Reviews with content warning for Acephobia/Arophobia - Earthlings

Finished this book in one afternoon, was an absolute rollercoaster of a read but one that has not left my head since. I read Convenience Store Woman earlier this year and was very taken by Sayaka Murata's irreverent writing style and incisive social commentary so was very eager to check out more of her work, and Earthlings gave me everything I wanted and more. Dare I say I liked it a little more than Convenience Store Woman, which is a really good book, don't get me wrong, but Earthlings fucking *goes there*. Understandably this might be turnoff for some readers but it was definitely a plus for me.

Sayaka Murata has (at least within the scope of my worldview and experiences) one of the most palpably empathetic understandings of what it means to navigate this world as a woman foremost, but also just a person, who is marginalised by society in some way. She treats societal expectations as almost a sort of body horror-like violence inflicted upon her protagonists, often finding themselves being dragged kicking and screaming to the expectations of marriage, gender roles and especially procreation like escapees of a cult. There is this oppressive feeling echoed by the characters that they know they can run but they can't hide.

In Earthlings, our protagonist Natsuki and her husband conceptualise themselves as sort of rogue agents, aliens on a planet with an almost authoritarian drive towards upholding the nuclear family. Natsuki suffers trauma after trauma as a child, inflicted upon her by the adults around her. She understands the very real cognitive dissonance of how unpersoned and abused living children are in a world that also insists children are the most important thing. She considers this understanding some sort of defect in herself, as very few people around her also seem to see it.

Reading Earthlings, the adage of art disturbing the comfortable and comforting the disturbed rattled around in my head a lot. By the end of the book, when things start taking a sudden turn for the horrific, the meaning I took from this crystallised starkly. Natsuki is able to find self actualisation through deep transgression. In a world that treats her as a tool, a motif that is repeated throughout, not belonging to herself, she does the unthinkable to herself and to other willing (maybe a couple not so willing) participants, and feels autonomous for the first time in her life. Nothing that's ever been done to her was done with her consent, so the only way she can conceptualise freedom is through this, exacting horrors upon herself of her own will. The normalised banal invasiveness and dehumanisation of social pressure is contrasted with literal, visceral violence as if to say "See? This is what it feels like"

With all that said, the writing keeps Murata's whimsical and matter-of-factly dark comedic tone throughout, even through some very affronting scenes and imagery so if you think that might make this one hard to stomach then I don't blame you.

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kianiz's review against another edition

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challenging dark medium-paced

Plot- or character-driven? Character
Loveable characters? No

2.0

um… what the fuck

FUTURE READER: HEED THE TRIGGER WARNINGS! THERE ARE A LOT.

Ok, now that I’ve had a day to simmer, this is legitimately one of the most disturbing books I’ve read. I’m not easily triggered or disgusted but

reading in detail about her being forced to give a blowjob at the age of ELEVEN

fucked me up! And her friends’ reactions made my stomach turn. Her mom was an absolute cunt. There is no other word.

Not to mention the

incest!!!!!!

I cannot forget about this book soon enough.

I still don’t know if I liked it or not. It’s impactful for sure, but is it a story that I’d ever want to revisit? FUCK NO. I already wish I could deep clean my brain.

Content Warnings

iheartm4m's review against another edition

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challenging dark funny sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

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auteaandtales's review against another edition

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challenging dark mysterious sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

4.0

I don’t think ‘enjoyed’ is really the right word for this. I have a weak stomach so, a lot of the time, I was disgusted and it was a difficult and challenging read.

Saying that, I did enjoy the social commentary about the ‘Factory’ and how our bodies don’t belong to us. I also enjoyed the storytelling via Piyyut and Planet Popinpobopia. Much like I did with Convenience Store Woman, I really related to the main character and I, too, spent my childhood wondering when my ‘real’ family, the aliens, would come and take me back home (although this was told in a much darker way).

I’m sure this will be on my mind for a long time, much in the way Convenience Store Woman was. I would definitely read up on the trigger warnings before diving in, though, even if you don’t usually need them. It’s quite disturbing.

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lorenag5's review against another edition

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adventurous challenging mysterious reflective fast-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

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snerp_reads's review

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dark mysterious slow-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.75

The concept for this book was very interesting, and worth exploring, but I feel this book fell flat.
I did enjoy the small tidbits of world-building around Natsuki's belief in Popinpobopia, and

how she used said beliefs to mask her coping mechanisms and responses to abuse as magical powers in her young mind.

I thought we would've gotten a longer narrative through her childhood,

but 40% into the book there was a pretty long time skip, which I felt threw off the pacing.

This would have been fine by itself, but the story seems to unravel too quickly and without satisfactory explanation

in the last quarter of the book.

Alongside those pacing issues, a lot of the heavier topics depicted seemed slightly ham-fisted in and included mainly for shock value, instead of for relevance or genuine exploration. There does seem to be an issue with the characters, especially Natsuki. The voice of her childhood self and her adult self are identical, in a way that both makes her sound too old as a child and too young and naive as an adult. This weird contradiction is prevalent from the start, and never goes away. The ending did not make sense or feel very thought out to me, and the few twists at the end didn't have much foreshadowing.

However, I did find Natsuki and her husband's relationship interesting, and a refreshing change of pace from most written marriages.

The mechanic of framing Natsuki's vision of herself as an alien was also one of the main things I liked about this book.
I enjoyed the concept Murata created, and was drawn in to read more when she used it to explore Natsuki's feelings and reactions to the mistreatment of her by the adults around her, but I feel the book ultimately veered too hard into shock-value territory, and caused any potential messages or analysis to be flung out.

Content Warnings

fomko's review against another edition

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dark medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? It's complicated
Flaws of characters a main focus? It's complicated

4.0

Wtf

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