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ccm's review
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
brigidc's review
dark
emotional
medium-paced
4.25
This book was like a smorgasbord of claustrophobia.
kristengbaker's review
4.0
What an interesting collection of stories. It started off a little slow for me but the later stories definitely grabbed me and I wanted to keep reading to see what was coming next.
jonathanwlodarski's review
5.0
This book is so good!!
The first story is "Moving On." The day I read it, I had to close the book and walk away from it because I needed time to process it fully before moving on. It's not often that a piece of writing shuts me down that hard, but the story about widow relocation (that is, if your spouse dies, you are required to marry again) hurt. It's a quiet story, but it ate at me. Ouch.
The next is "The Way the End of Days Should Be," which is a post-apocalyptic piece (but you probably guessed that). It's a compelling character study of a very selfish man at the end of the world. There are several thematic siblings in this vein: "Man V. Nature" is another "we're the last people alive" story that really plays with reader perception and narrative authority and unlikeability (i.e., how far can we go on hating our main character and still follow him?). "It's Coming" is a Godzilla-esque story, but it focuses less on the destruction of giant buildings and more on the poignant--or grotesque--emotions that people go through when faced with the end.
One of the highlights (this is a stupid statement, because all the stories are highlights) is "The Not-Needed Forest," about boys in the wilderness. 5 years ago, I read Lord of the Flies, very genuinely excited about reading this book that represented "the dark side of humanity," etc. I was sorely disappointed in Golding's novel, which was boring at best. "The Not-Needed Forest," on the other hand, is everything I wanted that that book didn't give me: it's brutal, it's moving, it's violent, it's heartfelt. A++!
"Somebody's Baby" is about a serial baby-napper--this won the Calvino Prize, and seems to be a lot of people's favorite. It is a really beautiful, devastating portrait of motherhood; maybe there's an exploration of suburbian deadness, which is horrifying but not overblown. There are so many books and short stories out there about being trapped in suburbia but this is not one of those stories. Cook explores maternity in several stories, in fact--"Marrying Up" and "Flotsam" are also about being a mother in some way or another, and what I love about all of these stories is how their horror is so muffled. Days later, they are still shrieking in my insides, but it's a quiet, insistent wail. I am in awe.
"Girl on Girl" is a chilling tale about friendship and desperation. How far will one girl go to get her friend back, to be liked and valued? It's like a high school movie gone terribly wrong, and I loved it because it made my insides feel weird. "The Mast Year" amazed me because of the fine, incredibly dainty tightrope on which it balances, teetering between claustrophobia and solitude; every one of these stories so painfully evocative. I was constantly surprised by the depth of the feelings I felt pouring out of me as I read.
The remaining two stories in this collection are also thematically linked: there's "A Wanted Man" and "Meteorologist Dave Santana." They both concern themselves with sexual desire and desirability; "A Wanted Man" features a guy who all women want to father their children, and it asks a lot of thoughtful questions about the archetype of a "player." "Meteorologist Dave Santana" flips this convention--it's about a woman whose appetite for sex is insatiable and monstrous. I loved this story because it's reminiscent (in all the right ways) of Alissa Nutting's Tampa. "Meteorologist" captures the same icky, squirmy feelings (minus the pedophilia) and throws it in our faces gleefully, forcing us to think about objectifying men and the female gaze.
Man V. Nature is one of the strongest short story collections I've ever read. My three favorites are "Moving On," "Meteorologist Dave Santana," and "The Not-Needed Forest," though it's impossible to go wrong. Seriously, if you open the book to any story, you'll be delighted. I just know it.
My rating: 5/5
The first story is "Moving On." The day I read it, I had to close the book and walk away from it because I needed time to process it fully before moving on. It's not often that a piece of writing shuts me down that hard, but the story about widow relocation (that is, if your spouse dies, you are required to marry again) hurt. It's a quiet story, but it ate at me. Ouch.
The next is "The Way the End of Days Should Be," which is a post-apocalyptic piece (but you probably guessed that). It's a compelling character study of a very selfish man at the end of the world. There are several thematic siblings in this vein: "Man V. Nature" is another "we're the last people alive" story that really plays with reader perception and narrative authority and unlikeability (i.e., how far can we go on hating our main character and still follow him?). "It's Coming" is a Godzilla-esque story, but it focuses less on the destruction of giant buildings and more on the poignant--or grotesque--emotions that people go through when faced with the end.
One of the highlights (this is a stupid statement, because all the stories are highlights) is "The Not-Needed Forest," about boys in the wilderness. 5 years ago, I read Lord of the Flies, very genuinely excited about reading this book that represented "the dark side of humanity," etc. I was sorely disappointed in Golding's novel, which was boring at best. "The Not-Needed Forest," on the other hand, is everything I wanted that that book didn't give me: it's brutal, it's moving, it's violent, it's heartfelt. A++!
"Somebody's Baby" is about a serial baby-napper--this won the Calvino Prize, and seems to be a lot of people's favorite. It is a really beautiful, devastating portrait of motherhood; maybe there's an exploration of suburbian deadness, which is horrifying but not overblown. There are so many books and short stories out there about being trapped in suburbia but this is not one of those stories. Cook explores maternity in several stories, in fact--"Marrying Up" and "Flotsam" are also about being a mother in some way or another, and what I love about all of these stories is how their horror is so muffled. Days later, they are still shrieking in my insides, but it's a quiet, insistent wail. I am in awe.
"Girl on Girl" is a chilling tale about friendship and desperation. How far will one girl go to get her friend back, to be liked and valued? It's like a high school movie gone terribly wrong, and I loved it because it made my insides feel weird. "The Mast Year" amazed me because of the fine, incredibly dainty tightrope on which it balances, teetering between claustrophobia and solitude; every one of these stories so painfully evocative. I was constantly surprised by the depth of the feelings I felt pouring out of me as I read.
The remaining two stories in this collection are also thematically linked: there's "A Wanted Man" and "Meteorologist Dave Santana." They both concern themselves with sexual desire and desirability; "A Wanted Man" features a guy who all women want to father their children, and it asks a lot of thoughtful questions about the archetype of a "player." "Meteorologist Dave Santana" flips this convention--it's about a woman whose appetite for sex is insatiable and monstrous. I loved this story because it's reminiscent (in all the right ways) of Alissa Nutting's Tampa. "Meteorologist" captures the same icky, squirmy feelings (minus the pedophilia) and throws it in our faces gleefully, forcing us to think about objectifying men and the female gaze.
Man V. Nature is one of the strongest short story collections I've ever read. My three favorites are "Moving On," "Meteorologist Dave Santana," and "The Not-Needed Forest," though it's impossible to go wrong. Seriously, if you open the book to any story, you'll be delighted. I just know it.
My rating: 5/5
meganzc's review
4.0
Original, fun, horrifying, put-you-in-your-place, fascinating.
5 stars to four stories: The Way the End of Days Should Be, Somebody's Baby, MAN V. NATURE, and The Mast Year. 3-4 stars to the rest.
I think this collection is more about "man v. his own nature" than "man v. nature as in Mother Nature." I love the way that Cook's absurd universes explore some of the uglier parts of that nature.
"The Way the End of Days Should Be" features a man almost entirely unwilling to help anyone in spite of his abundance, while "The Mast Year" features a woman who is generous to a fault. The two stories together made me reflect on social expectations for and perceptions of giving.
"MAN V. NATURE" focuses on a man who is annoying in small ways and infuriating in large ways, and yet I found myself rooting for him and against his far more likable, more reasonable friends.
"Somebody's Baby" imagines a world in which it is considered odd to try to prevent your children from being snatched (and in which there is a constant threat of it). The woman who rebels against these societal expectations discovers that she was probably wrong to fight it. Society's arbitrary rules are ultimately self-justifying.
5 stars to four stories: The Way the End of Days Should Be, Somebody's Baby, MAN V. NATURE, and The Mast Year. 3-4 stars to the rest.
I think this collection is more about "man v. his own nature" than "man v. nature as in Mother Nature." I love the way that Cook's absurd universes explore some of the uglier parts of that nature.
"The Way the End of Days Should Be" features a man almost entirely unwilling to help anyone in spite of his abundance, while "The Mast Year" features a woman who is generous to a fault. The two stories together made me reflect on social expectations for and perceptions of giving.
"MAN V. NATURE" focuses on a man who is annoying in small ways and infuriating in large ways, and yet I found myself rooting for him and against his far more likable, more reasonable friends.
"Somebody's Baby" imagines a world in which it is considered odd to try to prevent your children from being snatched (and in which there is a constant threat of it). The woman who rebels against these societal expectations discovers that she was probably wrong to fight it. Society's arbitrary rules are ultimately self-justifying.
nancyjzigler's review
3.0
There were some gorgeous stories that I'll remember forever, and then those that didn't quite flesh out to be actual stories (more like abstract ideas or little parables with flat characters). Regardless, two stories in here blew me away.
e_tully4's review
5.0
The first story in the book was so haunting that I had to read more and more-only to find more. A great collection of stories that have a great dystopian feel.