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3.58 AVERAGE
3.58 AVERAGE
This sure is a bleak one and that's an understatement. Aside from the unnecessary opening section focussing on the evolution of the partnership and an interminable chapter giving a blow by blow account of a boxing match this is pretty much classic Ellroy.
This is a true noir, not hard-boiled or pulpy but a story as black and self-destructive as they come. The memoir of a cop making bad choices, knowing that he is making them and unable to stop his own fate; leaving out the existential malaise that usually afflicts the protagonist in these stories and replacing it with a brutal and hard edged look at the underbelly of L.A. in the late 1940's.
Ellroy takes the mood of something like Edward G. Ulmer's classic 1945 poverty row noir Detour and adds everything that they weren't allowed to show back then with this psychological character study. This is what makes him stand out from the crowd. On face value this could be taken as a police procedural novel but if you look beyond the stumbling detection plot you are invited in to a journey filled with depravity and weak willed men and the death of a beautiful yet impure girl used as a background or excuse for their behaviour.
Aside from that opening section there are few things that I had a problem with which caused the low rating, primarily that of the behaviour of the protagonist Bucky. We are consistently told that he has an obsession with the murdered girl but at no point did I ever know why or feel as if it was a natural progression of his character. He is a cop, he wants to solve the murder, he wants to investigate other crimes, it's just another murder and then all of a sudden, with no warning and no explanation he is fantasising about the girl and obsessing over the case. In his later work I think Ellroy got much better at this aspect of explaining his protagonists behaviour but for this one, sadly it was lacking.
I don't think I can let the review go by without mentioning the movie. It wasn't very good was it. I saw it first and knew it wasn't a very good adaptation. Initially whilst reading I thought it was because it was too faithful to the novel but as I came to the end I realised that I coudn't remember much of it from the film so that clearly wasn't it. The movie was bad but then I don't think this novel really lends itself to a good movie adaptation and in this age of any old hack ([a:Suzanne Collins|153394|Suzanne Collins|http://d.gr-assets.com/authors/1346329320p2/153394.jpg] being the most recent example) writing a novel filled with cliches just so they can sell the movie rights that might not vibe but what's wrong with a book being written just to be an enjoyable book and nothing more?
To ape the man: Vibe! I enjoyed this book. Buy! This book. Read! About filth, bent cops, dead girls, psychotic killers and gratuitous political glad-handing. Don't! Keep it hush-hush. Give! A copy to everyone.
This is a true noir, not hard-boiled or pulpy but a story as black and self-destructive as they come. The memoir of a cop making bad choices, knowing that he is making them and unable to stop his own fate; leaving out the existential malaise that usually afflicts the protagonist in these stories and replacing it with a brutal and hard edged look at the underbelly of L.A. in the late 1940's.
Ellroy takes the mood of something like Edward G. Ulmer's classic 1945 poverty row noir Detour and adds everything that they weren't allowed to show back then with this psychological character study. This is what makes him stand out from the crowd. On face value this could be taken as a police procedural novel but if you look beyond the stumbling detection plot you are invited in to a journey filled with depravity and weak willed men and the death of a beautiful yet impure girl used as a background or excuse for their behaviour.
Aside from that opening section there are few things that I had a problem with which caused the low rating, primarily that of the behaviour of the protagonist Bucky. We are consistently told that he has an obsession with the murdered girl but at no point did I ever know why or feel as if it was a natural progression of his character. He is a cop, he wants to solve the murder, he wants to investigate other crimes, it's just another murder and then all of a sudden, with no warning and no explanation he is fantasising about the girl and obsessing over the case. In his later work I think Ellroy got much better at this aspect of explaining his protagonists behaviour but for this one, sadly it was lacking.
I don't think I can let the review go by without mentioning the movie. It wasn't very good was it. I saw it first and knew it wasn't a very good adaptation. Initially whilst reading I thought it was because it was too faithful to the novel but as I came to the end I realised that I coudn't remember much of it from the film so that clearly wasn't it. The movie was bad but then I don't think this novel really lends itself to a good movie adaptation and in this age of any old hack ([a:Suzanne Collins|153394|Suzanne Collins|http://d.gr-assets.com/authors/1346329320p2/153394.jpg] being the most recent example) writing a novel filled with cliches just so they can sell the movie rights that might not vibe but what's wrong with a book being written just to be an enjoyable book and nothing more?
To ape the man: Vibe! I enjoyed this book. Buy! This book. Read! About filth, bent cops, dead girls, psychotic killers and gratuitous political glad-handing. Don't! Keep it hush-hush. Give! A copy to everyone.
challenging
dark
emotional
mysterious
sad
tense
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
No
Flaws of characters a main focus:
Yes
This book was a bargain sale and looking at the reviews on the back cover, I thought it would be a good read to spend some time.
I liked the mystery and all the detective work involved, but honestly I didn't like the way mexican and black people is described.
This book shows the entire story with different turns, first the fight, then the murder case, then the wedding and at the end it tries to close all the loose ends relating everything to the Black Dahlia. Some of these parts could have been omitted.
I liked the mystery and all the detective work involved, but honestly I didn't like the way mexican and black people is described.
This book shows the entire story with different turns, first the fight, then the murder case, then the wedding and at the end it tries to close all the loose ends relating everything to the Black Dahlia. Some of these parts could have been omitted.
This got, like, really weird really fast.
My mom really loves true crime stuff-- basically, if you leave her alone with the TV for a half hour and come back, she'll be watching something about murdered people. So, I've picked up a little curiosity for serial killers. Not the kind where people send them letters or tattoo Dahmer's face on their tits or anything, just a healthy interest in death and debauchery. So, I thought I would love this book.
And I did, for a while. Basically, for me, the book ended sometime between After that, I stopped caring.
My mom really loves true crime stuff-- basically, if you leave her alone with the TV for a half hour and come back, she'll be watching something about murdered people. So, I've picked up a little curiosity for serial killers. Not the kind where people send them letters or tattoo Dahmer's face on their tits or anything, just a healthy interest in death and debauchery. So, I thought I would love this book.
And I did, for a while. Basically, for me, the book ended sometime between
Spoiler
Lee fucking off to Mexico or some shit and Bucky breaking it off with Madeleine.
challenging
dark
slow-paced
I can't believe I haven't read Ellroy heretofore. Nothing amazing, but completely solid and entertaining.
dark
emotional
mysterious
sad
medium-paced
Waar ik in het begin dacht "die politie/detectiveromans zijn toch precies niet echt mijn ding", merkte ik dat ik na een honderdtal pagina's reeds in het verhaal meegezogen werd.
Want niets is wat het lijkt in dit boek, zo ook het verhaal. Wat lijkt te starten als het clichéverhaal "koppel agenten lost mysterieuze moord op" blijkt dat uiteindelijk helemaal niet te zijn. Neen, dit is pure waanzin, obsessie en corruptie. En de laatste hoofdstukken wordt het helemaal feest. Man, wat een belevenis.
Al moet ik misschien toch eens beginnen nadenken over een keertje wat luchtiger lectuur.
Want niets is wat het lijkt in dit boek, zo ook het verhaal. Wat lijkt te starten als het clichéverhaal "koppel agenten lost mysterieuze moord op" blijkt dat uiteindelijk helemaal niet te zijn. Neen, dit is pure waanzin, obsessie en corruptie. En de laatste hoofdstukken wordt het helemaal feest. Man, wat een belevenis.
Al moet ik misschien toch eens beginnen nadenken over een keertje wat luchtiger lectuur.
dark
informative
mysterious
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Death, Gore, Sexual content, Murder