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3.59 AVERAGE
3.59 AVERAGE
emotional
reflective
sad
fast-paced
Jeg likte skrivestilen og alt kaoset veldig godt, men klarte ikke lese hele på en gang. Den minnet meg veldig om Annie Erneuxs skrivestil, spesielt det med minner som fotografier.
adventurous
emotional
inspiring
reflective
sad
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Ao me deparar com O amante, fui acometido por uma mistura de sentimentos que, mesmo após a leitura, continuam a reverberar em meus pensamentos. A narrativa provocou uma espécie de epifania, de como as experiências de amor e perda podem, ao mesmo tempo, ser fontes de dor e de uma beleza inquestionável.
Me encontro apaixonado pela escrita de Marguerite Duras, como ela consegue transmitir tantas emoções através de suas palavras, ela nos apresenta uma história que vai muito além dos limites de uma simples história de paixão, nos mostrando a natureza multifacetada do amor e do desejo, mostrando que a beleza muitas vezes reside justamente nas imperfeições e nas contradições.
Quero muito ler outros livros da Marguerite Duras.
Me encontro apaixonado pela escrita de Marguerite Duras, como ela consegue transmitir tantas emoções através de suas palavras, ela nos apresenta uma história que vai muito além dos limites de uma simples história de paixão, nos mostrando a natureza multifacetada do amor e do desejo, mostrando que a beleza muitas vezes reside justamente nas imperfeições e nas contradições.
Quero muito ler outros livros da Marguerite Duras.
This was only 113 pages but it felt like 11,113… The writing was so discombobulating that reading one sentence felt like trying to untangle your wired earphones in the dark or walking through a maze blindfolded. I was deeply, and i mean DEEEEEEPLY, enraged throughout the whole book that I couldnt even properly feel for the character and her hardships. It all felt very pretentious… like the authors main goal was to cram as much words as they could in a SENTENCE, not paragraph.
For example
“I know it's not a question of beauty, though, but of something else, for example, yes, something else mind, for example. What I want to seem I do seem, beautiful too if that's what people want me to be. Beautiful or pretty, pretty for the family for example, for the family no more than that. I can become anything anyone wants me to be”
LIKE WHAT ARE WE SAYINGGGGG. Omfg I know my reading comprehension is low but this actually PMO girl bye
For example
“I know it's not a question of beauty, though, but of something else, for example, yes, something else mind, for example. What I want to seem I do seem, beautiful too if that's what people want me to be. Beautiful or pretty, pretty for the family for example, for the family no more than that. I can become anything anyone wants me to be”
LIKE WHAT ARE WE SAYINGGGGG. Omfg I know my reading comprehension is low but this actually PMO girl bye
La memoria como un acto creativo. Qué recordamos de nuestra propia historia, cómo narramos nuestra identidad desde los destellos de fragmentos que se difuminan en el mar del tiempo, de lo que se deja atrás y es eterno... Una prosa que refleja las intensidades y vacíos de la memoria; en donde lo confesional es ficción.
Duras' most popular work is a product of her own affair with an older man against the humid backdrop of Vietnam, formerly known as French Indochina. It is at the end of the European colonial/imperialist era. Both unnamed lovers are outsiders, the Others. The narrator's encounters with her older lover shape her relationship with Vietnam and with her writing.
challenging
emotional
reflective
fast-paced
Plot or Character Driven:
N/A
Strong character development:
N/A
Loveable characters:
N/A
Diverse cast of characters:
N/A
Flaws of characters a main focus:
N/A
Although it is rather short, this is arguably one of my favorite books and amongst some of the best I've ever read in terms of honest emotional appeal
dark
emotional
reflective
sad
tense
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Yes
mysterious
reflective