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olivesreadingarden's review
3.0
Overall rating: ⭐⭐⭐.5
(3.5 stars)
The book started off very confusing, littered with French words and phrases which made it difficult to understand what in the heck I was reading (turns out there's a glossary at the back of the book, which I found out much too late), but as the 'world-building' (of Paris) was achieved and the plot started to take shape, I found it much much easier to get a grip on the story.
The idea and story is quite unique (at least something I've never personally read/seen/heard of), and full of mystery surrounding how Doctor Reinheart made such fully functoning clockwork trinkets. Whilst the big reveals weren't extremely shocking, I did find myself gasping aloud when you finally know what/who is the one taking the children from the streets (cue me thinking: 'OH IT ALL MAKES SENSE NOW').
If you like slow-burn, mysterious, gothic books with unique concepts, I would definitely recommend it. I'm not sure this genre is my *vibe*, BUT I am still interested to try other similar books as I did enjoy it.
This book is:
- Slow burn, gothic, set in France in the 1750s
This book includes:
- No romance
- Prostitution / SA
- Death & murder
- Illness
- Pregnancy related death
(3.5 stars)
The book started off very confusing, littered with French words and phrases which made it difficult to understand what in the heck I was reading (turns out there's a glossary at the back of the book, which I found out much too late), but as the 'world-building' (of Paris) was achieved and the plot started to take shape, I found it much much easier to get a grip on the story.
The idea and story is quite unique (at least something I've never personally read/seen/heard of), and full of mystery surrounding how Doctor Reinheart made such fully functoning clockwork trinkets. Whilst the big reveals weren't extremely shocking, I did find myself gasping aloud when you finally know what/who is the one taking the children from the streets (cue me thinking: 'OH IT ALL MAKES SENSE NOW').
If you like slow-burn, mysterious, gothic books with unique concepts, I would definitely recommend it. I'm not sure this genre is my *vibe*, BUT I am still interested to try other similar books as I did enjoy it.
This book is:
- Slow burn, gothic, set in France in the 1750s
This book includes:
- No romance
- Prostitution / SA
- Death & murder
- Illness
- Pregnancy related death
sabrinaslivingliterature's review against another edition
4.0
A gothic mystery set in 1750s Paris, full of rumours and secrets. I loved this book, it is atmospheric and disturbing, you are pulled into the very different lives of the 3 women who narrate the story but all have a similar goal of trying to survive and stay ahead of people who would tear them down. The characters are fantastic and complex none are truly good but some are truly evil. The automata are perfectly described in the uncanny valley and I loved the overall unsettling tone of the book which gives it the gothic quality similar to Rebecca. The plot and mystery are brilliant and have so many twists and turns that made this book difficult to put down. Overall it was a great read and I look forward to reading more by the author
sabrinaslivingliterature's review
4.0
A gothic mystery set in 1750s Paris, full of rumours and secrets. I loved this book, it is atmospheric and disturbing, you are pulled into the very different lives of the 3 women who narrate the story but all have a similar goal of trying to survive and stay ahead of people who would tear them down. The characters are fantastic and complex none are truly good but some are truly evil. The automata are perfectly described in the uncanny valley and I loved the overall unsettling tone of the book which gives it the gothic quality similar to Rebecca. The plot and mystery are brilliant and have so many twists and turns that made this book difficult to put down. Overall it was a great read and I look forward to reading more by the author
kellyvandamme's review
5.0
The year is 1750 and we’re taken to Paris, not quite the City of Light we might expect, but rather a dank, dark, smelly city where the lowest classes fight to survive. And things are getting worse every day, with the poorest children being taken from the streets, vanishing. Anna Mazzola took this historical fact and ran with it, giving it her own shocking twist.
The Clockwork Girl is told from three perspectives, giving a voice to three sections of the French population in the 18th century: the poor (Madeleine), the bourgeoisie (Véronique) and the filthy rich (Jeanne). Three women who seemingly have nothing in common, but who are more alike than they know.
Véronique is the clockmaker’s daughter, seventeen, just home from the convent where she grew up, lonely and eager to reconnect with her father, hoping against hope (it’s the 18th century after all) that he’ll make her a full-blown apprentice. Madeleine, who grew up in a brothel, is a mouche for the police, a fly on the wall, a spy sent into the clockmaker’s home to find out if what he’s doing is above board and not dangerous. Jeanne came from rather humble beginnings but is now the King’s mistress, better known as the Marquise de Pompadour.
Telling a story from the POV of one of the more famous women in French history is a rather bold move if you ask me, but it pays off, bigtime. I love how actual historical figures are part of the cast, their lives written seamlessly into their fictional counterparts’ lives, from the Lieutenant General of Police to King Louis XV himself. All this makes The Clockwork Girl a very lush historical tale.
For the most part I would say The Clockwork Girl is a character-driven slowburner. It’s these three women that keep the story and I was captivated by their intertwining lives, their secrets and intrigue. And there is also quite a bit of mystery involved. What is the clockmaker up to, are his secret activities quite as unsavoury as the police seem to think?
The last thirty or so percent is very much plot-driven, with things coming to a head and leading to a very satisfying conclusion, which I can tell you nothing about for obvious reasons. All I can say is that I was turning the pages frantically and didn’t quite know which way was up.
With its vivid writing, its enticing mysteries and its three fascinating narrators, The Clockwork Girl transported me to another time and place and I enjoyed my stay tremendously (despite the fact that I could almost smell all the disgusting smells and feel the grime on my fingers). I would happily recommend it to any and all fans of historical fiction.
Massive thanks to Orion and NetGalley for the eARC. All opinions are my own.
The Clockwork Girl is told from three perspectives, giving a voice to three sections of the French population in the 18th century: the poor (Madeleine), the bourgeoisie (Véronique) and the filthy rich (Jeanne). Three women who seemingly have nothing in common, but who are more alike than they know.
Véronique is the clockmaker’s daughter, seventeen, just home from the convent where she grew up, lonely and eager to reconnect with her father, hoping against hope (it’s the 18th century after all) that he’ll make her a full-blown apprentice. Madeleine, who grew up in a brothel, is a mouche for the police, a fly on the wall, a spy sent into the clockmaker’s home to find out if what he’s doing is above board and not dangerous. Jeanne came from rather humble beginnings but is now the King’s mistress, better known as the Marquise de Pompadour.
Telling a story from the POV of one of the more famous women in French history is a rather bold move if you ask me, but it pays off, bigtime. I love how actual historical figures are part of the cast, their lives written seamlessly into their fictional counterparts’ lives, from the Lieutenant General of Police to King Louis XV himself. All this makes The Clockwork Girl a very lush historical tale.
For the most part I would say The Clockwork Girl is a character-driven slowburner. It’s these three women that keep the story and I was captivated by their intertwining lives, their secrets and intrigue. And there is also quite a bit of mystery involved. What is the clockmaker up to, are his secret activities quite as unsavoury as the police seem to think?
The last thirty or so percent is very much plot-driven, with things coming to a head and leading to a very satisfying conclusion, which I can tell you nothing about for obvious reasons. All I can say is that I was turning the pages frantically and didn’t quite know which way was up.
With its vivid writing, its enticing mysteries and its three fascinating narrators, The Clockwork Girl transported me to another time and place and I enjoyed my stay tremendously (despite the fact that I could almost smell all the disgusting smells and feel the grime on my fingers). I would happily recommend it to any and all fans of historical fiction.
Massive thanks to Orion and NetGalley for the eARC. All opinions are my own.
breadbin's review against another edition
dark
mysterious
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Moderate: Sexual violence, Murder, Child death, and Racism
Minor: Animal death
lilibookworm's review against another edition
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
arlena_priscilla's review against another edition
4.0
This was a historical mystery done super well! It was gothic, and super creepy all while being set in 1750's Paris with intriguing real-life historical figures like Madame Pompadour being prominent side characters. I had no idea where this was going, in a good way, since I tend to guess what's going on early on in mysteries. There was a hint of "is this supernatural?" and while I did guess the actual culprit halfway through the means and the why were still very surprising.
wheezybird's review against another edition
dark
mysterious
medium-paced
- Plot- or character-driven? Plot
4.0
laurawhitley's review against another edition
adventurous
mysterious
slow-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.25
a fictitious period piece that reminded me of Frankenstein plot wise.
A peculiar story to say how exactly i feel about it. The ending almost felt too happy for how dark the rest of the book allured too.
A peculiar story to say how exactly i feel about it. The ending almost felt too happy for how dark the rest of the book allured too.