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delz's review against another edition
dark
emotional
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
There are two main characters, Sara and Emilie. We start out with their backstories. Both live in California, one from a good family,Emilie. Sara’s family is questionable but the way it’s written was confusing to me. That led to more confusion later in the book. Also when the two women finally meet it’s a love at first sight no build up to the relationship which would have been better than all the pages of Emilie’s relationship as “the other woman.”
Content Warnings
Graphic: Infidelity
Moderate: Murder
Minor: Sexual content and Drug abuse
lacey_wi's review against another edition
challenging
dark
emotional
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
Content Warnings
Graphic: Adult/minor relationship, Sexual content, Mental illness, Injury/Injury detail, Infidelity, Fire/Fire injury, Drug use, Drug abuse, Death, Blood, Alcoholism, Alcohol, Pedophilia, Murder, Sexual assault, Rape, Cancer, Abandonment, Addiction, Toxic relationship, Terminal illness, Grief, Death of parent, and Child death
Moderate: Homophobia and Dementia
kingrosereads's review against another edition
challenging
emotional
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
A sapphic piece of literary fiction that starts off great but falls flat halfway through.
This book starts off the way you expect it to as this kind of sad summer vibe with Sara and Emilie’s adolescent traumas. Sara’s childhood best friend turned girlfriend is found dead in a river which results in 16 year old Sara running away to LA. Emilie, at 15, witnesses her older sister overdose in their home. The books goes back and force between the two POVs and it also switches from their past and present throughout the book. This flow works at times and other times is very clunky. I found myself liking their stories separately but not really caring about their story together.
The book is advertised as being this romantic drama where these two women are connected by this one small thing, and they have to overcome their past trauma to make their relationship work. However, the women don’t meet until the halfway point. They meet briefly and then don’t meet for another year where it then takes a few months before they run into each other again and start a relationship that’s gone on for a couple of months before they hit a (albeit mild) snag that has them both questioning the relationship and their own self-worths. It’s this point that’s lost on me. Their connection is instant which I get and could be on board with, but then it’s all very instalove and high stakes when it’s only been a couple of months. And their entire relationship is brushed over. Which, if this is just literary fiction, say that, don’t advertise it as this romantic drama when the romance is barely in the book, and the romance that is there, is pretty insignificant. These women are 26 and 28, which is relatively young, but they’re acting like they’re 19 and 21.
I did like Emilie’s struggle with her Creole identity and passing, but it’s just kind of brushed over. Just like Sara’s past is brushed over.
The book eventually meanders through these two stories that takes away from the emotional aspect of the book. I’d honestly prefer if this was just their two respective stories to show maybe their hardships so you can connect to them, but make the stories more linear, only jumping back when it’s relevant. Then end with them meeting and leaving it open ended.
It gets points for the first half and actually getting my cold, dead heart to feel something.
This book starts off the way you expect it to as this kind of sad summer vibe with Sara and Emilie’s adolescent traumas. Sara’s childhood best friend turned girlfriend is found dead in a river which results in 16 year old Sara running away to LA. Emilie, at 15, witnesses her older sister overdose in their home. The books goes back and force between the two POVs and it also switches from their past and present throughout the book. This flow works at times and other times is very clunky. I found myself liking their stories separately but not really caring about their story together.
The book is advertised as being this romantic drama where these two women are connected by this one small thing, and they have to overcome their past trauma to make their relationship work. However, the women don’t meet until the halfway point. They meet briefly and then don’t meet for another year where it then takes a few months before they run into each other again and start a relationship that’s gone on for a couple of months before they hit a (albeit mild) snag that has them both questioning the relationship and their own self-worths. It’s this point that’s lost on me. Their connection is instant which I get and could be on board with, but then it’s all very instalove and high stakes when it’s only been a couple of months. And their entire relationship is brushed over. Which, if this is just literary fiction, say that, don’t advertise it as this romantic drama when the romance is barely in the book, and the romance that is there, is pretty insignificant. These women are 26 and 28, which is relatively young, but they’re acting like they’re 19 and 21.
I did like Emilie’s struggle with her Creole identity and passing, but it’s just kind of brushed over. Just like Sara’s past is brushed over.
The book eventually meanders through these two stories that takes away from the emotional aspect of the book. I’d honestly prefer if this was just their two respective stories to show maybe their hardships so you can connect to them, but make the stories more linear, only jumping back when it’s relevant. Then end with them meeting and leaving it open ended.
It gets points for the first half and actually getting my cold, dead heart to feel something.
Content Warnings
Moderate: Death, Drug abuse, Toxic relationship, Murder, Drug use, and Sexual assault
Minor: Death of parent, Trafficking, and Pedophilia
carigillette's review against another edition
challenging
dark
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.25
Content Warnings
Graphic: Addiction
Moderate: Murder
dan047's review against another edition
emotional
hopeful
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Book contains triggers. I would recommend you find some background information on book before reading.
Content Warnings
Graphic: Addiction, Drug use, Murder, Sexual assault, Sexual content, Drug abuse, Pedophilia, and Death of parent
spygrl137's review against another edition
adventurous
dark
emotional
hopeful
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
3.0
I really enjoyed aspects of this book. I think the writing is simple and pretty. Kind of melodic. Emilie's family situation resonated, and I liked her growing boldness. I like the friendships at the big house. The lack of communication was frustrating at times - like, I just want to shake them. But then, you could probably say the same about me and life. I dislike some of the "signs"/almost fate stuff toward the end. I would only recommend this book to certain people, who are ok feeling a little unsatisfied.
Content Warnings
Graphic: Murder, Sexual violence, and Drug abuse
toofondofbooks_'s review
emotional
hopeful
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Firstly, I'm obsessed with this cover, and now that I know what the cover means, I love it even more.
Secondly, I don't want to go through a spiel about what this is about, because I don't think I can do that adequately without giving it all away. The only thing you need to know going in is that it's a story of two women and the story intersects. The rest is beautiful. Of course, I advise you to check the triggers online, but as for looking into the actual journey of the characters, I'd advise against it. I think going into it blind made me love it even more.
The writing was beautiful, but it wasn't flowery or too much. I thought the main characters were both hot messes with a ton of red flags between the two of them, but I love reading about women with red flags. I would say, actually, it's one of my favorite things. Another thing I really loved about it was how much Lacour put her own Creole heritage into the pages. It made the book just that much more personal. I thought the stories of the two women were layered seamlessly and although the chapters are long, I *flew* through this in a way I haven't flown through a book in awhile.
Secondly, I don't want to go through a spiel about what this is about, because I don't think I can do that adequately without giving it all away. The only thing you need to know going in is that it's a story of two women and the story intersects. The rest is beautiful. Of course, I advise you to check the triggers online, but as for looking into the actual journey of the characters, I'd advise against it. I think going into it blind made me love it even more.
The writing was beautiful, but it wasn't flowery or too much. I thought the main characters were both hot messes with a ton of red flags between the two of them, but I love reading about women with red flags. I would say, actually, it's one of my favorite things. Another thing I really loved about it was how much Lacour put her own Creole heritage into the pages. It made the book just that much more personal. I thought the stories of the two women were layered seamlessly and although the chapters are long, I *flew* through this in a way I haven't flown through a book in awhile.
Content Warnings
Graphic: Murder, Death of parent, Sexual harassment, Rape, Body horror, Sexual assault, Addiction, Drug abuse, Drug use, Sexual content, Pedophilia, and Child death
Moderate: Injury/Injury detail, Fire/Fire injury, Cancer, and Medical content
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