Reviews tagging 'Alcohol'

An Education in Malice by S.T. Gibson

36 reviews

bergha1998's review

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adventurous dark emotional reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75

Beautifully written and the setting was gorgeous. As with Dowry of Blood there is so much psychological and interpersonal conflict. It can be difficult and a bit triggering to be honest. However, I really liked Laura and Carmilla. 

Fantasy, Enemies to Lovers, Emotional, 2 1/2 🔥

“Life doesn’t seem worthwhile without synthesizing my experiences into art, the catharsis of putting it all out onto the page. It’s the only way I’ve ever been able to get other people to understand how I’m feeling.”

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ohennui's review against another edition

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dark mysterious
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

3.5


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toofondofbooks_'s review against another edition

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adventurous dark emotional funny mysterious sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

Instead of devouring this book in one sitting the way I desperately wanted to, I forced myself to take my time while I immersed myself in Saint's gorgeous prose, deep compelling characters, and the stunning dark academia setting. I loved everything about this book and annotated it like crazy. There is just so much to enjoy here and I'm truly not going to shut up until all my friends read this. If you loved Dowry, you'll love this. Just trust me.

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blacksphinx's review

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dark mysterious medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0

Dark Academia started its life as collages of stolen photos posted on Pinterest and tumblr. Gothic churches, colleges in autumn, people in flowing blouses. When I started reading for pleasure again in 2022, I was shocked to discover this was now a literary genre. How do you take collections of pretty photos and turn them into themes and plots? 

Well... this book includes an interview with the author. In it, she says her stories start as a music video in her mind with vibes-based images and that's exactly how this novel turned out. It's vibes. It is a collection of scenes that if it was a movie or a music video, would be turned into gifs and reblogged on tumblr until the end of days. There's a massive college party where all four floors of the dorms are transformed into a representation of The Divine Comedy. During the opening ceremony, senior girls in pure white dresses put laurel crowns on the incoming freshmen around a bonfire. Does this have anything to do with the themes of the story? Nope! But they are cool to think about!

Things only happen to push us from one pretty set piece to another. And there's very, very few things that happen in this novel. It honestly bothers me that both protagonists are poets and spend all of their time off-screen writing poetry, but we only get two poems from them in the entire book. The author is a poet... where are the poems? This novel also doesn't need two PoVs, and I sometimes got them confused because they were so similar. (I feel bad that the author admits she struggled to make their voices sound different; I don't think she succeeded.) I also think it's weird that the protagonist being plus size is a selling point but no one mentions this until like 45% through the book?

But the thing is like, I was one of those girls reblogging collections of stolen photos a decade ago. The vibes are immaculate! I would reblog the gifs of the movie of this novel! But it's like, eating a giant puff of black cotton candy from a cone with bookshelves printed on it. There is no substance here. The words are beautiful, but so little happens. I am completely torn on what number to give to this book. It was pretty. It bored me. I'd read her other novels. I'm glad I checked this out of the library instead of preordering it. 

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bookishvicky's review

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dark hopeful mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

ST Gibson has done it again. She’s made me cry over vampires. Again. 

Where do I start. The characters. Each one so unique, so strong and detailed and mysterious and beautiful. Carmilla’s inner voice, her brattiness covering for her deep loneliness, just SCREAMED vampiric longing. She wanted so deeply of the world that she had to change to get it, and even then she only found that refuge in Laura. 

Oh Laura. Oh man. The only character. The best girl. I’m so proud of her. She deserves everything. EVERYTHING. 

De Lafontaine. Holy shit. I don’t know if I want to brush her hair or run her over with a car. What a complex character. I’d pay to watch her and Constanta duke it out. 

SPEAKING OF
MAGDALENA!!!! I’m bummed we didn’t see Alexi or Constanta but oh man seeing her play mother at the end? I love it


Great dark academia, steamy with yearning and longing and hope peeking through the misery. Utterly beautiful prose. I’m going insane at how much I adored this. 

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madlysoph's review

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adventurous dark emotional mysterious reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

I fell deeply in love with the imagery and overall vibe established in the beginning of the book. Never have I yearned more for a traditional college experience on a campus with ancient buildings and a rich history. The first few chapters feel sunlit, not necessarily light, but the sun is shining and you, nor the characters, yet know the horrors possible. The characters are all beautifully developed and the three main characters feel whole. De Lafontaine never feels fully known by the reader, because she keeps so much of herself from Carmilla and Laura, as much as they know, we know. This entire book is poetry, I found myself constantly finding lines I wanted to write down. An important thing to know about this book is there is a very distinct first and second half of the book. It is not marked, but there is a specific plot point that very clearly marks the two halves of the book as different. The first half does an amazing job of establishing and creating this world that they live in. The St. Perpetuas campus felt real and I could vividly see it in my mind's eye as though I were there. I loved the creation of the routine, the focus on academia and the obsession with the poetry seminar. The beginning of Laura and Carmilla's obsession with one another, how it slowly but surely goes from embers to a burning fire. The second half is where we delve more into darkness and De Lafontaine, she becomes more known and yet held at arm's length. Academia becomes more of a background part of the story and vampires take the forefront. The evolution of Laura and Carmilla's relationship is so delicious to read, the rivalry to obsession to lovers was done so beautifully. Once their relationship blooms it's so much softer than one would think yet also just as depraved as one expects. I deeply love S.T. Gibson's writing and was thrilled to have a cameo of Magdelena my darling! The ending was bittersweet yet not painful and left the door open for future adventures with Laura and Carmilla in this vampiric world. Fair warning that is book is incredibly horny and there is an orgy scene, all characters are twenty or older and there is very clear consent for everything sexual that happens. 

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the_lesbrarian's review

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adventurous dark mysterious fast-paced
  • Plot- or character-driven? Plot
  • Flaws of characters a main focus? Yes

4.5

This book was delicious. Vampires, all-girls boarding school, academic rivals to lovers, southern preacher’s daughter and european  aristocrat— YUM. 
For a Carmilla retelling, I wanted a little more bite. I wish Gibson gave it permission to be more vicious, especially at the ending, which felt shallow in comparison to the original work. 
An Education in Malice crafted an alluring atmosphere, intricate relationships, and some truly sumptuous scenes. If you’re looking for a new adult vampire romance, this is the one to read! 
Thank you to NetGalley and Redhook Books for the opportunity to read and review An Education in Malice. 

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kaiyakaiyo's review against another edition

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dark emotional hopeful mysterious reflective sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

I enjoyed this SO MUCH. I’m not usually an enemies to lovers fan, but it was so well-executed here that I ate it up. Good book scramble brain so let me break my likes and (few) dislikes down in bullets:

Likes:
-the writing is so… crisp but sexy. it’s nearly as poetic as both characters, and I felt along with them. A treat for the eyes/brain
-laura is interesting and strange, but not in a Not Like Other Girls Protagonist way. she likes reading bdsm poetry and also wants to be a priest, she likes bad bitches but also wants to dominate them (!!!!), and she’s frank about what she wants and feels when she reaches the limits of her “southern manners”. She felt real. Not exaggeratedly shy or brash for plot, just a girl doing her best and feeling with her whole heart 
-Elenore - books can often go in a tokeny black best friend direction, but this one managed to represent Elenore as a true, dedicated friend that supported Laura realistically without leaning into babysitting or mammying her. Elenore was my favorite char after laura tbh, she’s just that magnetic and kind.
-BIG one: Realistic depiction of how an older person can sway and stunt the growth of younger people in a relationship, regardless of them being “of age” or free to make their own decisions. Carmilla, and even Laura to an extent are frozen in time by De Lafontaine’s smothering; even Laura who is more able to see De Lafontaines manipulations for what they are is still swayed by her authority, her majesty, her power over them as someone with more life experience. The trajectory of her life is changed due to De Lafontaines need to collect girls; her grades slip, her friends miss her, and she feels disconnected from the world around her. Carmilla has few friends, and misses out on so many foundational college experiences because of how consumed she is by her professor. This book was a very true to life depiction of why “they’re both adults” means very little when dealing with power imbalances in a relationship. De Lafountaine was literally and figuratively sucking the youth out of these girls to sooth her own stolen years, by blood/vampirism and by time missed being 20-somethings discovering themselves in college. The only thing that put a stop to the toxic codependence was De Lafontaine herself; even with full understanding of how poorly she treated them, the girls could not fully extricate themselves from wanting to be loved by her. sad, complicated, twisted, but so well-rendered. Carmilla isn’t magically un-hooked, and even Laura isn’t immune to De Lafontaine by the end; they both will need time to heal and process the ways De Lafontaine warped how they see love and interacting with other people. I don’t think this is a permanent hurt, but it is one that Laura and Carmilla will probably have to reckon with in her wake both together and separately. the author treated this topic with all the seriousness yet hopefulness it deserves; these aren’t broken girls forever damaged, they are hurt girls that were taken advantage of by someone who experienced that same hurt and allowed herself to perpetuate it. The author is frank about how toxic it is, but optimistic about Carmilla and Laura on the other side of it, as well as De Lafontaines own reckoning with her toxic past. 
- on that note, De Lafontaines breakthrough was really interesting. I’d been mildly afraid of some snape-esque redemption murder-suicide with her day one, but I was pleasantly surprised that DLF actually went the distance of realizing that she was continuing the cycle of abuse and manipulation, actively trying to change, doing away with her abuser, and freeing Carmilla as much as she was able. The damage is still done, and she’s permanently changed Carmilla’s life, but at least taking herself out of the equation was a huge step from where she began the book (jealous, domineering, secretive, etc.) I am really intrigued by the author showing us this, and think it’s a much gritter, realer way of doing away with a villain - there’s no magic “I want to be good now” moment or victorious defeat; she just wakes the fuck up and tries to not traumatize any more 20-somethings. She can’t undo her wrongs, but she can choose to stop making them, which requires self-awareness and will power I didn’t expect from her. I started the book wanting her staked along with her freak ex, and ended the book wishing her somewhat well on her journey of growth as long as it was far away from young women. Go figure!
-academic rivals done RIGHT. I hate when rivals/enemies to lovers is either half-assed snipes then they randomly kiss or just straight up bullying and hate crimes from one half of the relationship and we’re supposed to think it’s sexy & root for them. I don’t think emotional and physical abuse before you even start dating is cute AT ALL. So this book was a REVELATION compared to ETL like that. These girls are at each others throats academically, but look out for each other, at first bc of girl code/politeness, but increasingly out of fondness. They do a tasty two steps forward one step back with vulnerability and admitting their feelings, and their jockeying for DLF’s approval (toxic older woman aside) was incredible. When they finally touch it’s actually “sizzling” (I usually hate that word in book reviews, but it really fits!) because they really built up the dislike and indifference act, all to be fantasizing about the other on their knees in private. if more ETL is like this, I’ll read it! Their dynamic was lovely, and I love how even amidst the competition, they truly grew to love and protect the other, even from their shared object of admiration. all around great!
-dark academia done right! when I think dark academia, I think The Woods. a lot of this subgenre is just “people are morally grey in a school setting, there might be violence” but this. this is truly dark. immoral professors, bodies dropping, cutesy all girls school facade with a literal creature in the floors, blood sharing, secrets. Ugh. gimme more 

Dislikes:
Honestly I don’t remember what I was gonna put here. maybe just that I wish I’d been able to see Carmilla inflict more rage on DLF for turning her. that rage/sadness felt a bit untapped; I would’ve liked a little more time spent on how Carmilla felt staring down eternity because her goofy ass older vampire obsession brought her too close to  her crazy ex. She was killed, and it felt like she didn’t really process it. Having said that, I understand that Carmilla wasn’t one to follow her feelings to their logical conclusions, mostly due to DLFs hold on her. Multiple times in the book she comes to the brink of truly being angry, saddened, even done with DLF, just for DLF to love bomb or shame her into letting it go. She treats her like rightful frustration and pain are childish, and Carmilla internalizes that to her detriment. kinda talked myself out of my only dislike there, bc honestly it fits more than I thought. I think I just wanted to see De Lafontaine get mollywopped.

That was sooo long, but I actually loved the fuck out of this book and am skipping the long line of next books I have to read A Dowry of Blood. 

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maddiereadswords's review

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5.0

If I'm being completely honest, this book should probably have been in the 4ish star range for me thinking about the pacing and all of that, but something about it has bewitched me, body and soul, and giving it anything less than a 5 feels sacrilege. I don't even normally consider myself a dark academia girly, but sapphic vampires at a creepy old women's college in rural New England?? Say less.

I loved quite literally everything about this book. The writing is poetic and beautiful, I enjoyed both Laura and Carmilla as characters, and frankly I too would risk it all for a hot older vampire with too much of her own shit going on. The atmosphere was simply incredible, and even though it took me longer to read than I expected, I found myself savoring every second of the experience. There were some minor details that I could nit pick, and I do wish that this book was like a hundred pages longer so that the actual plot portion of the third act could have been a little more fleshed out, but my enjoyment and love for it as a whole won out. I'm literally never going to stop thinking about this book, and I know I'll be revisiting it time and again in the future.

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m_a_j's review

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challenging dark mysterious medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.25


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