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oxfordcommas91's review
adventurous
emotional
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I thoroughly enjoyed this magical queer romantasy where both of our male main characters are a bit posh and a bit snarky, and totally falling for each other even when they don’t want to admit it. It’s a little bit Bridgerton meets what I feel like grown up Harry Potter might be like if JK Rowling wasn’t a TERF.
You can really lose yourself in this book and the author’s winding beautiful prose that Marske creates for her readers. It wasn’t a “fast” read for me but that was okay. It was a book I was more than content to take my time with - to really sit and dig my teeth into this one. The payoff was well worth it.
Thoughtful plot and magic system - the author takes good care to make sure that this book doesn’t fall into silly trope territory.
The romance element of this book doesn’t show up for a while, but when it does, you just want to sigh and clutch your heart (and then maybe your pearls because the spice is the sort of detailed and intricate that makes even a grown woman blush just a bit…). But really, I was head over heels for these two British boys who never really found a place to call home until they found each other. Like all other aspects of her book, the romance was beautifully woven and believable.
I am looking forward to reading more by Marske.
You can really lose yourself in this book and the author’s winding beautiful prose that Marske creates for her readers. It wasn’t a “fast” read for me but that was okay. It was a book I was more than content to take my time with - to really sit and dig my teeth into this one. The payoff was well worth it.
Thoughtful plot and magic system - the author takes good care to make sure that this book doesn’t fall into silly trope territory.
The romance element of this book doesn’t show up for a while, but when it does, you just want to sigh and clutch your heart (and then maybe your pearls because the spice is the sort of detailed and intricate that makes even a grown woman blush just a bit…). But really, I was head over heels for these two British boys who never really found a place to call home until they found each other. Like all other aspects of her book, the romance was beautifully woven and believable.
I am looking forward to reading more by Marske.
Content Warnings
Graphic: Bullying, Death, Emotional abuse, Sexual content, Torture, Violence, Kidnapping, Grief, Death of parent, Murder, and Injury/Injury detail
Moderate: Drug use, Homophobia, Misogyny, Sexism, Blood, Alcohol, and Classism
Minor: Stalking
emily_mh's review
emotional
lighthearted
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.25
This book is what a true romantasy looks like for me. So often books are called romantasies when really they’re romances with a fantasy backdrop, or fantasies with a romantic element. A Marvellous Light is a book where one genre is given just as much weight as the other: the story is guided as much by classic romance-genre beats as it is by a thick, mysterious fantasy plot. I found this deeply enjoyable, as while I love a good queer romance, having a separate but relevant fantasy plot kept me fully engaged.
The romance was gorgeous. Robin and Edwin’s physical chemistry was palpable from their first meeting, but this was not to the detriment of their emotional chemistry. The slow, tentative path both men took to true vulnerability was lovely to read. I came away from the book with a full understanding of why Robin and Edwin fell for one other and why they loved each other. This may sound silly to say about a romance book, but I often find that authors don’t properly convey this in their romance plots and books. The romance here also had one of my favourite tropes: where the MCs have to live together because of x reason. The kinds of interactions this leads to are so fun to see play out.
On the other hand we have the fantasy storyline. I was greatly entertained by this, although I do have a couple of criticisms. What I really liked was that there was so much mystery. Robin and Edwin stumble upon and become entangled in a nefarious plot which they know nothing about, and want nothing to do with, but must get to the bottom of to save Robin’s life. Consequently, there’s a lot of researching and investigating, which was thrilling for me. The magical world that Robin and Edwin inhabit had quite a unique magic system. I could easily picture the system of cradling in my head, it being similar to the string games I played as a kid. It was really fun imagining how the movements looked, and what movements might set what spell boundary. I will say that it sometimes felt like the magic system had been written for the story, and not the story for the magical system, if that makes sense; like the way magic worked was at times too convenient.
One other criticism I had was that the characters would discuss the magical world and all these interesting magical places, but for the most part this book was set not at them but at country manors, which while magical, didn’t pique my interest in the same way. I think more variety of place would have done this book some good. Having said that, I don’t think the monotonous setting of the second book (a ship on the Atlantic) will bother me, as I find overnight transportation fascinating.
Content Warnings
Graphic: Sexual content
Moderate: Bullying, Cursing, Domestic abuse, Emotional abuse, Misogyny, Sexism, Torture, Violence, Murder, and Outing
Minor: Ableism, Animal cruelty, Drug use, Homophobia, Infidelity, Physical abuse, Racism, Suicide, Blood, Excrement, Vomit, Car accident, Death of parent, Fire/Fire injury, Alcohol, War, and Injury/Injury detail
Minor: gambling, fainting, self-injurybooksthatburn's review against another edition
adventurous
emotional
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Confinement, Cursing, Death, Sexual content, Torture, Kidnapping, and Murder
Moderate: Ableism, Bullying, Chronic illness, Drug use, Emotional abuse, Homophobia, Physical abuse, Violence, Blood, and Grief
Minor: Child death, Self harm, Suicide, Vomit, Death of parent, and Alcohol
booksthatburn's review against another edition
emotional
mysterious
reflective
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
A MARVELLOUS LIGHT is about Edwin and Robin, initially in each other’s company through a bureaucratic mistake. Robin had been cursed when he was unable to provide unknown assailants with information his (missing) predecessor had also denied them. Edwin was supposed to be liaising with whomever held that office, and instead proceeded to try and remove the curse. The actual plot is pretty straightforward, with only a few more twists after that. The action is solid (especially the bit in the maze) and I like several of the secondary characters, but the heart of this is absolutely Edwin and Robin’s relationship as they’re continually in each other’s company.
The rapport between Edwin and Robin slowly builds, lagging behind the intensity of each man’s buried attraction to the other. Robin adjusts pretty quickly to the existence of magic (a situation made much harder to ignore by the harsh nature of his introduction). Edwin’s focus is on trying to remove Robin’s curse, initially thinking of their acquaintance as very temporary and somewhat reversible. Much of the book is spent on Edwin’s family’s estate, with his siblings whose pranks range from frustrating to cruel.
The worldbuilding is pretty subtle about placing the era, the setting is one where magic exists within the otherwise real history of the British Isles. Since I wasn't trying very hard to place it I was content to know it's a while ago, but after the invention of cars. I'm sure there are clues to place it more precisely if I looked hard, but the story wasn't trying to trouble me with those. It did more with the ways that magic could be secret, and the key seems to be that (in England, specifically), it's tied up in old money and old families since magic is passed through bloodlines.
I enjoyed this immensely and will definitely read the rest of the series. The ending sets up a clear idea for the arc of the series, and I'll happily read more in this setting even if Edwin and Robin don't stay as the protagonists.
The rapport between Edwin and Robin slowly builds, lagging behind the intensity of each man’s buried attraction to the other. Robin adjusts pretty quickly to the existence of magic (a situation made much harder to ignore by the harsh nature of his introduction). Edwin’s focus is on trying to remove Robin’s curse, initially thinking of their acquaintance as very temporary and somewhat reversible. Much of the book is spent on Edwin’s family’s estate, with his siblings whose pranks range from frustrating to cruel.
The worldbuilding is pretty subtle about placing the era, the setting is one where magic exists within the otherwise real history of the British Isles. Since I wasn't trying very hard to place it I was content to know it's a while ago, but after the invention of cars. I'm sure there are clues to place it more precisely if I looked hard, but the story wasn't trying to trouble me with those. It did more with the ways that magic could be secret, and the key seems to be that (in England, specifically), it's tied up in old money and old families since magic is passed through bloodlines.
I enjoyed this immensely and will definitely read the rest of the series. The ending sets up a clear idea for the arc of the series, and I'll happily read more in this setting even if Edwin and Robin don't stay as the protagonists.
Content Warnings
Graphic: Confinement, Cursing, Death, Sexual content, Torture, Kidnapping, and Murder
Moderate: Ableism, Bullying, Chronic illness, Drug use, Emotional abuse, Homophobia, Physical abuse, Violence, Blood, and Grief
Minor: Child death, Self harm, Suicide, Vomit, and Death of parent