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adventurous
dark
emotional
funny
mysterious
sad
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Chronic illness, Cursing, Death, Genocide, Gore, Racism, Sexual content, Violence, Blood, Vomit, Grief, Medical trauma, Death of parent, Murder, Fire/Fire injury, War, Injury/Injury detail, Classism
adventurous
challenging
dark
emotional
funny
sad
tense
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Animal death, Chronic illness, Death, Gore, Blood, Murder, Injury/Injury detail
Moderate: Child death, Death, Death of parent
Minor: Ableism, Child death, Grief, Death of parent
adventurous
medium-paced
Plot or Character Driven:
Plot
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Well that was an absolute vibe.
Unique world and storyline complete with all of those addictive tropes. Was the mind to mind communication, segregated career school, shadow-wielding powers, and tattooed bodies among other things unoriginal? Absolutely, but they all make sense to the world in a way that is acceptable to me. The dragon abilities and banter are unexpectedly awesome. Love the chronic illness representation. There were and are a lot of kept secrets and hidden clues that made this so fun to read and set up a lot of excitement for the rest of this series. This will be a fun one to theorize about. Pre-ordered the next book even before finishing.
Unique world and storyline complete with all of those addictive tropes. Was the mind to mind communication, segregated career school, shadow-wielding powers, and tattooed bodies among other things unoriginal? Absolutely, but they all make sense to the world in a way that is acceptable to me. The dragon abilities and banter are unexpectedly awesome. Love the chronic illness representation. There were and are a lot of kept secrets and hidden clues that made this so fun to read and set up a lot of excitement for the rest of this series. This will be a fun one to theorize about. Pre-ordered the next book even before finishing.
Content Warnings
Moderate: Bullying, Chronic illness, Violence, Blood, Death of parent, Toxic friendship, Injury/Injury detail
Minor: Body shaming, Drug use, Grief, War
adventurous
challenging
tense
fast-paced
Plot or Character Driven:
A mix
Strong character development:
No
Loveable characters:
Complicated
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Complicated
*I listened to the audiobook for most of this story before reading the rest online*
+ Besides voicing the bigger male dragon, the audiobook was solid. The feminine narrator did a great job communicating emotion in action and during tense scenes.
+ The action scenes were fun to read, usually.
+ the actual concept with dragons, dragon bonding, was actually pretty interesting!
Other than that, I had a hard time finishing the book :(
- The characters just don’t do that much growing, if ANY. The main character’s motivation to change her study trajectory is purely out of being forced to go training by her mother. I saw very little organic self motivation to become a dragon rider until the latter half of the book. The side characters were also not fleshed out at ALL.
- we never find out why the mother wanted to send the main character, who suffers from chronic pain, to try and ride a dragon. I don’t know why she spent so long letting her daughter train as a scribe before suddenly making another decision.
- we don’t get to know the main character at all outside of the war college, which ends up setting no precedent to what she was like before entering a life changing, dangerous experience (a good set up for character development that was NOT taken)
- There were several opportunities to add depth to the story and characters and Yarros took none of them.
- LGBTQIA+ people and people of color are included but they have very little substance to them.
- In fact, the guy who wants Violet (protagonist) dead the most doesn’t even seem to have a proper reason to want to kill her; he is just evil like that, I guess?
- Conceptualizing the world was very difficult, because we as the reader have 0 help except through awkward information dumping. It feels very tedious to read, and it still leaves a lot to be desired. I can’t even tell you what kind of technological period they’re in. Religion is also very underdeveloped.
- the other quadrants (healing, scribing, infantry) were very underutilized, and were not very detailed
- the protagonist seems stupendously lucky. Will not spoil here but expect major chosen one/main character privileges. She is constantly complimented for being the smartest, but we see very little evidence of this.
- while at a killing school, in a culture that is weirdly very permissive of killing, Violet is extremely sensitive about killing people! Not even innocents, people who are ACTIVELY trying to end her life.
- Violet is disabled but this disability is rarely mentioned, and its applications are barely referenced. There is a consensus of “pushing through” your disability to prevail instead of working with it, which feels a bit insensitive.
- there are enough cliche’s and contrivances in the book where it starts to hurt the “turn off your brain to have fun” experience, even. Many elements are foreshadowed in a poor/hamfisted way, and conflict often feels artificially incited/blown up.
- we know very little about supporting cast and how they each became close to Violet is not very well developed.
- the romance between Violet and her love interest is plainly just lust. I found very little emotional connection between them before the story was trying to pass it off as a deep, swoon worthy romance. On top of all of my issues with Violet, this made the sex scenes impossible to care for. This is part of a multi book series, so some time to stretch out the romance emotionally would have done wonders.
- romance and romantic scenes involve a lot of emphasis on skinny, pale, fragile main woman and the big, tan, intimidating male love interest. The reminders that he could hurt her were overused and not appealing. Personally I have grown tired of this dynamic. I would have liked to see them working together more/Violet making smart moves ahead of him/them actually BONDING in not a strictly sexual sense.
- calling this enemies to lovers is generous. The main pairing certainly had the potential to be enemies but it’s more like “bad first impression to lovers”
All in all, I desperately wanted to enjoy this book. It looks beautiful and I was very excited to read something involving dragons for the first time in a looooong time. The issues kept mounting and eventually it made flaws that were less noticeable glaringly evident.
If you loved this book I’m overjoyed for you! It’s a really cool concept, and I’ve heard others who are able to overlook most of this to just sit in the vibes.
I just think that this FANTASY ROMANCE really could have used more work in all aspects of FANTASY and ROMANCE. Both were so undeveloped here that it was almost disrespectful. On top of that, it is geared towards a “New Adult,” older than YA audience, so I was expecting at least a LITTLE more nuance here.
Thank you for reading my two cents!
Please consider the warnings listed below!
+ Besides voicing the bigger male dragon, the audiobook was solid. The feminine narrator did a great job communicating emotion in action and during tense scenes.
+ The action scenes were fun to read, usually.
+ the actual concept with dragons, dragon bonding, was actually pretty interesting!
Other than that, I had a hard time finishing the book :(
- The characters just don’t do that much growing, if ANY. The main character’s motivation to change her study trajectory is purely out of being forced to go training by her mother. I saw very little organic self motivation to become a dragon rider until the latter half of the book. The side characters were also not fleshed out at ALL.
- we never find out why the mother wanted to send the main character, who suffers from chronic pain, to try and ride a dragon. I don’t know why she spent so long letting her daughter train as a scribe before suddenly making another decision.
- we don’t get to know the main character at all outside of the war college, which ends up setting no precedent to what she was like before entering a life changing, dangerous experience (a good set up for character development that was NOT taken)
- There were several opportunities to add depth to the story and characters and Yarros took none of them.
- LGBTQIA+ people and people of color are included but they have very little substance to them.
- In fact, the guy who wants Violet (protagonist) dead the most doesn’t even seem to have a proper reason to want to kill her; he is just evil like that, I guess?
- Conceptualizing the world was very difficult, because we as the reader have 0 help except through awkward information dumping. It feels very tedious to read, and it still leaves a lot to be desired. I can’t even tell you what kind of technological period they’re in. Religion is also very underdeveloped.
- the other quadrants (healing, scribing, infantry) were very underutilized, and were not very detailed
- the protagonist seems stupendously lucky. Will not spoil here but expect major chosen one/main character privileges. She is constantly complimented for being the smartest, but we see very little evidence of this.
- while at a killing school, in a culture that is weirdly very permissive of killing, Violet is extremely sensitive about killing people! Not even innocents, people who are ACTIVELY trying to end her life.
- Violet is disabled but this disability is rarely mentioned, and its applications are barely referenced. There is a consensus of “pushing through” your disability to prevail instead of working with it, which feels a bit insensitive.
- there are enough cliche’s and contrivances in the book where it starts to hurt the “turn off your brain to have fun” experience, even. Many elements are foreshadowed in a poor/hamfisted way, and conflict often feels artificially incited/blown up.
- we know very little about supporting cast and how they each became close to Violet is not very well developed.
- the romance between Violet and her love interest is plainly just lust. I found very little emotional connection between them before the story was trying to pass it off as a deep, swoon worthy romance. On top of all of my issues with Violet, this made the sex scenes impossible to care for. This is part of a multi book series, so some time to stretch out the romance emotionally would have done wonders.
- romance and romantic scenes involve a lot of emphasis on skinny, pale, fragile main woman and the big, tan, intimidating male love interest. The reminders that he could hurt her were overused and not appealing. Personally I have grown tired of this dynamic. I would have liked to see them working together more/Violet making smart moves ahead of him/them actually BONDING in not a strictly sexual sense.
- calling this enemies to lovers is generous. The main pairing certainly had the potential to be enemies but it’s more like “bad first impression to lovers”
All in all, I desperately wanted to enjoy this book. It looks beautiful and I was very excited to read something involving dragons for the first time in a looooong time. The issues kept mounting and eventually it made flaws that were less noticeable glaringly evident.
If you loved this book I’m overjoyed for you! It’s a really cool concept, and I’ve heard others who are able to overlook most of this to just sit in the vibes.
I just think that this FANTASY ROMANCE really could have used more work in all aspects of FANTASY and ROMANCE. Both were so undeveloped here that it was almost disrespectful. On top of that, it is geared towards a “New Adult,” older than YA audience, so I was expecting at least a LITTLE more nuance here.
Thank you for reading my two cents!
Please consider the warnings listed below!
Content Warnings
Graphic: Death, Sexual content
Moderate: Animal death, Body horror, Bullying, Chronic illness, Violence, Blood, Death of parent, Murder, Fire/Fire injury, War, Injury/Injury detail, Classism
Minor: Drug use, Vomit, Medical content
-Death of several background characters, in varying ways (neck snapping, falling off bridge, incineration by dragon fire, close combat).
-there is a kissing scene with dubious consent as both parties are under a kind of magical influence.
- explicit sex happens twice in the latter half of the book between main characters. There are several mentions of how the male lead can physically hurt/overwhelm Violet, and this can be potentially distressing for someone to read. All other sex among the side characters is only implicit.
- several background characters are poisoned, not to kill, resulting in sickness and vomiting.
- Violet has a chronic connective tissue disease. This results in some tearing and bruising that is painful.
-one character has to have their shoulder magically mended by a healer. It is descriptively painful.
- there are bully type characters who try to hurt/kill Violet several times. One is particular is very aggressive.
- Children of individuals who started a rebellion in the past are made orphans. This is an accepted part of the country’s history.
- brief use of a weed equivalent drug
adventurous
emotional
funny
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
Content Warnings
Moderate: Chronic illness, Colonisation
adventurous
dark
emotional
mysterious
tense
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Animal death, Violence
Moderate: Bullying, Chronic illness, Death, Toxic relationship, Blood, Death of parent, Toxic friendship, Injury/Injury detail
adventurous
emotional
hopeful
inspiring
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Couldn’t put this book down. Hunger-Games vibes but for an older audience. Few plot twists that I didn’t see coming and a good pacing of plot. Characters and their relationships with each other (platonic and otherwise) were central to the storyline.
Content Warnings
Minor: Chronic illness, Death, Blood, Death of parent, War, Injury/Injury detail, Classism
adventurous
emotional
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Chronic illness, War
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
Content Warnings
Graphic: Death, Sexual content, Violence, Murder, War, Injury/Injury detail
Moderate: Chronic illness, Vomit, Grief, Death of parent
Minor: Ableism
adventurous
dark
inspiring
mysterious
tense
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Ableism, Animal death, Child death, Chronic illness, Death, Violence, Xenophobia, Blood, Grief, Death of parent, Murder, Fire/Fire injury, War, Injury/Injury detail
Moderate: Sexual content
Minor: Vomit