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I liked the teashop. I think it was the thing I liked the most about this book. It's actually one of the most important things in the story itself, and what silently drives the plot in the end, but strangely enough, it's also something that when you step into you immediately leave. I feel like this book could've shined so much brighter if the author had wrung out all the potential magic everything had. Stephanie Garber actually came to mind when I read this; granted, not my favorite author, but she revels in the pure wonder her stories are dripping with, and I feel like A Tempest of Tea could've benefited so much from that. The teashop hinted at so much potential in that sense, I was disappointed to watch it mostly be sidled off of the narration.
Most of the characters felt really messy, in the wrong sense. They felt messily written. I found Arthie to be a potentially interesting, solid protagonist, but throughout the story her values blurred and fluctuated, and her decisions and opinions on what was happening in the plot and especially her feelings towards the cast of characters switched from one extreme to the other in a heartbeat. Which again, would've been really interesting as a character exploration (usually most cunning head-of-gang protagonists are too smart and put-together) but those qualities didn't feel intentional, mainly because the story wasn't exploring her from that standpoint. Arthie simply ended up feeling like the author's vessel to tell the reader how to feel and what to think about each character.
And I enjoy my romance subplots, but the romance was overused to a degree that became frustrating. Every single interaction that each couple had was romantic, or ended in such way, and it drained those relationships of all substance. Jin and Flicks' I definitely liked the most, because there was a previous history established for them (which, in any case, I also would've liked to see happen, and not to be told about it).
This story can be looked up closely still, and you'll keep finding weird knots and empty spaces. There was too much flimsy tell (and not show), the dialogue tended to strengthen and collapse, along with the foundation of the story. There were some really solid, strong chapters in the middle, and definitely hearty, meaty substance here and there, but all of it melted away pretty quickly.
Despite everything though, it did leave me wondering for its author's development as a writer. Hafsah Faizal lays out definite potential, I just don't think she hit the mark here. At least not for me.
Minor: Death, Gun violence, Blood, Death of parent
Moderate: Colonisation
Minor: Violence, Blood, Trafficking, Death of parent, Fire/Fire injury
because there really is potential in this (though i don't think it needed to be dragged out into a duology). i haven't read six of crows but i do LOVE a good heist and honestly the heist planning and actual heist itself really is the highlight of the book - very entertaining, very well-written. what mainly drags the narrative down for me is the boring romances: most notably, the love triangle between arthie/laith/matteo. i really don't like the insta-attraction solely because it feels forced. the execution of it is just awkward and i really don't see any reason for arthie not to act on her attraction to either of them so the pseudo-forbidden romance/attraction thing just becomes frustrating. and i really don't like romances that just go on and on about how the attraction is SO intense and SO palpable that they just CAN'T ACT NORMALLY AROUND EACH OTHER!! like it just feels cringe. jin and flick feel a lot more natural and i guess it's because they're already established as Liking Each Other but they do end up falling victim to the "can't act normally around each other" 'trope' or whatever that is just embarrassing to read sometimes but it makes more sense for flick, given the class she was raised in. i don't really know what arthie's excuse is, though. i don't know what her deal is at all. frankly i think too many twists and reveals came too late to make her a compelling character and i really don't get the whole
like i said, i don't think this needed to be dragged out into a duology. the ending feels very 'cheap' and frustrating, not only because of how many reveals come so late, but because of the plot lines that could've been easily wrapped up with another 50-100 pages instead of being drawn out into another book. i'll probably read it just to see if the context it provides help changes my mind on this book and makes it less of a disappointment but i'm not going to let myself get my hopes up about it
Graphic: Genocide, Racism, Xenophobia, Colonisation
Moderate: Death, Gore, Blood
Minor: Death of parent
Graphic: Racism, Xenophobia, Blood, Colonisation
Most likely will pick up the second book when it comes out.
Graphic: Death, Gore, Gun violence, Violence, Blood, Grief, Death of parent, Murder, Fire/Fire injury, Injury/Injury detail, Classism
Moderate: War
also damn you cliffhanger
Graphic: Gun violence, Violence, Blood
Moderate: Colonisation
Graphic: Blood, Fire/Fire injury, Injury/Injury detail
Moderate: Gun violence, Death of parent
Graphic: Blood
Moderate: Gun violence, Death of parent, Fire/Fire injury, Colonisation
Minor: Racism, Murder
However, the pacing was...odd. It would slow way down, then flip through a week's worth of time in a single page. I felt jerked around a bit, never able to settle down into a reading pace.
The author also has an odd habit of mentioning things and then never bringing them up again (unless they're going to show up in the second book). I think the biggest issue with this is
The ending seems rushed, but I'm still going to read the second book. I need to know how all of this comes together in the end.
Graphic: Blood, Death of parent, Fire/Fire injury
Moderate: Grief
Minor: Slavery
Graphic: Death, Blood
Minor: Gaslighting