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thebooklovingpanda's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
(I am getting the e-book though! I need to know what's next! And I am just dying to meet the oh-so-mysterious JM...)
Pre-review: Okay, I caved and pre-ordered the Waterstones special edition. I'm a sucker for foiling on hardbacks...especially when it's this pretty...
Graphic: Gun violence, Violence, and Injury/Injury detail
Moderate: Blood, Medical content, Death, and Grief
Minor: Transphobia
emce821's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
Graphic: War, Murder, and Torture
Moderate: Violence and Gun violence
Minor: Transphobia and Medical trauma
prashiie's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Grief, Abandonment, Blood, Car accident, Panic attacks/disorders, Death, Confinement, Injury/Injury detail, and Murder
Moderate: Sexual harassment
Minor: Misogyny, Kidnapping, Fire/Fire injury, Transphobia, Gun violence, War, Toxic relationship, Torture, Infidelity, and Death of parent
lolarmoore's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Graphic: War and Violence
Minor: Transphobia
wayfaring_witch's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
Graphic: Violence
Minor: Transphobia
savanah's review against another edition
5.0
Graphic: Injury/Injury detail
Moderate: Murder and War
Minor: Transphobia
teddy_books's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Violence, Murder, Death, and Blood
Moderate: Grief, Injury/Injury detail, and War
Minor: Transphobia
karcitis's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Violence, Gore, Colonisation, Gun violence, Toxic relationship, Blood, and Murder
Moderate: Domestic abuse, Xenophobia, Medical content, Grief, Physical abuse, Emotional abuse, Injury/Injury detail, Infidelity, Panic attacks/disorders, Medical trauma, and Death
Minor: Homophobia, Confinement, Fire/Fire injury, Alcohol, Transphobia, and Car accident
jessiereads98's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
UPDATE: I read the These Violent Delights duology then read this again. It is better after reading that. However, I still feel that the setting and atmosphere in this book are lacking, even in comparison to the These Violent Delights duology. It seemed like Chloe Gong decided that rather than expanding on that, and the changing political climate, she would handwave world-building for this one. The tropeyness irked me less on reread. The characters do still read a little young for what their ages seem to be, but not as harshly as I originally thought. It especially makes sense when these are young people caught up in large, shifting politics and underworlds, and that’s a theme Chloe Gong is clearly exploring in both duologies.
Graphic: Blood
Moderate: Colonisation, Drug use, Gun violence, Injury/Injury detail, Medical content, Medical trauma, Murder, and Violence
Minor: Abandonment, Body horror, Classism, Confinement, Death, Grief, Torture, Transphobia, and War
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The worldbuilding is a mix of new details and brief references to relevant events in the earlier duology. There’s just enough detail to provide some updates on characters from THESE VIOLENT DELIGHTS and OUR VIOLENT ENDS who don’t appear in FOUL LADY FORTUNE, without spoiling too many events from before. There are enough characters for the cast to feel full, but the focus stays on each narrator long enough to be immersive in their perspective before showing a different set of events. Rosalind and Orion's relationship in particular looks very different from each of their viewpoints, with Orion bemusedly accepting how hard he's fallen for Rosalind (without even knowing her name isn't Janie).
The resolution of the mystery creates a satisfying end point to the novel while also setting up what promises to be a fascinating sequel. I'm very excited to read what comes next.
*Updating with the sequel check now that this has been recharacterized as the third book in a series rather than the first in a duology.
As the third book in a series, FOUL LADY FORTUNE builds on events in the first two books by following Rosalind Lang after her earlier intrigues and betrayal. She is functionally immortal and generally impervious, physically stuck at nineteen, even as the rest of the world moves on. She's been using her talents as an assassin, but now is ordered to team up with Orion on a spy mission, all while pretending to be someone else who's pretending to be someone else, none of whom are herself, Rosalind Lang. It wraps up some things left hanging, with details about what happened to some characters from the first two books, as well as specifically showing what Rosalind, Alisa, and Celia are up to. There's a new storyline which can mostly stand alone (so much that this was originally listed as the first book in a duology), related to a series of attacks in the city, and the spy mission for Rosalind and Orion. There are several major things introduced, but generally there's more information about them without completely resolving them (as the next book is expected to do so). This isn't the last book and it ends with some very specific things left for later.
Enough of the story might make sense on its own for someone to have a good reading experience if they start here without having read THESE VIOLENT DELIGHTS nor OUR VIOLENT ENDS, but the experience will be more meaningful if this is treated as the third book in a series.
Graphic: Blood, Death, Murder, and Violence
Moderate: Gun violence, Xenophobia, Confinement, Medical content, and Injury/Injury detail
Minor: Transphobia, Sexual harassment, Colonisation, Infidelity, Sexual content, and Torture