kuang delivers an unflattering portrait of how white women can harm their friends of color simply by inaction and ignorance, and how they can fail when presented with the opportunity to commit to liberation. Although in some ways simplified for the purposes of fitting within the story and conveying the author's point, this portrait is not exactly wrong. I think there's some validity to criticism that the book does not do enough to address Robin and Ramy's internalized sexism, which hurts both Victoire and Letty. I think the fact that only Robin and to a somewhat lesser extent Ramy are fully fleshed-out for about the first half of the book does hamper some of the book's messages. But to say that this book indicts white women or even white people is ridiculous. The climax involves an immense show of solidarity across class and racial lines. Professor

Craft

, in my mind, serves to show what

Letty

could have been if she had fully confronted her biases and her complicity and done the right thing.

Speaking of which, the climax of this book was beautiful and destructive. I cried for fully the last 20 pages, which never happens. In the end, I don't think I fully agree with Robin. I'm not sure if Kuang does, either. I don't think we're meant to feel one way or the other -- just consider his choices and his beliefs, and hopefully we understand how he came there, having grown up with him, as it were, and seen him through all the events that led up to his decisions in the last chapters of the book.

Highly recommend for language lovers, academics who feel complicated about their funding sources, and first-world leftists trying to understand their place in the world and their role in a frightening future.

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Content Warnings

Graphic: Child abuse, Death, Racial slurs, Racism, Suicidal thoughts, Torture, Violence, Xenophobia, Grief, Death of parent, Murder, Toxic friendship, Colonisation, War, and Injury/Injury detail

Moderate: Gun violence, Hate crime, Misogyny, Sexism, Suicide, Blood, Alcohol, and Sexual harassment

Minor: Addiction, Drug abuse, Drug use, Slavery, Islamophobia, Religious bigotry, Abandonment, and Pandemic/Epidemic

pkonno96's review against another edition

challenging dark emotional informative inspiring reflective sad tense slow-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

5.0

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Content Warnings

Graphic: Death, Emotional abuse, Misogyny, Racial slurs, Racism, Sexism, Suicidal thoughts, Violence, Xenophobia, Colonisation, and War

Moderate: Genocide, Gun violence, Hate crime, Physical abuse, Slavery, Blood, Islamophobia, Religious bigotry, Suicide attempt, Murder, and Toxic friendship

Minor: Drug use, Vomit, Police brutality, Sexual harassment, and Pandemic/Epidemic

lucyatoz's review against another edition

adventurous challenging dark emotional mysterious sad tense slow-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? It's complicated

5.0

Babel by R.F.Kuang is a brilliant read although it does challenge and engage you in so many disparate themes of race, class, colonialism, slavery,  violence and  exploitation of the many by the few. 

It tells the story of four young adults, Robin, Victoire, Ramy and Lettie, as they come together as the 1st year cohort at the Oxford University's Royal Institute of Translation in 1836, as they each have amazing talents when it comes to learning languages that can be used for the benefit of the British Empire, regardless of the cost for them and those they love and care about. 

It is a big and  ambitious novel tackling big topics although it starts off quite slowly, but when the group come together, the action starts apace and takes you on a fantastical journey, which, at times, I could not tell was real or imaginary.  

I borrowed a copy of this book from Taunton Library and listened to it on BorrowBox. I read this for prompt 26, hybrid genre, for the 52 Book Club Reading Challenge 2024. 

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Content Warnings

Graphic: Death, Gore, Gun violence, Misogyny, Racial slurs, Racism, Violence, Xenophobia, Grief, Religious bigotry, Death of parent, Murder, Toxic friendship, and Classism

Moderate: Blood, Vomit, War, and Pandemic/Epidemic

mereas's review

dark emotional slow-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? It's complicated

5.0

A contemporary classic in literature. By the end, I felt simultaneously ruined and astonished by Rebecca F. Kuang's work. She covers the most existential questions in the frame of language and translation. The foundation of etymology and epistemology in the scene of colonialism and systematic oppression are narrated under one boy, Robin Swift, who is half-Chinese and half-English. I found the saddest aspect to this novel being that we never truly know his native name, of which was chosen by his late (Chinese) mother, and I cannot fathom the weight immigrants hold when they are told their names are too hard, complicated, or otherwise foreign for the English man. This also includes the erasure that colonial structures translate upon the foreign body, for they are left with no name nor grave. Rebecca F. Kuang leaves us to question whether protest and resistance should be violent or nonviolent to produce systematic change, in similar vein to the Civil Rights Movement.

Besides the foundation to this historical fantasy, the found-family trope touched my soul. I am a sucker for the most of unlikely friends to become a group of four. Between the lines, there are undertones of queer sentiments that also resonated with me, though they do not go further than just that. This, I did not mind because the characters are constantly in survival mode whether physically or emotionally. The reality underneath Rebecca F. Kuang's words is like a goldfish peaking above the water's surface--the social arguments always felt natural and fluid, which hurt the most.

Language holds so much power, yet it can just as easily be lost.
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On a side note, I love to find authors' favorite diction. Rebecca F. Kuang is biased to: teeter, tranquility, translation.
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"'What you don't understand,' said Ramy, 'is how much people like you will excuse if it just means they can get tea and coffee on their breakfast tables. They don't care, Letty. They just don't care'" (356).

"'Because you're a good translator.' Ramy leaned back on his elbows. 'That's just what translation is, I think. That's all speaking is. Listening to the other and trying to see past your own biases to glimpse what they're trying to say. Showing yourself to the world, and hoping someone else understands'" (535).

"Oxford relied on silver, how without the constant labour of its translation corps, of the talent it attracted from abroad, it immediately fell apart. It revealed more than the power of translation. It revealed the sheer dependence of the British, who, astonishingly, could not manage to do basic things like bake bread or get safely from one place to another without words stolen from other countries" (471). This, made me question what else can stand in for silver. Oil. Petroleum. Fast fashion. And, at what cost?

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Content Warnings

Graphic: Death, Racism, Sexism, Slavery, Suicide, and Xenophobia

Moderate: Addiction, Body horror, Child abuse, Drug abuse, Emotional abuse, Gun violence, Panic attacks/disorders, Physical abuse, Blood, Grief, Death of parent, Murder, Colonisation, Classism, and Pandemic/Epidemic

navayiota's review against another edition

adventurous challenging dark emotional funny hopeful informative inspiring mysterious reflective sad tense slow-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

5.0

A love letter to all who suffered and continue to suffer. A modern classic, heartbreaking and perfect. I cried in the night, staying up late to finish this behemoth of a book. My new favourite of all time.. Bless Kuang and her brilliant mind. 

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Content Warnings

Graphic: Child abuse, Child death, Confinement, Death, Domestic abuse, Drug use, Emotional abuse, Gun violence, Misogyny, Physical abuse, Racial slurs, Racism, Slavery, Suicidal thoughts, Suicide, Torture, Violence, Xenophobia, Blood, Police brutality, Grief, Suicide attempt, Death of parent, Murder, Toxic friendship, Abandonment, Alcohol, Colonisation, War, Injury/Injury detail, Classism, and Pandemic/Epidemic

Moderate: Addiction, Drug abuse, Islamophobia, Car accident, Fire/Fire injury, and Deportation

penofpossibilities's review

challenging dark emotional informative mysterious slow-paced

• Plot- or character-driven? Character
• Loveable characters? No
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

3.0

the first half was incredibly slow paced and at times a drag to get through. If it wasn't for some long train rides with nothing better to do, I would've taken much longer to finish. The last quarter or so was really exciting though! I even got emotional and started crying near the end. 

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Content Warnings

Graphic: Ableism, Child abuse, Confinement, Death, Domestic abuse, Emotional abuse, Gun violence, Hate crime, Misogyny, Panic attacks/disorders, Physical abuse, Racial slurs, Racism, Sexism, Suicidal thoughts, Suicide, Torture, Violence, Xenophobia, Blood, Police brutality, Grief, Death of parent, Murder, Cultural appropriation, Gaslighting, Toxic friendship, Sexual harassment, Colonisation, Injury/Injury detail, and Classism

Moderate: Addiction, Genocide, Gore, Infidelity, Vomit, Islamophobia, and Alcohol

Minor: Child death, Drug abuse, Drug use, Slavery, Forced institutionalization, Fire/Fire injury, War, and Pandemic/Epidemic

mr_ryancowboy's review against another edition

challenging emotional inspiring slow-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

5.0

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Content Warnings

Graphic: Racism, Violence, Xenophobia, Grief, Murder, Cultural appropriation, and Colonisation

Moderate: Misogyny, Physical abuse, Slavery, Suicide, Blood, and Toxic friendship

Minor: Addiction, Drug use, and Pandemic/Epidemic

ka_cam's review

adventurous challenging dark informative reflective tense fast-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

4.0

This was well written and researched as relates to translation- an exploration of identity, friendship, family and academia and critique of colonialism and empire. I was intrigued by many threads of philosophy of translation- of words, of individual minds, of cultures and backgrounds. The historical part of the fiction (translation between past and present!) fell flat for me- it felt like conversations i heard on my college campus in the late 2010s copy-pasted into the 1830s. Though contemporary movements were referenced it didn’t seem like their time, or the magical part of their world, meaningfully impacted how they understood themselves and the world. Rather than history ‘rhyming’ this felt like one of the heavily biased and explanatory translations so often criticized in the text. Though I enjoy how this premise makes you wonder about and question all translations-bringing this critique to the fore! Maybe because of this I also found the plot suspenseful but largely predictable. For me the most interesting parts were the etymology and the internal grappling/soul searching, exploration of complexities, and theorizing of robin (and occasionally other characters, whose brief interludes both validated and challenged Robin’s worldview/analysis of them).  4 stars for readability, great writing, and interesting meditations. Folks might enjoy this more if they are more familiar with/attachment to Oxford and academia/academic identity though. 

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Content Warnings

Graphic: Addiction, Bullying, Child abuse, Death, Drug use, Emotional abuse, Gun violence, Hate crime, Misogyny, Racial slurs, Racism, Sexism, Suicide, Torture, Violence, Xenophobia, Islamophobia, Grief, Death of parent, Murder, Toxic friendship, Colonisation, and Classism

Moderate: Slavery, Cultural appropriation, War, and Pandemic/Epidemic