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just_one_more_paige's review against another edition
adventurous
dark
emotional
hopeful
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Shoutout to @staxsonstaxs for the enthusiastic hype for this one. I was getting ready for a trip and was looking for plane reads - this seemed like the perfect mix of fantasy and entertainment and carry-on-friendly sized book. And friends, it was all that and more.
The third daughter of a small realm, Marra is the type of princess relegated to the background (or, in this case, a convent). She's a little odd, not suited for royal life, and honestly it fits her well. But after realizing that while she's been able to escape the demands of her "station," her sisters have suffered at the hands of an abusive prince from a grander, neighboring country, Marra sets off on a mission to do something about it, to save her remaining sister, because no one else is going to. She fumbles through her quest with naivete and unmatched perseverance, picking up allies like a dog made of bones, a powerful dust-wife who can converse with the dead, a former knight recently freed from a curse, a godmother's whose magical skills are a bit darker than she'd like them to be, and a demon-possessed chicken.
This novel opens by dropping the reader *right into* some serious horror-style stuff, like Marra's fingers and hands bleeding as she tries to fashion a dog from wire and old bones in a land filled with cannibals. Yikes! But the writing is so perfectly dark and atmospheric that it overcame any squeamishness I had about what it was actually conveying. And as the story continues and we get more background about what brought Marra to that pit full of bones in the first place, with details from her childhood and growing up in the convent, I settled right into the story that was unfolding. I loved how this novel began with the "impossible tasks" that are usually the meat of a fantasy-quest tale, but then they were just the start, the very tip of the narrative, a sort of buy-in for Marra for the "actual work" that would save her sister (on this note, real life horror and content warning re: physical and emotional domestic abuse). At that point, the shades of horror remained strong, but were never too much (though I hate teeth/teeth-falling-out stuff, so that scene was *almost* too much). And there was a subtle humor in the writing, the kind that recognizes and calls out the normally accepted (and sorta nonsensical) minor details of life, but does so with an aim at poking fun (kinda satirical, but not quite all the way there) and with very astute insight. All in all, it felt sort of Gaiman-esque, in those respects.
This ended up being one of the most heartwarming, ragtag groups of mismatched people out on a rescue mission that I’ve ever read. They were all quirky and slightly "off" from what their stereotypical character would be in ways that were so endearing, edgy enough to be original but close enough to feel familiar. Speaking of, that combination really describes the entire reading experience for me. The simultaneous sense of recognition and foreign-ness in the novel is fascinating. Elements of so many different fairy tales are there and mashed up, so that they are like, right on the edge of my tongue, but I just couldn't bring a particular story/plot to mind exactly. I loved that. It was like reading a combination of all the background, practical, parts of a fairy tale, but they were brought to center stage and given the attention they don't normally get. And, my last story-telling comment: what an ending! Where we left each character was a great fit. Plus, the feeling of promise for the future, but also an undertone that things are not "all's well that ends well" (as it were), as a subversion of the traditional "happily ever after" fairy tale ending, was just right for this book. I was just so full and satisfied after I finished.
There are a few other points I want to make, mostly related to the themes and social commentary within the context of this fantasy tale. First, as I mentioned, there were many insights that Kingfisher made with a subtle humor, through Marra's internal dialogue, that concisely, and with stunning accuracy, conveyed indictment of that uneven-ness (unfairness) of life. Like right from the start, they wrote something like "it was cruel to punish starving people for that they had been forced to eat" and like, what a sentiment (meant literally here, but think of all the metaphorical extrapolations as well)! I'll be honest, Marra’s naïveté and incredulity at his sisters' reality is…a POV that I wish all of us could have, that I wasn’t so jaded reading this that I thought she was silly-unaware. Real life can really suck. Speaking of Marra, her many roles (woman, sister, princess, nun) are contrasted with really well-crafted commentary on the various truths of moving through the world as a female. She was also a spectacularly written “reluctant heroine,” one of the most believable I've ever read. Her simultaneous loss of innocence and growth into her own strength of character in the face of brutal realities is inspiring and heartbreaking in equal measure, the exact right mix for someone with no resources taking every chance/sacrifice to right a terrible evil. Side note: I sort of read her as being austistic, or somehow on the autism spectrum, did anyone else feel that? Finally, the hardness/heaviness in the messages about how “not all ______” is a flawed argument were spot on. Like, just because your experiences are good with that population, doesn’t mean that everyone’s are and turning a bling eye only hurts people further. Ugh, such an important concept.
Ok, let me just say, I have never found another book that made me want to write this description before, but this was such a wonderful and fascinating mix of dark-horror vibes and wholesome, heart-filling characters. Like, who thinks to combine those? But thank goodness Kingfisher did, because this was wonderful! I loved it, for all the adventure and character-strength-growth and magic and human insight. I highly recommend it!
“…she was kneeling on the edge of a pit full of bones, in a land so bloated with horrors that her feet sank into the earth as if she were walking on the surface of a gigantic blister. A little wildness would not be out of place at all.” (What a description!)
“If you had learned not to trust your own senses, you might wait too long to run from an enemy.”
“…the history of the world was written in women's wombs and women's blood and she would never be allowed to change it.”
“But everywhere’s dangerous if you’re foolish about it.”
“It’s all just a little overwhelming, isn't it? [...] You've done so much and here we are and now it feels like there's so much left to do, doesn’t it?” (The best encapsulation of ambiguous anxiety that I have ever read.)
“Nothing is fair, except that we try to make it so. That's the point of humans, maybe, to fix things the gods haven’t managed.”
“You cannot help people who do not want help. [...] You can't force someone to do what you think is best for them. [...] Well, you can. But they don't appreciate it and most of the time it turns out that you were wrong.”
Content Warnings
Moderate: Domestic abuse, Emotional abuse, Miscarriage, Grief, Cannibalism, Death, Gaslighting, Misogyny, Physical abuse, Pregnancy, and Child death
Minor: Confinement
zghutcheson01's review against another edition
adventurous
hopeful
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.75
This book has the perfect combination of fairytale tropes and trope-breakers to make a wonderful story. The main protagonist is a woman in her 30s trying to save her older sister from an abusive marriage with two old magic women who I love, a dog made of bones, and a love interest in his late 30s/early 40s. The main character loves embroidery and weaving and is terrible at politics but she's still capable and never shamed for not being married and not being a virgin which is rare for books of this genre. If you like found family and magic, you'll love this book
Content Warnings
Graphic: Child death and Domestic abuse
Moderate: Misogyny, Violence, Death, and Miscarriage
anni_swanilda's review against another edition
adventurous
funny
lighthearted
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Misogyny, Pregnancy, Violence, Death, and Body horror
Moderate: Injury/Injury detail, Physical abuse, Child death, Confinement, and Domestic abuse
Minor: Miscarriage, Murder, and Cannibalism
vasha's review against another edition
adventurous
emotional
funny
hopeful
inspiring
reflective
slow-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
This is a T. Kingfisher fantasy novel, and if you have read a few of her others, you will know what to expect and not be wrong. It's funny, creepy, and thought-provoking by turns; it has powerful, eccentric old women, it has animal companions, it has a very, very well-behaved knight, it has a quest through a world where something inventively horrible is likely to turn up at any moment, and it has a naïve, earnest main character who fumbles through doing something impossible because things simply aren't fair and must be rectified. Sometimes I complain because T. Kingfisher's books are so much alike (apart from "The Twisted Ones" and "The Hollow Places" which are contemporary horror and my least favorite, go figure!) But firstly, what she does is unique and excellent so why object if she keeps doing it; and secondly, each of her books has a subtly different theme. This time, she takes on fairy tale marriages. A queen is playing a tricky strategic game trying to keep her small kingdom from invasion, and one of her moves is to marry her beautiful, sweet eldest daughter to the monstrous prince of a neighboring kingdom. The death of the eldest means the second daughter Kania, a much more steely personality, is the next wife and must become pregnant over and over trying to produce an heir, while the third daughter, Marra, is set aside in a convent. Marra is the hero of this story: she's shy and prone to anxiety, and it takes her a long time to realize just how bad Kania's life is (eventually leading to reflections on how many injustices the whole system of marriages and inheritances contains), and even longer to think of something to do about it, though that thing is just going to someone else for help. She's a very unusual hero in that other people do all the dramatic deeds in this story, and she has the most unlikely of personalities for a leader, but the other members of her quest party defer to her, if only because the whole thing was her idea, she keeps persisting, and she gives the others a reason not to give up or do something else. It's a lovely depiction of getting something done by mutual assistance and by taking one step at a time: Marra goes to a dust-wife, an extremely powerful witch who can talk to and command the dead, and convinces her to set aside the inaction which (and really, it's a good thing) she usually maintains; she helps rescue Fenris, a knight held captive by the Fair Folk, and while he provides the party with skill with weapons, she realizes that he needs emotional support and inconspicuously gives it; she overcomes her prejudgment of her apparently-useless fairy godmother Agnes to find another ally of an unexpected sort (Agnes's accomplishments are some of the most delightful surprises in the book); and the final member of the party is Bonedog, a mastiff resurrected as a skeleton, who really just needed another chance to be a good dog. In this story, a princess saves another princess, or really gives her the opportunity to save herself, and the distinction between good and evil fairy godmothers is hopelessly muddled. This deeply feminist and quietly hopeful book is one that's badly needed, and I expect to be re-reading it many times.
Content Warnings
Moderate: Cannibalism, Child death, Confinement, Miscarriage, Child abuse, Misogyny, Violence, Suicidal thoughts, Domestic abuse, Murder, Physical abuse, and Pregnancy
Minor: Blood, Medical content, War, Adult/minor relationship, Animal death, and Torture
smitinghedgehog's review against another edition
adventurous
challenging
dark
emotional
funny
hopeful
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.75
Content Warnings
Moderate: Cannibalism, Child death, Death, Injury/Injury detail, Confinement, Body horror, Misogyny, Domestic abuse, Emotional abuse, Gaslighting, Grief, Physical abuse, and Pregnancy
catwhisperer's review against another edition
adventurous
dark
funny
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
4.75
Content Warnings
Graphic: Misogyny, Physical abuse, Violence, Death, Injury/Injury detail, and Domestic abuse
Moderate: Miscarriage and Child death
Minor: Cannibalism
affabletoaster's review against another edition
adventurous
challenging
dark
emotional
funny
hopeful
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Miscarriage, Grief, Domestic abuse, Child abuse, Death, Animal death, Murder, Pregnancy, and Child death
Moderate: Cannibalism, Confinement, Misogyny, Animal death, and Body horror
Minor: Alcohol, Dementia, Death of parent, Classism, Bullying, Torture, Suicide attempt, and Slavery
fireinherveinzz's review against another edition
adventurous
dark
emotional
funny
reflective
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Dark take on sleeping beauty vibe
Content Warnings
Graphic: Miscarriage, Murder, Pregnancy, Domestic abuse, Emotional abuse, and Misogyny
aardwyrm's review against another edition
adventurous
dark
emotional
funny
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
T Kingfisher brings us the tale of a woman who is deeply practical in most ways but vulnerable on a few fronts, her ill-assorted chosen companions with unexpected magical gifts, and an enemy who is more about the implacability of entrenched power structures than personal malice but has plenty of personal malice, too. There are some writers I've had to step back from after learning their beats this well, but the world, the prose, and the poignancy are all as sharp and bloody as ever. Never miss a Kingfisher.
Content Warnings
Graphic: Animal death, Cannibalism, Violence, Confinement, Medical content, Murder, Death, Child death, Miscarriage, Misogyny, Domestic abuse, Gaslighting, Pregnancy, Sexism, and Physical abuse
keenanmaree's review against another edition
adventurous
dark
funny
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
This book is so much fun. The story has a perfect balance of adventure, suspense, drama, and humor, and the characters (especially Bonedog) are all delightful.
Content Warnings
Graphic: Death, Domestic abuse, and Pregnancy
Moderate: Body horror, Child death, Confinement, Miscarriage, Misogyny, Murder, Physical abuse, and Slavery
Minor: Animal death, Blood, and Vomit
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