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orionmerlin's review against another edition
adventurous
dark
funny
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Oh, Lies of Locke Lamora, you chaotic little bastard of a book. You lured me in with promises of a slick, clever heist, and then blindsided me with a full-course meal of torture, maiming, and casual murder. Somewhere between the Ocean’s Eleven vibes and the “let’s remove this guy’s fingers one by one” energy, I had to ask myself: Am I enjoying this? The answer? Mostly.
📌 Characters - 8/10
Locke Lamora is an arrogant, overconfident con artist with a talent for thinking on his feet—and a terrible survival instinct. His best friend and right-hand man, Jean Tannen, is the brains and brawn that holds the entire operation together, delivering some of the book’s most satisfying moments (and best beatdowns). Their ride-or-die friendship is easily the strongest relationship in the book.
But the supporting cast? A mixed bag. The Sanza twins are entertaining but underdeveloped, Bug is mostly there to die tragically, and Capa Barsavi is a textbook example of a man who thinks he's in control when he absolutely isn’t. The Grey King and the Falconer make for decent villains, but their motivations are just functional—they work for the plot, but they don’t feel particularly deep.
And then there’s the glaring gender imbalance. Nazca Barsavi, the one woman who seems like she’ll play a major role, is killed off before she even gets a chance to be interesting. Vorchenza, the aging spymaster, is a great late-game addition, but she only enters the story near the end. And Sabetha? She’s referenced endlessly as Locke’s biggest regret, but she never appears, making her feel more like a plot device than a person.
📌 Atmosphere/Setting - 9/10
Camorr is Venetian fantasy meets brutal crime syndicate, dripping with grime, danger, and Elderglass towers that gleam like ancient relics of a long-dead civilization. The city breathes. From the floating black market of the Night Market to the shark-infested waters where debts are settled, Camorr feels alive in a way that many fantasy settings struggle to achieve.
That being said, Lynch sometimes falls into the Tolkien trap of describing everything in excruciating detail. The canals? Filthy. The nobles? Ridiculous. The torture? More detailed than it needed to be. At times, I felt like I was reading a guidebook instead of a novel.
📌 Writing Style - 8/10
Lynch’s prose is fast, witty, and loaded with personality—when it isn’t getting bogged down by its own indulgence. The dialogue crackles, and the humor genuinely lands, which is impressive given how dark the book gets.
But the structure? A bit of a mess. The book constantly jumps between Locke’s past (flashbacks with Father Chains and the early days of the Gentleman Bastards) and the present-day heist. Sometimes, this adds depth. Other times, it kills momentum right when things get interesting.
Also, every single plan Locke makes goes off without a hitch… until it suddenly explodes in the most catastrophic way possible. There’s no in-between.
📌 Plot - 7/10
The first half of the book delivers exactly what was promised: a high-stakes, well-crafted heist. Locke and his crew are conning Don Lorenzo Salvara and his wife Doña Sofia, posing as foreign merchants while stealing everything they can. It’s smart, it’s engaging, and it’s exactly what I wanted.
And then the Grey King shows up, and suddenly it’s less about a heist and more about Locke and Jean trying to survive a city-wide bloodbath.
Don’t get me wrong—the stakes escalate beautifully. But the shift from elaborate con artistry to full-scale revenge thriller is jarring. We go from charming deception to graphic torture scenes, and while that can work, the transition is too abrupt.
📌 Intrigue - 8/10
Even with the pacing issues, this book is incredibly engaging. I wanted to see how Locke would weasel his way out of certain death this time. The elaborate scams, the double-crosses, and the sheer audacity of the Gentleman Bastards kept me hooked.
That being said, the torture scenes killed my momentum. They’re long, brutal, and relentless, and they don’t add much beyond shock value. There were moments where I actively needed to put the book down.
📌 Logic/Relationships - 5.5/10
Locke’s scams are clever, but are they believable? Not really. He and his teenage friends are somehow running elite-level cons on the most powerful people in Camorr—and getting away with it. The idea that no one has caught onto them before now stretches credibility.
Also, the worldbuilding is excellent, but the gender imbalance is impossible to ignore. The lack of women is especially frustrating because the world itself doesn’t seem to have any built-in sexism. There’s no reason why there shouldn’t be more women in the underworld, but for some reason, there just… aren’t.
📌 Enjoyment - 7.5/10
There’s a lot to love here, but also a lot that wore me down. The heists? Fantastic. The cons? Brilliant. The action? Tense and well-paced. But the sheer brutality of the violence and the abrupt tonal shifts made this a more exhausting read than I expected.
I had fun, but I also needed a break.
📌 Final Verdict: 3.75 Stars (7.5/10 Final Score)
Is it a fun, immersive fantasy heist? Yes. Is it also way too violent for its own good? Also yes.
📌 What Worked:
✅ Fantastic setting & worldbuilding
✅ Clever cons & strong banter
✅ Locke & Jean’s dynamic was fun
✅ Fantastic setting & worldbuilding
✅ Clever cons & strong banter
✅ Locke & Jean’s dynamic was fun
📌 What Didn’t Work:
❌ Pacing whiplash (from fun heist to full horror movie)
❌ Over-the-top gore & torture scenes
❌ Glaring lack of gender diversity
❌ Pacing whiplash (from fun heist to full horror movie)
❌ Over-the-top gore & torture scenes
❌ Glaring lack of gender diversity
🔥 Final Take: If you love elaborate heists, fast-talking criminals, and don’t mind extreme violence, you’ll probably enjoy this. If you prefer a bit more balance, chaos, and female characters that exist, you might find it frustrating. Still a solid read, but not without issues.
Content Warnings
Graphic: Gore, Torture, Violence, Blood, Murder, and Injury/Injury detail
Moderate: Animal cruelty, Child abuse, Child death, Cursing, Misogyny, Sexism, Slavery, Trafficking, Grief, Death of parent, and Fire/Fire injury
Minor: Animal death, Bullying, Drug use, Fatphobia, Infidelity, Excrement, Kidnapping, Alcohol, and Classism
The violence is pervasive and often quite brutal, with detailed descriptions of torture and murder. The book features themes of grief, revenge, and childhood trauma, particularly in Locke's backstory and the ruthless nature of Camorr’s criminal underworld. While there is no sexual violence, misogyny is present within the world’s structures, and female characters are notably absent from the main story except for a single major one late in the book.mamoru's review against another edition
adventurous
dark
funny
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Content Warnings
Graphic: Alcoholism, Animal cruelty, Animal death, Body shaming, Child abuse, Child death, Chronic illness, Death, Misogyny, Pedophilia, Sexism, Slavery, Suicidal thoughts, Suicide, Torture, Violence, Forced institutionalization, Blood, Trafficking, Kidnapping, Murder, Gaslighting, Injury/Injury detail, Classism, and Pandemic/Epidemic
ageckocalledachilles's review against another edition
adventurous
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
This book is really fun, and would have got 4*, butI am of the personal opinion that authors who kill off the lovable cheeky urchin for an emotional reaction deserve to suffer and so points were deducted. Other than that a great romp through a well built world with complex lore, lovable characters and witty dialogue.
Content Warnings
Graphic: Child death, Death, Gore, Torture, Violence, Blood, Kidnapping, Grief, Murder, and Injury/Injury detail
Moderate: Fatphobia, Misogyny, Sexism, Sexual assault, Sexual content, Sexual violence, Slavery, Terminal illness, Vomit, Religious bigotry, Death of parent, War, and Pandemic/Epidemic
ez_claire's review against another edition
adventurous
emotional
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.75
Read the second half in one sitting. It’s now 4am and I am dead / positive
Content Warnings
Minor: Child death, Death, Sexism, Sexual assault, Suicide, and Death of parent
winterwoodbooks's review against another edition
adventurous
dark
emotional
funny
mysterious
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
This was just awesome from start to finish
Content Warnings
Graphic: Addiction, Animal cruelty, Animal death, Body horror, Body shaming, Bullying, Child abuse, Child death, Cursing, Death, Domestic abuse, Drug abuse, Drug use, Emotional abuse, Fatphobia, Genocide, Gore, Hate crime, Infidelity, Mental illness, Misogyny, Panic attacks/disorders, Physical abuse, Rape, Sexism, Slavery, Suicidal thoughts, Suicide, Torture, Violence, Blood, Excrement, Vomit, Police brutality, Trafficking, Kidnapping, Grief, Medical trauma, Stalking, Suicide attempt, Death of parent, Murder, Abandonment, Alcohol, Dysphoria, War, Injury/Injury detail, Classism, and Pandemic/Epidemic
4mber's review against another edition
adventurous
dark
funny
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Physical abuse and Violence
Moderate: Child abuse and Death
Minor: Body shaming, Fatphobia, and Sexism
madamenovelist's review against another edition
adventurous
dark
emotional
funny
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Graphic: Ableism, Alcoholism, Animal cruelty, Animal death, Body shaming, Child abuse, Child death, Confinement, Cursing, Death, Fatphobia, Gore, Misogyny, Physical abuse, Sexism, Sexual content, Slavery, Torture, Violence, Xenophobia, Blood, Excrement, Police brutality, Grief, Medical trauma, Death of parent, Abandonment, Injury/Injury detail, and Classism
seanml's review against another edition
adventurous
dark
funny
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
The Lies of Locke Lamora excels in every aspect that most modern fantasy novels strive to perfect. The setting is intricate and lived-in; there are details and systems in the setting that take time to fully understand, and the author doesn't inundate you with all the exposition you're going to need at the start of the book. Magic exists, but enough questions are answered that we don't have to ask: if so-and-so is possible, why haven't these societal problems been fixed by now? Lynch's plot is also one that is completely original. Our protagonist is one of the classic fantasy archetypes: the scoundrel, but beyond that the narrative is always shifting organically. There are no points where I'm aware of the plot structure; where the story is simply going through the motions. This is a fantastic entry in modern fantasy, and I can understand why it's so well renowned. 9.5/10.
Content Warnings
Graphic: Animal death, Child death, Cursing, Death, Gore, Torture, Violence, Murder, Gaslighting, and Injury/Injury detail
Moderate: Blood, Medical content, Kidnapping, Grief, Stalking, Death of parent, Alcohol, and Classism
Minor: Misogyny, Sexism, Excrement, and Abandonment
kaziaroo's review against another edition
adventurous
dark
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
This book was okay. I didn't love it, didn't hate it.
Things I liked:
- the characters and their relationships were likeable and interesting, and the side characters were fun
- it was entertaining to read and the ending was satisfying. It would be fine as a stand-alone read – I haven't yet decided whether to read the sequel
- the setting was very rich and felt like a real place – I loved the Falselight and the Elderglass structures. The religious and social settings were also interesting.
What I didn't like:
- Unfortunately my Kindle edition didn't come with a map but I think paper editions do. A map would have made the characters' movements easier to follow.
- There's a lot of swearing – obviously this is personal preference and I did get used to it after a while.
- a lot of the dialogue felt very modern (and American) and at odds with the historical, Italian-inspired setting. Hearing members of the nobility coming out with phrases like "surely you must be kidding" was jarring and took me right out of the story. Characters of different social backgrounds also all seemed to talk in the same way.
- the pacing was all over the place. One moment there's a flurry of action and the next there's thirty pages of trying to swindle some stuffy bankers out of their clothes. I found the first half pretty boring and the second half only just made up for it. The narrative style is very episodic, almost more suited to a magazine or TV show than a novel.
- the main villain is very mysterious, but actually so much so that I found it harder to take him seriously. When we do find out more about him, it's in an info-dump right near the end of the book.
- although I praised the setting, I did find the book a bit too descriptive. I didn't really care what specific food the characters were eating or what it looked like, or the precise sectors of the city the characters walked through from A to B. Maybe if I'd had a map... The narrator also name-drops a lot, and my edition didn't have a glossary either. There are a lot of names of gods, locations, months/days, etc and I ended up skimming over whole sentences that were just a string of unfamiliar names that had no bearing on the rest of the book.
Things I liked:
- the characters and their relationships were likeable and interesting, and the side characters were fun
- it was entertaining to read and the ending was satisfying. It would be fine as a stand-alone read – I haven't yet decided whether to read the sequel
- the setting was very rich and felt like a real place – I loved the Falselight and the Elderglass structures. The religious and social settings were also interesting.
What I didn't like:
- Unfortunately my Kindle edition didn't come with a map but I think paper editions do. A map would have made the characters' movements easier to follow.
- There's a lot of swearing – obviously this is personal preference and I did get used to it after a while.
- a lot of the dialogue felt very modern (and American) and at odds with the historical, Italian-inspired setting. Hearing members of the nobility coming out with phrases like "surely you must be kidding" was jarring and took me right out of the story. Characters of different social backgrounds also all seemed to talk in the same way.
- the pacing was all over the place. One moment there's a flurry of action and the next there's thirty pages of trying to swindle some stuffy bankers out of their clothes. I found the first half pretty boring and the second half only just made up for it. The narrative style is very episodic, almost more suited to a magazine or TV show than a novel.
- the main villain is very mysterious, but actually so much so that I found it harder to take him seriously. When we do find out more about him, it's in an info-dump right near the end of the book.
- although I praised the setting, I did find the book a bit too descriptive. I didn't really care what specific food the characters were eating or what it looked like, or the precise sectors of the city the characters walked through from A to B. Maybe if I'd had a map... The narrator also name-drops a lot, and my edition didn't have a glossary either. There are a lot of names of gods, locations, months/days, etc and I ended up skimming over whole sentences that were just a string of unfamiliar names that had no bearing on the rest of the book.
Content Warnings
Graphic: Bullying, Child death, Cursing, Death, Gore, Torture, Violence, Blood, Medical content, Kidnapping, Grief, Murder, and Injury/Injury detail
Moderate: Fatphobia, Excrement, Fire/Fire injury, and Classism
Minor: Drug abuse, Sexism, Trafficking, Death of parent, and Abandonment
_fallinglight_'s review against another edition
adventurous
challenging
dark
funny
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.75
This is a book you have to really want to be into to enjoy and that wasn't me. It's intolerably long and overly descriptive yet with unmoving writing. I mean, I love some good world building but this was too much. I hope I never see the word “interlude” again. And though I did eventually like Locke enough, for the most part the characters were underdeveloped to the point I was stone faced when serious things happened to them bc I couldn't connect with them at all. But I did like the Gray King's coup. It was violently ruthless and gory and one of the few moments here where things actually happened and you know what? The Gray King had some points. Also, I don't know about yall but I found this book so moralistic at points, like shut up. But I'll give credit to Mr. Lynch's writing in one regard. The way he writes prayers is actually so heartfelt and they're kinda beautiful. And I liked that there wasn't too much cynism in regards to religion here compared to other dark fantasy books that do that to show how gritty and irreverent the characters/world is and blah blah.
Content Warnings
Graphic: Child death, Death, Gore, Violence, Blood, Death of parent, Murder, Alcohol, and Injury/Injury detail
Moderate: Body shaming, Fatphobia, and Sexism